00:00Quickly start Q&A
00:30We have a lot of selected films
00:31So we have a lot of fun and fun
00:34So we have a lot of fun and fun
00:34What was the reaction to the cinema?
00:38We had a lot of screenings
00:41We had a lot of screenings
00:44We felt very happy
00:45Then we thought, let's have it for a spirit team
00:48So we had a great team
00:50We had a great team
00:51In the next 10 minutes
00:53They said like
00:56So that's it
00:57It happened, yeah, they liked it very well
01:00Thank you very much
01:06Director here
01:07Sir
01:10Hyderabad slums
01:11Old city
01:12Amir Logan
01:16What exactly is the idea?
01:18That is sir
01:19Amir Logan
01:20W-1
01:23Amir Logan
01:29Amir Logan
01:29So you can see the cinema
01:31You can see the cinema
01:33Do you have a philosophical touch?
01:36Yes, but I have a lot of philosophy
01:38We have a lot of course
01:39We have a lot of connection
01:59Many of them
02:00Many of them
02:01Many of them
02:04How mainstream is Amir Logan?
02:06You are
02:08Amir Logan
02:10Commercial cinema
02:12Amir Logan
02:14I am a covered colour
02:16Definitely.
02:18I know that you have a great chapter.
02:21Definitely.
02:21I have a transition to the indie and commercial cinema.
02:25Definitely.
02:26All the best, sir.
02:27Veda.
02:32Veda. Hi.
02:34So, me...
02:35So, me transformation bond actually from Timraj Pali TV.
02:41So,
02:43particularly, you are a theatre artist.
02:44So, you are a part of that.
02:46You are a part of that.
02:48You are a part of that.
02:51You are a part of that.
02:52You are a part of that.
02:54And, if you are a part of this picture,
02:56you are a part of that.
02:59Thank you so much for the question, Andy.
03:02I actually wanted to include this point.
03:05I...
03:06Definitely, I am a part of that.
03:10But, I am extremely thankful for this role for our writer come director.
03:15Because,
03:16my role, Geetha's role,
03:18it's not just limited for a love track or...
03:23...
03:24...
03:28That is the main reason that I chose this character.
03:33Thank you, thank you.
03:34Director Garu.
03:36Here.
03:37Here.
03:38Okay.
03:39Sir,
03:39I am very interested in Hirabadi cinema.
03:41So,
03:42Anthony,
03:44there are also real locations which are available in real locations.
03:47He is the own.
03:47Isn't it perfect?
03:48And his role,
03:50he has no idea.
03:50Because,
03:51there is no traffic...
03:53So,
03:54there are number of persons,
03:55at every village.
03:57They are only possible.
03:57Actually, I should thank first Langarouse people.
04:08So, actually, it's a mindless location.
04:12And the same thing is that we can do that.
04:25So, we have done it in Sing Sound.
04:28In Sing Sound, we can do it in real locations.
04:30Because of those people.
04:34Yes.
04:35Slang is also in Hyderabad.
04:39So, you can see that.
04:41What is the connection between us?
04:44What is the point of your people?
04:47The point of your people.
04:48It's a film.
04:49I don't know how to choose.
04:51I don't know how to choose.
04:53Actually, there is a lot of life in this film.
04:56So, maybe people will like it.
04:59I don't know how to choose.
05:01All the requests.
05:03Producer.
05:03Producer.
05:04Director.
05:05Producer.
05:06Here, sir.
05:09Hello.
05:13Producer.
05:17Actually, I'm a first production.
05:20So, making process, but release process,
05:24and marketing is going to be shallow.
05:27You have a lot of challenges.
05:55We got first place in the spirit world, but we didn't have any support in the first place.
06:00So, this is the release date of Paradise and the cinema.
06:04So, the only film is the spirit media.
06:08The 21st, you announced it.
06:12I don't want to choose this.
06:14I don't want to choose this date.
06:16And the spirit media is the date.
06:19So, you fix it?
06:21I fix it.
06:22You fix it.
06:23Okay.
06:24Director?
06:26Sir.
06:27Sir, our title is Amir Logan.
06:30Yes.
06:31So, does any of you see the richness of your life or some money?
06:36Do you see and the variation in time of the day?
06:39Yes, it is.
06:40I wonder if we have seen the difference between the two purposes of these men,
06:43what are the types of names that are these people?
06:47So, you have a variation?
06:49Yes, definitely there.
06:50Okay.
06:51Let's talk about a lot of people in Hyderabad-based cinema.
06:54Here?
06:55Yes, sir.
06:57We have a lot of people in Hyderabad-based cinema,
06:59and we have a lot of people in Hyderabad-based cinema.
07:01That's why, in the evening,
07:02what do you say about the cinema in the audience?
07:10Hello, sir.
07:12Today, I think,
07:13mostly in Hyderabad cinema,
07:16but I feel like a lot of people in Hyderabad's culture
07:17can't represent any other people in Hyderabad.
07:19It was always about
07:20what they were doing in Hyderabad,
07:23what they were doing in Hyderabad,
07:24what they were doing in Hyderabad.
07:25But as I said, nobody spoke.
07:27Nobody spoke to me honestly.
07:30In Hyderabad, people are very honest.
07:32Our culture is very different.
07:34We are always welcoming people.
07:36But we are always welcoming.
07:38We have always welcomed everybody.
07:39There is a lot of harmony.
07:41So, that is what
07:43the main theme of Hyderabad.
07:46What is the main theme of Hyderabad?
07:46In Hyderabad,
07:47you know,
07:48you know,
07:48you know,
07:49you know,
07:51so you know,
07:51you know,
07:51you know,
07:52you know,
07:53the family's,
07:53what we're doing at Hyderabad
07:54what you're doing to live in Hyderabad?
08:00You know,
08:05I feel like you knew that
08:14So, how beautiful, how real, how vibrant, how vibrant is this film, definitely.
08:21Do you have any relationship with this film only in Hyderabad?
08:24No, sir.
08:25In Hyderabad, every connection has a connection.
08:28In Hyderabad, you can see it.
08:30In Hyderabad, you can see it.
08:33You can feel that in the cinema.
08:36Sir, do you want to get here?
08:38I can't get here, sir.
08:39I can't get here.
08:39I can't get here.
08:40How did you get here?
08:42I did the cinema, sir, definitely.
08:44There was a team and they appreciated it.
08:47That's my professional.
08:48Why did you get here for promotion?
08:50I can't find it, sir.
08:51I can't find it, sir.
08:52Actually, I can find it.
08:54Hello, sir.
08:55Hello, sir.
08:55Hello, sir.
08:56Sir, I'm coming here.
08:58Sir, I'm coming here.
08:58Sir, I'm coming here.
09:00So, I'm coming here to see this story.
09:02I'm coming here to see the commercial values.
09:04or what I want to see from the� characters.
09:07I'm coming here to see the university of a university.
09:11When I see the youth, I'm coming here to see it.
09:15There are definitely 10 years and 10 years.
09:19It's totally zanzikilling, sir.
09:21No doubt.
09:23Yeah.
09:23Perfect zanzikilling.
09:36So, sir, basically, you are a runner, different perception on Hyderabad.
09:47So, what is the entertainment question and the philosophy, like the final message that you are going to come back
09:56to the film?
09:5899% entertainment.
10:00One percent.
10:01I don't know if you feel it.
10:04So, one percent is the philosophy, but that is the truth.
10:09Okay.
10:10Sir.
10:12Sir.
10:13Initial, OTT, you planned it for direct theater.
10:18From a very initial stage.
10:19Yes.
10:20Yes.
10:20Yes.
10:21Yes.
10:39Yes.
10:40Yes.
10:41Used to get here, it is successfullyarm.
10:43I think no oneura gets there.
10:44But, it is very good Disney movie-'d like to do music, too.
10:51But, I'm sorry that you are doing film.
10:54Yes.
10:55So they are called shooting 3- too.
10:57But here you are Japani at all.
11:09the preparation is separate, it's different.
11:12It's different.
11:14It's different, it's different.
11:17In this zone, it's tough.
11:21What a good thing is, sir,
11:22you can do it every day.
11:25Usually, it's a good thing, sir.
11:30However, I chose the lyricist
11:33with my little friends.
11:36I'm a brilliant writer.
11:39I'm an Anuj Kumar.
11:40So, we'll have Hyderabad aesthetic.
11:43Basically, story-wise,
11:47there is some philosophy in the film.
11:50Not too much of a philosophy.
11:51We made some songs.
11:55Fortunately, I got an opportunity
11:57to do a little more into musicality.
12:01So, different genres try some, hip-hop and all.
12:05I think some solid seven to ten songs.
12:08I'm very confident about it, sir.
12:12Veda Garu.
12:12Veda Garu.
12:13Hi, indeed.
12:13So, hi, good evening.
12:15Good evening.
12:15And my dress.
12:17Dress is born.
12:18Thank you so much.
12:47Okay.
15:55That was an epic, and this will be a different film.
16:00Sir, Ravna Redgar, sir,
16:02I think we have to eat a bit of biryani, a bit of biryani,
16:05Amir Logan, a bit of biryani, a bit of chai.
16:08What is it, Amir, biryani and a bit of biryani?
16:13Biryani is one of the elements.
16:23There is a lot of cricket, fights,
16:26a lot of love stories are good.
16:28So, biryani is also one of the elements.
16:31What part is it?
16:32If you have a biryani, you can do it.
16:36What is it, sir?
16:38Sir, in the trailer, there is a lot of material.
16:43I don't know if you are going to be a bit of biryani.
16:47Okay, all the best, sir.
16:48Thank you, sir.
16:49Director,
16:51Hyderabad is complete and all religions.
16:54So, you can see all religions related in your movie or not in particular or not in any religion.
17:03And your question is,
17:05non-hyderabadi people, how do you connect with your cinema?
17:37How do you connect with your cinema in any religion?
17:37If you have a big problem for the island, you will not be able to make good news.
17:41If you have seen the film in Hyderabad, you will not be able to make good news.
17:45But if you have seen the film in Hyderabad, you can get a good news.
17:49That is my opinion.
17:50Veritrate.
17:54When the conflict happens, there are a lot of issues that come from the island.
18:01When you have been in the island,
18:04Do you have any conflict here?
18:09Conflict...
18:10Sir, that is in the interval.
18:15You can't say that.
18:17Sir, it is in complete realistic locations.
18:21So, aesthetic-ness,
18:25Viber, set properties,
18:28on roads,
18:30complete real crowd,
18:32you can't say that.
18:34Do you have any challenges while shooting?
18:37No, it's not.
18:38Any challenges,
18:39you can't say that.
18:41So, it was pure cooperation from them.
18:45100% thanks to Langeros BP.
18:47Sir, OTT deals, sir?
18:49Any approaches from that?
18:50No, I do.
18:55Thank you, sir.
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