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Transcript
00:00In this video, we all enjoyed the reaction to the cinema, and we all enjoyed the reaction to the cinema.
00:06So, we will have a balance between the audience reactions.
00:10So, we will be able to get started in a few minutes.
00:13And now, the team is ready to answer media questions.
00:17Hi Rajesh, here.
00:20Sir.
00:21So, first of all, did you say that Krishna's post-raceer is karma-siddhaantham or you?
00:26Two things, one is karma-siddhaantham and another one is, in the movie, there are beautiful metaphors.
00:34So, I can tell you that I have a very core mythological touches, but I can tell you that metaphors
00:44reveal the metaphors.
00:45Through dialogue?
00:48Through shots.
00:48Through visuals.
00:51Okay.
00:51Okay.
00:52Sumanthikar.
00:53Anag-ag-ag-taravata, a lot of people know the script.
00:56E-TV, they are doing fundamental-siddhaantham, and they are doing a lot of things.
01:03They are doing a lot of things.
01:06They are doing a lot of things.
01:07They are doing a lot of things.
01:10They are doing a lot of things.
01:15They are doing a lot of things.
01:17They are doing a lot of things.
01:18So, the press is the answer to the question.
01:20Yes.
01:21Yes.
01:21But I was very happy to say that, pluses, minuses, so like it was very clear about it.
01:42I am sure ETV also, they are slowly branching out.
01:49That's also not exactly in their space.
01:52Yes.
01:53So, like I said, in this thriller, there are many family values, family drama.
02:01So, that's what they want to do.
02:06So, I think that's what I want to do.
02:10Basically, I want to show you the best content.
02:12So, I want to show you the comfort of Sumanthgarh.
02:16Both of them, market-wise and everything-wise, Sumanthgarh is a correct picture of the market.
02:22And also, when you talk about Sumanthgarh, you can talk about it.
02:31Sumanthgarh, you have been doing that in the main lead as well.
02:37You can talk about the main lead as well.
02:38Even for Mahendra and Vahra.
02:40You see Sumanthgarh impact on Sumanthgarh,
02:43or you can make the main lead as well as well as the main lead as well.
02:46Is it all right?
02:47No, I joined the industry before and I didn't get any character.
02:53I didn't get any character.
02:53I was doing a hero character, I was doing a good villain role.
02:59I was doing a good role, but I didn't get any artist.
03:03I was doing a good job, I was doing a good job.
03:09I was doing a good job in Sriramachandra.
03:11I was doing a good job.
03:18So, there are many roles in my supporting roles.
03:22I have done a lot of Sita Ramam, but I don't have any supporting roles.
03:30I don't have any hero roles.
03:34I don't have to worry about it.
03:35I don't have any manufacturing.
03:38So, Sahajang, maybe they just see me as a lead.
03:43But I do a lead, I do a lot of different characters.
03:48I have a supporting role, a well-author backed role,
03:54I do a lot of things.
03:56But I don't have to go to the hero path.
03:59Okay, how are you?
04:00Thank you, Sahajang.
04:02So, you are already premiered.
04:04But there are a lot of questions.
04:06The first reaction from the bite of the bite,
04:08is that they choose the best compliments.
04:12And you are talking about Hollywood range.
04:16So, in that particular scene,
04:18did you react to that?
04:23First, it was lovely to see all the messages.
04:26Video bites, I am very happy.
04:32Because I started the premiere of the first show.
04:37And that is an acid test.
04:41And I am happy, for sure.
04:44If you don't have any questions,
04:45you can answer your audience,
04:48you can answer them.
04:50You can answer your questions.
04:50But, Rajesh, I have a lot of messages.
04:57And I have a lot of joy.
05:00And I am confident.
05:01I am confident that I want more people to see the film.
05:05Yeah.
05:07Krishnagar.
05:09So, this is the second project?
05:12Yes.
05:13So, I am very proud to say that.
05:16So, this project will be a lot of people.
05:21So, you can do it right now.
05:21I have a lot of them.
05:22So, I am proud to say,
05:24if you have a lot of things that you are obligated to do it.
05:27Okay.
05:28So, I will say that,
05:33what is the point that attracts you in Summandharu?
05:35No, I don't know.
05:37I don't know.
05:38I don't know.
05:41Because there is a separate fan base.
05:43So, that's why I'm asking,
05:45what's your fault?
05:47Sumanthikar acting.
05:48Sumanthikar acting, in that role,
05:50Vaasadeva's role,
05:51perfectly embedded.
05:54And also,
05:55I don't know that Sumanthikar script selects
05:57basically.
05:59So, already,
06:01there are a lot of filtrations
06:02and cultures better.
06:04It's easy to do.
06:08Sumanthikar's look-choose
06:08is superb.
06:11And I'm very, very active for this role.
06:14Sumanthikar,
06:15Sir, when you talk about this,
06:16I have the same question.
06:18Now, we have a lot of positive characters.
06:22So, there is a good villain.
06:25So, if
06:25like me, in the family,
06:27or in the industry,
06:28every kind of anti-role,
06:31antagonist,
06:31every kind of anti-role,
06:32every kind of thing.
06:35First, Mahesh Babu.
06:38Hopefully.
06:40Against him.
06:41Yeah.
06:42Okay, done.
06:42Director,
06:44These kind of concepts,
06:46first,
06:47it will take so much of time.
06:50in the audience,
06:52like,
06:53heroes,
06:54and artists,
06:55pictures.
06:59So, what do you think
07:02about this?
07:04I think
07:05I have a lot of people
07:06that have a lot of common audience.
07:08I don't think that they have low IQ
07:10to get a lot of the and most of them.
07:13They are afraid that I have a lot of
07:14to get a lot of the trailer.
07:15And the way that they have only style and impact
07:18in the theatre,
07:20they have to get a lot of high and beat points
07:22to get the most hit points.
07:25But the reason I think that
07:26they have definitely got a lot of the trailer.
07:28In the cinema and web series, the screenplay has all the climax and the climax of the screenplay.
07:37So, when I tell you that the directors and the screenplay writers have all the time to do with it.
07:43So, we will have all the time to do with the point of view.
07:47So, do you have any precautions for the screenplay?
07:53I am sure that I am aware of the audience's perspective.
07:56In this case, at the end of the day, we have seen the audience in the end of the day.
08:00So, when I was here, I felt like I was in the audience, and I felt like I was in
08:06the audience, and I felt like I was in the audience.
08:08And I felt like the most of the audience tastes match.
08:13Now, let's talk about Myishbub's character.
08:16So, you have a common point to myishbub's character, and you have a fan of Myishbub.
08:21So, if you want to see what I'm looking for, I mean, a glimpse, a taser, a movie.
08:27No, I haven't seen it, but I've seen it. I'm sure he'll like it.
08:31Okay, Sai Krishnagar.
08:34Sir, Sir, Newton Troll is a thriller, isn't it?
08:38A thriller is a set-and-section of audience.
08:40So, there is a world-wide cinema.
08:42There is OTT, there is a long-base.
08:45You have a regular movie buff.
08:46So, you have a lot of juice.
08:47So, what do you mean by the audience?
08:51The movie cover?
08:55I can't do it.
08:57There are a lot.
08:59But, what is it?
09:01There is a lot of convergence and climax lead.
09:04Climax, I think, is the highlight of the film.
09:10We don't want the first part to be the best.
09:12We always want the last part to be the best.
09:15And, the narration is a little bit.
09:18And, the audience is very slow.
09:30We always want the first part to be the best.
09:34We also want the first part to be the best.
09:39So, there are fans in the off-line and now everyone is in the off-line.
09:45So, you have a lot of social media. So, I don't care about social media.
09:53I am a private person. I have become public only in cinema.
10:00After that, I don't have to do social media.
10:02I don't have to do social media.
10:04Sumanth, hi sir.
10:06Sir, I don't have to tell you about your stories.
10:11So, in Newton's style, I was playing a blockbuster blockbuster.
10:18And there were some boundaries.
10:21So, the audience didn't get interested in the theater.
10:25This was a lot of work-out content.
10:29So, this was a lot of work.
10:31So, you can see a theater.
10:33So, if you imagine a theater, you can see a lot of work.
10:41I don't know if you're a producer, you can see a lot of work.
10:41So, you're a producer, you can see a lot of work.
10:45So, I'm going to see a lot of work.
10:48So, you can see a lot of work as well.
10:50I don't know if I tell you that I might be a producer everyone else.
10:54I am a producer and I am going to be acting the director to surrender that.
11:01I am going to be acting as well.
11:03I am going to be doing that.
11:04I am going to do production decisions,
11:05whatever they release,
11:06everything else I am going to be.
11:09producers. Obviously, ETV, SAEGARU, the creative team, the theatrical value, and the theatrical
11:23success. So, it was a very calculated production decision.
11:31Yeah.
11:32Yeah.
11:40That's what we're doing. In the cinema, the financial reasons, the producers, the differences
11:54The difference is small, but it will be a good picture and we will get it out.
12:04Just to add a point.
12:08You actually had to try the theatre in the cinema, but somehow that didn't happen.
12:14The numbers and the numbers were translated into the theatre.
12:24So it was any day a viable thing for us to come to theatres.
12:30Our Little Ed's Digestions are also in the theatre cinema.
12:35But it wasn't the first hit last year.
12:39It wasn't the first hit last year.
12:42So it wasn't the first hit last year.
12:46The theatre success of the OTT and theatre success is directly proportional.
12:51The film is in the theatre, and the film is in the theatre.
12:54At the end of the day, the film is fine.
12:57I feel like the audience is a minute calculation.
13:02I think there is a risk factor here.
13:05There is a risk factor here.
13:07There is a risk factor here.
13:09If not Spider-Man, there is a risk factor here.
13:11The film is a risk factor here.
13:11So the film is also in the last three films.
13:17If you look at the film, the audience will take the calculations.
13:21I think that you are the most vulnerable actors,
13:26and you live in a family space.
13:27You can't do it.
13:28This film is the same as a family.
13:29It is a completely different genre.
13:33Trinathgarh, here.
13:36Sir, if you want to talk about a Spider-Man movie, why do you feel competition for this Spider-Man
13:42movie?
13:45Spider-Man?
13:47The first priority is a Telugu movie. It's international.
13:51It's international.
13:52There's no promo, DFI, Boundary, or Comical movie.
13:59We're not competing with a Telugu movie.
14:01If you're competing with a Telugu movie, there's a lot of competition.
14:06See, Spider-Man has a lot of fun. It's a franchise.
14:10There's a lot of comical characters.
14:11So, it's not a competition.
14:14It's not a competition.
14:15It's not a competition.
14:18Because we have a good content.
14:19It's a good product.
14:20So, we're talking about the show.
14:21We're talking about the show.
14:24We're talking about the show.
14:24We're talking about the show.
14:24Sumanthgarh.
14:25First of all, congrats.
14:27Akkine and fans have a full meal.
14:31Why?
14:33Akkine and Nagarjuna, Nagachitana, Meere, Akhil.
14:40It's a great hit.
14:42It's a great hit.
14:43It's a great hit.
14:45It's a great hit.
14:46It's a great hit.
14:48It's a great hit.
14:52It's a great hit.
14:52So, I've seen this film.
14:56You've watched a lot of trailers.
14:59It's a lot of serious roles.
15:04It's a lot of serious mode.
15:13But, what do you think about it?
15:19I don't want to say anything about it.
15:21Because I was doing this promo interview.
15:25I don't know the question.
15:27But, for me, I'm going to be very tuned.
15:34Because, when I was talking about it,
15:36I would like to talk about it.
15:38I was able to tell the precise and correct shots and detail, so I was able to tell the details
15:49of my career.
15:52I was able to tell about 5% of the scripts.
15:58I was able to tell the script that I was able to tell.
16:06So, that's what I wanted to do.
16:09I'm going to follow it.
16:12I'm going to start the tuning at the beginning.
16:16I'm going to start the process and the process and the discussion.
16:24Sir, I'm going to start the whole story.
16:29I'm going to start the whole story first and then I'm going to start the whole story before you.
16:34Basically, I'm not aware of any of the story.
16:35Sir, you are a certain person, and you have to ignore them.
16:40I'm sure I do not agree with you, too.
16:42In two movies, a new movie, two movies, two films.
16:48That's because you are too late.
16:49I have never been able to talk about dates, but I have never been able to talk about dates.
16:57That's why I have a lot of regret.
17:00I've also been able to talk to you now.
17:04But Frank has never been able to talk about Alu Arjun.
17:09I'm not sure if I am.
17:11Finally, you are best friends, your classmates,
17:15and I have not been able to talk about the title in my life.
17:18I have never seen as many new responsibilities in my life.
17:19How would I take a picture with your trials,
17:21and tell you the next day?
17:25No.
17:26That's that story.
17:28Okay.
17:30First of all, let's go of this movie.
17:33Is it not the point of this movie?
17:37It's not the project, or you can check it out.
17:39Yes, I have a budget.
17:41I don't know one day.
17:43Rajesh said exactly what he said.
17:45So, it's a climax.
17:48It's an extraordinary climax.
17:50And I've been very fascinated.
17:54I've seen a movie in Malayalam film.
17:56I've seen a movie in Malayalam film.
17:57So, Seeshgar is a myth break.
18:01There's a lot of thrillers.
18:04There's a lot of thrillers.
18:05There's a lot of thrillers.
18:07There's a lot of thrillers.
18:08So, Seeshgar is an inspiration.
18:09I think it's better.
18:12And also,
18:15I can't see a thrillers.
18:18So, that's what our kind of attempt.
18:21So, ETV is a good attempt.
18:24In Malayalam film,
18:25I feel a thrillers.
18:28Saigar?
18:28Yes.
18:30Yes, please.
18:31So, ETV has a lot of thrillers.
18:34There's a lot of thrillers.
18:37And it's a lot of thrillers.
18:51There's a lot of thrillers.
18:54There's a lot of thrillers.
18:55But, for example,
18:56there's a lot of thrillers.
18:59So why?
19:00No, it's not.
19:02So, there was rape paid premies.
19:04And it was night.
19:05So it has been...
19:07I've been doing it in normal.
19:08But it was 100 screens.
19:10It's not good enough for me.
19:12It's not bad.
19:14Okweiler, our premiere show response was a lot.
19:18So, how did it increase the screen in the theatre?
19:21Definitely, it's not.
19:23Obviously, the screens are different.
19:25If you're different, I can't.
19:26Yeah.
19:27Trinath.
19:29Trinath.
19:30Yeah, hi.
19:31Hi.
19:31So, my role is a lot.
19:33I've seen a lot of your sequences.
19:38I've seen a lot of the sequences.
19:40I've seen a lot in the genre.
19:41So, I've seen a lot of thrillers.
19:45So, I've seen a lot of them.
19:47I've seen a lot of them.
19:49But this is a lot of important.
19:51I've seen a lot of Newton's third.
19:53So, I've seen this role.
19:54So, first, my feeling.
19:55I've seen a lot of the premiere show.
19:56And I've seen a lot of the promotions too.
19:58So, I've seen a lot of this movie after the premiere show.
20:03Thank you, Andy.
20:05I think that after the premiere show, I feel happy.
20:08I feel confident on the show.
20:14we are saying that we are very happy with the attitude.
20:17We feel that we are feeling that you are choosing our product.
20:20So, our confidence is true.
20:21So, we have to talk about your preview,
20:24about how to do a good choice,
20:25about what you are doing,
20:27about how to tell friends and other people.
20:31We have to talk about positive things.
20:32It's not a gripping film,
20:36it's not a good choice,
20:37it's not a good choice.
20:40So, there's a lot of satisfaction.
20:41It's been a lot of satisfaction.
20:42And you know that,
20:45yeah, that's it.
20:47There's anything else to do in your mind.
20:53There's a performance-oriented zone right now.
20:58So,
21:00if you choose a solid performance scope
21:01you choose to choose
21:03to be better in the audience.
21:07It's better to be better in the industry.
21:10It's better to be a good actor,
21:12a good performer.
21:14So, it's been a little late.
21:16It's been a long time for two years.
21:18But yeah,
21:20I've been able to do two years planning
21:22and regularly come with
21:24amazing and intense
21:25and performance-oriented roles.
21:28Rajeshgaru.
21:30Hi, indeed.
21:31So, Ravigar is
21:33very worried about your family audience.
21:36So, if you're in Shambhala
21:38you're in Shambhala,
21:38you're in Shambhala.
21:40You're in Shambhala.
21:43So, one of the saddest characters
21:44is your main role in Shambhala.
21:48You're in Shambhala.
21:51I'm going to tell you.
21:52You're in Shambhala.
21:53You're in Shambhala.
21:55But you're in Shambhala.
21:57You're in Shambhala.
21:59So,
21:59I think that's one of the reasons
22:05that you're in Shambhala.
22:08Because
22:09this is my family audience
22:11because
22:13there are so many emotions.
22:15Gangadhar characters
22:15are not one-sided.
22:19If you're lucky,
22:21I'm going to do one of the villains.
22:23But the impact
22:25is very tight.
22:26But the impact
22:27of the grey
22:27is not one-sided.
22:29There are so many good characters
22:31but the family audience
22:33particularly
22:33is not one-sided.
22:35So, I think
22:36I'm in that space
22:37and luckily
22:37that space is created
22:39in this cinema.
22:40I think
22:41I'm going to tell you
22:43that
22:44there are a lot of movies
22:45in OTT
22:47and there are a lot of movies
22:49in the number of movies
22:50and the screenplay
22:51etc.
22:52In the screenplay
22:52there are
22:55actual performances
22:57as part of the screenplay.
22:57That is
22:58the difference
22:59in this thriller.
23:00Family
23:01is almost
23:02a very important part
23:04of this thriller.
23:05So,
23:06emotions
23:06connect
23:07a space.
23:08generally
23:09thriller
23:09is not a place.
23:10But
23:10here
23:10are
23:12the sentiments
23:14like Rajeshgara
23:16or Mahabharata
23:20or
23:22Krishna
23:23or
23:23etc.
23:24This metaphorical
23:25is
23:27that
23:27is
23:27easy
23:28to understand.
23:29If the audience
23:32misses
23:32the
23:34is
23:34that
23:35is
23:38the
23:38story
23:38is
23:39giving.
23:40I think
23:40that is the reason
23:41people have to come to theatres.
23:42that is
23:45you
23:46miss
23:46but
23:47still
23:49I think
23:50overall
23:51my role
23:52here
23:52is
23:53really
23:54new role
23:55for me.
23:56is
23:58basically
23:59why
24:00Sumanthgaru
24:01why
24:01Jagadwavu
24:02is
24:02the
24:03story
24:04developed
24:05and
24:06you
24:06will
24:07be
24:07perfect.
24:12Why not
24:14Sumanthgaru
24:14why not
24:15Jagadwavu
24:16the
24:17best
24:17app
24:18is
24:18the
24:19best
24:19and
24:20definitely
24:20the
24:21practical
24:22mindset
24:24is
24:25the
24:25best
24:26casting
24:28is
24:30Saigaru
24:30and
24:30Harishgaru
24:31are
24:31producers
24:31and
24:32you
24:33are
24:33the
24:33producer
24:34and
24:34producer
24:35producer
24:35and
24:35and
24:35producer
24:36very
24:36good
24:49and
24:51the
24:52final
24:54justification
24:54is
24:55very important
24:55and
24:57the
24:58final
24:58the
24:58climax
25:00is
25:02very
25:03important
25:03for the
25:04film
25:04and
25:05the
25:05climax
25:08is
25:09really
25:10good
25:10and
25:11it
25:11will
25:11be
25:13one
25:13of
25:14a
25:14good
25:14thriller
25:14cinema
25:15and
25:16everyone
25:17is
25:18happy
25:18and
25:19you
25:19are
25:20silent
25:22and
25:22you
25:23silent
25:24and
25:26you
25:26have a lot
25:27talked about
25:30cinema
25:30and
25:31crew
25:32and
25:32cast
25:43and
25:45crew
25:45in
25:46the
25:46next
25:4615
25:46minutes
25:46you
25:46have a
25:47thriller
25:48in
25:48and
25:50you
25:57gripping
25:57screenplay
25:58and
25:59you
25:59have a
26:01screenplay
26:01and
26:01you
26:01have a
26:06144
26:06page
26:07and
26:07you
26:07that
26:09was
26:09a
26:11thriller
26:12and
26:13I
26:14decided
26:14I
26:15would love
26:16to do
26:16this
26:17project
26:17so
26:21that
26:22was
26:22a thriller
26:23and
26:24you
26:24have a
26:26thriller
26:27so
26:27definitely
26:28you
26:28have
26:28experience
26:29and
26:30experience
26:31and
26:31I
26:34that
26:35you
26:36a
26:37or
26:38villain
26:39or
26:42is
26:42Vasudev
26:45Suman sir
26:46yeah
26:48we are seeing
26:49from our childhood
26:50you are characters
26:51because
26:51you are doing
26:52characters
26:54but
26:56every character
26:56is a unique
26:58previous film
26:59is
27:00and
27:00the
27:01character
27:02is going
27:05to be
27:06another
27:07gem
27:07in your
27:07so
27:08what was your
27:10experience
27:10while working
27:11in this film?
27:15While playing
27:16the character
27:17Vasudev
27:18character
27:19I
27:20am
27:20very natural
27:23character
27:24because
27:24he is
27:26quiet
27:27and
27:28he has
27:28purpose
27:32and
27:32he has
27:34a mystery
27:35and
27:36that
27:36is
27:36kind of
27:37similar
27:37to me
27:37I guess
27:38and
27:42thanks to
27:42Rajesh's
27:43direction
27:45one last thing
27:46I wanted
27:46to say
27:47thank you
27:47for
27:47Mally Rah
27:48Thank you
27:50Andy
27:50Thank you
27:51thank you
27:51thank you
27:51you
27:52you
27:53you
27:54have been
27:56your journey
27:58where you have
28:00you
28:04healthy
28:05relations
28:05like
28:08made
28:10that
28:10everyone
28:11is
28:11much
28:12and
28:40We are trying to carry on the legacy.
28:43We are trying to carry on the legacy through our relationship.
28:48We are trying to carry on the legacy through our relationship.
29:16We are trying to carry on the legacy through our relationship.
29:21We are trying to carry on the legacy through our relationship.
29:24Okay.
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