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Short filmTranscript
00:00Welcome, welcome, Mahendra Giri Varahi team, most welcome and all of you, good morning.
00:08And we really, from the side of the media, we wish you all the very best for the efforts
00:14that the director Santosh has put in for this, in spite of his leg injury and everything.
00:20And producer Rangamarta and Taravata Malli Asalu, Malli Kanpistara and Nirmata.
00:27Now, with the budget, we have the finest actor. It's all a fine thing to really witness.
00:36Therefore, we have to talk about this cinema and we have to talk about it again.
00:42That's why we have a certain genre in this cinema.
00:49That's why we have a star hero.
00:58In the old days he was going to be a star hero.
01:03He was going to be a big star hero.
01:09And his name is also famous.
01:11I was going to be a good idea of this cinema.
01:17If you have a budget for a five-year-old, you will start to get out of the 20-year
01:22-old, sir.
01:30Is it for the good or it went out of gear for producers?
01:35Sir, you will start the story.
01:43You can get into anything.
01:45I've never heard anything.
01:47I've never heard anything about it.
01:48I've never heard anything about it.
01:49I have to say that it's something that makes me a good idea of this kind of cinema.
01:57Let's say that's 10-crores movie.
01:59I've seen an example.
02:00I've talked about a very large movie.
02:02Let's say a hundred crores movie.
02:11The story demands that this cinema is highly CG, around 57 minutes of CG, and we have done outdoor shoots
02:23in Ghandi Coat, a temple set up, a huge set up in the house, a huge set up in 20
02:29-20 feet, a huge set up in Odisha.
02:32In different parts, like Ramchandra, a big set, a lot of work, and we have decided to do all this
02:39cinema.
02:41In the initial stage, it was huge.
02:44It was huge.
02:49But where from that 5CR came?
02:51In the initial stage, there was no idea about the 5CR.
02:56There was no idea about the story.
02:59It's a big movie.
03:01Okay.
03:02Okay.
03:03Okay.
03:09It is for the advantage of the films.
03:13Of course.
03:13Because a finest actor like you, doing many characters in many films, is a very healthy prospect for the films
03:21to happen.
03:22Really.
03:22That's why you are doing the first thing, Santosh.
03:27You are doing all devotional aspects of films.
03:34What is your experience in this?
03:39I think there is a strength.
03:44I think there is a strength in Santosh.
03:47I think there is a lot between different cultures, and a few cultures.
03:59Okay.
04:00There are many people who use it to utilize it to utilize it, but it is not a good thing
04:11to do with it.
04:13In this case, I have been talking about Nizal, but it is not a good thing to do with it.
04:20It is not a promising thing to do with Mahendragir Varahi.
04:22I don't think it's promising.
04:25So I think your strength is, this is a devotional, mystery,
04:34thriller, action thriller.
04:37It's bound to strengthen your strength.
04:39I'm going to talk about what's going on in the chapter.
04:41He designed the story.
04:44He designed the story, and I immediately liked it.
04:47Okay.
04:49So, we had to find a producer.
04:56We had to find a producer from Madhugharu,
04:57and we had to find a producer from Madhugharu.
05:00We didn't have any producer from that.
05:05So maybe it was, you know, it was meant to be probably a 10 crore film,
05:09roughly, earlier.
05:11Yeah, now it is increased.
05:13And that increase is also in the cinema.
05:21It's a VFX-heavy movie.
05:25And action pushed down to me, and like, you know, the thrilling moments.
05:30Goosebumps moments, and goosebumps moments, and a lot of cinema.
05:34So you're all in for a treat.
05:36Fantastic.
05:38Svantash, this is a devotional thriller.
05:45It's a new coinage.
05:53How do you define that devotional thriller?
05:57It's a devotional aspect.
05:59It means, by the sujet of God's involvement,
06:02a Buddhist involvement, and everything about that thriller element.
06:06It's all in the sense that I wanted to share in a devotional thriller.
06:11Okay.
06:12How is she squeezed into this project?
06:21Was it her, was it she the first option?
06:25Changes and options.
06:29Okay.
06:29Okay.
06:31We had a date on that time.
06:33But we wanted to show you who is the character.
06:37We wanted to show you who is the character.
06:40That is one of the most important characters in the film.
06:44So, now that the important thing is to be a prominent person, a prominent actor.
06:49He has a child who has a child who has a child.
06:54So, that is why he has a prominent actor.
06:58And, as it is, you are the one who is the one that is his daughter.
07:02And, that is the one who is the one who is a child.
07:08So, he does the one who is the one who is the one who is the one who is the
07:10one who is the one.
07:13The one who is the one who is the one who is the one who is the one.
07:15No.
07:16No, no, no.
07:16No, no, no.
07:18I think you have decoded immediately.
07:20Fantastic.
07:20However, all the very best.
07:22God bless you.
07:23Great success.
07:24Madhu.
16:40I've mentioned that I've been a big vacuum in my age group with 57 characters.
16:45I had a vacuum in the cinema, I had a vacuum in Ncakes,
16:48and I had oneless, eight years old, eight years old.
16:52I had a vacuum in the cinema.
16:53They only had that one, and they really had the same amount of HD cinema.
16:58They were more familiar to the cinema in the cinema.
16:59They had the same cinema in the Shanghai, and they did it.
17:03They were more familiar to the cinema in the trainings.
17:06Do you really want to take part in Balkashnagar's cinema?
17:09Do you like this one?
17:13I do a drink in the car.
17:14I do a drink in the house and I do a drink.
17:16Do you have any other drink in this movie?
17:22Do you like this one?
17:24I have a strong drink.
17:27I have a good drink.
17:27I like my drink.
17:34So just as I know, I'm ready to get to it.
17:40It's a good movie.
17:47It's a good movie.
17:47It's a good movie.
17:47It's an emotional drive.
17:52Sir, why would you give this to me?
17:55What do you think about God?
17:59I am an agnostic.
18:03I am not an atheist.
18:05I believe that I have a higher power.
18:10I believe that I have a higher power in other religions.
18:15I believe that I have a higher power in other religions.
18:18Do you think you have a puzzle of that concept?
18:21What's your question?
18:23What's your question, sir?
18:26Especially from the historical point of view,
18:29I have a problem with that.
18:36From a historical perspective and culture,
18:39I have a problem with that.
18:40Who's the influence of this perspective?
18:44Who's the influence?
18:46I don't know.
18:48I don't know about history or mythology or culture.
18:53I have to do regular things.
19:02I think there is a higher power.
19:07I think there is a higher power across the religions.
19:12Is this a philosophy?
19:14What is the inspiration for that?
19:17Yes, because I have a lot of knowledge.
19:25There are so many unexplained things.
19:30I think there is a higher power.
19:34In the first time in your career, you have a cinema release?
19:38Yes.
19:39Do you have a gear shift?
19:41In my script, I have a gear shift.
19:45If you write a script, I will go to the other side.
19:49I will wait for my script.
19:51No problem with that.
19:52All the best, sir.
19:58It is a very happy moment, really.
20:03Such an illustrious dancer here.
20:05And such a great career also, from a very long time.
20:21How did Santosh handle this script?
20:25How did Santosh handle this script?
20:28How did Santosh handle this script?
20:38I was quite fascinated to be a part of this film.
20:43My character.
20:44Okay.
20:51And I think I did my best.
20:54What has really fascinated you, madam?
20:57Fascinated?
20:58No.
20:58See, the whole movie, the subject itself, because I am a devotee of Varahya, ma.
21:04I do the pujas.
21:06So I am connected with her.
21:08So when I came to know that goddess is brought into a movie, I said, why not I be there?
21:16Okay.
21:16Why not I be a part of this movie?
21:18That fascinated me, frankly speaking.
21:22And then what I did, I mean, Santosh is a super director.
21:28He knows how to get the best out of the artist.
21:34Any artist, for that matter.
21:35It's not only me.
21:36And I really enjoyed doing this film and my role.
21:42Very subtle, very quiet, very subdued.
21:46But so much of sorrow in the heart.
21:49So all that, he was able to get it out of my face.
21:57So that's how I enjoyed this movie.
22:00And I am so happy and thankful to the producer and the director for giving me an opportunity to be
22:07a part of this film.
22:08Great of you, madam.
22:10Great of you.
22:12Come on.
22:13Come on, ma'am.
22:14Ma'am, here.
22:15So, like you said, you said that this movie was a big deal.
22:19You said that you said that it was a teaser.
22:21You said that it was a teaser.
22:23You said that it was a teaser.
22:23You said that it was a teaser.
22:25You said that it was a repeat.
22:28What was the first thought that you had to be a character?
22:32What did you say?
22:35No, no, the very word, Vahrahi.
22:37Okay.
22:38That's why you said that.
22:41Because you know, like Vahrahi Navaratrulu, I do.
22:45And Vahrahi Pooja, I do.
22:46So when I came to know about I am going to be a part of this movie, I was really
22:51thrilled.
22:52And I was so thankful to Vahrahi for giving me an opportunity to be a part of this film.
22:57All the very best, ma'am.
23:29All the very best, Andy.
23:30Looking forward to seeing more characters.
23:32And Meenakshi.
23:42Shikaru, can you have?
23:45Hello, Andy.
23:46Yeah, hello.
23:47So let us know little beef about your character.
23:54I have very connecting character in this movie.
23:57It's very important character.
23:59It's very important character.
24:01And I believe in God.
24:09That's it.
24:10All the very best and santosh, Shikaru.
24:12Sir, do you...
24:16Sir, what is it?
24:17Sir, you're making a film, not only you, but there is demand.
24:23No.
24:25I've never met with double pench and I've never met with double pench.
24:28I've never met with double pench.
24:29As you can see, I've never met with double pench.
24:31It's probably a lot of a possible pench.
24:33Now I've never met with double pench.
24:36We've lost it.
24:38Go.
24:38Go.
24:39Go, go.
24:41There is also an improvement in this movie.
24:44There is also a romantic story of his previous movie.
24:48There is also a romantic story of Gopala.
24:50There is also a romantic story of this movie.
24:57There is also a BGM and Goosebumps.
25:03There is also a romantic story of Gopala.
25:07I have a very small habit.
25:09I have a short film.
25:12I have a Gettap Sreenugaru.
25:18I have a great director of Gettap Sreenugaru.
25:26He is a fantastic artist.
25:29I am the best now with about the thriller.
25:32I have seen two short films in 7.30 a.m.
25:35He was a blasted.
25:38After many of us, there is Subraman
25:40and here is Mahendra Girivar.
25:42It looks like that's pretty peculiar.
25:45That's a guarantee.
25:47However, Anupagar and Gopala Gopala
25:50It was very difficult.
25:52It was very peculiar to me.
25:57That's why I told Anupagar and Tomatla story
25:59I told every artist to full-time narration.
26:03I was able to stretch it in two hours.
26:08So he loved it and
26:11Gopala Gopala was a tune.
26:13I told him,
26:17I said to myself,
26:17This is the best way to get the reference
26:22I told him that he is a reference tune.
26:29So if you want to tell an romantic rom-coms,
26:32You put a teaser for the best example
26:34Last Loa Kroda Mukishri and Sanskrit lyrics
26:38The beat is the first time
26:49I hope my judgment will work out.
26:53Santosh.
26:54Santosh.
26:54Brahma Nandangarani Rangamartarandalo different role choooshyamu, so manchi emotional character
27:00so indilu poster lo chooosh thunite goda ayana kani pinche vedana manchi emotional
27:04character padatthunni and peace thunni, so allowndu poothunna ayana character.
27:07manchi emotional character indi, oka antaayana, oka varahiyamavari pujari, uru kshemam koorukunne vikti,
27:15mahindragiri rajavamsam kshemam koorukunne vikti, so manchi emotional character indi.
27:21Sumanthkaru.
27:21Sir, teaser lo oka short undi, ayishwara rajashkaru miru bike meda raawadamani di, chala bond di iddenni
27:29a combo chala manchi kan kwinchindi, so as in guri nchi patiklar ga me experience?
27:36Naga chala chala cinema chostham ikki easyga ardhwai poothunni, da ni importanso, mani indu design j7
27:45j7 edhi, nako unko dente nako, nako ko pilienga goor choto, nako baaga natchi di, oka,
27:51when a woman is driving such a big bike, powerful bike, you know, generally eevan kounto, mani maga
28:01goor chunndam fasstu, aadoal pilienga goor chunndam fasstu, nako indu ko a structuringu, oka, oka female moondu goor chunnei,
28:09oka maga, neneanog, neneanog, okam meel, neneanag kaal kuoichi oto naadhi, naeanako koinj kothakaino pichina naadhi,
28:17ha Gore, naadze generalga manoo cheyyyum, especially oka action oriented, oka action oriented,
28:21oka ramantik dana ka jastham hongani, koincho lakpetta, oka komedi dana ka jastham hongani, oka serious sanwesanlo, oka,
28:27If a woman is a powerful bike drive, a man is a man.
28:32Behind every man there is a man.
28:37I have a reverse pattern.
28:41That design is a great design.
28:43All the various things.
28:47Sir, I think five months back,
28:56I think it is a very similar to the one who is a hero in the beginning.
29:01I think it is a character.
29:04Yes.
29:05Aishwarya Rajeshgaru.
29:06Yes.
29:07We are going to try two options,
29:10we are going to try two options.
29:12I will try the best.
29:15We are going to try the best.
29:17Aishwarya Rajeshgaru,
29:19Sir, this is a decoded game.
29:22That's powerful.
29:24That powerful entry on the bike.
29:27Srinivasar,
29:29Sir, imagine back to back
29:30Wanda Gotel cinema
29:31actors
29:31you could have a big bottle
29:34you could see it as trendy
29:36that you could have a big bottle
29:38Pratibra Mooshni?
29:40I was just thinking about it
29:41I was thinking about it
29:43I was getting a big bottle
29:44that's a big bottle
29:53Sir, your family has a lot of success in the family.
30:01He has come back a strong comeback.
30:04This comeback has been a long time.
30:13We are all very happy.
30:30We are all very happy.
30:36All he needed was a good project and a good script.
30:45And he was the pillar of strength.
30:51And in my career, he did a lot of introductions.
30:54I've been doing 4 years for four years.
31:01We did a lot of design.
31:06I made a lot of backing.
31:09Lenin also made it the same.
31:13And we've benefited the success.
31:19I post a little correction
31:21to my beginning question.
31:28Because
31:28it was not shared
31:35in the social media also.
31:37It was a fantastic film, no doubt.
31:42So, with all due regards
31:44to Rangamarta and your effort
31:46behind that making that film,
31:48all that is a great course.
31:51It's a great course.
31:59For that, I appreciate you.
32:02One has to appreciate you for that.
32:17You are not disclosing.
32:21Still, it is a suspense.
32:22What is the question of the film,
32:24how do you face the challenges
32:27that you have made?
32:29What do you say about it?
32:33What did you say about it?
32:34Yes, sir.
32:35We have to learn something daily.
32:37What do you think about it?
32:39What is the benefit?
32:40What is the result?
32:43What is the result?
32:44The main reason is the story.
32:48There is a lot of story.
32:50There is a lot of story.
32:51There is a lot of story.
32:52It started in 2026.
32:56There is a lot of story.
32:58So, that's the main reason.
33:00Now, let me tell you.
33:02Now, this cinema is a
33:04ethnic content
33:06or ethnic content
33:08related to our life.
33:11We have established
33:12a prominent
33:16state.
33:18The budget is irrespective
33:20of the budget.
33:22Now, when you are
33:22Mahindra Giri,
33:27it became
33:28so popular in every
33:30village, in every
33:33nook and corner.
33:34The cinema
33:35and all languages
33:38are there any particular reason?
33:41No, no, no.
33:43Tamil, Hindi,
33:45Telugu.
33:45In other languages,
33:46it's a Pan-India program.
33:49August 3rd,
33:50we are starting a promotion.
33:54We are starting it.
34:00not visible anywhere.
34:01That is not visible anywhere.
34:03That is the reason I am asking.
34:04No, sir.
34:04We have a reason.
34:06Hindi, Tamil,
34:07Tamil.
34:09Tamil, Tamil, Tamil.
34:20All the very best, Madhugaru.
34:23Thank you, sir.
34:24Greatest journey for you.
34:25Thank you, sir.
34:26One last question, please.
34:28Yes, thanks.
34:29Like you said,
34:32VFX is a very crucial thing.
34:34We have a lot of time.
34:36And at the same time,
34:3757 minutes approximately.
34:39So for any large-scale film,
34:41you have a lot of misfire.
34:45So how confident you are?
34:47Like me, VFX vision.
34:49It's a teaser.
34:50It's a Panther.
34:53It's a teaser.
34:56It's looking very promising.
34:57Of course, it's very promising.
34:59It's definitely a lot of VFX.
35:01It's a lot of fun.
35:04Thank you so much.
35:06Sir, how do you feel about the sensor?
35:07How do you feel about the sensor?
35:10That means,
35:11the title of the sensor is a little bit of a object.
35:17Okay.
35:21In a week?
35:24Okay.
35:26You're the first time this week?
35:28And it's a date idea, sir.
35:30What about September 11th?
35:33What about our date idea?
35:34How do you feel about the sensor?
35:37How do you feel about the sensor?
35:39How do you feel about the sensor?
35:39It's not a normal plan.
35:43Thank you, sir.
35:43Thank you, sir.
35:45Thank you, sir.
35:45There are Ganesh Pooja holidays.
35:47Friday, Saturday, Sunday, Monday.
35:49There are four days holidays.
35:50That's the basic plan.
35:51And in the solo,
35:53we have a lot of fun.
35:57Thank you to all our media friends.
35:59Thank you so much.
35:59And September 11th,
36:02we have a lot of content.
36:04We have a lot of content.
36:05We have a lot of content.
36:06We have a lot of content.
36:06So, Mahendra Giri Vara,
36:07we have a lot of stage in this team.