Dar-e-Nijaat Episode 1 | Sheheryar Munawar | Dur-e-fishan Saleem | Sahar Hashmi | Nameer Nawaz Khan |Pakistani Tip Dramas
Sheheryar Munawar as Abu Bakar :
Abu Bakar is a simple guy who lives and lets live. His brought up by his mother, Khushbakht, has a great impact on his personality.
He believes in forgetting past and discussing ideas rather than people.
Dur-e-fishan Saleem as Zaryab :
Zaryab is a carefree girl who enjoys her liberal lifestyle. She sees her future with her best friend, Zamil and is really hopeful in life.
Youngest in all three sisters, she is close to her grandmother.
Nameer Nawaz Khan as Zamil :
Zamil is a privileged guy who lives a happy-go-lucky life as his closest friend, Zaryab. He’s good in academics and gets admissions in a top American school
Sahar Hashmi as Bella
Khushbakht aka Bella is a loving girl. Her life takes a U-turn when she falls for her tuition teacher and chooses him as her life partner.
One innocent mistake costs her happiness while leaving her in a loveless household with a hateful mother-in-law and a spineless husband.
Romaisa Khan as Hamna
Hamna is a young girl belonging to the lower strata of the society. Her story starts when she meets Abu Bakar and elopes from her house to marry him
Dar-e-Nijaat is a drama about love, sacrifice and forgiveness. In a beautifully created world by Umera Ahmed, Zaryab and Zamil are best friends who are living their fairytale lives.
As Abu Bakar is aware of what the society would do to her after this, he leaves her at the near madrassah, where she stays till she meets Zamil.
Time moves and their stars do not align; Zaryab’s dreams are shattered and Abu Bakar – a thoughtful son of a tired mother - crosses her path. Unknown of their journey, both move in a direction where they might not end up fulfilled. The drama talks about the doors that love opens for us and its endless possibilities.
Cast:
Sheheryar Munawar as Abu Bakar
Dur-e-fishan Saleem as Zaryab
Nameer Nawaz Khan as Zamil
Romaisa Khan as Hamna
Sahar Hashmi as Bella
Sania Saeed,
Saba Hamid,
Nadia Afgan,
Mahmood Aslam,
Faran Tahir,
Adnan Shah Tipu,
Adnan Jaffar,
Dania Enwer,
Nooray Zeeshan & Others.
Writer: Umera Ahmed
Director: Saqib Khan
#darenijaat #sheheryarmunawar #durefishansaleem #NameerNawazKhan #romaisakhan
#saharhashmi #pakistanidrama #arydigital
Sheheryar Munawar as Abu Bakar :
Abu Bakar is a simple guy who lives and lets live. His brought up by his mother, Khushbakht, has a great impact on his personality.
He believes in forgetting past and discussing ideas rather than people.
Dur-e-fishan Saleem as Zaryab :
Zaryab is a carefree girl who enjoys her liberal lifestyle. She sees her future with her best friend, Zamil and is really hopeful in life.
Youngest in all three sisters, she is close to her grandmother.
Nameer Nawaz Khan as Zamil :
Zamil is a privileged guy who lives a happy-go-lucky life as his closest friend, Zaryab. He’s good in academics and gets admissions in a top American school
Sahar Hashmi as Bella
Khushbakht aka Bella is a loving girl. Her life takes a U-turn when she falls for her tuition teacher and chooses him as her life partner.
One innocent mistake costs her happiness while leaving her in a loveless household with a hateful mother-in-law and a spineless husband.
Romaisa Khan as Hamna
Hamna is a young girl belonging to the lower strata of the society. Her story starts when she meets Abu Bakar and elopes from her house to marry him
Dar-e-Nijaat is a drama about love, sacrifice and forgiveness. In a beautifully created world by Umera Ahmed, Zaryab and Zamil are best friends who are living their fairytale lives.
As Abu Bakar is aware of what the society would do to her after this, he leaves her at the near madrassah, where she stays till she meets Zamil.
Time moves and their stars do not align; Zaryab’s dreams are shattered and Abu Bakar – a thoughtful son of a tired mother - crosses her path. Unknown of their journey, both move in a direction where they might not end up fulfilled. The drama talks about the doors that love opens for us and its endless possibilities.
Cast:
Sheheryar Munawar as Abu Bakar
Dur-e-fishan Saleem as Zaryab
Nameer Nawaz Khan as Zamil
Romaisa Khan as Hamna
Sahar Hashmi as Bella
Sania Saeed,
Saba Hamid,
Nadia Afgan,
Mahmood Aslam,
Faran Tahir,
Adnan Shah Tipu,
Adnan Jaffar,
Dania Enwer,
Nooray Zeeshan & Others.
Writer: Umera Ahmed
Director: Saqib Khan
#darenijaat #sheheryarmunawar #durefishansaleem #NameerNawazKhan #romaisakhan
#saharhashmi #pakistanidrama #arydigital
Category
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TVTranscript
00:00When you're feeling a little scared
00:05a little scared
00:07You're coming to be a little scared
00:07to see the details
00:09about the exact same energy
00:09And in some ways
00:13Just like it's a pleasure
00:13To see you
00:15When you look like
00:16This is the around
00:17But all the people
00:26You like to see
00:29You like to see
00:29your cards
00:40He became the girl
00:44I'm sorry, I'm sorry.
00:55Hey, you! What are you doing?
01:01What's wrong with you?
01:02What's wrong with you?
01:03How was the grocery run?
01:04I hate grocery shopping.
01:11No, it's good.
01:16The most expensive video ever made.
01:37You're obsessed.
01:39You're obsessed.
01:49Can you marry me?
02:00To be or not to be?
02:06That is the question.
02:08Whether it is nobler in the mind.
02:14To suffer the slings and arrows of outrageous fortune.
02:21Or to take arms against a sea of troubles.
02:28And by opposing anyone.
02:32To die.
02:35To sleep.
02:36No more.
02:37And by asleep to say.
02:40We end the heartache.
02:42And thousand natural shocks.
02:45That flashes air to test.
02:51Consumation.
02:52To die.
02:55To sleep.
02:58To be.
03:02Or not to be.
03:06That.
03:08Is the question.
03:11Is the question.
03:12To be.
03:16Who knows.
03:17Samir.
03:19Do you always keep the same.
03:21You always keep the same.
03:23You always keep the same.
03:23Do you always keep the same.
03:23At this time people worship God.
03:25And you.
03:26All the time.
03:28I have just slept here.
03:31You just sat there and slept there.
03:34I have no room.
03:35I don't even know.
03:39I've seen a lot of dreams, I've seen a lot of dreams of my father.
03:42Are you talking about his own?
03:43No, I'm talking about his own.
04:27I'm talking about his own.
04:36I'm talking about his phone.
04:38I'm looking to see her.
04:40Where did she go?
04:43Where will I go?
04:44Zariyap!
04:46Zariyap!
04:47Why is she not picking up my phone?
04:51I'm dying.
05:07Samit, listen, pick up my calls.
05:09I'm just so stressed about you.
05:11Okay.
05:32I'm feeling okay.
05:37I'm feeling okay.
05:37Somebody be checking her?
05:38I'm feeling okay.
05:38I'm feeling okay.
05:39No.
05:40He's feeling I'm looking for.
05:41The house is out there.
05:43Zariya?
05:52Shakur, uncle!
05:55Open the gate!
05:56She was sleeping here.
05:57She has a hand on her face.
06:00Don't stop her. Is there any time?
06:11Yes, sir.
06:12Is Zariya out there?
06:14He went there, sir.
06:16With the driver or alone?
06:18Sir, the driver is asleep.
06:19He left alone.
06:23Okay. All right.
06:45You haven't given me to you.
06:50No.
06:52She was sleeping.
06:54She was listening to us.
06:56She was listening to us.
06:58She was listening to us.
06:59It's not bad.
07:01How are you feeling?
07:03How are you feeling?
07:06He has kept his hand in the morning.
07:13The breath has been souka.
07:14The spirit has been souka.
07:16The spirit has been souka.
07:22You are my Messiah.
07:24You are my path.
07:26You have a hope to see you.
07:28I wish you all the year.
07:39What do you do when you do what you do?
07:46But you are...
07:48That's my entire life.
07:56Surah Rehman, listen to me.
08:01I'm going to get a tablet.
08:16What the hell is that?
08:17Ah!
08:20You've gone to the house.
08:25You're sick.
08:28Do it.
08:29Do it.
08:29Do it.
08:30Do it.
08:30Do it.
08:31Do it.
08:32And I've also had tension on small things when their BPI was gone.
08:39Now who's gone to an outside house?
08:42Mangeta has been.
08:44But, Jahan, come on,
08:47this time,
08:48come as come the driver to the side.
09:29I knew that I was going to do this.
09:33I'm going to his home. I'm coming in a little while. Don't worry about it.
09:37But what happened at that time that he had to go to his home?
09:43What happened, mommy?
09:45I've seen a bad dream about him. You know his mental health.
09:49I'm just stressed about him. I'm coming.
09:51Please hold the phone. I'm driving the car. Please.
10:00He had a bad dream.
10:03You know how much emotional he takes to take him.
10:07But John?
10:09At this point?
10:10Middle of the night? Come on.
10:12Okay. When he comes home, he'll explain it.
10:16But he won't listen to anything about him.
10:18I'll tell you this.
10:31And he'll explain it.
10:33Okay.
10:33Now, you can either go and explain it or put it on the receiver side.
10:37Keep it on the side, and then you have to call them once again.
10:41Come on, man.
10:43I can't keep my mother's phone on the side, right?
10:47Yes, Maa Ji.
10:48Yes, Habib. What happened?
10:52Maa Ji, she's in the house, in the room.
10:55I've stopped her.
10:58Just listen.
10:59I'm going to sleep so you can also rest.
11:02Yes, okay. Think about it.
11:11Wow.
11:12You have one thing.
11:15It's a mistake.
11:18Yes.
11:19But this will be broken.
11:22Maa Ji, my name is.
11:23I have one thing.
11:26I love you.
11:41I love you.
11:48I would like to have a prayer for you, Abubakar.
11:55Do you know why I don't think I'm going to take care of you?
12:00It's not a long time ago.
12:02I'll give you a plan.
12:04I'll do it.
12:06What do you say?
12:09It's God's authority.
12:11It's God's heart and mind.
12:15No doubt.
12:18It's my fault.
12:20I'll read it too.
12:22It's my night and night.
12:24Now it's morning.
12:27You can sleep a little.
12:31Do you want something else?
12:34No.
12:36I'll take something else.
12:37I'll take something else.
12:46I'll take something else.
12:46Why does it happen every year?
12:48Why does it happen every year?
13:00Because it was my heart.
13:17It's my heart.
13:19It's my heart.
13:28It's my heart.
13:31I can't forget to fall for a little while.
13:37And then?
13:44When you come back to me,
13:49you start to fall again.
13:57When you come back to me,
13:59I don't want to go away from you.
14:02I don't want to go.
14:06If you go, you'll stay here.
14:13Or?
14:18I don't want to go away from you.
14:19I don't want to go away from you.
14:46I don't want to go away from me.
14:52I don't want to go away from you.
14:54G-Mac.
14:55G-G-G.
15:05Aw.
15:23Hello, Zarya. Is everything okay?
15:26Please, open your entrance.
15:30Where are you?
15:32I'm outside of your house.
15:35Oh my god.
15:41What happened, Zarya? Will you tell me this?
15:43Aunty, I had a horrible dream about Zamil and my phone knew Tara.
15:47He's not responding to my text voice notes. He would never touch that.
15:50Please, open the door.
15:51It's going to be crazy.
15:53You've seen the time.
15:55Aunty, open the door quickly.
16:00I'm so tired from you both.
16:02What do you think of yourself?
16:05Zamil!
16:07Open the door!
16:09Zamil!
16:12Open the door!
16:24I've been calling you since hours.
16:27You're not reverting to me, texting you.
16:29Can you just look at your phone?
16:32The phone was silent.
16:34Are you mad?
16:35You've been walking for such a night.
16:42I can take any risks for you.
16:45I can take any risks for you.
16:47And the kind of nightmare I had about you, I had to come and see.
16:52What can you do with such a nightmare?
16:54What can you do with such a nightmare?
16:55Samil!
16:56It's okay.
16:57Go back.
17:01I don't want to.
17:08No.
17:10I don't know.
17:11No.
17:12No.
17:12I can't.
17:12What can I do with you?
17:13What can I do to make you feel better?
17:16No.
17:18So, don't waste your time for me and go to Harvard.
17:22We both had to go, right? It was our dream.
17:27So, you'll have to do it again. It hasn't happened.
17:30So, you go.
17:32It's okay.
17:34You go again. I'll wait for you.
17:37I'll wait for you.
17:39You'll have to leave Harvard for me.
17:41You'll have to do it for your semester.
17:44I'll do anything for you.
17:47What is Harvard?
17:48You're still understanding, right?
17:50I want to celebrate your success.
17:53You got into Harvard, Dreyab.
17:56It's a big deal.
17:58I want to spoil your success.
18:06I'm not different, Azamir. We're one.
18:11Your failure is my failure.
18:13My success is your success.
18:17Whatever, man.
18:20I'll take a university mission from Harvard.
18:23I'm targeting you.
18:28Okay.
18:29Okay, then?
18:33Then you go wherever you go.
18:34I'll go there.
18:39Don't be silly.
18:39I'll go there.
18:44I'll go there.
18:45I'll go there.
18:49You're not worth it.
18:51I'll go there.
19:03I'll go there.
19:08You're all right.
19:09I'll go there.
19:10I'll go there.
19:11I'll go there.
19:12I'll go there.
19:14I'll go there.
19:17I'll go there.
19:18If you don't have a life in my life,
19:20I'll take a step away from the rest.
19:22What?
19:23What's your success?
19:26That's what you saw in my dreams.
19:36Zarya.
19:39You're all right.
19:48I will go there.
19:54Let me see.
20:06I'll check, okay?
20:10Mr. Ayyap, thank you.
20:16Thank you for always being there for me.
20:22I don't want to thank you and thank you for being there.
21:32I love you, good night.
21:34Good night, love you, good night.
21:45It's been a while now, son.
22:29Do you want me?
22:57Thank you for joining me.
23:00Okay.
23:23Hello.
23:26Sir, are you talking about Abubakir?
23:29Yes, I'm talking. Who are you?
23:44Okay, we will come to the cards today.
23:46If not, we will come tomorrow.
23:47Start making your list.
23:49Your list was the final that I made you.
23:51I'm all prepared.
23:52Yes, I'm all prepared.
23:54Your list will be asked by the chief.
23:58Listen, let me ask you if you want to call someone.
24:01Yes, of course.
24:03Peace be upon you, Mother.
24:05You were very long.
24:06You were just talking about yourself.
24:08Peace be upon you, Mother.
24:09Peace be upon you.
24:16Where are you?
24:19Where are you?
24:21I'm sleeping.
24:22You know how difficult it is in the morning.
24:25It will come to the house at 4 o'clock.
24:27Then, how will it open up?
24:28Hmm?
24:31What did you think you were going to talk to Mother?
24:34You won't know.
24:35Mother.
24:36I was talking to you.
24:37I was talking to you.
24:38I was talking to you.
24:40I was talking to you.
25:08I was talking to you.
25:10What do you think of your daughter?
25:11She is her mother of Mangeetar.
25:13When did she have Mangeetar?
25:18Now we will tell you a little bit about this.
25:22The relationship is almost straight.
25:24Mangeetar will also happen.
25:27And Mangeetar doesn't have such a relationship
25:30that the girl will get out of the night from the house.
25:34Daddo, you have to talk about the old days.
25:36We have to talk about the old days.
25:37We have good and bad news.
25:39Good and bad news is about good and bad news.
25:43If everyone knows good and bad news,
25:45the world becomes very understandable.
25:47Daddo, we know Zambil from childhood.
25:50We have to go to the house.
25:51Our family knows his family.
25:53We will take care of bad news every time.
25:57Mangeetar,
26:00this is not the right thought.
26:03Mangeetar,
26:03this is the right thing.
26:04We are going to the right thing.
26:05And we will be able to get into the house.
26:08Shamsa,
26:09make a burger for an angel?
26:12I have to make a burger for an angel.
26:13I have to make a burger for an angel.
26:18Theundredthals are not the right time for an angel.
26:19No.
26:20She will come.
26:31I can't do one day.
26:34I won't do it.
26:37I'll do it.
26:39And where is that Sakina?
26:43She told me that she has to go to marriage.
26:47Then?
26:49When I come, she's gone to marriage.
26:52I think there is a contract for marriage.
26:57Someone had a phone call.
27:00She was asking if you were the mother of Sarubo Bakar.
27:03I said, yes.
27:05Then?
27:06I closed the phone.
27:09You didn't give me my number to any girl.
27:15I'll never give you a number to any girl.
27:19I'll talk with you.
27:20I'll talk with you.
27:30I'll talk with you.
27:31I'll talk with you.
28:00Hello?
28:01I'll talk with you later.
28:02We'll start our shopping session.
28:04We'll talk like that either of you or have your feelings or feel your feelings.
28:09I'm like, this is amazing.
28:10I've said that before too.
28:12That was communicated忘恋.
28:12What do you think about your mother?
28:13There are a lot of things with your mother.
28:16I've seen some of the older families.
28:18It doesn't happen as much as my mother does.
28:20My children are always telling me
28:21because my grandparents' friends don't do this
28:24like they do.
28:25In the old times, they're going to think about it.
28:28They're going to talk about it.
28:31They're going to talk about it.
28:32It doesn't happen to you.
28:34These are the children of today's day.
28:36They're not listening to me or you.
28:39They're their greatness
28:40and they're going to talk about it.
28:42They're not going to talk about my mother.
28:45You both are crazy.
28:48Neither are you.
28:50Neither are you.
28:52You don't even know what time is going to happen.
28:55They're going to get up here at 3 o'clock.
28:58Then, you're going to leave them alone.
29:01Let's go.
29:02Just leave them alone.
29:03There should be a formal announcement for the family.
29:09I was thinking that someone's going to Harvard.
29:11Before they're going to have something like that,
29:14If they're going to have something like that?
29:15They're going to have a whole family.
29:18They don't have to do anything like that.
29:20So, when we say, they'll send them to us.
29:23So, I'm a little reluctant to be here
29:25that if they're going to have something like that,
29:27then we'll start the sister's sister.
29:29That's what they're going to do.
29:30They're going to have something like that.
29:32They're going to have something like that.
29:34Okay, okay.
29:35If you tell my mother,
29:37then it'll be my sister's sister.
29:40I'm always going to take my mother's side.
29:41Tell me.
29:43I'm not a musician.
29:44Where are you in the kitchen?
29:46I'm not going to have to do anything.
29:47I'm not going to have to do anything.
29:48If you're going to have to do anything,
29:50if you're going to America,
29:51then who will make this breakfast every time?
29:56I'm not going to have to do anything like that.
29:58I'm saving for you.
30:01What does that mean?
30:02That's not his admission.
30:03That's it.
30:04That's his admission.
30:05But they're saying,
30:06I'll go there,
30:06not you.
30:07We're going to force you
30:09to improve your GPA
30:10so that you can go there too.
30:12I made a decision.
30:15I won't improve your GPA.
30:17I don't think that's just downright stupid.
30:19They don't want to improve
30:21and take admission.
30:22If you're already in Harvard.
30:25Mommy, I'm obviously going to go
30:27where Zamil is going.
30:30I mean,
30:30if you don't have to do anything like that,
30:32then why are you destroying his career?
30:37Career?
30:38Which career?
30:41Do you think that
30:42I'm trying to do anything like that?
30:45Have you done this with Zamil?
30:48He did it obviously,
30:49but why would he stop me from doing anything?
30:51You know, I don't listen to anyone.
30:53I'm going to go where he's going.
30:55Please.
30:55Seriously,
30:55I'll say,
30:57your stubbornness
30:58makes me very annoyed.
31:02Sometimes,
31:03when you talk about this,
31:05I feel angry.
31:06It triggers me.
31:07Look,
31:08we're getting late.
31:09Can I have my jacket, please?
31:10Yes.
31:11You're looking very nice.
31:13But we're not done talking yet, okay?
31:15Dad, please.
31:16I don't want to talk about this.
31:17I've made up my mind
31:18and you know when I make up my mind,
31:19I make up my mind.
31:19Look,
31:20your dadda
31:22there are nauseous.
31:23Let me ask them, okay?
31:24Dadda,
31:25why are you nauseous?
31:26Why are you nauseous?
31:27What happened?
31:30I think
31:32Dadda's nauseous,
31:33do you have to do it on one side.
31:34I'm going to take care of it.
31:34And,
31:35you know,
31:35this one like a bite on me,
31:37we talk about this.
31:39Mom,
31:39I can't do anything now.
31:41Now,
31:41this is one of the most important issues
31:43I need to do.
31:44How to do it?
31:45Where are you, Rubina?
31:46Where?
31:48I want to talk about you.
31:50Okay,
31:50I'm going.
31:51I'll eat.
31:51Do you even need to eat?
31:51Dariya,
31:53listen to me.
31:54Kalsum,
31:55take my food and take my kitchen.
31:57Zami.
32:02Come on,
32:02Okay.
32:08You can meet my clothes,
32:09you girls, with the clothes.
32:11Go and find them.
32:12I'll do this.
32:13I'll meet you.
32:15I'll leave.
32:16This is how it is.
32:17This is how it works.
32:19It's just one thing to hold hands and teach them.
32:22It's the same.
32:22It's just like that.
32:30I heard that someone is angry at me.
32:34What do you think of someone's anger?
32:39What is the way to eat?
32:41Sit and eat at ease.
32:43If you go and eat,
32:44you'll be attacked in a while.
32:48I love it.
32:51I love you too.
32:53In the name of Allah, I want it to be.
33:00I'm so angry at you.
33:04I see that my smile is like a smile.
33:08Why is this love in my heart?
33:14I love you too.
33:17I love you too.
33:19No one is not a smile.
33:23What do you always say,
33:24I love you too, I love you too?
33:26Tell me a little bit.
33:29My father never said,
33:30I love you too.
33:31Or you said,
33:32I love you too.
33:36I love you too.
33:37We were not angry.
33:38We were angry at home.
33:40We were angry at home.
33:41You were like a sad life.
33:43Why?
33:44What's sad?
33:46It was sad.
33:47It was sad in people's eyes.
33:49It was sad in people's eyes.
33:50It's not like the world.
33:51It's sad and sad.
33:56It's not sad in people's eyes.
34:00It's sad that we're sitting,
34:01we're talking,
34:03we're making a guest for you.
34:04We're making a wedding for you.
34:07Do you want to do that?
34:09Why not do it?
34:10It's not my fault.
34:11Do you want to do it?
34:12Do you want to do it?
34:12Do you want to do it?
34:13Do you want to do it?
34:23Do you want to do it?
34:25Do you want to do it?
34:27Yes.
34:28Yes.
34:29Where are you,
34:30your birthday, auntie?
34:39Mommy,
34:40your call is coming.
34:48Assalamualaikum.
34:50So,
34:50you're talking about this.
34:52She'll be his son.
34:56Yes, I'm going to talk about it.
35:00What's your name?
35:02What's your name?
35:04What's your name?
35:04My name doesn't remember my name.
35:06What do you do after killing me?
35:07Who will I ask?
35:09Kishwar Jahan.
35:11You're talking about Kishwar Jahan.
35:12You're talking about Kishwar Jahan.
35:15Yes.
35:17Actually, I need your postal address.
35:19In Australia, there's a wedding invite.
35:22Yes, of course.
35:23Write it.
35:24Makaan No. 328.
35:26Kori No. 34.
35:28Mahala, Kasmabad, Hyderabad.
35:36Will you text me?
35:38We'll do it in Urdu.
35:42If I send it in Urdu, you probably won't be able to read it.
35:45I'll send it in English.
35:45I'll send it to me.
35:47Is there a WhatsApp on this phone?
35:50Yes, yes.
35:51It's definitely a WhatsApp.
35:52My grandfather is not so old, too.
35:55I'll text you.
35:57Yes, that's okay.
36:05Is there anything?
36:07No.
36:08Thank you. Bye.
36:12You were talking about me.
36:14Oh.
36:15Yes.
36:16I mean...
36:17Where do you think you live in your mind?
36:20Sabina...
36:21I didn't know a strange dress.
36:22Gali, mohla...
36:25Makaan...
36:25You guys have eaten English.
36:27Gali, mohla...
36:28I don't understand.
36:29It's strange.
36:29It's strange.
36:35I've sent an address to you.
36:37I've sent an address to you.
36:38That's my grandfather.
36:39You've got to talk to me.
36:41We're actually reading a prayer.
36:43We're reading a prayer.
36:43We're reading a prayer.
36:44I'll send you a phone.
36:45Okay.
36:47Are you reading a prayer?
36:49Who's reading a prayer?
36:54Who's the phone?
36:55Who's the phone?
36:58Gishwar Khala's grandfather's phone.
37:00He's asking the address for the wedding invitation.
37:03Hmm.
37:04He's a big grandfather's relationship, right?
37:07I'm probably saying that.
37:10It's been a long time for him.
37:12It's been a long time for me.
37:13Just call me the phone.
37:15Just call me the phone.
37:16Just call me the phone.
37:17Ah...
37:18Just give me one minute.
37:21I'll talk about your phone.
37:23Hmm.
37:29Just give me one minute.
37:31Just give me one minute.
37:32I'll call you for the prostitute.
37:34My wife, I love her.
37:36You're going to leave me there.
37:37To Abubakar.
37:38To Abubakar, Abubakar?
37:43To Abubakar, Abubakar is a huge part of this.
37:44I found the way to Abubakar.
37:47To Abubakar is a huge part of this.
37:47To Abubakar is a huge part of this part of Abubakar.
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