00:00so first of all welcome to i.i.n.s
00:15There is an unconditional love that can't be explained by humans and dogs.
00:19It can't be explained.
00:22It can't be explained.
00:25It's the same for mother's love.
00:27We can talk about it, but it can't be explained by its way.
00:32I think that it's a little bit of a way to reach people.
00:37It's the people who exist with us.
00:39It's the people who exist in our society and our life.
00:50I think it's a good title.
00:53I think it's a good title.
00:54If we remember the Lord, we remember the Lord.
01:00Remember the Lord.
01:03It's a different story.
01:03Do you know how your life is?
01:04It's my love?
01:05Do you know what you want to do?
01:06O my dog?
01:11Is this an other story?
01:14What should you do?
01:22If you look a movie,
01:23If you watch the film, there is no other actor, no other actor, because basically the star is a dog
01:30and a child.
01:32Actually, two dogs are the main story, and the child has worked with me.
01:40But as an actor, you should always be an important character.
01:46You should always be an important character.
01:57Every single character is defined, and you should always remember yourself.
02:05But you also have a good story, an interesting story.
02:10As an actor, you have a little bit of a character,
02:15and you should always be able to do something.
02:17And the director, I have a first film called Road to Sangam,
02:21and it was also the first film.
02:23So, it's a hit list.
02:26There are also some directors that we have to connect with them.
02:31It's different.
02:32It's different.
02:32It's different.
02:37It's different.
02:37It's different.
02:38But you always have a good story.
02:42You always have a good story.
02:43You always have a good story.
02:44And the director, the team, every time they have a good team,
02:50They also have a good talent.
02:51So, you are a part of that.
02:52You always have a good job or something.
02:53Like, my nombre is...
02:54As you see I got to, I would love to break the role.
02:58So, of course, to be it.
03:03And that's the point I had to do.
03:07I don't want to do that.
03:07It's the point I didn't do.
03:09So, it can always happen.
03:19I feel very good in my work.
03:59and I know the relevance of doing something for the kids, for the family, for the society,
04:05it stays forever and ever and ever.
04:08So, yeah, oh my dog is one of the subject that resonates with me and the kind of personality I
04:15am
04:15and I know that it will exist forever in this industry.
04:19Sir, if you listen to me, you don't love the audience from the dog, but you also learn to understand
04:25it.
04:26So, what is your response to your question?
04:31Message definitely as the subject, I mean, the title is Oh My Dog,
04:37which has been said that we are saying Oh My Dog, we are loving it from the heart of our
04:43heart.
04:44And today, socially, when we look at things, the cruelty has been very slowly.
04:53So, let's stop it, let's tweak it to people's message.
05:00It is very necessary to reach people.
05:02In-face, it is very necessary to reach people in the face.
05:13So, the point is that, but everything is we and everything is in our opinion, it is wrong.
05:20So, this is the subject where we are trying to tell you that other creatures are also important
05:28and the human beings and the people that are being in our opinion.
05:42So, the human beings and the human beings are in our opinion.
06:28a minute in a minute, or you can talk about it, but when you think about it, you can see
06:36that, as you say, I say left, you can see this, but you can use some techniques, like
06:46someone asked, how many people came, so brother, his preparation was 1.5 months ago, he started
06:53to eat food,
06:55and the same van was going to be going to be the same van,
06:57and you also have to be able to accept it.
06:59Then you have to use it,
07:01and you also have to do that.
07:03And when you say,
07:07what will happen?
07:09If you have a dog with a dog,
07:12or you give a dog at home,
07:13or you give a dog,
07:14then it becomes a connection with you.
07:17If you keep making it,
07:18you have to keep it very hard.
07:20But,
07:20However, the emotions that you have said,
07:23we are assuming that, when we are angry, when we are angry,
07:26we see each other, and our children are looking at it.
07:32Or, if you are happy, you have to understand it.
07:38But when you are angry, I am saying it again.
07:41Or, you are sick of it, and you have seen it again.
07:43So, when you are saying it again, you can see it again.
07:46because he understands you and his instinct is a great person.
07:54If you watch this film, like once again,
07:58people who love people will come and want to support such films,
08:04those who don't do it,
08:06they need to watch this film and learn more.
08:09Amit sir, after this film,
08:11you have to say,
08:11oh my god, two of them,
08:12so how do you feel?
08:15Meaningful drama,
08:17the audience is accepted.
08:21No, the audience,
08:22the audience only wants to be entertained.
08:26When you see the film,
08:27you can't see it.
08:30You can't see it,
08:32you can't see it.
08:34The horror film is good,
08:36but the audience, the horror film is great.
08:38If you watch it,
08:40you can't see it.
08:43If you watch it,
08:45you can't see it.
08:46You can't see it.
08:48You can't see it.
08:49The quality of the cinema is so good,
08:53that you can entertain yourself
08:54and keep it in your life.
08:57If you want to make a film,
08:59because it's a project,
09:01you have money,
09:02you have a star actor,
09:03you can't see it,
09:05you can see it all alone.
09:06If you want to make a movie,
09:08you will find them at
09:09so you will feed the cinema.
09:14And like if you want to make a movie,
09:22you will get the movie.
09:23You will enjoy the movie.
09:26I don't like it.
09:28I don't like it.
09:29foreign
09:58We will see what we have done.
10:00If we haven't studied well, then we will never see the number.
10:03And if we have studied well, then we will put the number in the number.
10:07Pavanji, you should say that,
10:09today we have been talking about multi-star cast films.
10:12Or we can say that the audience likes more multi-star cast films.
10:17When you think about content driven films,
10:19what do you attract?
10:21This film is multi-star cast.
10:23We have two dogs, two stars.
10:26There is a new child who has a great performance.
10:29He is Pankaj Tripathi.
10:31He is here.
10:31He is here.
10:32He is here.
10:34There are a lot of people.
10:35He is 250 kutte.
10:38He is the director.
10:40He is 250 kutte.
10:42He is the crowd.
10:43We are talking about multi-star.
10:46If you are talking about star-star,
10:49then you can see what guarantee is that they all play.
10:51You can tell us a person.
10:54You are now interested us.
10:55No, no.
10:57Look at your stories.
10:58Look at your stories.
11:03The other stories from you.
11:03If you realize that you are not aware of these,
11:04you are not aware of this,
11:06you can mash your information.
11:08Our mother, when she was responsible for it,
11:10. . . . . . . .
11:40. . . .
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12:11. . . . . . . . . . . . . . . . . . . .
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12:19. . . . . . . . . . . . . . . . . . . .
12:23. . . . . . . . . . . . . . . . . . . .
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12:32. . . . . . . . . . . . . . . . . . . .
12:33. . . . . . . . . . . . . . . . . . . .
12:34. . . . . . . . . . . . . . . . . . . .
12:36. . .
12:36It was a film called Aliyah Bhatt and Ranveer Singh, which was on the line, so the audience rejects the
12:47cinema.
12:47It didn't have a passion for them.
12:50It was different from a different film.
12:53It was very interesting.
12:54It was the same time when you were saying that the cinema is running away or the coronavirus.
12:59No.
12:59No.
13:02Which thing will you like?
13:04You can hear your own stories with your convictions.
13:08The directors who are writing new stories,
13:11they are reading new stories,
13:13they are creating new stories.
13:15The audience also wants to see it.
13:18You will see the audience.
13:20I don't think there is a lot of content.
13:22The audience is getting more attention.
13:26The audience is getting more attention.
13:28The audience has more attention.
13:29The recent films come from 2000,
13:31the question is the most important thing.
13:33The multi-starers has come from a lot of films.
13:36But as Pawns Sir rightly pointed out,
13:39the story is a need for the story.
13:42The story of the clients.
13:45If you think the story of the clients,
13:47you want to justify the story,
13:51you will not be able to justify the story.
13:52You will not say the story of the actual story.
13:58So, I think story and content is the hero and here the dog is the story and dog is the
14:05hero.
14:05So, in that we could have told them that they would have told us that it would have been so
14:11bad.
14:14So, content will always work, good story will always work and it will be a challenge for them.
14:19Sir, I think that you have worked in OTT, TV shows, film and I think that after OTT, the storytelling
14:28has improved.
14:30Obviously, because, but when we were doing weeklys, which was as good as OTT,
14:37when we were doing Star Bestseller, when we were doing Saturday Suspense,
14:41we were doing this in a week, he had a story, he had a story,
14:45he had a story, he had a story, he had a story with a story,
14:47then the story started with a story, then the story started with a writing,
14:50then you had to study a daily feed, then there was a writing compromise on them,
14:56then you started to write it down to you, OTT, the story,
14:59that you wrote the story of limited story, 8th episode, 10th episode,
15:12This film will never die for sure, film is not going to die. Film watching can die, but film will
15:20never die.
15:21Do you think after OTT has improved the story?
15:31Do you think after OTT has improved the story?
15:41I am not a producer director, but I am not a producer director, I am a producer director.
15:47I am a producer director, I am a photographer, and I am a producer director.
15:53I am not a producer director.
15:58I am not a producer director, but I am not a producer director.
16:08It was opened and opened and opened a way, but in the theatre, there are 200-300 people sitting in
16:19the hall and a big screen.
16:20That is why you create such a content that you can also see in the OTT, families and people sitting
16:27in the house.
16:28You will get hits on the phone, you will earn money, but I always say that I'm going to say
16:34that I'm going to say that I'm going to say that I'm going to say that I'm going to say
16:36that.
16:36And you will see that you will see in the distance of 3 inches.
16:39Try to make a film proper that you can see a proper proper.
16:44That film will be planned as well.
16:47You will need a challenge for one another.
16:51One other is another one.
16:54You can try different things.
16:56You can feel that social media is on the side of the emotional content.
17:04The film can influence the emotions and behavior.
17:09The film can influence the whole world.
17:14But in childhood, what do you learn in school?
17:17Don't do a girl. Don't do a girl. Don't do a girl.
17:20Don't do a girl. Don't do a girl. Don't do a girl.
17:22Don't do a girl. Don't do a girl.
17:30So, you always want to meet the girls and girls.
17:33But you constantly need to say good things and all Most of the opinion is.
17:40A film doesn't seem to tell that one.
17:43One film has changed and changed, but some people say Leaaks also.
17:50It is not so good now.
17:51We assume a lot of things.
17:53You know, the film that you are watching is also learning some of the people who are watching some of
17:56the films. Some of the people have learned some of the films, or this kind of murder, or this kind
18:02of murder, or this kind of murder, or this kind of murder.
18:23It takes all sorts of people to make a world. You know?
18:28What do you think of the actors in the first 90's who played a character role in the first 90's?
18:35In OTT, we say that there is a presentation in the film.
18:39That's why we have a lot of life.
18:42When you say that people had a character role in the first 90's, then what is the hero's character?
18:47This is the same. It was a stylized.
18:49The first of all were stylized.
18:51But now you can see that Ranveer Singh plays a character.
18:55This is the question that you are saying is a character artist.
18:58A character artist is the hero who is the main lead, who you are listening to the main story.
19:03He doesn't play a character.
19:05Ranveer Singh does it. Ranveer Kapoor does it.
19:07Ranveer Kapoor does it. Aishman Khurana does it.
19:09And Vicky Kaushal does it.
19:14He plays a character.
19:15He plays a character.
19:16He plays a character.
19:17He plays a character.
19:20As you can see the character character that's all.
19:24He plays a character in an character.
19:25It's a different part of that.
19:26We saw that though.
19:28The character shows those people are different and different microorganisms from Tv's shows.
19:32He posted a comedy to another show.
19:34He was rated on comedy.
19:35Then, Aya Johri appeared.
19:38He has to play a character's character each other.
19:39With all the comedy shows you are done.
19:44He plays a character.
19:47He plays too.
19:51that means that in so many years it was 70 years old and people didn't do tap, you know.
19:59If you give your children five like this, how can you do this?
20:06What did you do? You don't see the body, the speech.
20:11You don't see the speech. This is the story that has so much.
20:18If you put your heart on it, you will always have a new one.
20:21This is the film making right.
20:24This is the film making right.
20:25This is the story of such lines.
20:25This is the story of such lines.
20:28I don't know. I don't know.
20:32I don't know.
20:34Sir, last week, you said that
20:39people are saying that they are the big stars.
20:41They have so much in infrastructure facilities.
20:47What are the problems of the producer?
20:49What are the problems of the producer?
20:51What are the producers thinking?
20:53You think it's worth it.
20:55The producers think it's worth it.
20:58They think it's worth it.
20:58I think it's worth it.
21:17You know?
21:20It's worth it.
21:21It's worth it.
21:25That's all.
21:25It's worth it.
21:30That's all.
21:30I think it's worth it.
21:31You know?
21:31It's worth it.
21:33You know?
21:33But it's worth it.
21:36It's worth it.
21:37That's enough!
21:37One thing is that you have to take care of.
21:39Just take care of it.
21:41Because it's worth it.
21:42You know,
21:42it's worth it that you should have as a story of it.
21:44You have to read it on the earth.
21:45That's your choice.
21:47That is between producer and director.
21:50If I have to say that I have to come to 10 or 9,
21:55I will try my whole process and I will do it.
21:57I will do it on my own time, I will do it on my own.
22:01I will do it on my own.
22:02Everyone will do it on my own.
22:04I will do it on my own producer.
22:06If they do it on their own calculation,
22:10they will do it on their own.
22:12No, no.
22:14We have done it on the morning,
22:16and if we wait for a few days,
22:19we are getting committed.
22:20We are putting our own look together.
22:22We take a long run.
22:24If someone has been doing it on eight hours,
22:26if someone has done it on your own,
22:28don't do it on your own.
22:30I don't want to say that.
22:33I don't like the person in the morning,
22:34I will not be able to do it on my own.
22:35If you will say it on 6 o'clock,
22:37it will be okay.
22:38But if you will say it on regular film,
22:40you will say it on three days,
22:41it will be my sleep problem.
22:43So I am saying,
22:43I will wait for a few days,
22:45it will not be able to do it on 7 o'clock.
22:47If someone will suit you,
22:48then you will take it on.
22:49Someone will say,
22:50I will do it on eight hours.
22:51How do you do it on eight hours?
22:53The shift is on eight hours, right?
22:56The shift is on eight hours, right?
22:58And if you have a better name,
23:00then you will get to know his name.
23:01And if you will tell us,
23:02you will get to know the rest of the workers.
23:03That will depend on the rest of the workers.
23:10And they decide that they will do the work.
23:14Good.
23:14I will say that the workers will go to work well.
23:19And they will not work well.
23:33I am a producer, but I am a producer, I am a director, I have asked me many questions.
23:40Now what is next? What will come and what will I know? What will I send my jholi?
23:44I will send my jholi.
23:56I will send my jholi.
24:03I will send my jholi.
24:11I will send my jholi.
24:21There is a lot to take away from this film.
24:24I will send my jholi.
24:28You will send my jholi.
24:34You will send my jholi.
24:39If you have a dog, you will see that the film will be coming.
24:45You will also see that you are busy in interviews.
24:48You will send your time.
24:50You will send your jholi.
24:50I will send my jholi.
24:56What is your jholi?
24:58What is your jholi?
25:01You will send my jholi.
25:04Track of your Guru.
25:04If you have sent your jholi,
25:09these emotions also come together.
25:14Or on this film's stories,
25:17thisэШ╕ is such incidents.
25:18Check out what will I receive?
25:20How will I touch and what you will get?
25:25Again,
25:26I Arashopulil.
25:28It's a good thing.
25:29You learn from where you learn from,
25:33where you learn from,
25:33which is the most important thing.
25:37We have heard a story about an emotional story.
25:41Love animals,
25:43it's a story of their own.
25:44It's something that you give.
25:47After watching a story,
25:49you will understand the story.
25:49Go to the theater and watch a film.
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