“He Brings Out The Best In Me” When Namrata Shirodkar Revealed Why She Loved Working With Mahesh Manjrekar

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Transcript

00:00when you do a film or you sign a film on basis of the script on basis of the

00:04director I would think that you want your film to be a success today if you

00:09really go to see out of ten films you have like eight films that have two

00:14heroes and two heroes or you have one hero and two heroes the Hindi film

00:17industry is really you know that's how it's happening it's I think your rapport

00:23with your director that helps you you know bring out the best in your character

00:37to start with some general questions how is it that we find you doing less and

00:45less of solos or rather negligible solo films and more and more with some other

00:49heroine or paired with or smaller roles like Astithwa or item roles that like

00:55to be very honest with you first of all Astithwa was done as a complete on a very

01:07friendly basis for Mahesh who I know very well and he wanted an established face

01:15to play that character which had only two scenes so I don't think he was in a

01:22position to ask anybody for a favor and I wasn't I'm not really sure if he thought

01:31that somebody would do it for him you know so it was because it was an out and

01:36out taboos film so it was basically if you're talking in terms of Astithwa I it

01:42was just done on a very friendly basis with Mahesh and I had just like a day

01:48shooting for it as for your next question of item songs I've done just one and I

01:56haven't done any more because that's not what I really want to do and solo films I

02:04am doing two actually right now one is a so-called art film and with Sanjay Suri

02:11it's on the lines of I would say you know about this rape victim who is an IS

02:22officer's wife it's called Bandhak and there's another film with Chandrachur which

02:30is it's about the part it's it deals with the partition of India and the very

02:39serious kind of films you know it's like it's not very I won't say if you're

02:46talking of commercial commercial cinema I mean today if you really go to see out

02:54of ten films you have like eight films that have two heroes and two heroines or you

02:59have one hero and two heroes that's how I think the flow of the Hindi film

03:05industry is really you know that's how it's happening so I wouldn't really say

03:12that it's a conscious effort I'm making to work with two girls or where there are

03:18two heroes or just one hero and two girls or whatever it's just that the scripts

03:22that interest me have two girls and if I have to sit and wait say

03:31that I don't know whether it will be worth my while because even solo projects don't

03:42really work as for like if you if you even pull out like the last ten films that have

03:49really done well they are either multi-starters or they are like you know

03:54they have two heroes or two heroines or one hero and two heroines it's

03:57basically I would think that today's way of making movies is basically you need a

04:04lot of glamour which probably and the hit and flop ratio of having a solo star as

04:12compared to a multi-star the hit ratio is much more in films like these going by

04:19what you've said so how will it sound if we ask you that you are more looking at

04:25film becoming a hit are you looking at the growth of your as an actor see I would

04:30say I'm looking at the growth of an actress if I'm not really sure if you

04:36understood what I said it's basically a you know when you choose a film on basis of

04:42its script and its director and you agree to do a film you are looking at the

04:46character that you're playing it necessarily doesn't have to be a solo

04:51character I wouldn't think that a solo film enhances your performance levels of

04:57in any way even if there are two girls in a film if you are a good actor you can

05:03show your talent films like like I've always said in the recent times there are

05:13films like Chori Chori Chupke Chupke or Har Dil Jo Pyaar Karega or BB number one or

05:19essentially which are multi-starers but they are commercial successes as well as

05:24the performances have been appreciated by the masses as well so we're not looking at

05:33I'm not trying to say that by doing a solo film you're going to get the

05:39applaud or the appreciation that you wouldn't get doing to hero or to heroine

05:46films so I don't understand the I simply don't understand the concept when

05:54people say to me up solo films it me come to carry it it for me when I choose a

06:01character it has to appeal to me the director has to be capable the production

06:07has to be sound and the script has to be great and you basically make a good film

06:14when you have these three things you know working with each other in sync so

06:21basically when you have a hit formula in terms of these three things which are

06:25intertwined with each other you make a good film and sometimes a good film

06:31necessarily does not mean a hit film a good film is doing good work which is

06:36what I believe in so well to be very honest Prati Bimb is one which is a

06:44completely way out of line character for me in terms of what I'm playing it's it's

06:53like an extension of Vastav but in a more mature way so it it requires a lot of

07:00performance it requires a lot of dedication in terms of trying to portray a

07:05character which is slightly older than my age and much older than my age rather and

07:14at the same time there is another film film which is

07:21Kabi Dhoop Kabi Chhaon which is the remake of AI that is Mahesh's home

07:26production then there is Rajji's one film that we're still we haven't really

07:32finalized the details of the film and then there is one Kutub most probably which I

07:41will be doing with Maheshji so there are a few films lined up which has a very

07:49impressionable characters that I'm playing which are very central which are

07:55very very important coming to Tera Mera Sat Rai do tell us about your role in this film

08:05Tera Mera Sat Rai essentially is a film of emotions it's it's it's a film made with a

08:12social message a message that would tell people that dealing with handicapped

08:23children and giving them love is more important than trying to figure out a place

08:30for them to stay which is apart from their own home and it's a message about love

08:36it's a message about emotions it's a message about relationships how to deal

08:47with relationships of different kinds and it is a very heartwarming film I would

08:54say and my role in the film is that of a girl who is very independent who is very

09:00muphat you know like she's she's very straight to the face it's again a very

09:07different character from what I've played in most of my other films it's I would

09:10say that it is a more different version of the character I played in Al Bela but

09:16slightly more or down market it is I would like you know a girl living in a

09:26chawl basically and her attitude who is still super confident and who still wants

09:32to win the world over and she I mean she lives life by her rules basically and she

09:43would do anything to get love which is so important like I said I mean this film

09:49spreads the message of love in different forms

09:54yeah this film is sonali bhi hai ji

09:58who eventually gets the guy or is it something like that it is got nothing to do

10:03with who eventually gets the guy because this story is essentially about two

10:06brothers and it's their emotional upheavals and it is it is basically the

10:16thing about you know it's I really don't want to divulge the story at this

10:24point but it is essentially a role of it is essentially a story of these people who

10:32have come together through circumstances and then how they deal with the

10:39situations as they come along

10:41Sonali ke saath or Ajay Devgan ke saath kaam can name is this your first experience

10:46I've worked with Ajay in Kacche Dhaage

10:48How was the experience this time?

10:51But this time I worked with him a little more I had much more work with him than I did

10:56in Kacche Dhaage

10:57my work was essentially with Saif then and I hardly worked with Ajay but the

11:03little that I knew him then and what I've known him now he is as always great to

11:12work with and extremely cooperative very very genuine and very straightforward

11:21person and he doesn't have hang-ups about you know about what he does or who he is or you

11:30know and basically working with me for the second time he made me feel very very

11:36comfortable so I never had any problems with him

11:41Sonali I've known I did I know I haven't really done a film with her before but

11:51we just knew each other because we shared the same designer at one point and I just knew

11:57her because she used to also model before and I just knew her for very long so we were

12:04like really good friends we never had a problem

12:10You can't really call a film because it was a day's work and it was just you know I would

12:21say though I would love to be associated with it because it's a very well-made film but apart

12:27from that I would say work-wise after Vastav I think Tera Mera Satra is my second film with him.

12:33How do you rate and how do you find Magesh?

12:37See like I said I am very comfortable working with him and I think he is one of the best

12:48directors

12:48we have today in our industry he is a very talented person and he knows his job and he

12:53knows how to get work done from his artists he doesn't compromise as per you know like he

13:00won't say ki achha you can't do it this way then do it this way he wants it done in

13:05a certain

13:06way and you have to deliver it and he makes sure of that which is why you have such strong

13:11performances of his characters or at least characters actors who are directors actors and I think I am a

13:19director's actor so for me I think he brings out the best in me like Raj ji when I worked

13:25on Pukar

13:26with Raj ji. Raj ji is another person who is who I think is one of the best people we

13:33have and I am very comfortable

13:35working with him as well. So you know it's I think your rapport with your director that helps you you

13:47know bring out the best of

13:48bring out the best in your character and I think I am very comfortable working with both of them Mahi

13:55ji and Raj ji.

13:57Tera Mera Saath is around the corner. Yeah. What are your expectations?

14:01Well to be very honest I have been out of town I haven't really been around to hear the buzz

14:06even so I really don't know but all I can say is we have worked very hard on the film

14:12and we have done I think we have done a good job out of it and from what I hear

14:16people saying that it has turned out to be a good job out of it.

14:18It has turned out to be a great film. So as every actor expects his film to do really well

14:24at the end of the day at the box office I would expect it to do really well and if

14:29it does I guess we all will benefit from it.

14:32So tell me what is the real Namrata? Is it the choppy Namrata that we see or is it an

14:39introvert?

14:42What do you see?

14:44I find a face which is quite peppy but…

14:48Well see different people have different opinions but I would say a lot of people think I am arrogant or

14:57they probably until they meet me.

14:59So I would say I am not arrogant and I am very friendly depending on the people I meet and

15:11see I have to get along with somebody.

15:17I am not, I won't go up to people, to strangers and say hello how are you I am Namrata

15:22and all that.

15:23If I know you or if I have met you even once through somebody or if I have been introduced

15:29to you I will make it a point to come and say hello to you.

15:32But I won't go out of my way, that's it.

15:34Thank you very much.

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