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00:03Do Do Do Do Do
00:30Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do
00:38Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do
00:41Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do
00:42Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do
00:45Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do
00:45Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do
00:45Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do
00:46Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do
00:51Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do
00:51Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do
00:51Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do Do
00:53Do Do Do
00:53That's okay.
00:54If you've done a few years later, you'll have to have a chance to get a certain amount.
00:58Then what do you want to do?
01:01What do you want to do?
01:02You want to work?
01:04You want to go?
01:06Yes?
01:08Yes?
01:09Yes?
01:12Yes?
01:13What do you want to do?
01:13What do you want to do?
01:16You want to go to manager?
01:18Yes?
01:23What do you think about your business plan?
01:23The business plan is the management plan.
01:25There are a lot of things that I've added to.
01:28Let's check it out.
01:41You know, I don't have a job at all.
01:47I don't know what you would like to do now.
02:00I know how to pay it to receive good money.
02:03Sure.
02:04I thought it would have to be worth it.
02:06But I knew it was not good.
02:08But I would be honest.
02:10Even now, I'm going to get into it.
02:18I'm going to go to the next 3 months.
02:20Okay.
02:21I'm going to go for that.
02:22I'm going to go for that.
02:25But there's something else I want to add?
02:31Just one.
02:34It's a禁令.
02:36It's a禁令.
02:37It's a禁令.
02:39It's not difficult.
02:42It's not too far.
02:44But I can't type it.
02:46I can't say the most ...
02:47Why are you feeling so bad?
02:49I'm so sorry.
02:56This is a禁令.
03:08What's wrong?
03:09市费 사항 안 읽어봤어요?
03:12매니저 기본 업무 뿐만 아니라 내 연기료까지 커버해야 한다
03:18그냥 대본 보고 내 감정만 전달해주면 되는 거 아니었어요?
03:21이 사람이 무슨 연기가 감정만 있으면 되는 줄 알아
03:25감정해, 발성해, 신체 표현해
03:29여기 앉아봐요
03:30그럼
03:39아무리 감정을 전달받는다 해도
03:41그래도 내가 혼신의 연기를 펼치려면
03:43우리끼리 합을 맞추는게 중요하겠죠?
03:50네
03:51그쪽의 감정을 느끼게 해주면
03:53내가 발성이랑 신체 표현 한번 맞춰볼게요
03:59I have to go out to this.
04:01I think I can't do anything else.
04:04Don't say anything.
04:07What are you doing?
04:08I don't care, like I'm going to do nothing.
04:10It's just my thing and it's just my thing.
04:14It's just my thing.
04:15I'm sorry.
04:17I don't know what to do.
04:50I don't know what to do.
04:51So, you're looking at that feeling of a little bit more than a little bit.
04:54Do you understand?
04:55Yes.
04:56Okay, so I got to understand that.
05:02But...
05:03How do you think the feeling of the feeling of the way to the end?
05:08We're in the sky, but the feeling of the feeling of the way to the end is right?
05:12If you know the feeling of the way to the end,
05:15you can't get a feeling of the way to the end.
05:24Then let's start with the feeling of the feeling of the way to the end.
05:29First, let's start with the feeling of the feeling of the way to the end.
05:31Yes.
05:51First, let's start with the feeling of the fear that I can feel the feeling of the feeling of the
06:12day.
06:12The feeling of the feeling of the way to the end,
06:16Oh
06:20It's not too loud.
06:28It's the end of the day!
06:30I feel you, feel your heart
06:33I feel you, feel your heart
06:36I feel you, feel your heart
06:38I feel you, feel your heart
06:42It's the end of the day!
06:43Right, we're 60m and we're only 50m.
06:47We're only 50m.
06:50We're only 50m.
06:50If you don't fall,
06:57Whatever you want
07:14어떻게
07:16내 심신 안정이
07:18좀 전달됐어요?
07:34It's like an old lady who'll come here.
07:35I'm not going to talk to you, too.
07:36That's what happened, Misa.
07:36Uh, no.
07:37Okay.
07:46I'm not sure you're not yet, but
07:49you're the director and director.
07:53If you think about it, it's nice to me.
07:57Let's see if I can get it.
08:00It's not just a debate, but I'll take a look at it.
08:03I'll take a look at it.
08:16Oh, my God.
08:47합격이에요. 합격이라고요. 합격. 나 캔시켰다고요.
08:53합격? 합격?
09:02어, 잘 됐네. 축하해요.
09:15이제 곧 본격적으로 활동 시작하려면 아무래도 배난데는 사야겠죠?
09:20아니다. 스타일리스트부터 고용해야 되나?
09:22어, 샵은 어디로 할까요?
09:24뭘 그렇게 서둘러요. 이제 고작 드라마 캐스팅 하나에 확정된 것 뿐인데.
09:28천천히 합시다. 천천히.
09:30뭘 모르시는 말씀. 이제 곧 화보 촬영이며 CF 계약, 드라마 출연제일까지 막 쏟아질걸요?
09:37예?
09:38나같이 핫한 스타성을 가진 연예인이 어디 흔한가.
09:41잠시 대중들 눈치 보느라 망설였겠지만 이렇게 복귀 물꼬가 트였는데.
09:46그러면 이제.
09:52네, 차원하님.
09:53유지한 씨 담당하는 분이신가요?
09:55아, 네. 제가 유지한 씨 매니저 되는데요.
09:59화보 촬영 관리에서 연락드렸어요.
10:01예?
10:03어, 화보 촬영이요?
10:18네, 좋아요. 지금 포인트 좋아요.
10:21오케이. 좋아요. 지금 그대로 갈게요.
10:23어, 있구나. 좋아요. 그대로.
10:26어, 좋다.
10:27네.
10:28이번엔 시선 반대쪽으로 가질게요.
10:37나 진짜 어이없어.
10:39내가 뭐 옛날에는 떡볶이잖아.
10:41네가 잘못 생각한 거라고.
10:43나 아무렇지도 않아.
10:44어휘가 너가 이러는 게 더 이상하다.
10:47너 때문에 자존심을 받았어.
10:49아니, 나는.
10:50내가 왜 이렇게 얘기했을까?
10:53그럴 거 없다고.
10:54내가 그거 말해주러 추워졌었는데.
10:56굳이 나오기까지 해야 될까?
11:10그러니까 희주같이 늘 타인의 감정을 먼저 배려하는 캐릭터는
11:15이 상황에서 선뜻 화를 내지 못하겠죠.
11:17그러다 보니까 그 상황에서도
11:18자신도 모르게
11:20멋쩍은 웃음만 나오게 되는 거고.
11:24음...
11:25이해돼요?
11:26네.
11:27음.
11:27근데 어떻게 그렇게 다른 사람 감정을 다 잘 알아요?
11:35음...
11:36이래봬도 직업이 심리상담사라?
11:40그럼 공감 능력은 타고난 건가?
11:43아님 배우는 거예요?
11:46타고나기도 했고 배우기도 했고.
11:50음...
11:53아버지가
11:55그런 사람이었거든요.
12:00늘 나보다
12:01남이 먼저인.
12:05돌아가셨구나.
12:10그쪽이
12:14슬퍼하니까.
12:18아...
12:19아...
12:22초등학교 때
12:23사고를...
12:25많이 힘들었겠다.
12:30그럴 자격도 없었어요.
12:33다 나 때문이었으니까.
12:37그냥 호기심 때문이었어요.
12:40호기심 때문에 가지고 놀다 깜빡했고.
12:48너 아빠 일하는데 사고 치지 마.
12:50호흡기만 그냥 죽어 오는 거야.
12:52알겠지?
12:53알았다고.
12:55문제가 없다고.
12:56계속 진행하자고.
12:57글쎄 위험하다니까요.
13:00아니 안 그래도 가뜩이나 공간도 좁고 환기도 안 되는데.
13:03아니 안 그래도 가뜩이나 공간도 좁고 환기도 안 되는데.
13:04아니 이따가 비라도 오면요.
13:05알지 않다고.
13:06여기서 촬영 잡는 것도 쉬운 일은 아니잖아.
13:09아니 감독님.
13:10아 그니까.
13:14아...
13:15아...
13:15하...
13:16은소.
13:19니들이 여기 무슨 일이야?
13:21어.
13:22야 너 미술대회는?
13:24못 갔지.
13:25얘 때문에.
13:25얘 때문에.
13:26어?
13:27왜?
13:28빨리 줘.
13:31뭔데?
13:33차원하니 아빠 방에서 장난감 찾다가.
13:36저기.
13:37감독님이 찾아주신다.
13:38아 그래?
13:39네.
13:40아빠 잠깐만 갔다 올게.
13:41가자.
13:46이리 와.
13:47이리 와.
13:48이리 와.
13:48이리 와.
13:48이리 와.
13:49이리 와.
13:49이리 와.
13:53이리 와.
13:54그 날.
13:56그걸 가져다주러 갔는데.
13:58유만 사고가 났어요.
14:01그날 이혼을 생각했어요.
14:04내가 아버지 호흡기를 만지지만 않았어도.
14:09아니 그냥.
14:11나 혼자만 가져다주려만 갔어도.
14:14그 순간에.
14:18내가 누나 손을 놓지만 않았어도.
14:20.
14:22.
14:24.
14:24.
14:25.
15:00You're so sad.
15:00I'm not so sad.
15:01Why are you so sad?
15:03I'm sorry, but it's so sad.
15:07I'm going to get the first video.
15:08I'm going to be a little bit more about the film, but I'm going to be a little bit more
15:09about it.
15:52I'll tell you something about the secret.
16:00I'll tell you something about the secret.
16:00If you look at your eyes,
16:00But if you're the only one who's the one who's the one who's the one who's the one who has
16:00a girl, you can't go to jail.
16:18It's my star.
17:07I'm sorry.
17:09I'm sorry.
17:20I'm sorry.
17:22I'm sorry.
17:24I'm sorry.
17:27I'm sorry.
17:28I'm sorry.
17:29I'm sorry.
17:38I'm sorry.
17:40I'm sorry.
17:42I'm sorry.
17:49Good morning.
17:57What was that?
17:58I'm sorry.
18:16I'm sorry.
18:23I'm sorry.
18:33I'm sorry.
18:43I'm sorry.
18:44I'm sorry.
18:51I'm sorry.
18:54I'm sorry.
19:03I'm sorry.
19:07I'm sorry.
19:09I'm sorry.
19:25I'm sorry.
19:39I'm sorry.
19:42I'm sorry.
19:51I'm sorry.
20:03I'm sorry.
20:03I'm sorry.
20:04I'm sorry.
20:05I'm sorry.
20:07I'm sorry.
20:10I have nothing better.
20:14I'm sorry.
20:15...
20:15You won't pay for this.
20:16...
20:16...
20:18...
20:18...
20:19...
20:20It's been a long time, but it's been a long time.
20:24It's been a long time.
20:25Well, it's the best time.
20:26I'm not sure you're all right.
20:29I'm not sure if you're all right.
20:32Action!
20:34What?
20:43What?
20:44What'd you do?
20:45Oh, the heat of this cold?
20:47But it's not...
20:52What...
20:54I'd want to take a shot on a while.
20:57I did not see him before.
20:59It was maybe a condition that was not good.
21:03I'd want to take a shot on a while.
21:06I don't want to take a shot.
21:11It's me.
21:11You're shooting.
21:15I'm a guy who's going to film.
21:18I'm sorry, I don't want to film.
21:20Ah, I've got to take care of you.
21:24I'm so sorry.
21:25Yes.
21:28I'm going to film.
21:29I'll film.
21:43I'm not going to tell you what you mean.
21:48You're going to tell me what you mean.
21:49It's not a good thing.
21:51It's not a good thing.
21:52It's a good thing.
21:54It's a good thing.
21:55But it doesn't feel like you're feeling like a feeling like this.
21:59I don't want to tell you what it is.
22:02It's a good thing.
22:06It's not a good thing.
22:07What is the feeling of your emotions?
22:10It's not a change.
22:14It's like a person and a person who's given me.
22:19It's like a new feeling.
22:21It's like a new feeling.
22:22It's like a new feeling?
22:24It's not a new feeling.
22:27It's not a new feeling.
22:30It's not a new feeling.
22:42It's not a new feeling.
22:43Today, the movie is all canceled.
22:44You can't wait to see me.
22:49What the hell is that?
22:50It's not a bad thing.
22:55You can't wait to see me.
22:57You can't wait to see me.
22:57I can't wait to see you.
22:59You can't wait to see me.
23:02I'm sorry.
23:03You can't wait to see me.
23:08I can't wait to see you.
23:10It looks like it's a good thing.
23:12This is pretty good.
23:13You can't wait to see me.
23:20You can't wait to see me.
23:21You can't wait to see me.
23:22I can't wait to see you.
23:26So, it's the case.
23:29It's the case.
23:29I'm sorry.
23:30I'm sorry.
23:33I'm sorry.
23:34I'm sorry.
23:35I'll stop.
23:38I'll stop.
23:42I'm sorry.
23:52I'm sorry.
23:55Yeah,
23:56이 상황에서도
23:57자존심은 남았다.
23:59뭐 이거네?
24:08이대로 가면 어떡해요?
24:10정말 하차할 생각이에요?
24:15유지아 씨.
24:20안 하면?
24:21I was going to never tell you.
24:23I'm going to go so fast.
24:25I'm going to go so fast.
24:26I'm going to go like this before.
24:27I'm going to go so fast.
24:29...
24:32...
24:33...
24:34...
24:35...
24:35...
24:36...
24:37...
24:37...
24:37For a while, you can't pause the様子 anymore.
24:38You can't see anything else, but I think I'm going to let you know what you're doing.
24:44You can't even see anything else with those people who have a chance to do this.
24:51When we're all alone, we're all pretty okay?
24:54I don't want to be here.
25:00It's okay.
25:02It's okay.
25:03It's okay.
25:07I'm joking.
25:15It's okay.
25:21What is it that you had to fight?
25:23I don't know what you had to fight.
25:37I can't wait to see the person who's involved.
25:41I don't know what to do.
25:43You have to be able to stay.
25:45But I don't have to worry.
25:47But I don't have to be afraid of being a monster anymore.
25:51It's not true.
25:52I don't want to stay.
25:53That's why you live at the same time.
25:57You're a bad man.
26:03You're a good person.
26:08You're a good person.
26:09You're a good person.
26:10You're a good person.
26:29You're a good person.
26:30You're a good person.
26:32You're a good person.
26:34You're a good person.
26:35It doesn't matter.
26:36I don't want you to go.
26:36You're a little girl.
26:37Where is she going to?
26:42As you're lying.
26:43Girl, I'll have to tell you.
26:46You are a man.
26:48Isn't she?
26:49You're coming.
26:49How long have you been here?
26:50You can tell me.
26:52I'll take care of the manager.
26:55Yes?
26:57You can't get it.
27:00You can't get it.
27:06You can't get it.
27:12But if you're a judge, you're going to have to go to the theater.
27:14I'm going to have to be the Dahoon's plan, and if you're a judge,
27:18you're going to have to go to the Dahoon's plan.
27:23I thought I was going to have to be a problem.
27:28But if you're going to try to make this big image,
27:32it will be like a brand new product.
27:37Okay.
27:38You're my question.
27:40I'm going to go.
27:42I'm going to go toscheme.
27:45I'm going to go to the person who asked me to know him.
27:51Yeah.
27:54What's this?
27:56Sorry.
27:57I'm sorry.
27:58I'm sorry.
28:09Please, let me know.
28:10At that time, I had no idea.
28:12I didn't know what to do.
28:13I was waiting for a few minutes.
28:18I was waiting for a couple of hours to get out of the car,
28:20and I was just going to get a lot of pressure.
28:22I got the right hand.
28:25It was a big deal.
28:28Can you tell us what's going on?
28:30You mean that's not the same.
28:31You know, I don't think it's a problem.
28:34They don't have to in a way of doing this without Options,
28:39but the actual match is.
28:41They were all a-one play, but they had enough money.
28:46As a result of the top star?
28:49Interesting.
28:51Right?
28:53But it was
28:54First, I'm going to get a job to get a job, and then I'm going to get a job.
28:59And I'm going to get a job of the way to get a job.
29:03I'm going to get a job.
29:07Yes, I'm going to get a job done before the new company meeting the company.
29:14So, everything was done.
29:18And what's more important...
29:26What?
29:27What?
29:28It's a product.
29:28It's a lot of fun.
29:32I mean, when I was doing it,
29:35the video's making can be almost no longer.
29:39I know your video's background,
29:41but I tried to make it a lot of sense.
29:44It was not a single time.
29:46It was not a movie.
29:47I mean, it was a real world for me.
29:50It's a little too old.
29:51but it's a way to the end of the day.
29:53Even though it's so much like that.
29:55But my family's really like that.
29:58She's not a good person.
29:59And she's not a good person.
30:01She's a good person.
30:02She's a good person,
30:02but she's still in contact with me.
30:04She's still a good person?
30:05She's a good person.
30:09She's a good person.
30:41I'm so confused.
30:42I'm really curious about the question.
30:43You're a kid.
30:46You're a kid.
30:47You're a kid.
30:49You're a kid.
30:50I'm not sure.
30:53It's not good for you.
30:56It's impossible to get out of here.
30:58Right?
31:00It's a good thing.
31:01It's a good thing.
31:02It's hard to get out of here.
31:03It's better than I thought.
31:07It's hard to get out of here.
31:11What a great thing.
31:16Why?
31:17Why, why, why?
31:18It's not?
31:18Yeah.
31:20I'm not kidding.
31:22That's why.
31:24You've been using this for a lot of work?
31:28I'm not sure.
31:30But how did you do this?
31:31How can you do this with a lot of people?
31:33You know, I'm not even a fan club.
31:36I'm using this for a lot of work.
31:38It's not possible.
32:06Okay.
32:10Um...
32:11So, people are like they're saying they're just like they're like.
32:15They're like this, they're like those words, and they're like the same thing to make them all the way.
32:21They're not even saying that they're like 뒤쪽, bach, just...
32:24You're right, you're right?
32:29But, I'm not scared to say that my word is perfect.
32:32I'm not sure how much work.
32:36It's not easy for me.
32:38But I don't think he's a good person, but I don't think he's a good person.
32:43It's not like he's a good person.
32:47He's like a habit.
32:51That's right.
33:01He's like a habit.
33:02You're so angry.
33:04You're so angry.
33:05You're so angry.
33:07You're so angry.
33:21You're so angry.
33:22You're so angry.
33:23I'm sorry to ask you to ask you something.
33:26If you ask me, I'll call you.
33:30What's that?
33:31사람 좀 찾아주세요.
33:36사람?
33:50이모님이 엄마 여기 있을 거라고 했는데.
34:04여긴 왜?
34:07놀이터 놀러 가도 돼요?
34:09놀이터?
34:10아빠가 앞으로는 엄마한테 허락받고 가랬어요.
34:14아, 그래.
34:17그럼 이따 아빠 오면 같이 갈래?
34:22왜?
34:23나 원래 놀이터들 혼자 가는데.
34:27아, 그래.
34:31그래.
34:32그럼 다녀와.
34:34너무 늦지 않게 오고.
34:36네.
34:38다녀오겠습니다.
34:55네.
35:03다녀오겠습니다.
35:06놀이터
35:06vas soon.
35:07아, 알겠습니다.pose.
35:18네.
35:20아,
35:24감사합니다.
35:35I'll be back.
35:37I'll be back.
35:39I'll be back.
35:40I'll be back.
35:46I'm a mom.
35:48You're not a mom.
35:49You don't have a mom.
35:52I'm a mom.
35:53Mom is there, why do you play with my mom?
35:57Why don't you play with my mom?
36:00That's why my mom is...
36:05My mom is...
36:08...and...
36:09Look, it's a lie! That's right!
36:14That's not a lie! That's not a lie! That's not a lie!
36:18It's a lie!
36:19Oh!
36:19Uh-huh!
36:23꼬맹이들, 신성은 놀이터에서 싸움질은 안 되지.
36:27아줌마 누구예요?
36:29너 아줌마야.
36:30야, 나 좀 아니...
36:32우리 엄마야!
36:36내가?
36:44어! 그래! 내가 하율이 엄마야!
36:47누가 우리 하율을 괴롭혔어?
36:50너야?
36:51너야?
36:52너야?
36:54너야?
37:06내가?
37:11너야?
37:15엄마 안 돼!
37:18내가?
37:19내가!
37:19내가!
37:19내가!
37:21내가!
37:23She doesn't love me because I don't love you.
37:28I don't care.
37:31I don't care.
37:33I don't care.
37:34I don't care.
37:37I don't care.
37:41I don't care.
37:45I don't care.
37:46세상에 자식보다 자기 자신을 더 사랑하는 엄마가 있긴 있지.
37:56누구처럼.
37:59괜찮아요.
38:01나도 뭐 엄마 안 사랑하니까.
38:04너도 거짓말.
38:07세상에 자식을 사랑하지 않는 엄마는 있지만
38:10엄마를 사랑하지 않는 7살은.
38:16없거든.
38:19내가 알아.
38:27우울해서 음식하고 싶은데 언니 집에 가서 떡볶이 먹을까?
38:32좋아?
38:34가자.
38:35너 축제해.
38:37빨리 와.
38:38가자.
38:45하율아.
38:47아빠다.
38:49꼬맹이.
38:50우리 떡볶이는 다음에 먹자.
38:51왜요?
38:52아빠랑 다 같이 먹으면 안 돼요?
38:54어.
38:54안 돼.
38:55그럼 다음에 또 보자.
38:56앞집 꼬맹이.
39:05하율아.
39:06앞집 이모랑 어디 갔다 와?
39:08놀이터에서 만났어.
39:10근데 아빠.
39:12이모랑 싸웠어?
39:14아니 왜?
39:15이모가 아빠 보고 도망가.
39:18그래?
39:21하율이 오늘은 엄마랑 이모님이랑 셋이서 저녁 먹을래?
39:26아빠는?
39:26아빠는?
39:27아빠는 아무래도 화해하러 가야겠지?
39:32지한 씨 문 좀 열죠?
39:35지한 씨?
39:37지한 씨?
39:39왜요?
39:41뭐?
39:43그러니까 왜 전화를 안 받아요?
39:44사람 걱정되게.
39:45걱정... 됐어요?
39:50그럼.
39:51연예인이 연락 두절인데.
39:54매니저가 걱정을 안 해요?
39:55직무유기지.
39:57자.
39:58연예인 생사 확인하셨으니까.
40:00이제 그만 가보세요.
40:02차 매니저님.
40:05화났어요 지금?
40:07안 났는데...
40:08안 났는데요?
40:12난 거 같은데?
40:14느껴지는데?
40:15안 났다니까요?
40:17근데 안 났는데...
40:17아까부터 눈을 왜 그렇게 떠요?
40:18사람 무섭게?
40:21비밀 하나 알려줄까요?
40:23이렇게 눈을 맞추면 감정전의가 멈춰요.
40:28설마 그것 때문에?
40:29감정전의 막으려고?
40:32와 진짜 치사하다.
40:34아니 내 감정은 그렇게 막 허락도 없이 막 다 전의받아놓고 자기 감정은 지금 전의될까봐 이러는 거예요?
40:40그래서 연락도 피했구나?
40:42알았으면 좀 가줄래요?
40:44아 싫거든요?
40:46아 나와봐요.
40:53하...
40:55잃을 줄 알았어.
40:56대체 얼마를 마신 거야?
40:58탄산수 중독이에요?
41:00씨...
41:01남이사 씨...
41:03남 아니고 매니저.
41:09밥해줘요.
41:11여기가 뭐 식당이에요?
41:13내가 왜요?
41:14앞에서 누가 맛있는 거 먹으면 기분 좋아진다면서요?
41:17그래서...
41:19뭐...
41:20지금 내 기분 좋아지라고?
41:24무슨 말도 안 되는...
41:26아 빨리요!
41:45정말 그 티 한 잔 가지고 되겠어요?
41:48습관돼서 괜찮고 이런 재난 상황일수록 난 미모만은 꼭 지켜야 하니까.
41:57난 저도 예쁠 것 같은데...
42:07심쿵한 거 아니고...
42:09덜컹!
42:10이런 덜 떨어진 미적 취향을 가진 사람이 내 매니저라니...
42:14어떡하지 나?
42:15나?
42:15이러면서!
42:21그렇다고 칩시다.
42:24남이 내 마음 안다는 게 이런 거구나?
42:30그러니까...
42:31내가 그동안 얼마나 찜찜했는 줄 알겠죠?
42:34그 찜찜함을 안고도 당신 매니저를 하겠다고 나선 건 얼마나 큰 희생인 줄도 알겠고...
42:42정말 더럽게 생생되네.
42:46이쯤되면 다 들린다는 거 잘 알 텐데...
42:49미안해 하고 있다는 것도 잘 느껴질 텐데...
43:00정말...
43:02이대로 복귀 포기할 거예요?
43:05어떻게든 복귀하게 도와달라고 사람 쫓아다닐 땐 언제고?
43:09쫓아다닐 적 없고요.
43:12그냥...
43:13적극적인 제한 정도?
43:15어?
43:17싫다잖아요.
43:19연기력이 문제가 아니라...
43:23내 존재 자체가 싫다는데...
43:26내가 무슨 수로 복귀해요.
43:30그리고 당분간 복귀 못 할 거예요.
43:32이렇게 한 번 시도했다가...
43:36결혼에 떠밀려 하차까지 당하면...
43:39다들 몸 사리거든요.
43:44내가 복귀시키면요.
43:47지한 씨 매니저로 있는 3개월 안에...
43:49무슨 수를 쓰든 지한 씨 복귀시킬게요.
43:52그것도 성공적으로.
43:54내가 날 이렇게 믿는 만큼...
43:57지한 씨도 자기 자신을 좀 믿어봐요.
44:01아직...
44:02아무것도 밝혀진 건 없잖아요.
44:21자...
44:22우리가 여기 모인 이유는 단 하나.
44:24지한 씨의 성공적인 복귀를 돕기 위해서인데요.
44:28어제 밤새 전략을 짜본 결과...
44:30저...
44:30네, 말씀하세요.
44:32근데...
44:33이걸 우리가 왜 도와야 되는 거죠?
44:36나랑...
44:38하여리까지.
44:42아, 그럼요.
44:44도와야죠.
44:45그럼요.
44:46재밌겠다.
44:47신난다.
44:48좋아요.
44:50자, 우선 복귀를 위해 해야 될 가장 첫 번째 전략은?
44:56하나씩 받으시고...
44:57여기요.
44:58여기요.
45:00보세요.
45:07원양전 소아원 병동 기부네요?
45:10이거 어떻게 찾았어요?
45:11익명으로 한 건데?
45:12지한 씨 예정 기록들, 그리고 병원 관계자 인터뷰까지 모두 찾아봤어요.
45:17기부내역이 꽤 되던데요?
45:18저도 기억 안 나는 게 많은데...
45:20이제부터 우리가 할 일은 묻혀있던 지은 씨를 수면 위로 올리는 겁니다.
45:26사람들이 잊고 있었던, 혹은 잘 모르던 지한 씨의 본 모습을 다시 기억하게 만드는 거죠.
45:32자, 그럼 시작해 볼까요?
45:36각종 SNS를 통해 지한 씨에 대한 자연스러운 이슈몰이와 호감 여론을 조성하는 것이 성공적인 복귀의 첫 걸음이 되는 거죠.
45:45그동안 지한 씨의 선행들을 자연스럽게 SNS에 흘린 거예요.
45:48여론이 정말...
45:51바뀔까요?
45:55차차 만들어 봐야죠.
46:00같이 사람 하나 잘못 들어왔는 게 뭐야!
46:03이 영상이 사실이 아닐 수도 있다는 겁니까?
46:07이 영상 자체는 조작되지 않았습니다.
46:09하지만 그 영상이 배율 유지안의 갑질이 아니라는 것은 증명해 보이겠습니다.
46:15아직 그걸 증명하는 데는 시간이 더 필요하지만, 저를 한 번만 믿어주세요.
46:21알겠습니다.
46:21선생님이 이렇게까지 확신하신다면 단독 의혹으로 한번 가보죠.
46:27사실 그때 선생님 아니었으면 저 기자를 계속 못했을 겁니다.
46:33이번엔 제가 그 빚을 갚을 차례인 것 같네요.
46:38감사합니다.
46:39그 선택 절대 후회하지 않게 하겠습니다.
46:43음...
46:45자...
46:47음, 그렇지.
46:49그렇지.
46:50음, 그렇지.
46:51저번에는 거의 다 욕이었는데
46:55지금 반반인데요.
46:56봐봐.
46:58이거 나쁘게 말하는 글이 많이 없어졌어.
47:01그렇지.
47:03보세요.
47:05넌 여전히 그 자리에 서서 널 기다려
47:12Feel the still sweet
47:16나의 레몬 같던 너
47:19음...
47:21음...
47:23음...
47:25음...
47:30음...
47:31그러니까
47:31차 선생님이 유재한 씨 새로운 매니저라고요?
47:36예.
47:36그렇게 됐습니다.
47:39아니, 어쩌다가
47:40상담사랑 매니저랑 너무 연관이 안 되는데?
47:43예...
47:44얘기하자면
47:46얘기가 좀
47:48길어요.
47:51아...
47:59아무래도 어려울 것 같아요.
48:03아...
48:04물론 내가 차 선생님한테 약속한 것도 있고
48:07유재한이라는 배우도 욕심나긴 하지만
48:10이 상황에서 내가 아무리 감독이라고 해도
48:13일방적으로 밀어붙이기가 좀...
48:15아...
48:16뭔가 오해하신 것 같은데
48:19감독님 권한으로 무조건 지한 씨를 캐스팅해 달라는 건 아닙니다.
48:25기회를 한 번만 주세요.
48:28조연 오디션을 보게 해주세요.
48:31오디션?
48:31지한 씨가 오디션에서 실력으로 배우를 따내면
48:34그 어떤 경우에도 하차 없이 촬영을 마칠 수 있도록 해주세요.
48:38제 부탁은
48:41그거면 됩니다.
48:44내 권한으로 유재한을 시켜달라.
48:50실력으로 합격만 한다면 감독으로서 책임질 수 있죠.
48:54안 그래도 지난번에 너무 쉽게 손 놓은 것 같아서 미안하기도 하고.
48:59근데
49:00지한 씨가 오디션을 볼까?
49:03아니 그래도
49:05대한민국 제일 잘 나가는 톱스타였는데.
49:12미쳤어요?
49:13내가 하찮은 했어도 원래 그 영화 주인공이었어요.
49:16근데 조연 오디션을 보라고?
49:18싫어요. 안 해.
49:21전에 촬영한 드라마도 조연이었잖아요.
49:25그렇긴 한데
49:27지금은 왜 이렇게 쪽팔리고 자존심 상해하는 건데요?
49:31쪽팔리고 자존심 상하는 게 아니라
49:33맞는데? 그 감정?
49:37영화의 여주인공이 하필 한이진 씨라?
49:41그게 그렇게 중요한가?
49:44중요하죠.
49:45나 데뷔일에 이때까지 단 한 번도 걔한테 밀려본 적 없어.
49:49그럼 이번에 밀려봐요.
49:51네?
49:52이때까지 안 밀려봤다고 평생 밀리지 말란 법 있나?
49:56이봐요 차은환 씨.
49:58사람이 밀려도 보고 까여도 봐야지.
50:00그래야지 감정이 풍부해지죠.
50:03연기 잘하고 싶다면서요?
50:05근데 그런 감정도 모르면서 어떻게 연기를 잘해?
50:10역할이 좋아요.
50:12내가 영화는 모르지만
50:14감정은 잘 알잖아요.
50:16비록 조연이지만
50:17표현할 수 있는 감정들이 많아서
50:19내가 감정 전달을 좀 해주고
50:21제한 씨가 잘만 표현하면
50:23대중들한테 연기력으로 인정받을 수 있을 것 같아요.
50:27연기파 배우
50:29되고 싶었잖아요.
50:38오케이.
50:40설득은 여기까지.
50:42강요는 안 할게요.
50:46내가 그쪽 감정 전달 없이 어떻게 오디션에 합격해요.
50:50잊었어요 역전이?
50:58분명 우리가 모르는 무슨 법칙이나 이유가 있을 거예요.
51:03근데 첫 감정 전이가 일어난 날과 역전이가 일어난 날 사이 아무런 공통점이 없는데요?
51:12날짜도, 날씨도, 시간대, 장소, 상황.
51:15뭐 하나 같은 게 없어.
51:24왜요?
51:25뭐 생각나는 거 있어요?
51:29아니요.
51:31에이, 아닌 게 아닌 얼굴인데?
51:34뭔데요? 말해봐요.
51:39그럼
51:41오해하지 말고 들어요.
51:44키스요.
51:46네?
51:47키스라고요.
51:49감정 전이가 시작된 날과 역전이가 일어난 날
51:52우리 사이에 공통적으로 발생한 건
51:54키스밖에 없어요.
51:59아, 그런 거 아니거든요?
52:01내가 뭐랬는데요?
52:05이 새끼가 어디서 수작실이지?
52:07아니에요.
52:08아, 단어 선택이 그렇게 상스럽진 않았거든요?
52:11그러면, 그런 생각 안 하게 생겼어요?
52:14이 긴급한 상황에 나랑 키스 한번 해보겠다고 그런 거짓말을 치는데?
52:18거짓말이요?
52:19누굴 바보로 하나...
52:22그...
52:23두 번째는 몰라도, 첫 번째는 우리 키스 안 했거든요?
52:27내가 잠시 정신을 잃었지 기억을 잃었나?
52:29키스한 걸 까먹게.
52:32했어요, 키스.
52:34네?
52:35그때 쓰러지면서.
52:40미안해요.
52:47했다고요.
52:48키스.
52:51하...
52:51그러면서 내가 키스했을 땐 도망을 쳐?
52:55아니...
52:56첫 번째도 내가 막 일부러 그런 거 아니거든요?
52:58쓰러지는 사람 잡아주다 보니까 어쩌다 보니...
53:04어떻게 할래요, 이제?
53:08또 하자, 그럼?
53:12하자고요, 키스.
53:14아니, 뭐 키스하잔 말이 어떻게 그렇게 쉽게 나와요?
53:17내 직업 몰라요?
53:18연기자인 거?
53:19나 원래 키스신 잘 찍기로 유명한데?
53:22나랑 찍은 남자 배우들은 죄다 알고리즘의 키스 장인으로 뜨잖아.
53:27예, 예.
53:27퍽도 잘하기시네요.
53:28대단하시네요.
53:30그럼요.
53:31프로페셔널하다는 뜻이니까.
53:32다른 연기 못하면서 어떻게 키스 연기만 잘해?
53:35그러니까 하자고요, 키스.
53:37비즈니스처럼.
53:38내가 왜요?
53:39난 배우가 아닌데요.
53:40내 매니저잖아요.
53:43배우 생활을 위해 적극 협조한다.
53:46잊었어요?
53:50아니, 뭐 억울하면 그쪽도 연기 앞 맞춰준다고 생각하든가.
53:58이번엔 도망가면 죽어요.
54:01이리야, 일?
54:03아...
54:04Come a little close to feel the love
54:09조금만 내게 더 가까이
54:14All you gotta do is open up
54:17내 사랑을 받아
54:21Come and get this love
54:25The night is young
54:27The night is young
54:28And the road feels long and wide
54:31If you're looking for a place to belong
54:35Oh, baby
54:36You're already in time
54:47Come a little close to feel the love come in love
54:52The night is young
54:55The night is young
54:55Good night
54:56No kind of snowing
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