00:30Suresh Bhavgaro.
00:31You all have to do something like this.
00:35You all have to do something like this.
00:40I just want to say that everyone is emotional.
00:45It's a pleasure to have you.
00:49I have to say that
00:53I have to say that a lot of cinema
00:54I have to say that
00:56I have to say that
00:57I have to say that
00:58I have to say that
00:59I have to say that
01:01It's not a visible thing.
01:05It's just that
01:06I project images
01:08Moving images
01:10What is it?
01:11What is it?
01:13Out of body experience
01:16I am human
01:17I am human
01:18I am human
01:19I am human
01:20I am human
01:22I am human
01:23I am human
01:27All we have had
01:28months
01:29That's
01:32The magic of cinema
01:34That movie
01:34This movie
01:35If it seems as though
01:38if its same
01:39میں
01:40Reels.
01:40In this time, one of the things that I thought about is that there are many versions, many theories.
01:50You are all the filmmakers.
01:53Everybody who is in this room are all passionate about filmmaking, are all passionate about storytelling,
01:59and the way you can tell your story is that there are many interests that you have.
02:06And in this case, they have two phones.
02:10They have one in the kitchen.
02:13They have a message in 2022.
02:14Hello, Andy.
02:15My name is Kishwurgaru.
02:16You are all the ones that you have.
02:18I have a message.
02:19I am a writer.
02:20I am a writer.
02:21I am a writer.
02:22Sure, bro.
02:23Now, we are now in our office.
02:25We are now in a two-room office.
02:26You have to find a beautiful place.
02:27This is how it's written in the first place.
02:30Now, not elsewhere.
02:33There are no other places like this.
02:36There are no other places.
02:37In the first place left, it was a small little question that said that people are ingrained in Delhi.
02:42Don't tell that there is nothing.
02:44Definitely nothing.
02:46Next.
02:47So, I think I am not going to ask what I was going to ask myself.
02:51It is not just my best talk.
02:53It is not my best talk.
02:55I don't know how to do this, but I don't know how to do this.
02:59I'm going to do a 9 to 5 job.
03:03I'm going to do a customer in India.
03:05I'm going to do a customer in America.
03:07I'm going to do a desk at night.
03:11I'm going to do a wallet-air production.
03:13I'm going to do a wallet-a-double.
03:17Basically, I'm going to do a producer.
03:19None of us are actually the conventional producers.
03:23They're going to be a producer.
03:26They're going to be a little bit of a variety.
03:29They're going to be a little funny.
03:31They're going to be a little bit of a situation.
03:33In India, in the Indian education system,
03:36there's a lot of psychological conflicts in cinema.
03:43They're not going to be a problem.
03:46They're not going to be a problem.
03:46They're going to be a double-patter.
03:47They are going to be a lot of stuff like that.
03:53They're going to be a big deal.
03:56They all want to have a big deal.
04:07And they're going to be a big deal.
04:11They're going to be a big deal.
04:11A film from Delhi, a national award-winning film.
04:16But first of all, I thought that this is a good thing.
04:21This is a good thing.
04:24This is a good thing.
04:25This is a good thing.
04:32There is no cinema.
04:34I don't know what I'm doing.
04:36This is a good thing.
04:39I'm not a good thing.
04:42My director,
04:44I had an opportunity to get an opportunity to get a first film director.
04:59It's not a good thing.
05:00It's not a good thing.
05:02The same way,
05:03my first film director,
05:06Arun Dev,
05:09is not a good thing.
05:11It's not a good thing.
05:14It's not a good thing.
05:26It's not a good thing.
05:30I'm not a good thing.
05:31Therefore,
05:31I can't still talk anything about the cinema.
05:32If we could talk anything about the thing about a part in our future,
05:34This is my mode of work.
05:37It seems that it is on my own way.
05:40This is not a good thing.
05:41It is not a good thing about my…
05:41So I've started talking by the cinema and tell us what we are.
05:54It's a very, very impossible task to put it into words.
06:00You can't find a bond, but you can't find a cinema.
06:04So basically, first, I'm going to start with you.
06:07I'm going to start with you, because I'm going to start with you.
06:10Because Niketh Bummi, the cinematographer,
06:14he's doing a lot of cinema in the world.
06:16He's doing a lot of cinema, he's doing a lot of cinema.
06:20He's doing a lot of Vivek Sagar.
06:21He's doing a lot of cinema in the world.
06:23He's doing a lot of music directors.
06:26But he doesn't have to accommodate the cinema in the world.
06:30So, that's why he's doing that.
06:34So, that's why I'm going to start with this film.
06:41I've always thought about it.
06:44In Neel Megamal, there's a classical song.
06:48I'm going to start with you.
06:49Because of Aditya music, you can't even take the album.
06:54It's not like Aditya music.
06:55But that's what I'm going to do.
06:57A classical song has made 25 million 30 million YouTube.
07:02Spotify is in the number one position in Decades, and on the other platforms, there are 30 million streams in
07:13other platforms, a classical song.
07:15It's definitely not a small story, I feel.
07:20And, yeah, you can do a lot of things in sync sound, and you can do a lot of things.
07:25No.
07:26If you don't have any of that, you can do a lot of things.
07:31If you do a lot of set designing, Lata Naid is our production designer.
07:37If you do a lot of set designing, people are believing it's a real house.
07:42The same way, I mean, everything that happened.
07:45What did you do? What did you do?
07:48Did you audition a 1500?
07:49Did you audition a 16-70-month kids to on location?
07:56You can't believe how chaotic it's going to be for a first film director, actually.
08:02Did you pull off?
08:03No.
08:06So, this stage is a big deal.
08:10I'm doing a big deal.
08:12I think about it.
08:12But you're doing some of your performance.
08:17There are many people being watched on social media, actually.
08:21We have a national award recently, Vivek Shag
08:36The film is making a national award.
08:37Including every spot boy, every person, Kamala Asungar,
08:41one cinema is making a film.
08:44One of them is making a film.
08:46One of them is making a film for all the cinema.
08:50This film is making a movie for all the time.
08:52Today, the film is making a movie for all the time.
09:02If you want to make a film, you can deliver the film.
09:06Ajit George, the fantastic sound mix engineer.
09:10Arun Rama, my sound designer.
09:13Vilu, I mean, Prashantana.
09:17I'm afraid of that.
09:19I'm afraid of that.
09:21I'm afraid of that.
09:24So, what do we choose?
09:26I don't want to do the first two takes.
09:29I don't want to do the corrects.
09:30I don't want to do the same thing.
09:31I'm a little bit different.
09:35I'm a little bit different.
09:38I'm a little bit different.
09:40I felt like this is not a feeling.
09:42I don't want to do the same thing.
09:43I feel like this is not a feeling.
09:43If you're not at the location, situation, mood,
09:45it's fine.
09:47But that's my fault.
09:49I'm afraid of that.
09:54So, I'll show you the impossible dream team.
10:19I'm taking some time because what I'm saying is that there is a lot of a format.
10:26There is a lot of the content.
10:29There is a lot of the content.
10:40There is a lot of the content.
10:42It's a slice of life drama.
10:44You can't get any magic.
10:47You can't get any of it.
10:49It's very difficult to carry an idea and convince 100-200 people that come on board on this journey.
11:01Believe me, this is a tough process.
11:05Especially for a film like this where there is no interval bang.
11:08There is no conventional form of villains in the cinema.
11:13There is no tough villain.
11:15There is no type of norms.
11:19There is no conventional norm of stars.
11:31There is no national award.
11:33It has all the odds not to get the national award.
11:37So the national award is just a cumulative effect of all the love that people have shown our work.
11:44So the title is synonymous to the situation.
11:51So I'm just collecting methods.
12:02So thank you.
12:20Thank you everyone.
12:21Absolutely.
12:44So, I am very grateful that way.
12:47So, I am very grateful that Rana is the sweetest person.
13:01And last but not the least, my best friend, Situ.
13:05Thanks, Baba.
13:08Thank you so much, sir.
13:09Thank you so much.
13:11Thank you so much.
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