00:14There was an incentive to do it but what really pushed us over was the fact that people kept
00:17coming up to us and saying they wanted to see it and that's a like a big deal like when
00:22you've
00:22made movies for a long time the fact that you have a loyal audience it's like a special thing
00:27and we we wanted to we kind of looked at each other and we're like let's get off our high
00:31horse and go make the movie people want to see you know I relied on Matt a lot because
00:35there's so the production value of this movie the scope of this movie is so big that obviously
00:40I knew Paul Greengrass had a lot on his plate so sometimes it was easy for me to just go
00:45to Matt if I didn't feel like I was playing a scene right or something and ask him for
00:48guidance and help I remember I remember everything remembering everything
00:57doesn't mean you know everything tell me I mean when I started you know we didn't even
01:05know that we were gonna make a second movie so we made each one you know each one was a
01:09one-off we never like did it with like an eye towards doing a whole franchise we just you
01:15know a few years later we'd say I love that character let's go back and do another one
01:19and and I know to be here 16 years later is nuts this time it was really exciting for me
01:23because in ultimatum she was left on a bus and she was supposed to go into hiding and
01:28in the intervening so this time around it could be almost like a clean slate but what I was
01:32really excited about was that she is now a lot more rebellious and she's actually turned
01:37against the CIA and has a lot of threatening information that she wants to expose 32 kills
01:46people are safer because of what you did
02:04you're never gonna find any peace not till you admit to yourself who you really are
02:08you
02:11you
02:11you
02:17you
02:18you
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