00:00ગુજરાતી ફિલ્મોની દશાને દીશા બદલઈ રીછે તેરે ગુજરાત માટે ગર્વ કઈ શકાએ તેવી ફિલ્મ મારણ ન
00:06બોતેર માં રાષ્ટીય ફિલ્મ
00:08પુરસ્કારની અંદર બેષ્ટ ફીચર ૫િલ્મ ઇન ગુજરાતી નો રાષ્ટી એવારણ મારણ પાછરણ મહેનત કરનારા
00:15ફિલ્મ ના ડિર્ક્ટર અભીશક જેનાપણ આપણી સાતે જેધી બાદ કરીશું ભીશું ભીશારણ ભીણ ભીણ ભીણ ભી
00:43પણ જેઆરે અનાંસમેન્ટ થાંં તેયારે હીજાએ કામાં એક શૂટિંગ માં જથો તેયારે શૂટ ચાલુદું
00:50તેપેમાં હીચેતેડ હીચેતેતે હૂરેજેને થૂયાજેફેટ હીતેતે ચેજ્ડ હીડેણ્માં છીાં
00:58When the announcement started, someone said,
01:03that our film was in 2024.
01:05He said, yes, he checked out.
01:08There was a sensor.
01:09He was like, this is a sensor.
01:12There was a announcement.
01:14Then the phone was started.
01:18The phone was silent.
01:19The phone was silent.
01:21The announcement was still silent.
01:25The text was still silent.
01:32Everyone was in the news.
01:34The news was that,
01:35the crew was doing it.
01:39The announcement was that,
01:42the announcement was that,
01:43that it was announced in July,
01:45that it was exactly the first 20th of July.
01:48In the year 2006,
01:50I was in the first year,
01:51film making in the film school, so this is what it is.
01:55Now, you have to be aware that it was a great deal, and it was a great deal.
02:02It was a lot of emotional, and it was a great deal.
02:07There were four years in the film.
02:10The crew was patiently waiting for us, and everyone was ready.
02:14And I thought that it was a great deal.
02:15I will ask you a question, if you are trained in Gujarati films, whether it's a comedy or a drama
02:26or a comedy film,
02:27do you want to make a dark thriller film?
02:32Do you have any points for the script that you have to make a film?
02:36Do you have any points for the film?
02:38No, we don't have any points for the film.
02:41Obviously, the look is dark and the subject is a bit serious.
02:46There is a comedy film.
02:49There is also a film.
02:51But we don't forget about it that we have to talk about it in the world.
02:57We have to talk about films.
03:00During the last two of the film, the story of the film was made.
03:03It is a part of the film.
03:05Since it was a movie I have to come to the film on the street street.
03:11This is the movie.
03:12We were able to talk about it.
03:17Wait, come here.
03:19We don't have any questions.
03:22I have to tell you the story.
03:27In the past, the people always have to come to this group.
03:31They have to come to this group.
03:34After that, there were all the researches and researches.
03:37The first thing happened, in the past,
03:41there were hundreds of thousands of people in the past.
03:46There were thousands of people in the past.
03:47There were thousands of people in the past.
03:50What happened to them?
03:52to have a problem.
03:53What is being said about these things?
03:56What do we have to do in order to do this?
03:58How do we do that?
04:00And then the idea of this is how the government lives going through the government.
04:05Whether it comes to the government, whether it comes to the government, whether it comes to the government,
04:06how do we do this?
04:07They say, I think, I'm not going to do that.
04:14I don't want to stop them going through the government.
04:20Because there is no doubt about it.
04:22So the film was made and when we were talking about it, the film was not the same.
04:29Yes, it was a lot of people who came out and came out and came out and came out and
04:35came out.
04:35It was not the same.
04:36The people's response were silent.
04:43Usually the film was silent.
04:45They are silent.
04:53They are still coming.
04:59They are coming to the people.
05:03People are coming to the people.
05:09It is a very difficult thing to say, but it is a very difficult thing to say.
05:15Yes.
05:17And the people who are talking about this is a very difficult thing to say.
05:26I think it's a big deal.
05:28Because this audience has a mobile phone.
05:32They have a great OTT subscription.
05:35They have international content.
05:37They have South Indian films and content.
05:40They are very exposed to our filmmakers.
05:46They are beyond a whole film, a whole craft.
05:51They are appreciated.
05:53They are appreciated.
05:54Our Gujarati audience has become a character.
05:57I am a fan of comedy.
05:59I am a fan of family drama.
06:03We have seen a film from this film.
06:06We have seen a film from this film.
06:09What do you think about this film?
06:13Avishak, the film set, scripting,
06:18shooting, production,
06:20what do you think about this film?
06:23What do you think about this film?
06:24What do you think about this film?
06:25I am very excited.
06:28The subject is that,
06:31when I started my research,
06:33there were a lot of newspaper articles,
06:35there were lots of documentaries,
06:37there were lots of documentaries.
06:40There were lots of documentaries.
06:41There are so many filmmakers,
06:41There are such writers, actors,
06:43there were many stories.
06:47There were two days around this film.
06:50And there were many people who always have
06:51seen them,
06:52often some of them saw me.
06:55There was one thing to do,
06:56the fact that,
06:57that we don't know about the truth.
06:59This predatory concept of Stockholm Syndrome is a visual.
07:08There is a documentary in Madhya Pradesh, which is the victim of Madhya Pradesh.
07:14But the victim is talking about it on the screen.
07:17He is talking about it on the screen.
07:23He said that the victim is a bad thing.
07:30But when I asked to go back to the house,
07:34it was a very difficult time when I reached back to the house.
07:40I thought that it was a good thing.
07:44It was a good thing.
07:46But when I was told that my father's family and family
07:51and I was a bad thing,
07:56it was a bad thing.
07:57It was a bad thing.
07:59And this was a bad thing.
08:01It was a bad thing.
08:03And then I thought it was a bad thing.
08:07I would like to say, there is a role in this.
08:08And if there is a role in this, then we have to ask ourselves.
08:19What is the role in this?
08:24What is the role in this?
08:26What is the role in this role in this role?
08:29It is our role in this role.
08:31So, this is a bad thing.
08:35In the film, it is a bad thing.
08:41The bad thing is, it is a bad thing.
08:44I think it's a bad thing.
08:48I think it's a bad thing.
08:53We have had a lot of difficulties that we have had the ability to get into the scripting.
09:01We have had a lot of trouble in the production level.
09:06We have had a lot of trouble, but we have had a lot of trouble.
09:15There's about 200 minutes of content.
09:18There's a lot of content on this content.
09:21The content didn't have a lot of content in the 80 minutes.
09:26So it's a lot of content.
09:29We have to work hard.
09:33But if we don't have a full series, we don't have a full series.
09:38But if we don't have a full series, then we have to work hard.
09:40It's like a copy of the film, but for the audience, for the film, it needs to be done.
09:52The film was selected for the national award, best feature film award.
09:57What was the process? What was the process?
10:02What was the process?
10:04I have to tell you about this.
10:06After you made a film, when you took a censor certificate,
10:12you should release the film or not.
10:14You should apply for the national award.
10:19You should apply for the national award.
10:21After that, there are the jury members.
10:25You should apply for the first time of the jury.
10:31Then you should apply for the central jury.
10:33You should apply for those who are selected.
10:36After that, in the original language film,
10:39there was only one film.
10:42I think it was tough for the film.
10:45I think it was tough for the jury.
10:52I have to say that the jury is very tough for the jury.
10:56I think it's a good point.
10:56If the jury is on the right,
10:58the jury is in the right direction of the jury.
11:02The jury is in the right direction of the jury.
11:04I think it's not a bad news.
11:10but the last year, the last year,
11:16I think it's important that in 2012, there are no categories for the Gujarati films that are open in Gujarati.
11:29There are no categories for the Gujarati film.
11:44I am sure this process is tough, but we are also lucky that we have selected.
11:54You are also a jury member?
11:56You have to know that this process is tough for a selection.
12:00Do you have to know that the people who are in Gujarat are in Gujarat?
12:09The panel is a jury member in Gujarat.
12:15The National Film Award is a jury member.
12:18I think the jury member is a jury member.
12:22I think the jury member is a little bit of work.
12:26The jury is a little bit of a group.
12:30It is a tough job.
12:32The jury member is a jury member.
12:37The jury member is a jury member.
12:40The jury member is a jury member.
12:41It is not easy.
12:43It is a very secretive process.
12:47When I was in the Oscar selection, the audience was a judge at home bound.
12:53If I do know that everyone had a judge in the city, I don't know that I only was in
12:58the city.
13:00It is very secretive.
13:01It is so, let's see now there is a definition.
13:03It's not a presidential award, you don't have to worry about it, so you don't have to worry about it.
13:12You've made a film, do you think it's like a national award or a winner?
13:19Or do you think it's an award for the box office?
13:23No, actually, my first film made a film.
13:33He asked a question about the film as a national award.
13:37The film was made by my father's first film, but my father's first film was made by my father's first
13:44film.
13:44I don't think that the film was made by the national award.
13:49He said that it was a censor in 2024.
13:51That award was made by 2024.
13:53He was very upset that he was busy in BG.
13:58But the surprise of the award was that no one was made by the award.
14:06There was no formula.
14:08If there was a formula, you could make it by the award.
14:10BG.
14:11He said that this is a box office.
14:13It was a different film.
14:15We thought that the weekend opener, the blockbuster,
14:23there was a lot of success in the film.
14:26It was made by the budget,
14:28and it was made by the recovery.
14:30It was decided by the hitter's flop.
14:32It didn't decide.
14:36It wasn't a national award.
14:39It was the first success of the audience.
14:45It was the first success of the audience.
14:48We think that it was that the idea of the movie as a person.
14:53So the main evidence was made by the project of the film.
14:55The film is a different Nothing.
14:57So in this film, there is no danger to go to the game.
15:01This is a great success.
15:04Great, well.
15:05The importance of the film in the future of the movie,
15:10we have seen this film.
15:11The film in the future of the world,
15:12where the films are named after the game,
15:14and where the films are named after the game.
15:15Why are the reasons for this film?
15:17It was a good idea.
15:19I was born in 2012 and in 2014, I was born in 2014.
15:30We got the golden lotus award.
15:40It was a very good film award.
15:42It was a film that we represented in the first show.
15:48Every year he got a gujarati film.
15:51He got a Best Actor Award for Manse.
15:57He got a Best Supporting Actor Award for AIFA.
16:03He got a new award for every year.
16:08And the last year he got a 100-year-old club.
16:10So, Gujarati films have been cumulatively for 4 years, but in any industry, it has been 30 years.
16:18We have been doing a lot of research. I think that this is a big research.
16:25Thank you, sir.
16:26રીશાં જ દીંરાં કાયં કાંઓ કાઇં કિંરાતી ફેને પ્રમાણે કાહઈં કેને ફેને તીંસેચેને ખેને ખેન�
Comments