00:00So, Cine lovers, welcome to Cafe Bitan.
00:01Let's talk about Batwara, 1947, this film directed by Rajkumar Santoshi.
00:07The film is Sunny Devol, Priti Zinta, Shaban Azmi, Nabhimanyu Singh, and many actors.
00:14Let's see how the trailer is coming.
00:17So, first of all, the visuals like the home of the time, the car, the train, etc.
00:24They are good.
00:24Yes, if you will have a lot of parameters, then you will be able to get rid of it.
00:30But I don't always have a lot of parameters, where I am, I will be able to get rid of
00:34it.
00:35So, it's okay, the visuals also have a lot of details, but we will talk about it later.
00:40So, the visuals are good.
00:41Sunny Devol is enough.
00:43My favorite one is my favorite one.
00:48I am not Punjabi, but I think it's a little over, but it's okay.
00:53I don't want to get rid of it.
00:55Let's leave it.
00:55Abhimanyu Singh is fantastic.
00:57And what many of them are, they are good.
00:59Except the current Devol, who has acted.
01:02They are so great, so bad acting.
01:05I have seen such bad acting in my life.
01:06In that film, Sunny Devol is.
01:08Abhimanyu Singh is.
01:10Shaban Azmi is.
01:11And there is such acting.
01:13It doesn't match things.
01:14Let's leave it.
01:16Then we are going to the background music.
01:17I don't want to do this, but it's okay.
01:20It's okay.
01:21And the emotional impact of you can be a little over.
01:25But it's okay.
01:29If you say something, you can say something, but it's okay.
01:32If you say something, you can say something.
01:32When you are looking at the neutral mind, it's okay.
01:34The emotional impact of you can be a little over.
01:36You can still play a little over.
01:37If you feel like a little over.
01:42I have a fan.
01:43If you feel like a little over.
01:43If you have a quality section to be in an environment,
01:45then there will be a high chance.
01:47But in the picture, you can find some problems.
01:51But in the picture, you can be in the picture.
01:51A little over.
01:51Narrative wise.
01:52It will be looking like a little over.
01:54As per the track record of Bollywood portraying Pakistan,
01:57from Pakistan, from Aamir Khan,
01:59so there are no secular ones.
02:01No, no, these are not secular ones.
02:03These are not secular ones.
02:06So, narrative-wise film,
02:08as usual,
02:09Bollywood's pattern,
02:10as usual,
02:11Bollywood's pattern,
02:14monkey balancing,
02:15whitewashing, distortion of facts,
02:18these things can happen in the film.
02:21These are all uncomfortable truth,
02:24uncomfortable facts,
02:25which we can discuss,
02:28which is not a secularism,
02:29which is not a problem,
02:31which is just a truth,
02:32they will be aware of it.
02:36If the film is open,
02:37or the way,
02:39the way,
02:39the way,
02:42the way,
02:43the way,
02:44the way,
02:47the way,
02:48the way,
02:51into India,
02:52and hat Indeed,
02:56and
02:56penetrated
02:57with an email,
02:59more specifically,
02:59the way,
02:59I don't want to talk about it, but it's a very good thing in the world.
03:02It's talking about normal people, whether it's a coffee or a shop owner, whatever it is.
03:06So if this film doesn't do hammer, or doesn't show it,
03:09then maybe it's a backlash or a criticism.
03:14But if it's a hit or a flop, I don't want to talk about it.
03:17That's the ultimate at the end of the date about the public.
03:20The film is a famous play, which Lahore has not seen,
03:23it's not a dream, it's not a dream, it's not a dream.
03:26The film is a place where the writer of the play,
03:29I think it's the same.
03:32I was,...
03:33He said, there are two pakistanes,
03:37the army of the pakistanes,
03:38and the army of the people of Pakistan.
03:40The Soviets are very different.
03:41If the people go to Lahore,
03:43there's money.
03:45People will not to offer the money.
03:47The same way, the army of the people of the country,
03:55doesn't make money.
03:55I am repeating,
03:56I am repeating,
03:58the anti-India mindset penetrated.
04:00And in that time,
04:01in 1947,
04:03it was more warm than that.
04:05This was the trailer.
04:07This is the Hindu lady
04:09that has been given as a character.
04:11How did he get his life?
04:13If I tell him that all of his family died,
04:15they should have died.
04:17One scene,
04:17where Shaman Azmi character,
04:21the Punjabi Hindu lady,
04:22he was running on Diwali,
04:28foreign
04:53I don't know what I said.
04:57I don't know what I mean.
04:58I don't know what I mean.
04:58It's a bit of a feeling like this.
05:04It's not a real feeling.
05:05It's not a real feeling.
05:07It's not a massive level.
05:09Targeted Hindu killings etc.
05:12It's a bit of a shock.
05:14It's a bit of a shock.
05:15So,
05:16there are some reflections.
05:19It's a way to go.
05:20At home,
05:21the room is not a mess.
05:25It can't happen.
05:28It can't happen.
05:30If it doesn't happen,
05:33It will not be like a tip-top.
05:35It will be like a visual,
05:36the trailer is not a tip-top.
05:40Rawness, raw feeling is a little less.
05:44So, I want to say that
05:45narrative-wise,
05:47the distortion can't happen.
05:48It's a new trend after Dhurandar and lots of film, we say about jihad extremism, but due to mainly American
05:57production and Bollywood's track record,
06:00all these things I've said, whitewashing, sympathizing, monkey balancing, etc.
06:05It's possible. If it's possible, then the audience will react, I don't know.
06:10At the end of the day, they will know that the public picture hit or not.
06:14Let's see what happens.
06:15This was my review of the trailer.
06:18I have seen the narrative and technical aspects of the trailer,
06:24and the narrative that I can differentiate both of them.
06:27I don't want to discuss this video.
06:29Friends, I'll see you in a new video.
06:32Thank you, Jaime.
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