- 2 days ago
The star-crossed desert romance of a cloistered woman and a renegade monk.
Director
Richard Boleslawski
Stars
Marlene Dietrich, Charles Boyer, John Carradine, Basil Rathbone
Director
Richard Boleslawski
Stars
Marlene Dietrich, Charles Boyer, John Carradine, Basil Rathbone
Category
🎈
FunTranscript
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00:06:16I've been here for one whole month, Father.
00:06:18Forgive me. I still cannot understand how men can find peace here.
00:06:23Walled in, cut off forever from the world.
00:06:27You are a soldier of France, my son. We are soldiers of God.
00:06:32One must have the call for either duty.
00:06:34Please.
00:06:47Venedicite.
00:06:48Venedicite.
00:06:51Venedicite.
00:06:53I will not be the Lord,
00:06:54and I will be the Lord,
00:06:55and I will be the Lord,
00:06:57and I will be the Lord.
00:06:59Amen.
00:07:08See, I go away, Father, to rejoin my company.
00:07:11You have never asked me where I came here.
00:07:13You asked for shelter here.
00:07:14We've tried to make you comfortable.
00:07:16Oh, you have, Father.
00:07:18But I don't want you to think I came here
00:07:20out of idle curiosity.
00:07:22You see, my mother had always wanted me
00:07:24to enter the service of the church.
00:07:27Last year she died,
00:07:28while I was on patrol deep in the desert.
00:07:31It seemed fitting somehow I should come here,
00:07:34if only for a little while.
00:07:37I understand, Mr.
00:07:44You must take this with you,
00:07:45as a small token of our pleasure in your visit here.
00:07:48For me?
00:07:48A bottle of the liqueur we make at this monastery.
00:07:51We are very proud of it.
00:07:53You have reason to be.
00:07:54I have tasted it.
00:07:55It is superb.
00:07:56I'll call Brother Antoine.
00:07:58The making of the liqueur is in his charge.
00:08:00Your praise will make him happy.
00:08:13Brother Gregory.
00:08:15Call Brother Antoine from his work.
00:08:21They are very proud of it.
00:08:22I'm sorry, my father.
00:08:22I always feel a little strange talking
00:08:23to you while these men must keep silent.
00:08:27They have chosen their silence, Monsieur de Trevigny.
00:08:30They are happy in it.
00:08:34At this end, penitentium agitae
00:08:39haprop cinquavit enim raniam celo.
00:09:04Speak. What is it?
00:09:06I release you from your vow of silence.
00:09:09Brother Antoine has fled.
00:09:12He has gone out into the world.
00:09:17He has broken his bowels.
00:09:27Do not condemn him.
00:09:30Pity him.
00:09:32Whatever has caused him to take this awful step,
00:09:35only agony and remorse can furrow it.
00:09:39Let us never forget that for those who are weary,
00:09:44for those who have lost the way,
00:09:48there alone is peace.
00:10:23Let's go out.
00:10:24Let's go out.
00:10:24Let's go out.
00:10:26Let's go out.
00:10:30Madame is going to the Sahara.
00:10:34The desert is the garden of oblivion.
00:10:36In the desert one forgets everything,
00:10:37even the heart one loves and the desire of one's own soul.
00:10:41Oh, you are poet.
00:10:42Oh.
00:10:43How quickly Madame understands me.
00:10:44Yes, Madame.
00:10:45Sometimes I'm busy with the beauty of my own thoughts.
00:10:48Perhaps the sun has something to do with it.
00:10:50Oh, this sun is nothing.
00:10:51Wait till Madame gets beyond the mountains
00:10:52and through the gates of the Sahara.
00:10:54There the sun blazes.
00:10:58Let it blaze.
00:12:02May I be of service, madame? Are those madame's bags?
00:12:04Yes.
00:12:05Very well, madame. I will help you with that.
00:12:06I thought you were a poet.
00:12:08Ah, madame, I'm not only a poet. I'm also a guide.
00:12:11Porter.
00:12:11Never mind, madame. I'm also a porter.
00:12:14My name is Batouche.
00:12:16Batouche?
00:12:17Yes, madame.
00:12:18It will be an inspiration to serve, madame.
00:12:21Madame is like the new young moon coming up over the mimosas.
00:12:24Madame is like a lovely lotus that blooms in...
00:12:26My bags, Batouche.
00:12:28Madame's bags are very chic.
00:12:31Ah!
00:12:32Oh, madame, this is my cousin, Harry.
00:12:37He can't speak English.
00:12:39He hasn't been to Europe as I have, madame.
00:12:41He doesn't know north from south.
00:12:43He gets lost in broad daylight.
00:12:46And furthermore, madame, he's a swine.
00:12:48Huh?
00:12:48Uh-huh.
00:13:01What an extraordinary man.
00:13:05Is he mad?
00:13:06Yes, he's undoubtedly English.
00:13:08Let's go.
00:13:52Madame, welcome to Benimura.
00:13:55Thank you, Father. And greetings from Mother Josephine.
00:13:58She said I should write her exactly how you are.
00:14:00She demanded that I do the same thing about you.
00:14:04My companion, Boush-Boush.
00:14:06He, too, has his faith, but, at last, it's only in me.
00:14:10I'm sure his trust is not misplaced, Father.
00:14:13Thank you, Charles. My church is small, but it's always open.
00:14:17And you wouldn't exchange it for a great cathedral, would you?
00:14:20I'm afraid I wouldn't. Now, you need rest after your day.
00:14:24Your hotel is yonder. Matoush, take good care over now.
00:14:37. . . .
00:14:37. . . .
00:14:47Oh, oh, oh, oh, oh, oh, oh.
00:15:16That song, what does it say?
00:15:19It is the song of the freed slaves, madame.
00:15:23No one but God and I knows what is in my heart.
00:15:31No one but God and I knows what is in my heart.
00:15:44The End
00:16:02What is he afraid of?
00:16:06Irena, the dancing girl, madame, oh, she's the most terrible girl in all of the Sahara.
00:16:09She wants to kill Hage.
00:16:11Why?
00:16:12She loves him.
00:16:15This way, madame.
00:16:33I didn't know that Hage would laugh.
00:16:35Whatever did you say to him?
00:16:36I told him, Irena was not dancing tonight, madame.
00:16:39But you told me she was.
00:16:41And so she is, madame.
00:16:47I told him.
00:16:53She is a singer.
00:16:55.
00:16:56.
00:16:56.
00:16:57.
00:16:57.
00:17:03.
00:17:04.
00:17:05.
00:17:07.
00:17:07.
00:21:26She wants money, madame.
00:21:28Why doesn't he give it to her?
00:21:31He doesn't understand.
00:21:33Go and tell him.
00:21:34Yes, ma'am.
00:21:36Yes, ma'am.
00:22:04Yes, ma'am.
00:22:04Let's go.
00:22:44Hi!
00:23:33Thank you for helping me.
00:23:34Good night.
00:23:37Good night.
00:24:17I can look after myself now.
00:24:19I'll go with you, madame.
00:24:21I'm not afraid.
00:24:23I'll go with you.
00:24:24But if I prefer to be alone?
00:24:27Then I'll follow you, madame.
00:24:31Well, come with me, then.
00:24:40She loves him, so she tried to kill him.
00:24:43It doesn't seem reasonable, does it?
00:24:46I know nothing of such things.
00:24:48Women are hard to fear them.
00:24:51Some men also.
00:24:52Well, salam, madame.
00:24:58The life of madame is in the sand.
00:25:01I see it.
00:25:03I see it clear.
00:25:05I know the past.
00:25:06I read the future.
00:25:08The future of madame.
00:25:12The life of monsieur.
00:25:14I begin to see.
00:25:19Shall we hear what he has to say?
00:25:22No.
00:25:24No.
00:25:39I'm Dominion Filden.
00:25:43My name is Boris.
00:25:45Boris Androvsky.
00:25:47You're Russian?
00:25:48My mother was French.
00:25:50My father a Russian.
00:25:52That is my name.
00:26:00Perhaps we meet again.
00:26:02I hope so.
00:26:05I'm riding tomorrow to the oasis of Cities Azul.
00:26:07I hope so.
00:26:17Good night.
00:26:18Good night.
00:26:57I hope I'm not intruding, but I didn't know whether you meant me to ride with you or not.
00:27:04I practically asked you to.
00:27:05Oh, I didn't understand that.
00:27:08I couldn't believe it.
00:27:13You see, I've lived so long out of the world, I don't know the right things to do.
00:27:18Oh, these things are unimportant anyway.
00:27:21They really are.
00:27:22You're very kind, madame.
00:27:51Not only you are welcome as raindrops spattering upon a parched city.
00:27:54The flowers droop in your absence.
00:27:56The flowers may droop, Batouche, but never you.
00:28:01Madame, Madame in Chile, this is Count Antione.
00:28:06Count Antione, this is Monsieur Androvsky.
00:28:10Greetings, Madame, Monsieur.
00:28:12I hope I haven't disturbed you, but in this sun one heads towards an oasis is towards heaven.
00:28:16Would you join us for coffee?
00:28:18Thank you, Madame.
00:28:18Madame, in the desert a fellow traveller is a friend.
00:28:21It's charming and very true.
00:28:23Batouche tells me you live here, Count Antione.
00:28:25Yes, Madame, I've adopted the Sahara.
00:28:27Or perhaps I should say the Sahara has adopted me.
00:28:30Someday I must make a pilgrimage into the desert, as you do.
00:28:34Let me advise you, Madame.
00:28:35Wait.
00:28:36Wait until the call is so strong that it can't be ignored.
00:28:46I'm very curious about a European woman.
00:28:49I seldom see one.
00:28:51I'm curious about them.
00:28:52Is that a beautiful woman?
00:28:59I'm curious about her.
00:29:00Yes, Hermione.
00:29:06Yes.
00:29:07Yes, dear.
00:29:08How about you?
00:29:16Yes, dear.
00:29:17Yes, dear.
00:29:20Yes, dear.
00:29:20Yes, dear.
00:29:22Who?
00:29:28You! You!
00:29:32You want it? Here, take it. It's yours.
00:29:45If you'll excuse me, I'll see about the horses.
00:29:59A curious man, Mr. Androfsky. Who is he?
00:30:04Just a fellow traveler.
00:30:06And a friend?
00:30:09I don't quite know.
00:30:14A man who fears to acknowledge his God is unwise to set foot in the desert.
00:30:24The Arabs have a saying, madame.
00:30:26The desert is the garden of Allah.
00:30:35The desert is the garden of Allah.
00:30:36The desert is the garden of Allah.
00:30:59Allрост class in the winter.
00:31:00The desert is the garden of Allah.
00:31:17And the desert is the garden of the view of Allah.
00:31:23Isn't it lovely?
00:31:26Madame.
00:31:31Madame.
00:31:34Oh, don't let him frighten you.
00:31:36Tell me about him. I've seen him before.
00:31:40He's a desert man.
00:31:41One would suppose that such beings were bred by the marriage of sand grains.
00:31:44The sand tells him secrets.
00:31:46Have you ever had him read the sand for you?
00:31:48Once. A long time ago.
00:31:50And were the things he saw there true?
00:31:52He saw nothing for the years that were past.
00:31:55And for the years that were still to come.
00:31:57Oh, it might have been chance.
00:31:59Yes.
00:32:00He did see what was still to come.
00:32:04Would you care to hear him?
00:32:07Yes.
00:32:09Belisha.
00:32:10A la huakba.
00:32:11A la huakba.
00:32:13A la huakba.
00:32:18A la huakba.
00:32:21Camel.
00:32:23Waiting by a church.
00:32:30The caravan moves out into the desert.
00:32:35It is day.
00:32:37But not like other days.
00:32:43The wind is rising.
00:32:45It drowns out the music of the church.
00:32:49The desert is angry.
00:32:52There is a palanquin.
00:32:54Such as the great sheiks used to carry their women.
00:32:57Am I to be carried off?
00:32:58I don't know.
00:32:59Too lucky, too lucky.
00:33:01But there are two people.
00:33:02And one of them is you.
00:33:03Where does the caravan go?
00:33:05Can he tell me?
00:33:05Here are the elks.
00:33:07He said, hi.
00:33:08It's on the road to Bambara.
00:33:11Bambara.
00:33:14The route I planned for my pilgrimage.
00:33:18Retention.
00:33:21Far in the desert.
00:33:24Close by a ruined tower.
00:33:27Barbari.
00:33:29Barbari.
00:33:30Barbari.
00:33:30Barbari.
00:33:31Barbari.
00:33:32What does he say?
00:33:33He says there is something glorious in store for you.
00:33:37It's as if all the trees of the desert bear fruit.
00:33:41And the sand is covered with millions of golden flowers.
00:33:44Is it joy?
00:33:46It must be joy.
00:33:48Talil.
00:33:49Talil.
00:33:50Yes.
00:33:51Great joy.
00:33:57What is it?
00:33:57It's a warning.
00:33:58I don't care.
00:34:00If this great joy comes to me, I don't care what comes after.
00:34:03Please let us go.
00:34:33The events in the world.
00:34:38This is a hallarkan dazu.
00:34:38And I'll never return to the land.
00:34:38I shall return to you for a living.
00:34:39I am not Разjou guests from the world.
00:34:43For health, any of the fuert群, your adventures have begun.
00:34:51If I am not, Ich was a child possessive as I am.
00:34:51For health, there was a muito begun with the importance of being this will.
00:34:51You see, it's not a mirage. It's real.
00:34:54Real palms, real water.
00:34:56Real sun, real sky.
00:34:58Real Dominique, real Boris.
00:35:02Boris.
00:35:06I don't believe it.
00:35:08What is it? Is something wrong?
00:35:10You laughed. I didn't think you knew how.
00:35:15I don't.
00:35:16Why, Boris? Why?
00:35:18Why do you behave so strangely?
00:35:21You're troubled deeply.
00:35:23What is it?
00:35:25Can't you tell me?
00:35:27Won't you trust me?
00:35:43I'm sorry if I've intruded.
00:35:45I thought all these weeks we've been seeing each other had given me the right.
00:35:49Please forgive me.
00:35:50Please don't be impatient with me, Dominique.
00:35:53Your friendship is all I have.
00:35:55I've tried to imagine what I would do with her.
00:35:59Alone here.
00:36:01I couldn't face it.
00:36:03Then I thought of our days together.
00:36:05The day as it is azure, the time we rode to the tomb on the desert, our walk on the
00:36:11dunes that night under the stars.
00:36:13Something's happened to me.
00:36:14I can breathe again.
00:36:16I can feel sun and wind again.
00:36:18For the first time, I can bear to live in the world.
00:36:22You've done that for me, Dominique.
00:36:24Thank you, Boris.
00:36:25I'm glad.
00:36:27But...
00:36:28Please, Dominique, don't question me.
00:36:31There are things in a man's life it's best to forget.
00:36:34There are dark places which should be left dark.
00:36:38I don't want to remind you of that, Boris.
00:36:40I won't again.
00:36:41I've seen you happy.
00:36:43You must think only of that.
00:36:45That happiness.
00:36:46And of you, Dominique.
00:36:48Of you.
00:36:49I thank God.
00:36:54I...
00:36:56What is it, Boris?
00:37:02Nothing.
00:37:12It's getting late.
00:37:15We'd better be starting back.
00:37:41It's...
00:38:02allons-y.
00:38:08How are you?
00:38:10What is it, Boris?
00:38:27ORGAN PLAYS
00:38:54ORGAN PLAYS
00:39:17ORGAN PLAYS
00:39:35My dog has taken the fancy to you, I see.
00:39:39I'm sorry.
00:39:41I didn't know it was your dog.
00:39:43I shouldn't have interfered.
00:39:45Forgive me.
00:39:46My son.
00:39:47My son.
00:39:49Why do you run away?
00:39:51Why do you say that?
00:39:53The church is always open to you.
00:39:55What is the church to me?
00:39:57I have no use for it.
00:39:59I'm sorry.
00:40:16You sent for me, Father?
00:40:18Yes.
00:40:18Sit down.
00:40:21It's about your fellow traveler.
00:40:23What's the matter with that man?
00:40:25What's the matter?
00:40:27I don't know, Father.
00:40:29There's fear in this man, Dominic.
00:40:32Why do you say that, Father?
00:40:34Why do you say that, Father?
00:40:34Give me your reason.
00:40:35My reason?
00:40:36My instinct.
00:40:38I pity him.
00:40:39I shall pray for him.
00:40:40He needs prayers.
00:40:42I can't say I think he's evil, but...
00:40:46I know he isn't evil.
00:40:47I know he isn't evil.
00:40:47You know?
00:40:48How?
00:40:49My instinct.
00:40:57I think perhaps he has lost his faith.
00:40:59That's what's wrong with him, Father.
00:41:01But I think he can be helped to regain it.
00:41:03I shall do what I can for him.
00:41:05Dominic!
00:41:06Father Josephine, put you in my care.
00:41:09My first duty is to protect you.
00:41:11And I warn you most solemnly not to make friends with this man.
00:41:32Forgive me if I disregard your warning, Father.
00:41:35But I feel that everything that has happened to me here has been arranged beforehand.
00:41:40And I feel that, too, about the future.
00:41:43Oh, the fatalism of the East.
00:41:46It's the guiding spirit of this land.
00:41:48And you, too, are going to be led by it.
00:41:51Take care.
00:41:53You've come to a land of fire.
00:41:55And I think you are made of fire.
00:42:13Batouche, did you find Monsieur Androfsky?
00:42:15Yes, madame.
00:42:16He's leaving Benimora.
00:42:18Leaving?
00:42:19Yes, madame.
00:42:21Tonight, he said.
00:42:23Oh.
00:42:26That will be all, Batouche.
00:42:29Yes, madame.
00:42:39Boris.
00:42:43I came to say goodbye.
00:42:45But why, Boris?
00:42:46Why?
00:42:48You know why, Dominic, don't you?
00:42:50With you, I am at ease and happy.
00:42:52But with the people you like, I, no, I've made up my mind.
00:42:59I'm going away.
00:43:07Then I shall be alone.
00:43:10That journey into the desert you've spoken of, you will take it alone.
00:43:15What else can I do?
00:43:18I shall never know the desert.
00:43:20I've wanted to go.
00:43:23You've made me want to go.
00:43:24I?
00:43:25Yes.
00:43:26Once you said to me that peace and happiness might be found there.
00:43:31You gave me hope.
00:43:32And now,
00:43:36now we have to say goodbye.
00:43:41Goodbye.
00:44:01Dominic.
00:44:03Forgive me.
00:44:04I have no right.
00:44:05But I can't.
00:44:05I can't go until I say it.
00:44:09I love you.
00:44:13Don't go, Boris.
00:44:15Don't ever go.
00:44:18I love you.
00:44:20I love you.
00:44:46Come on.
00:44:58I love you.
00:45:00Come on.
00:45:08Come on.
00:45:13Repeat after me, I, Boris Androvsky, take thee, Dominey Enfielden, for my lawful wife.
00:45:24I, Boris Androvsky, take thee, Dominey Enfielden, for my lawful wife.
00:45:32From this day forward, to have and to hold.
00:45:39For better, for worse. For richer, for poorer. In sickness and in health. Until death do us part.
00:45:48For better, for worse. For richer, for poorer. In sickness and in health. Until death do us part.
00:45:59Repeat after me, I, Dominey Enfielden, take thee to my own life.
00:46:05Boris Androfsky, for my lawful husband.
00:46:10I, Dominique Anfield,
00:46:12take thee, Boris Androfsky,
00:46:15for my lawful husband.
00:46:17From this day forward, to have and to hold.
00:46:22From this day forward, to have and to hold.
00:46:27For better, for worse, for richer, for poorer,
00:46:31in sickness and in health, until death do us part.
00:46:52And you, monsieur.
00:46:53I hope this day will bring you the happiness we are all searching for.
00:47:02Afternoon, Helena!
00:49:18The Sand Diviner was right.
00:49:20Our whole life seems to begin today.
00:49:27Listen, Boris.
00:49:33No one but God and I knows what is in my heart.
00:49:38That is no longer true.
00:49:41Now you also know what is in my heart.
00:49:44Don't you?
00:49:46Yes, Dominique.
00:49:49I feel as if I were watched over and protected by the desert.
00:49:56No. By me.
00:49:58Think only of me tonight.
00:49:59Only of me.
00:50:01Forget everything that has gone before in your life.
00:50:05And mine.
00:50:07Yes, I feel as if I were to think of my heart.
00:50:16I am so very sad.
00:50:39The sand is so warm, so alive.
00:50:46Warm for us, Dominique.
00:50:49Life for us.
00:51:31Put my love to the place.
00:51:32proof, the uttermost proof, so he may know that nothing can destroy our love, nothing.
00:52:26If only I could teach you English.
00:52:28It's the only language low enough to describe you.
00:52:35I want to go home.
00:52:38I hate the desert.
00:52:41I want to go home.
00:52:45I hate the desert.
00:52:47Allah be praised at last, madame.
00:52:50Yes, Patush?
00:52:52Every day we go further and further into the desolation.
00:52:55But please don't think that I complain, madame.
00:52:57But it's Hajj here and all the others.
00:52:59They're all complaining.
00:53:00They all want to go back.
00:53:02Ask him for yourself, madame.
00:53:04So great is his yearning, he's even learned English that he may tell you.
00:53:09I want desert.
00:53:11I hate home.
00:53:22Go give your brother some hay.
00:53:24He's crying.
00:53:27Madame.
00:53:30You'd better give him another English lesson, Patush.
00:53:32Yes, madame.
00:53:33How cursed is the man with relatives.
00:53:35Do you have them in Europe too?
00:53:36We'll discuss that another time, Patush.
00:53:37Yes, madame.
00:53:39Isn't it time for monsieur to be back for Miss Hunting?
00:53:41Oh, he'll return in good time, madame.
00:53:43Do not be worried for his safety, please.
00:53:45If monsieur's not back by nightfall, light a torch.
00:53:48And I'll wait for him at the tower.
00:53:50Yes, ma'am.
00:53:55Yes, ma'am.
00:54:14Come here, look. Is it possible? There's a light.
00:54:22There's somewhere on that car!
00:54:24Water! Water! Water!
00:54:37Who are you? Madame, it seems impossible that anyone...
00:54:43Oh, pardon, you must think us crazy. We are a lost patrol, Madame.
00:54:47Lost in the desert for three days. Madame, forgive me.
00:54:53My men are hungry and exhausted. Have you water for us? A bite to eat?
00:54:59You find water in the first tent and everything in the camp behind the dunes.
00:55:03Get down at once. Madame, will you permit me?
00:55:07My name is Dr. Vignac.
00:55:09I'm Madame Androvsky.
00:55:10Russian!
00:55:13No, that's my husband's name.
00:55:18Permit me, Madame.
00:55:19Yes, sir.
00:55:22Oh, there's my husband.
00:55:28Will you excuse me if I go and meet him?
00:55:30Certainly, Madame.
00:55:32We'll be very happy if you join us for dinner.
00:55:35With pleasure, Madame.
00:55:36Of course, I realize that all this is happening, but I can't quite believe it.
00:55:40And so short a time ago, we hadn't even water to drink.
00:55:44And now you shall have champagne.
00:55:47We'll be waiting for you.
00:55:56Champagne!
00:55:59You see, Madame?
00:56:01That's the difference between Tadge and myself.
00:56:03He would never have thought of bringing along all these lovely things,
00:56:06the tablecloth and these chairs and the silverware,
00:56:09but Batouche thought we might have some guests, and here you are, Madame.
00:56:12And one thing, Benny Morat, people say Batouche is the perfect housewife.
00:56:18Good evening.
00:56:21Madame.
00:56:22My husband, Monsieur de Trevignac.
00:56:25Monsieur Androvsky.
00:56:26How do you do?
00:56:28Is it possible we've met before?
00:56:31No.
00:56:32No, I will remember, I think.
00:56:35Please, do sit down.
00:56:37More.
00:56:38No, no, you don't eat.
00:56:39Don't you smoke?
00:56:39Heave me.
00:56:43I love you.
00:56:47No, no, Openleg.
00:56:51B Хотя.
00:56:58If you don't care, heave me.
00:57:02We're here, k 그렇ly.
00:57:04It warms the heart like singing violins.
00:57:07Even your poetry sounds beautiful tonight, Batouche.
00:57:10Madame?
00:57:14You know, it's a strange thing.
00:57:16But I cannot get over the feeling that I have seen you somewhere before.
00:57:21I don't think that is possible, monsieur.
00:57:39We are all friends in the desert. Thank you for your soul.
00:57:46Good night, madame.
00:57:49Monsieur.
00:57:51Sergeant, march at dawn.
00:57:53We march at dawn.
00:58:05Boris, what is it?
00:58:07What has happened?
00:58:11Why did monsieur de Trevignac leave so suddenly?
00:58:16You didn't let him see you wanted him to go.
00:58:19After his escape from death, that would have been inhuman.
00:58:24Perhaps my love for you might even make me that, Dominique.
00:58:28And if it did, if you knew why it did,
00:58:31would you hate me for it? Could you?
00:58:34Could you hate me for anything, Dominique?
00:58:36I could never hate you.
00:58:37Now.
00:58:38Not if...
00:58:39Not if I had done you a wrong.
00:58:41Could you ever do me a wrong?
00:58:43I could as easily believe that God could.
00:58:51I've given my life to you.
00:58:53What more can I give to make you tell me what it is that troubles you?
00:58:56Nothing, nothing. You've given everything.
00:58:58Then why don't you share your sorrow with me?
00:59:00The dark places you spoke of, they cannot remain dark forever.
00:59:04No, no. I'll keep your love. I'll keep it.
00:59:05You can never lose it.
00:59:07But my happiness, our happiness,
00:59:10that is what can never be complete
00:59:13until you give me your truth.
00:59:34???
00:59:49Monsieur.
00:59:50Monsieur.
00:59:51Goodbye, madame.
00:59:53Monsieur de Trevignac.
00:59:54What happened?
00:59:56Please tell me.
00:59:57Madame.
00:59:59Madame.
01:00:00Um, I...
01:00:57There's the Tower of Moga, Your Excellency.
01:01:00But I don't see the encampment.
01:01:02The young officer said we should find them near that tower.
01:01:05It's Paoni!
01:01:10Count Antione!
01:01:12For the first time in my unworthy life, I am speechless.
01:01:15You're as well...
01:01:18Count Antione.
01:01:19Dominic.
01:01:20How glad I am to see you.
01:01:21I hope you're finding us here as an accidental.
01:01:24No. I intended to find you.
01:01:27I was on my way to Amara.
01:01:29Uh, I met a young officer.
01:01:31Monsieur de Trevignac?
01:01:33Yes.
01:01:35Doucetard.
01:01:36Ah, thank you.
01:01:38How well you look.
01:01:40You know, uh...
01:01:42This spot is exactly as the Sand Diviner described it.
01:01:47Everything the Sand Diviner said has come true.
01:01:51Are you happy then?
01:01:52How could I feel to be?
01:01:54No.
01:01:56I thought I detected a very small shadow across your face.
01:02:02It must be the light.
01:02:04I've been in the sun so long today.
01:02:06Mr. Androvsky.
01:02:08Count Antione.
01:02:09It is a pleasure to see you.
01:02:11You'll stay the night with us, of course.
01:02:13If I may.
01:02:16Of course.
01:02:22Some liqueur?
01:02:23What would you like?
01:02:25Benedictine, please.
01:02:26You know, there's one liqueur I'm very fond of.
01:02:28I haven't seen it for years.
01:02:29It's called La Canine.
01:02:31I believe we have some in the can.
01:02:34No.
01:02:34Not a minute.
01:02:35We did have a bottle.
01:02:37But there is none left.
01:02:38No, really, it doesn't matter.
01:02:39But Boris, I'm sure there's another bottle.
01:02:41Fatouche.
01:02:42Yes, madame.
01:02:42I'll get it right away.
01:02:44Extraordinary story, the story of La Garnine.
01:02:46Have you heard it?
01:02:47No.
01:02:48News travel so swiftly in the desert,
01:02:49I thought perhaps it might have come even to Mogar.
01:02:57Voila, madame.
01:02:58La Garnine.
01:03:00Monsieur.
01:03:01Oh, thank you.
01:03:03This liqueur is made at El Ligani.
01:03:06Have you ever tasted it?
01:03:07I don't believe so.
01:03:10You, monsieur?
01:03:11No.
01:03:13It's really unusual.
01:03:15The Trappist Monastery has every reason to be proud of it.
01:03:17Is it made by the monks?
01:03:18Yes.
01:03:19Yes, it's the only product of the vineyards at El Ligani.
01:03:22Let us enjoy it while we may.
01:03:25Because when all they have now in stock at the monastery is exhausted.
01:03:28You, monsieur?
01:03:30No, thank you.
01:03:32There will never be any more.
01:03:34But why not?
01:03:35Well, the secret of its manufacture belonged to one monk only.
01:03:39At his death, he was to confide it to another whom he had chosen.
01:03:42And he died suddenly without him?
01:03:45No, he didn't die.
01:03:47Then I don't understand.
01:03:49He disappeared from the monastery.
01:03:52He left the monastery?
01:03:54The Trappist Monk?
01:03:55Yes.
01:03:56After taking the final vows?
01:03:58Yes.
01:04:02How horrible.
01:04:04How could a man do such a thing?
01:04:06Why not?
01:04:08But Boris, the man who had taken vows, who had made the most sacred of marriages, a marriage to the
01:04:13church.
01:04:14I'm not a religious man myself, monsieur Androvsky.
01:04:17If this man has gone out into the world, what can he possibly expect to find there for him?
01:04:22He can find happiness.
01:04:24He can find joy.
01:04:25Not for long, monsieur.
01:04:27Believe me, not for long.
01:04:29There must be anguish in this man.
01:04:30There must be despair in him such as human have known.
01:04:33No.
01:04:34Why should he be in despair?
01:04:36Why?
01:04:37Why?
01:04:39Because he knows inside himself that he has no right to the delights of the world.
01:04:43Why shouldn't he have?
01:04:45How can you, church?
01:04:47He has tried to live as other men live.
01:04:50The way to love.
01:04:52To love, I tell you.
01:04:55Stop, get to move.
01:05:13To love, Oston, No.
01:05:17Why don't you have to love?
01:05:17To love, Oston, No.
01:05:19You'll see you next time.
01:05:19After all, you are generous.
01:05:19Take care to stay.
01:05:19There's no help.
01:05:19To love, Oston, No.
01:05:25The Black Bytex, Take care to support him.
01:05:25Life is such a surprise.
01:05:46Letravenak thought he recognized him, told me the story.
01:05:50I had to find out if it were true.
01:05:52The truth is bitter, Dominic.
01:05:53If it were any other woman, I might have remained silent.
01:05:56But I know how strong your faith is, how much it means in your life.
01:06:01I knew you would prefer the truth.
01:06:04Yes.
01:06:07I prefer to know the truth.
01:06:19Goodbye, Dominic.
01:06:22Goodbye.
01:06:23Goodbye.
01:06:36Goodbye.
01:06:37Goodbye.
01:06:42Goodbye.
01:07:06Why did you do it, Boris?
01:07:08How can I explain?
01:07:10How can I?
01:07:12Were the vows too hard to keep?
01:07:15No.
01:07:17No, Dominique.
01:07:18For years I kept them.
01:07:20Gladly, proudly.
01:07:24Even as a boy, I was so devout that it seemed to me,
01:07:28it seemed to all my family that I should give up the world.
01:07:31I was still very young when I went to the monastery.
01:07:35When it came time to take the eternal vows, I did not hesitate.
01:07:39It never occurred to me to go out again into the world,
01:07:42as many novices did.
01:07:44I was at peace there.
01:07:46I was happy.
01:07:48Happy, Boris?
01:07:50It was a lonely sort of happiness, yes.
01:07:55But it was happiness.
01:07:58I worked in the fields and the gardens.
01:08:02I lived in the sun and the rain.
01:08:04I worked close to the earth, day after day.
01:08:10And at night, there was the long plain chapel where I prayed,
01:08:17where God seemed very near.
01:08:24I was happy.
01:08:28What could have happened to take all that away from you?
01:08:33When the old abbé died, the new abbé put me in charge
01:08:37of the little hotelry where visitors are received.
01:08:41He released me from the vow of silence.
01:08:43For the first time in years, I saw and talked with people from the world.
01:08:50For the first time since I was a child, I listened to the voices of women.
01:08:59One day, a man came to the monastery.
01:09:04His face was full of bitterness and despair.
01:09:07He told me of the woman who was the cause of his agony.
01:09:11Day after day, he poured out the story to me.
01:09:13The story of her beauty, of his love for her.
01:09:16I was horrified.
01:09:19To me, it seemed unclean.
01:09:22But I listened, Dominique.
01:09:23I listened, thinking I might be able to help him.
01:09:26Then, one day, the woman came to the monastery, seeking him out.
01:09:32I saw them, rushing to each other's arms.
01:09:39Their faces were the faces of angels.
01:09:47At night, alone in my cell, I began to think of what I had seen.
01:09:52I was confused and troubled.
01:09:55I began to realize how much I had denied myself forever.
01:10:00I would look out over the monastery walls, toward the lights of the city, and think,
01:10:03they are living there, those people.
01:10:05Living.
01:10:11I fled from the monastery.
01:10:16But I never lived, Dominique.
01:10:19I was tortured by the thought of what I had done.
01:10:25Then, I met you.
01:10:29Why was I given this love for you?
01:10:32This crying out for the flesh, the heart of you?
01:10:37Why did I have to do this to you, Dominique?
01:10:39I don't know, Boris.
01:10:41I don't know.
01:10:43When I stood with you at the church that day, I felt as if I was being born again.
01:10:51And now...
01:10:52Dominique, I tried to tell you.
01:10:53I tried to give you up.
01:10:55I couldn't.
01:10:58Dominique.
01:11:00What are we going to do?
01:11:02What?
01:11:03I don't know.
01:11:08But this I do know.
01:11:10No one is pale who loves.
01:11:14God will not punish us if you, if we, can trust him to show us the way.
01:11:58God will notmade you.
01:12:05No one is pale
01:12:06I will Burger King
01:12:07No one is pale
01:12:07Of all jum Nachts
01:12:20You needn't tell me.
01:12:23It's in your face.
01:12:25I must make reparation for what I have done.
01:12:29Dominique, you know what I have to do, don't you?
01:12:39Yes.
01:12:48How far is it?
01:12:50To the monastery.
01:12:54A few hours.
01:12:58A few hours.
01:13:00A lifetime.
01:13:19Madame is leaving, but Madame will return one day.
01:13:23The desert calls and its voice is always heard.
01:13:25The desert is the land of forgetfulness.
01:13:27The land of...
01:13:32Forgive me, Madame.
01:13:34Matouche has no poetry today.
01:13:45Goodbye, my child.
01:13:48Goodbye.
01:13:51Goodbye.
01:13:52My son.
01:13:53Goodbye, father.
01:13:57Goodbye, Matouche.
01:13:59Goodbye, Monsieur.
01:14:12Bye, my dear.
01:14:22Goodbye, hatmin' me.
01:14:29Goodbye, lady.
01:14:33Bye, my dear.
01:14:33Bye, my dear old man.
01:14:33Good way, god.
01:14:34Goodbye a little boy.
01:14:36Hey, man.
01:14:36Taybes, ladle, ladle, ladle, ladle, ladle.
01:14:37I'm자, ladle.
01:14:38Good way.
01:14:39jean, ladle, ladle, ladle, in, le heat, ladle, ladle, ladle.
01:14:40Yes, monsieur?
01:14:42Can you arrange for a carriage to Eldagarni?
01:14:45The Trappist monastery is certainly, monsieur.
01:14:50Pierre, would you care to wait in the private parlor?
01:15:06Please don't touch me.
01:15:08I'm trying so hard to be strong.
01:15:11Please don't make it any harder.
01:15:21How can I bear to give you up?
01:15:24We are believers, Boris.
01:15:26We know this isn't all. It can't be.
01:15:29Surely in that other world,
01:15:31the real and lasting world,
01:15:34we'll be together forever.
01:15:35But in this world...
01:15:38The happiness you found in the monastery,
01:15:42we'll find it again.
01:15:47Perhaps, if you try not to think of me...
01:15:51No!
01:15:53Dominique, no!
01:15:54I will think of you always,
01:15:56until the end of my life.
01:15:58I was born perhaps to serve God,
01:16:00but I dare to believe that I was born too,
01:16:03that I might know your beauty, your tenderness.
01:16:07Since I've been able to pray again,
01:16:09I have begged God, in his mercy,
01:16:11to forgive me for having loved you.
01:16:13For in knowing your love,
01:16:15I have known him.
01:16:19The carriage, madame and monsieur.
01:16:41The carriage, madame and monsieur.
01:16:49would like to see the casinos.
01:16:55No?
01:16:57Perhaps tomorrow.
01:17:01Tomorrow.
01:17:02?
01:17:12.
01:17:22.
01:17:36Domino.
01:17:39Domino.
01:17:41Domino.
01:17:45You'll be with me always.
01:17:47You'll be with me always.
01:18:16You'll be with me always.
01:18:22I'm back to Judas.
01:18:26I'm back.
01:18:27I'm back.
01:18:29I'm back.
01:18:43I'm back.
01:18:45I'm back.
01:18:47I'm back.
01:18:55I'm back.
01:18:57I'm back.
01:18:58I'm back.
01:18:59I'm back.
01:19:00I'm back.
01:19:00I'm back.
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