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Sueños de Libertad - Capítulo 625
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01:00No, no. I don't think either of us lifted a finger all night.
01:06Were you comfortable?
01:07Yeah.
01:09And I'm not referring to the bed, but to myself.
01:12Yes. Yes, thank you.
01:16Being able to sleep together without... without forcing anything, has made me... feel more confident in myself.
01:27We're going to achieve it.
01:30And didn't you mind that...?
01:34You know what a gift it's been for me. Spending the night with you.
01:40It has been very nice for me too.
01:43It will always be like this.
01:46We'll take it one step at a time.
01:48No pressure.
01:51Because the only thing that matters to us is... being together, right?
01:56Yeah.
01:59And now, would you like to take a shower or would you prefer I bring you breakfast first?
02:04And neither?
02:08What will your family think about me sleeping here?
02:11But what if you've already slept before?
02:14Yes, Andrés, but I slept in the guest room.
02:22I think I need to run to the colony.
02:24Before anyone sees me, will you...?
02:26Do you think your father has gotten up yet?
02:29And if I ever run into him, I swear I'll die of embarrassment.
02:32Valentina, stay calm.
02:33We can say that it got very late and that you stayed in the guest room.
02:36But do you think they're going to believe it?
02:38If the room is on the other side of the hall.
02:40Come on, please, don't run away.
02:42We can even go down to have breakfast with everyone.
02:44No, no, no.
02:45I have to go to the room and unmake the bed so they don't notice.
02:49Valentina...
02:49Oh my God, Andrés, for God's sake.
02:51They're going to think I'm a slut and that...
02:52Andrés, yes, we've done everything, we've done everything.
02:55What is my girlfriend?
02:56Yesterday's dinner was somewhat of an official presentation.
02:59You haven't exaggerated.
03:01Although it's true that your aunt was very affectionate towards me, is that true?
03:05Nobody's going to say anything.
03:06Yes, but even so, even so, I don't want to give explanations.
03:09And besides, I don't feel good for Claudia, who knows what kind of night she's had.
03:13But she wasn't alone, she was with Manuela, wasn't she?
03:15Yes, but still, still.
03:18OK that's fine.
03:20We went down to have breakfast with everyone, but you and I had breakfast together because it was the first time.
03:26And if not here, then let's go to the bar.
03:29Seem to you?
03:29Yes, yes, I think so.
03:41Turn around, won't you?
03:43Because?
03:44I have beautiful views from here.
03:47Already.
03:50But turn around, go on.
03:59Please put four place settings on each table.
04:04How could you say in front of my parents that you don't give a damn about my project?
04:08No, I didn't say that or anything like that...
04:09No, that's what we all understood.
04:10Do you know how embarrassed you made me feel?
04:12My father was so happy and excited about this project.
04:15So you would have preferred that I kept quiet and not say what I thought?
04:18No, Salva, I would have preferred you to tell me before you made me go through such a terrible embarrassment.
04:21When you came up with the idea, you took it for granted and didn't let me have my say.
04:24Don't you dare say I didn't let you have your say because it's a lie.
04:27Well, you were so excited that I decided to keep quiet for the time being.
04:30But you got so carried away, Mabel, that I had to stop you.
04:32So now you're bothered that I'm a decisive person.
04:34No, she's not decisive, she's overwhelming.
04:36Overwhelming?
04:37Yes, overwhelming, like a runaway train.
04:39Because it's one thing to have a common project and be able to discuss it calmly,
04:42And another, very different, is that your father already has a financial plan,
04:45that they give us a loan and that they are looking for premises in Toledo.
04:48So, what makes you angry is that we're moving forward, right?
04:50It makes you angry that we're moving forward when you were going to rent a tavern in Toledo to start your business.
04:54Can you tell us what happened?
04:55Well, look, it turns out that in the end the colony doesn't move.
04:58And it also happens, Mabel, that this business makes me happy.
05:00And it also allows me to save, I don't know, for a down payment on an apartment or whatever.
05:04for a shared future together.
05:07And that's all I need, Mabel.
05:09I don't want any more.
05:10Well, if you don't want more and you don't need more, you could have told me clearly from the beginning.
05:14I know, I know, and that's my mistake, not having been honest from the beginning.
05:17But what do you want me to say, Mabel?
05:19It disarms me to see you so happy and so excited about things.
05:23And I don't want to be the one to poke you with the wolf.
05:27Well, yesterday's exception was much worse, Salva.
05:29Yes, I know, and I apologize, please.
05:31From now on I will start being much more honest.
05:34But I also ask you to consult me on matters that concern me.
05:37And don't rush into it so recklessly, please, Mabel.
05:40Excuse me, can you tell me what I've recklessly jumped into?
05:44Man, with the paintings, for example, or with the tablecloths.
05:49What about the tablecloths?
05:50Well, you don't consult me, tea milk.
05:52Yes, but I'm the one in charge of the decorating, right?
05:54Or don't you like that either?
05:56Since when have you been going along with me?
05:57No, Mabel, I don't go along with you.
06:00I'm not lying to you, please stop overwhelming me.
06:02Okay, I'll stop pestering you, but what's wrong with the tablecloths?
06:06What's wrong with the tablecloths?
06:09What's wrong with the tablecloths?
06:13Alright, Salva, you and I aren't going anywhere like this, I'm telling you.
06:24Thank you for coming to have breakfast with me.
06:28I know we're not at our best right now, but I like that we haven't lost our good habits.
06:35Let's take some time to be together, have breakfast.
06:40Take advantage of this opportunity before Bianca walks through the door at any moment.
06:45Marta, look, if it bothers you that I have the keys here, I can understand and I ask that
06:50return them to me.
06:51That he only works here when I'm at home.
06:55It was simply a surprise, okay?
06:58Seeing her walk in, unaware that she was coming, with her keys, as if she owned the place, shocked me.
07:04Nothing else.
07:08But I like that we have this moment for ourselves and that we've just finished talking about Pelayo's will.
07:16Well, there's no need to even talk about that.
07:18You know perfectly well what I think.
07:20Yes, we both know that we have different opinions.
07:25But I also have to tell you that I've been thinking about it a lot and sleeping on it.
07:32I truly believe I understand your reasons.
07:37Pelayo may be the person who has hurt us the most.
07:41Marta, our lives have vanished in an instant because of you.
07:45We both suffered a lot, yes.
07:50That means you're going to reject the inheritance.
07:55Marta, if not, you don't need to say anything else.
07:58That's it.
07:58No, no, no, that's it.
08:00Look at me.
08:01That's not true.
08:01Fine.
08:06We are not going to keep that inheritance.
08:09I promise you.
08:11We're not going to keep the inheritance, but you are going to accept it.
08:15To donate it later to a charity.
08:20I've been looking into an organization that helps people without resources access medical treatments they can't afford.
08:29Imagine, someone with a heart condition, like the one your father had.
08:33They would pay for the treatment that came from London to extend his life by a few months.
08:41Your father paid for his treatment.
08:45And I will be eternally grateful to him.
08:48Well, now we could help those people who have no one else to lend them a hand.
08:53I think it's a nice thing.
08:56Investing that money in something much better than simply throwing it away.
09:00Don't you think so?
09:03Of course, Marta.
09:05I think it's a brilliant proposal.
09:08Really?
09:09Really.
09:12In fact, I think it's very generous of you.
09:15It was thanks to you.
09:17If you hadn't so categorically refused to accept that inheritance,
09:21I wouldn't have given it so much thought...
09:25to solve the problem in this way.
09:28It's fixed.
09:30It's over.
09:31That's it.
09:35Have you seen what fate is like?
09:38That scoundrel tried to separate us for life.
09:42And look at us.
09:45We are here.
09:47Together.
09:49Together.
09:50Yet.
09:53And yet.
10:04Victoria, I want you to gather all the newspapers.
10:06who have spoken about the tribute to Antoine Brossard.
10:10Three?
10:11Has it been featured in three newspapers?
10:13Perfect.
10:14Well, I want you to send them to Hugo Brossard.
10:16Let him receive it personally.
10:18Yes, yes, yes.
10:19By air, of course.
10:21And if necessary, you go to the post office.
10:23But I want it to come out as soon as possible.
10:27Very good.
10:28Thank you very much, Victoria.
10:34Forward.
10:37Happens.
10:38I wanted to inform you that Ruth Freireza has complied with the agreement.
10:41And that we can produce the perfumes with the original formulation.
10:44Yes, I know.
10:44AND?
10:45Well, you should give the order to produce them, shouldn't you?
10:49Did you interrupt me to tell me something so obvious?
10:53The ingredients will arrive by tomorrow.
10:55And the chemists are doing nothing.
10:57Yes, well tell that to Tassio.
10:58Should he get on with production?
11:00Or do I have to do everything myself?
11:03Anything else?
11:04No.
11:06Look, I see that the news of the discovery of the plaque
11:09It has received considerable attention.
11:10Of course.
11:11Because when I do something, I do it well.
11:14And Hugo was told right away, right?
11:17No, I haven't told him yet.
11:18But I'm not just going to tell you,
11:20but I'm going to send you all the articles
11:22who have come out talking about it.
11:24Well, and while you're at it, why don't you ask him?
11:26How's the truckers' strike going there?
11:28I don't intend to bother you with that subject.
11:29You already heard Paul.
11:31All of that will be sorted out.
11:33Or not.
11:34You should talk to him about it, don't you think?
11:35Or is it that unpleasant matters
11:37You leave them to others.
11:40Why all the irony?
11:42No, nothing.
11:42Only if you want to earn something for using it,
11:44You should try a little harder
11:45in which the company thrives
11:46and that the numbers improve.
11:49Instead of doing so much to the ball.
11:52Look who's talking.
11:53Andrés' bootlicker.
11:56He calls her for any stupid reason.
11:59He calls him when necessary.
12:05Oh, by the way,
12:06You're going to Julia's performance, right?
12:09Well no.
12:10Unfortunately, I can't go.
12:12Why is it that nothing surprises me anymore?
12:15Always talking about fatherhood
12:16and of the family
12:17And as a father, you leave much to be desired.
12:19Unlike others,
12:21I have work to do.
12:24It's a shame.
12:26We will miss you very much.
12:33Do you know that dawn
12:34Is this my favorite time of day?
12:37Today's has been so beautiful.
12:39Have you noticed?
12:41I just wait for the alarm clock to go off.
12:43until I have no other choice but to get up.
12:46Well, it's really worth it.
12:50And why did you wake up so happy today?
12:52I haven't had the same luck.
12:54Well,
12:55if you had accepted Doña Clara's offer,
12:57because right now you'd be falling in love
12:59from an Italian
12:59in the style of Vittorio Gassman.
13:03Look, I'm starting to think that...
13:06I don't know, I regret it
13:07had they rejected that offer
13:08because at least he would have seen the world.
13:11Paula, I was thinking
13:12that you were very clear about
13:13that you wanted to stay here to prosper,
13:15here in the store,
13:16to stop serving,
13:17even if it meant traveling through Europe.
13:19Yes, yes, don't pay too much attention to me.
13:22I woke up after a bad coffee
13:24And I see things in the dark, I really do.
13:28Hey, how's Claudia doing?
13:30Well, this morning when I saw her
13:33She was still feeling unwell.
13:34And how was your night?
13:36Because that's where the fever rises.
13:37And pneumonia is no joke.
13:41You heard me
13:42How was your night?
13:45What night?
13:51Haven't you slept in the colony?
13:55With Andrés?
13:57No?
14:00Valentina.
14:03OK that's fine.
14:06I spent the night with Andrés at his house.
14:10At Don Damian's house?
14:12No.
14:13Well, yes, I know.
14:14But we've only slept.
14:16We've only slept.
14:18Valentina, what do you mean by that?
14:19You don't have to hide anything from me?
14:20You can see how fast I was with Tasio.
14:22But what...
14:23Paula, I promise you, I swear to you.
14:24We only slept in pajamas.
14:27We hugged and...
14:29Well, it's already been a wonderful night.
14:32Well, that's very good.
14:34It's great not to let anyone touch a hair on your head.
14:35until reaching the altar.
14:36Yes, but the thing is, I don't have
14:38so much willpower.
14:39Paula, leave him.
14:41We've decided to go
14:43little by little, step by step.
14:46Very good.
14:47Well, you're doing the right thing, Valentina.
14:49Because there are some who, when they succeed
14:51their conquest, as they move on to the next
14:53And if I've seen you, I don't remember.
14:56But Andrés...
14:57Andrés is not one of those men at all.
15:01Okay, come on.
15:03Let's continue placing perfumes, eh?
15:05I'm going to welcome them.
15:13I am Dr. Salazar.
15:17Forward.
15:24Good morning.
15:26How was your night?
15:29Well.
15:30Bring me closer in the little jar
15:31I have to take another pill.
15:38Has she been rigorous with the shots?
15:40Yeah.
15:42One every eight hours.
15:48Your aunt has been here with you, right?
15:51Yeah.
15:51He just left two minutes ago.
15:54Well, it must have been more than two minutes.
15:56because I haven't run into her
15:57And the hallway too.
15:57Whatever you say, Miguel.
16:01Are you still coughing a lot?
16:03No, the truth is...
16:05My cough is better.
16:06But I'm very tired.
16:08My head still hurts a lot.
16:11Let's see what your temperature is.
16:29Why did you put on makeup if you're in bed?
16:32Did I put on makeup?
16:41Your sister-in-law.
16:43Good morning.
16:44Good morning.
16:45Do you know anything about Claudia?
16:46How are you doing?
16:47Has it improved?
16:48Well, he's got a fever.
16:50I imagine it will be under control
16:51by Dr. Salazar.
16:52Yes, yes, that's right.
16:54It has given strength to the poor thing.
16:56Well, if you need any help
16:58Please let me know at some point.
17:00And who are you going to send us?
17:02I would come myself.
17:04I'm not too proud to be proud, Paula.
17:06And don't make that face,
17:07which wouldn't be the first time.
17:09But don't worry, Doña Marta,
17:10especially with the problem we have
17:12Perfumes aren't selling either.
17:14Yes, we manage.
17:18Is it known that finally
17:19Have you not accepted Doña Clara's proposal?
17:22She told him so.
17:25It simply surprised me.
17:26It was a very good opportunity.
17:29Yes, but I prefer to take advantage of this
17:31because I just walked in, so to speak,
17:34And I have a lot to prove.
17:37Yes, excuse me.
17:45I hope you enjoyed dinner yesterday.
17:47and that my brother would accompany you to the colony.
17:49It was very late.
17:51Yes, yes, yes.
17:53The truth is that I felt very welcomed
17:56and supported.
17:58Thank you.
17:59Thanks to you.
18:01I see my brother very happy
18:02since he resumed his relationship with you.
18:06I'm just asking you to, well,
18:07that you try to take care of each other.
18:10We'll try.
18:12You're welcome at home.
18:14And that's what I said,
18:15If you need help or anything else,
18:17Please let me know.
18:18Very good.
18:19Thank you.
18:3237.2.
18:34That's very good news.
18:36It means the antibiotics are working
18:38and that the infection was bacterial.
18:43Yes, a little clearer, Miguel.
18:48Well, that means antibiotics
18:49They are managing to overcome the bacteria
18:52that has caused you harm.
18:53If it were a virus,
18:54The fever would remain high.
18:56Ah, very good.
18:57And when is it ready?
18:59I estimate that,
19:00If everything goes well,
19:01You'll be fine in a week.
19:03Although the tiredness could last longer.
19:06And if there were any complications,
19:07It could take up to a month to recover.
19:10And where's the good news, Miguel?
19:12Well, I'll be keeping an eye on you.
19:14And there won't be any complications.
19:16You're drinking as many fluids as I told you.
19:19You're going to get out of bed any minute now.
19:24Yes, Miguel, yes.
19:25I'm drinking a lot of water.
19:29Very good.
19:30And where did I get this?
19:33The bacteria can be anywhere.
19:35But if you had come to the dispensary earlier
19:37and you should have started the antibiotic earlier,
19:38the infection would not have affected the lungs.
19:41Yes, but I didn't go.
19:43And why?
19:45I really have to tell you, Miguel.
19:48Please.
19:49Because I didn't want to see you.
19:51You asked me for your space and I gave it to you.
19:54Yes, Claudia, but you're sick.
19:55And I am your doctor.
19:58Yes, Miguel, but I'm not an animal.
20:00I am a human.
20:02And so, I don't let myself be guided solely by logic.
20:05My feelings pull me in a lot.
20:18I fell in love with you from the first moment I saw you.
20:36Miguel.
20:37Go away now.
20:40My fever is rising and I need to go to sleep.
20:44Well, but if you don't have anyone here,
20:47Set an alarm so you don't miss the dose.
20:49Yes, yes, I'll put it on myself.
20:50I'll put it on.
20:54Very good.
21:15Good morning, Your Honor.
21:18Hello hello.
21:19How are you?
21:20Good.
21:21How's it going?
21:22Very good.
21:23That?
21:24Have you had breakfast and would you like me to make you a coffee?
21:26No, no, no, no.
21:27So, you're in the hotel.
21:28Don't worry.
21:30Oh ok.
21:31Well.
21:32That?
21:33You look great, huh?
21:35As high up.
21:36How's it going with Marta?
21:37Well then.
21:38Good, Bianca, good.
21:40I'm meeting her for breakfast today.
21:42He's come home.
21:44We were able to talk about the Pelayo issue
21:46that was giving us so many problems.
21:48And did they succeed?
21:49Did they solve anything?
21:50Yes, Marta finally found the perfect solution.
21:54Which?
21:55Well, let's donate all that money.
21:57to a charity
21:59which is to cover the cost of medical treatments
22:01for patients who either have no resources
22:03or they are very ill.
22:05Very good.
22:05Isn't it incredible?
22:06I think it sounds great.
22:08Pelayo did a lot of wrong, a whole lot.
22:12And in the end, well, look,
22:14That money will finally be used for good.
22:16And Marta has convinced me.
22:18I think it's an excellent idea.
22:20I congratulate you, then.
22:22Well, breakfast was quite a reconciliation.
22:24So, how do I see you?
22:26Yes, that's true.
22:28Thank goodness, huh?
22:29I'm so glad because...
22:31Well, I really don't like being on bad terms with her.
22:35Well, I'm very happy too.
22:36because I don't want to see you with a bad voice.
22:39I know.
22:42So, what happened in the end?
22:43Aren't you going to make any progress on the Dignity issue today?
22:46No.
22:46I'll tell you why.
22:48You have no idea what a dream I had, Fina.
22:52A dream, but so vivid, so powerful
22:54and so inspiring that I swear, I can't stand it.
22:57I want to capture it now, I want to paint it now.
22:59Well, I find it very interesting.
23:01Did you see?
23:02Because you experience it a lot.
23:03Well, that's it, get to work.
23:05I follow you.
23:06Right now, right now.
23:06And if you follow me, fantastic.
23:10But I will not exist.
23:12I'm on a trip.
23:15Okay, go ahead, go ahead.
23:17Che, madame, madame, che, madame.
23:57Hello.
24:08Paula.
24:09What do you want?
24:10I want to talk to you.
24:12I can't right now, I'm bringing in the defective products.
24:15Yesterday I wanted to talk, but you almost kicked me out.
24:18Paula, I know, I know.
24:20I know I wasn't right, that's why I'm here to apologize.
24:23Please forgive me.
24:24No, Tassio.
24:26You were extremely unpleasant.
24:27Look, I was overwhelmed.
24:29I wanted to be alone, I saw you, I got nervous and...
24:32What happened, happened, I'm sorry.
24:33And you wanted to sleep it off, didn't you?
24:36As?
24:36You smelled like cabbage, Tassio, please.
24:41Yes, I had a couple of glasses of wine to...
24:45to cope a little with the tension I feel inside.
24:47What tension?
24:49The job.
24:50The job?
24:51But you work every day and I've never seen you so drunk, for God's sake.
24:56Well, you know what happens to drunk people, right?
24:58They talk nonsense and start saying things that don't make sense and...
25:02Please disregard what I said.
25:04You can't treat me like that, Tassio.
25:06Like a rag doll.
25:07Let's see.
25:08First you tell me to reject the job offer that Doña Clara had proposed to me
25:12because you can't be without seeing me.
25:14And the next day you reject me.
25:16I just don't like this, Tassio.
25:17I don't like it at all.
25:18Okay, Paula, I'm sorry, please.
25:22Look, the last thing I want is to hurt you.
25:24And even less that you distance yourself from me.
25:27I don't know what's wrong with you, Tassio.
25:30I even started to think you had started writing to your wife again,
25:34that you had reconciled...
25:35But please, really, that's not going to happen.
25:37Oh, no?
25:39Well, you could force her to return by law.
25:41You are her husband.
25:43Paula, for God's sake,
25:45I am not willing to report Carmen.
25:47For now, the respect between her and me remains above the law.
25:51Look,
25:52She has decided to go her own way.
25:54and their own decisions.
25:56So what do I do?
25:58deciding to bet on you.
26:00Yeah, well yesterday I thought you were bored with me.
26:02Paula,
26:04I'm going to get bored of you.
26:05You are the only thing that brings me joy right now.
26:08Well then, please tell me what's wrong.
26:14It's just part of the job, really.
26:15Yes, I already told you.
26:16And I don't want to bore you.
26:17And it has nothing to do with you either.
26:19In other words, it doesn't have to matter to you at all.
26:20No, I don't believe you.
26:21I don't believe you, Tasio.
26:23Other times you've had problems with work
26:25And you told me about it.
26:26What does that have to do with the dream you had the other night?
26:28Please don't insist.
26:30Look, I've come here
26:32to apologize to you.
26:34I hope you will forgive me.
26:35and sort things out between you and me.
26:37Don't keep interrupting us while we're talking
26:39rubbing salt in the wound.
26:40What sore are you talking about, Tasio?
26:41Good heavens, what's got you so nervous?
26:42Tell me now.
26:43Paula, don't ask me any more questions.
26:44That's it.
26:44Oh, no?
26:45Well, just so you know, I can't be with someone
26:47who doesn't trust me.
26:49So, last chance.
26:50Are you going to tell me or not?
26:57Already.
26:59I am the only joy in your life,
27:00But to get into your bed, right?
27:02You should save your respect for your wife.
27:04I'm sure you would have told him by now.
27:06I'm telling you.
27:19Forward.
27:22Your coffee?
27:26Thanks love.
27:33Hey, I'm really sorry about what happened last night.
27:37I had absolutely no idea.
27:38that Salve was going to take advantage of the dinner
27:40to run away with Raúl between his legs.
27:43How embarrassing, Dad.
27:44And what a disappointment.
27:45Don't be so drastic, Mabel.
27:48Did he explain to you why he acted that way?
27:52Yes, well, it says that...
27:54Well, it's all been very rushed.
27:56And that I didn't explain the business to him properly,
27:57But that's a lie.
28:00And had you discussed it?
28:01Yeah.
28:02Be honest.
28:02Yes, yes, yes, yes.
28:04I explained it to him.
28:05The thing is, he's not very expressive.
28:08I don't know, I just got the feeling
28:09What did Eperlás think of my idea?
28:11Well, then...
28:12Eperlás didn't seem right to him.
28:14That's obvious.
28:16But if you think about it,
28:17It's better that he's come clean now.
28:19And to know what to expect
28:21before moving forward with the project.
28:24Yes, that's for sure.
28:26But let's see...
28:29Have you been able to clarify
28:30Why did the misunderstanding occur?
28:32Well, no, the truth is we've been arguing.
28:35Oh.
28:36I'm sorry.
28:38Let's see, according to him,
28:39He says he didn't want to clip my wings.
28:41That I seemed very excited about the project.
28:43And that it wasn't expected either.
28:45that we would go so fast.
28:46I don't know.
28:48Perhaps I went too far
28:49by proposing a business plan to you.
28:52And in offering you
28:53a loan, your mother and me.
28:55No, uh.
28:56Dad, this isn't your fault.
28:57neither from mom nor from me.
28:59These are Salva's excuses.
29:00What is it that...
29:01I didn't know he was so stiff.
29:04And have you realized it now?
29:06Last night.
29:08I don't know, it was a month ago
29:09I wanted to open a business.
29:11I just don't recognize him.
29:13Perhaps it has something to do with it
29:14the fact that the canteen
29:15don't close.
29:17Yes, I suppose so.
29:20But I feel the same way.
29:21I feel very sorry.
29:21that he doesn't want to
29:22that we undertake a project together.
29:24Already.
29:28There it is.
29:30What a little bug it is.
29:35My God.
29:37Toledo's most famous prima donna.
29:39And this visit is due.
29:41Hush, hush, I'm here.
29:42I'm dying of nerves.
29:45Could Manuela make me some chamomile tea?
29:47He's not here.
29:47Tere is the one who's here.
29:49Ah, well, Tere.
29:50That you don't know
29:50which has made him miss her at home.
29:52That's normal, honey.
29:53But hey, he thinks that way
29:54can help Manuela.
29:55What does a woman need?
29:56That's also true.
29:57She is certainly worthy, isn't she?
29:58Yes, she's upstairs getting ready.
30:00But it will be over by now.
30:01to sew my cape, right?
30:02Uh, I don't know.
30:03If I can't lend you mine
30:04from the Antifa warrior.
30:06Dude, I'm really nervous.
30:08I'm going to look for Grandma.
30:12That?
30:13And Juanita isn't coming?
30:15No, no, no.
30:16She stays here with Tere.
30:17I don't think he enjoyed it much.
30:18at a music recital.
30:19And her nanny?
30:21Well, it's because Antonia
30:22She had a date with her boyfriend
30:23and he didn't want to spoil her plan.
30:26Go with Antonia.
30:28Auntie, the best boss in the world.
30:31Would you like something to drink?
30:32Well, I'd love that.
30:33But we won't have enough time.
30:34As soon as Julia comes down
30:35We're leaving in a hurry
30:36Because you know
30:36that the artists
30:37they have to be
30:37a good while before.
30:39Yeah.
30:39Tere.
30:40Good morning, Mrs. Vigoña.
30:42Good morning.
30:43Here I bring you the little one.
30:45I've left everything in its little bag.
30:46You have the cloths,
30:47You have some baby clothes.
30:49Well,
30:49I don't know why I'm telling you all this.
30:50You already know that perfectly well.
30:52Don't worry, ma'am.
30:53Thank you.
30:54You've saved my afternoon.
30:56Goodbye, little one.
30:58Bye bye.
31:00Now I'm taking it with me.
31:01to the kitchen.
31:06Yes, it's because I love him very much.
31:08But I also want to prosper
31:10in life.
31:14Dad, I want to
31:14a boyfriend like you.
31:15Let him be an entrepreneur
31:17and with whom I can have
31:18a common goal.
31:19Open a restaurant
31:20decorated by me.
31:21First,
31:22that it be the same.
31:24That I was wrong
31:25a lot in life.
31:27Second,
31:28you can't find
31:29a goal
31:30that convinces you
31:31to both of them.
31:34Salva says
31:35which already has enough
31:36with the canteen.
31:37That he is happy this way.
31:40Try
31:41understand him.
31:43That boy
31:44She has been through a lot.
31:46And perhaps
31:49This is the first time
31:50that finds
31:51some stability.
31:54Yes, Dad,
31:55yes you're right.
31:56And I don't want to seem
31:57a selfish person.
32:00I just like it
32:01much my course.
32:02And I'm absolutely certain
32:04that I want to be
32:04a prominent decorator
32:05And I'm going to fight for it.
32:06Yeah,
32:07to have dreams
32:07it's very nice,
32:08Abel.
32:09But
32:10We know each other.
32:12What are you implying?
32:13Well, you
32:14You move on impulse.
32:16You're going very fast,
32:17But then you get tired of it
32:18and you leave things
32:18half.
32:20Oh well,
32:20Why are you
32:21Are you messing with me now?
32:22I'm messing with you.
32:23But look,
32:24you and I
32:24We are very different.
32:25also.
32:26And yet,
32:28I love you
32:28That's outrageous.
32:29Yeah,
32:30Me too, Dad.
32:31That's why.
32:33Think things through.
32:35The work
32:36It is very important,
32:37but love
32:37It is too.
32:39And Save
32:40He is a good man.
32:43Oh, God,
32:44Everything is so difficult,
32:45really.
32:48Put things
32:49in its sense,
32:50dear.
32:51And fight
32:52so you
32:52you want.
32:54Save,
32:55the decoration
32:56or both.
32:58That you
32:58when you put
32:59Nothing can stop you.
33:03Until I get tired.
33:05Look,
33:06I'm the one who saves you.
33:07You won't get tired.
33:09And look,
33:10overcoming your
33:10first crisis
33:11It's the first step
33:13to strengthen
33:13your relationship.
33:16Thanks for the advice,
33:18dad.
33:19To you,
33:19for trusting me.
33:24Does it impose on you?
33:25to act in a theater
33:26So big?
33:27Already,
33:27me too
33:27I would impose myself.
33:28Normal.
33:29Oh well,
33:30She is very excited now.
33:31And thank goodness,
33:32because it's been a few days
33:34regular.
33:35Why regulate?
33:39No,
33:40Well,
33:40because of nerves,
33:41more than anything.
33:42But now
33:43the day has arrived
33:44She's excited
33:45with singing in front
33:46of so many people.
33:47Yeah,
33:47my father and Dina
33:48They are also very excited.
33:50And you too
33:51You seem to be in a very good mood,
33:52No?
33:52Yeah,
33:53Yeah,
33:53Yes, I am.
33:54Is it for a special reason?
33:57Well,
33:58Yeah,
33:58through the creation of Julia,
33:59because today too
34:00they begin to be manufactured
34:01again
34:01the classic perfumes.
34:03Well,
34:04There are many reasons.
34:06I'm very happy to hear it
34:07about the perfumes.
34:10To your husband
34:11He wasn't very happy about it.
34:13I can imagine,
34:13already.
34:14And is that all it is?
34:15What are you so happy about?
34:17Julia,
34:18You look beautiful.
34:20She's gorgeous.
34:21All that's left for you is to succeed.
34:22in front of the public.
34:24Has he taught much?
34:26And do you know
34:27the entire repertoire?
34:28In a rush.
34:29Well,
34:30We can do great.
34:31All you have left is
34:31follow the instructions
34:32from the director
34:33to enter the solo
34:33and success is guaranteed.
34:35How are you cheering me up, man?
34:37Just listen to your uncle
34:38who gives the best advice.
34:41That's also true.
34:42Come on, let's go.
34:43We arrived late.
34:44Ah,
34:45And although it sounds awful,
34:46as the artists say
34:47and the theater people,
34:48I wish you the best of luck.
34:49Wow!
34:50Yeah,
34:50It's an expression
34:51that they used in the past
34:52because the viewers
34:53They arrived in horse-drawn carriages.
34:54And when there was a lot of...
34:56Have you?
34:56...of that
34:57It's because there was a large audience.
34:59and the function
35:00It was going to be a success.
35:01Well, if he scolds me
35:02the nun, so to speak,
35:03I'll say it's something
35:04From my uncle, huh?
35:06Lots of shit.
35:08Come on, go on.
35:09Bye bye.
35:10Bye bye.
35:58You have to realize
35:58that time passes
35:59and that a time will come
36:01where for your children
36:01You'll just be a stranger.
36:03Both for Julia
36:04as for Juan.
36:14What are you doing here?
36:16I was in the shower,
36:17I didn't hear the door,
36:18but it's not...
36:18soon
36:19so that you come and find me.
36:21Yes, well,
36:21I had some free time
36:22and wanted to see
36:23How was my son?
36:24Juanito is not here.
36:26Begoña has taken it
36:27to the queen's house
36:28so that Tere can take care of him
36:29while accompanying Julia
36:30to the recital.
36:32As I had
36:33a romantic date
36:34with Javier,
36:34I didn't want to ruin it for him.
36:37She's so good
36:38And so silly.
36:41How are you?
36:44Do you like my dress?
36:47You look very pretty.
36:48Thank you.
36:49Thinking it's better
36:50that we go out together
36:51from home,
36:52even if there are no Moors
36:53on the coast.
36:54You'd better wait for me
36:54on the slope,
36:55at the bend,
36:56Do you know where I'm telling you?
36:57Yeah.
36:59Beatriz had to
37:01ask you
37:03postpone our plan
37:04for tomorrow.
37:06What are you saying, Gabriel?
37:10Our anniversary is today,
37:11We had everything ready.
37:12Yes I know.
37:15I'm sorry to let you down.
37:17But I have to go
37:18to Julia's performance.
37:20Oh really?
37:21To go and listen
37:23the roosters
37:23of some teenagers
37:24unbearable
37:25Are you telling me?
37:26oh really?
37:29Please, Gabriel,
37:32Don't trip them
37:33everything at the last minute.
37:34We're going to pass
37:35a wonderful evening.
37:36Julia needs me.
37:38What does it need from you?
37:40That girl
37:41It's not yours at all.
37:43Just yesterday
37:44You couldn't stand her.
37:44You said it was a
37:45sea and wise woman
37:46take everything from me
37:46like her mother.
37:48That girl
37:49legally she is my daughter
37:51and I have to behave
37:52accordingly
37:53to a father.
37:55But tomorrow
37:56We can resume the plan.
37:58You already know
37:58that the good
37:58It makes you wait.
38:00I don't think I'll be tomorrow.
38:01go with you
38:02nowhere.
38:03I am not the second
38:03nobody's plate.
38:04Gabriel,
38:06If you want to go there,
38:07go away.
38:08You're not going to make it.
38:09But let me give you some advice.
38:10You put in earplugs
38:11for the ears.
38:12Long.
38:15Go away.
38:16I'm sorry.
38:19Talk tomorrow.
38:28And what happens next?
38:31Better.
38:33And do you think it could get complicated for him?
38:35No.
38:36Claudia is young
38:37and is in good health.
38:38He will overcome pneumonia
38:39satisfactorily.
38:41Already.
38:42That's what I thought.
38:45So everything's okay?
38:50Mother,
38:50What is it you want to ask?
38:52Well
38:53How is she with you, son?
38:57Angry.
38:59Oh, of course.
39:01It's understandable, darling.
39:03She was very excited
39:04with what you had
39:05among you
39:06and
39:06overnight
39:07short with her
39:08without giving many explanations.
39:10Too many.
39:11I think I gave it to him
39:11too many explanations.
39:13I just wanted
39:14save ourselves the suffering
39:15to both.
39:16And in the end
39:16It's all over.
39:17being more serious.
39:18If I hadn't been
39:19angry with me
39:20and would have come
39:20to the dispensary before
39:21we could have
39:22saved on antibiotics.
39:23No, honey.
39:24Maybe
39:25It's uncomfortable for her
39:26to see you.
39:27She says that I
39:28I asked for distance.
39:28And it's true,
39:29But I did it as a boyfriend,
39:30not as a doctor.
39:31It shouldn't be for her
39:32as simple as it is for you
39:34separate the two things.
39:37Why do you say that?
39:39Because
39:41Everything's mixed up, honey.
39:43And the emotions
39:45they cannot be controlled
39:45nor separate
39:47mechanically.
39:49Claudia must be
39:50suffering a lot
39:50because of your breakup.
39:52And I suffer
39:54because she suffers,
39:55although
39:55It may not seem like it.
39:58Back then
39:58Are you both suffering?
40:03If that was your intention
40:04breaking up with her
40:05was to avoid you
40:06suffering
40:06to both of them,
40:07It's clear.
40:08that you're not achieving it.
40:10I broke off the relationship
40:10ahead of time
40:11because I believed
40:12that way there would be no pain.
40:14dear.
40:16In relationships,
40:18Unfortunately,
40:18not everything is so mathematical
40:19and measurable
40:20as in science.
40:22There are many more variables
40:23difficult to control
40:25and sometimes even
40:26chance
40:26or the destination
40:27They do their part
40:28of sand.
40:29I don't think so
40:30at random
40:30nor in destiny.
40:31Already,
40:31I know.
40:33And you don't understand either.
40:34the complicated world
40:34of emotions.
40:37Being with Claudia,
40:39whatever it is
40:40whatever made you feel,
40:41I suppose so.
40:42which for you would be
40:42how to go in a car
40:44without brakes.
40:46A car without brakes?
40:48If you already know
40:48What I mean.
40:52I suppose you mean
40:53to vertigo
40:53and to fear
40:55and the unease.
40:56That is.
40:58And now?
40:59Do you feel more at ease?
41:01And relaxed?
41:03No.
41:04Of course, darling.
41:06Then maybe
41:06what you need to understand
41:08the thing is
41:09that it hasn't compensated you
41:10cut into shape
41:11so categorical.
41:13Furthermore,
41:14probably
41:15It's worth it.
41:16keep watching
41:17What is it that makes you feel this way?
41:18be with Claudia.
41:20Because I, darling,
41:21when you started dating
41:22with her,
41:22really,
41:24You seemed much more relaxed,
41:25happier
41:27and even fun.
41:31Son,
41:34the pain
41:34part of
41:35of life
41:37and the risk
41:38and nobody knows
41:39what's going to happen
41:40in the future.
41:42But if there is true love,
41:44can be overcome
41:45all the potholes.
41:47Like Dad and you?
41:49Or like a Velisalva.
41:51Well,
41:52That remains to be seen.
41:53Let's not talk
41:54of possible futures.
41:56If there is true love,
41:57They will resist.
41:58You'll see.
42:01So, son,
42:04think less
42:04and feel more.
42:08What is it helping you with?
42:09the walk
42:10With nerves?
42:11Yes, but don't go
42:12so fast
42:12that I'm staying
42:13breathless.
42:14Sorry.
42:14Sorry.
42:16Who has helped me
42:17really
42:17So, what's the day like, Andrés?
42:19Clear,
42:20as usual.
42:22And that he'll be there
42:24in the auditorium
42:24seeing me
42:25It gives me a lot of confidence.
42:26We're going to
42:27Let's all applaud
42:27furiously,
42:28You'll see.
42:29But do not shout my name
42:30or anything like that,
42:30which makes me very embarrassed.
42:32Julia,
42:32I don't know if I'll be able to anymore.
42:33Avoid it, darling.
42:34Julia.
42:36Shame.
42:39I thought it couldn't be reached.
42:41Where are you going?
42:42To see my daughter
42:43sing with the choir
42:45and to make a single one
42:45who is going to applaud
42:46all of Toledo.
42:48And that meeting
42:49so important
42:49What did you have in Madrid?
42:50Well,
42:51the truth is that
42:52to the customer
42:52He wasn't very happy about it.
42:53that she postpone it
42:53for tomorrow.
42:55But he didn't love me.
42:56miss your performance.
42:57I wouldn't have.
42:58never forgiven.
42:59Thank you, Gabriel.
43:01Look,
43:02There goes Lali with her mother.
43:03I'm going to say hello to her.
43:04Yeah,
43:04Don't be late.
43:05I'll be right back.
43:10And what is the reason for this?
43:11that change of plan
43:12if you were very clear
43:14Couldn't you come?
43:15Well,
43:16I corrected it in time.
43:18No meeting
43:19is more important
43:19that happiness
43:20of our daughter
43:21You should see your parents together.
43:25I think it's the first time
43:26since we met
43:27I feel that you hear me
43:28and that my words
43:29have some effect on you.
43:31It's not the first time.
43:33I'm listening to you more
43:33of what you believe.
43:35Above all
43:35if it has anything to do with it
43:36with education
43:36of our daughter.
43:38I think you're a mother
43:40extraordinary.
43:41The best.
43:43Thank you.
43:43Moms?
43:45Yes, let's go.
44:02Paula.
44:03What are you doing here?
44:05You can talk.
44:06Tasio, no.
44:07I have to close the store
44:08and I have to run away
44:09Let's eat, I don't have much time.
44:10Are you alone right now?
44:12It isn't.
44:13What do you want?
44:15End the conversation
44:16from before.
44:16But for that
44:17I need nobody
44:18listen to us.
44:18Tasio,
44:19if you're going to come back to me
44:19to ask for forgiveness
44:20Save yourself the trouble.
44:21really.
44:21Paula,
44:22I want to tell you
44:23what's happening to me.
44:23Are you still interested?
44:24Or not?
44:25Yeah,
44:26Yeah,
44:26Of course I'm interested.
44:28Paula.
44:29Look,
44:30I've been a bit unsettled.
44:31these days.
44:32Ever since
44:33we have resumed
44:34our relationship.
44:36What's that?
44:36Do you regret it or...?
44:38Paula,
44:38It has nothing
44:39what to do with you,
44:40But you're the most beautiful thing.
44:41that I have in my life
44:41at the moment.
44:43But,
44:44Well,
44:45It's something I've done
44:46that...
44:47that I'm going to regret it
44:48all my life.
44:49Already,
44:50that you have deceived Carmen,
44:51No?
44:51It's not related either.
44:52with Carmen, Paula.
44:53It's something I haven't told him.
44:54to no one,
44:55because I don't really know
44:56What could happen to me?
44:57If I tell it.
44:58So what happens?
44:59What do you think?
45:00Tell me about it.
45:00I'm going to leave
45:01of the language or what?
45:04It's something
45:05quite serious.
45:06Tatius,
45:07For God's sake,
45:08Tell me now
45:08You're scaring me.
45:09Look, Paula,
45:10If I hadn't told you before,
45:11because I don't want to
45:12that you see me
45:12like a horrible person
45:13when I tell you
45:13And I don't want to.
45:14that you stay away from me
45:15thereafter.
45:16But you,
45:16really
45:17you think
45:17at this point
45:18Am I going to turn my back on you?
45:20Tatius,
45:20I wasn't angry
45:21when you told me
45:22that you had a mess
45:22with Claudia,
45:23that you got her pregnant.
45:25Understood
45:26that it was a mistake
45:27and not because of that
45:28I thought you were
45:28bad person.
45:30But the thing is
45:30It's much worse than that.
45:32No, then, Tatius,
45:33For God's sake,
45:33as if you had killed
45:34to someone.
45:36I didn't kill him,
45:38but the gentleman
45:39Anton Borosar
45:40He died because of me.
45:43Yeah,
45:44Don't scare me,
45:47Tatius,
45:47what's happening?
45:48Did you provoke him?
45:49A heart attack?
45:50Yeah,
45:51He died of a heart attack
45:51to the heart
45:52for not taking the pills
45:53that he had on top
45:53always because I
45:54I took them off.
45:57Which is why I was
45:57drunk
45:58and he was very angry
45:59with that man
46:00because it ends
46:00to call him a bastard
46:01or wanted to be called
46:02the company Morocco,
46:02Understand me,
46:03in the end,
46:03Well, I unintentionally
46:04I picked up the pills.
46:06It was a tragedy.
46:08I swear to you,
46:09For God's sake,
46:09that he didn't want that to happen.
46:11Do you understand me or not?
46:15Go away.
46:17Paula.
46:18Please,
46:20Don't tell anyone about this.
46:21I beg you.
46:25Doña Encarna,
46:26How are you?
46:27I have their colony over there.
46:29If you will come with me,
46:29please.
46:30Please.
46:37We would like to invite you
46:38to you and the girl
46:39dinner tonight
46:40in a restaurant
46:41good from Toledo.
46:42We have many things
46:43Something to celebrate.
46:43I would love that
46:44And it goes without saying
46:45Julia too,
46:46But I need to talk about it
46:47with Gabriel.
46:48Do you want honesty?
46:49Please.
46:50Well, those paintings
46:51They are horrible.
46:52Not to mention
46:53of those tablecloths.
46:55They are modern.
46:56What happens
46:57It's because you are
46:57more of a small town
46:57than a water jug.
46:58And yesterday I was thinking,
46:59No?
46:59What a shame.
47:01that people
47:01I don't know
47:02where the money comes from.
47:03Do you get me?
47:04Like what
47:04could be done
47:05something bigger,
47:06No?
47:07The table is beautiful.
47:08Not as much as you.
47:10Where do we sit?
47:11Where do you always sit?
47:12Me too.
47:13Yeah?
47:14Well.
47:16I found out
47:17of the plans
47:18what do you have
47:18for the money
47:19that you are going to inherit
47:20of Pelayo.
47:20It seems that Marta
47:22I had planned
47:23donate it to sick people
47:24who do not have access
47:26expensive medical treatment.
47:27All good
47:28with Javier?
47:29No,
47:30Actually, no.
47:31Already.
47:32That's what it seemed to me.
47:33that I've been through.
47:36What have we discussed?
47:37Yes, well,
47:38I already told you
47:38that I am a complicated man.
47:43I know, Miguel.
47:47But I chose you
47:47knowing it.
47:50And nobody to me
47:51can take me away
47:51my ability to choose.
47:53Not even you.
47:55I am your true wife.
47:56That's all I asked of you
47:57It was that for one day
47:58you will treat me as such.
47:59And you have failed me.
48:00I am Julia's father
48:01and that entails
48:02certain obligations.
48:03And one of them
48:04is to go to his recital.
48:05But nobody will have been seen, right?
48:06Peaceful.
48:07Nobody gets on here
48:08at this hour.
48:09It was very shocking.
48:10what you told me.
48:11But you've already told me.
48:13And there's no going back.
48:15And I don't know if you're aware of it.
48:16What have you done to me?
48:16accomplice to something very serious.
48:18Yes, I'm sure.
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