- 2 weeks ago
Category
🎥
Short filmTranscript
00:00:28Satsang with Mooji
00:00:30I'm sorry.
00:00:41You tell me why?
00:00:45Turn the light.
00:00:47I don't want to see you.
00:00:53Get out.
00:00:54Turn the light and get out.
00:00:58I'll be here.
00:01:00I'll be here.
00:01:02I'll be here.
00:01:03I'll see you.
00:01:03I'll show you.
00:01:04I'll show you.
00:01:04For a few hours, you've been here.
00:01:06I'll show you, but.
00:01:07Get out of here, then!
00:01:15You're the one!
00:01:17You're the one!
00:01:19You our society!
00:01:21Why did you come here?
00:01:23Why did you come here?
00:01:24What are you doing?
00:01:25Out of my house!
00:01:28Are you talking?
00:01:29How are you doing?
00:01:31How are you doing?
00:01:32How are you doing?
00:01:36Open the door!
00:01:39If you want to get out of here, I'll be back!
00:01:42I'll be back!
00:01:43I'll be back!
00:01:44I'll be back!
00:01:46Why are you doing this?
00:01:48Why are you doing this?
00:01:50Why are you doing this?
00:01:52I'm here to go!
00:01:55I'm here to go!
00:01:58I'm here to go!
00:02:00I'm here to go!
00:02:01I'm here to go!
00:02:01What's this...
00:02:03You're trying to hear it!
00:02:10I'm here to go!
00:02:11Excuse me!
00:02:12I'm here to go!
00:02:13Now and for all, listen to me!
00:02:17Listen to me!
00:02:26Let's go!
00:02:27Great!
00:02:32Have you ever seen this?
00:02:34How do we live here?
00:02:36Why? Why?
00:02:38Why?
00:02:38Let's go from this house.
00:02:41The door!
00:02:43People!
00:02:44Open your door!
00:02:47People!
00:02:49Open your door!
00:02:50Open your door!
00:02:51Open your door!
00:02:52Open your door!
00:03:04Open your door!
00:03:08Open your door!
00:03:13Open your door!
00:03:14Open your door!
00:03:23Open your door!
00:03:26Open your door!
00:03:28Open your door!
00:03:28Open your door!
00:03:29Open your door!
00:03:29Open your door!
00:03:30Open your door!
00:03:31Open your door!
00:03:32Open your door!
00:03:33Open your door!
00:03:33Open your door!
00:03:34Open your door!
00:03:34Open your door!
00:03:35Open your door!
00:03:35Open your door!
00:03:35Open your door!
00:03:36Open your door!
00:11:52...and if he didn't do it, he could do it.
00:11:57But his wife, why didn't he follow him?
00:12:01How did he do it?
00:12:03He believed.
00:12:05That's the problem.
00:12:06That's the problem.
00:12:07Yes, of course.
00:12:09The point is that the man left his work.
00:12:13It's crazy.
00:12:15It's crazy.
00:12:16It's crazy.
00:12:39And he really got a knife.
00:12:40No, but he was.
00:12:40He came with you and I won't wait there.
00:12:40I want to be a man.
00:12:40I want to be a man.
00:12:41I want to be a man...
00:12:41It's a man's wife.
00:12:45You don't know.
00:12:45There's a man.
00:12:46I want to be a man.
00:12:46He's a man.
00:12:46He's a man.
00:12:48He's a man.
00:12:49He's a man.
00:12:51He's a man.
00:22:37I'm going to go around you.
00:22:38I'm going to go around you.
00:22:40I'm going to go around you.
00:22:43Why?
00:22:48What do you want?
00:22:51What do you want?
00:22:53What do you want?
00:22:55I have a daughter, a house, a family.
00:23:00I have a relationship.
00:23:02My name is...
00:23:05I'm going to go around you.
00:23:07I'm going to go around you.
00:23:09So?
00:23:12That's what I say.
00:23:15I don't understand why I left you in Paris.
00:23:18I'm going to go around you.
00:23:22After that...
00:23:23...you know what you think?
00:23:26Here at least is my place.
00:23:31You're crazy, right?
00:23:36I'm going to go around you.
00:23:38I'm going to go around you.
00:23:39I'm going to go around you.
00:23:42What to ask modeーん ah?
00:23:48You're in class.
00:23:49Think about youraris people.
00:23:52What do you think?
00:23:53What do you think they're trying?
00:23:57What do you think about security?
00:23:59What do you think they're reading?
00:24:01What do you think about your evening while talking about their kids?
00:24:03What do you think about judiciously?
00:24:09Why are you doing this?
00:24:10What do you mean?
00:24:12Nothing.
00:24:14I don't say anything.
00:24:17I don't say anything, do you understand?
00:24:23My mind...
00:24:28I want to ask you something.
00:24:31I'm telling you now.
00:24:33You want to come to school?
00:24:35School?
00:24:37What should I do?
00:24:39To teach you.
00:24:40We need school and teachers.
00:24:43Come here to find out what you want.
00:24:47You're a teacher.
00:24:53Let's see something else.
00:25:19You are a teacher.
00:25:20You're a teacher.
00:25:29You're a teacher.
00:25:31You're a teacher.
00:25:31You're a teacher.
00:25:32Let's see.
00:25:33Did Zuzou say that?
00:25:36No, I want you to give a hand.
00:25:39Who?
00:25:42Good, but how do I do it again?
00:25:47Good.
00:25:50It's not so important.
00:25:52It's not so important.
00:25:55Yes, but you don't know what happens. It's better to be sure.
00:26:00It's better to be sure.
00:26:03I don't know.
00:26:06I don't forget it.
00:26:09Good, good.
00:26:11Yes, I'm here.
00:26:13Yes, sir.
00:26:14Yes, sir.
00:26:14Yes, sir.
00:26:24Yes, sir.
00:26:26Yes, sir.
00:26:29Yes
00:26:30I have a man, I have a man from the main
00:26:43He is the name of you
00:26:46Neal and the Frank
00:26:47To experience the Listenens
00:26:53Leave the true Church
00:26:54And in the Assembly of the Hellenies
00:26:59Go to the direction of the Senegal and thecurating debates
00:27:05and
00:27:05and I will be able to express my attention to the people I am.
00:27:13These are the people who are making this exhibition today.
00:27:17What do you have to say about this?
00:27:19I think it's a classic example of a person who came to the Greek world to offer something.
00:27:27He came to the Greek world to offer something.
00:27:27He came to the opposite of a person who came to the Greek world
00:27:34and finally he was able to get into a certain stage.
00:27:41He was able to get into it and it was able to get into it.
00:27:44What I believe and I think it's more fun in this case
00:27:50is that in the art of art there were some things
00:27:54that could have been made for the art of art.
00:28:04The art of art was the same.
00:28:05It was the same.
00:28:07At this point, the knowledge of this mechanism
00:28:12of the critics, the politicians and politicians,
00:28:14was able to get into it.
00:28:17They said that this was not a government,
00:28:21not a president, not a president, not a president,
00:28:23not a president.
00:28:26All of these things were heroic,
00:28:28but the same people who had been published
00:28:30in the last stage,
00:28:31they wanted to use these things
00:28:33to get into it even more.
00:28:35And in the last few years,
00:28:36they wanted to get into it.
00:28:39The most important thing is that the art used
00:28:40was not based on what it happened.
00:28:45The art used to be used
00:28:47as a human being,
00:28:48in an opinion.
00:28:51After all,
00:28:52it was the result of these things.
00:28:56It was rare about you,
00:28:57By the way,
00:28:58with which is the same...
00:29:01in which I tried to do,
00:29:04so with the other teachers.
00:29:06For example,
00:29:07we kept the same as an être.
00:29:09It was a very warm.
00:29:11from the窃 media.
00:29:13You should have to write.
00:29:15But what is that?
00:29:16What do you want to do with your school?
00:29:20It's a lie.
00:29:24It's a lie to put our teachers in front of us.
00:29:27Listen.
00:29:28The school is an institute.
00:29:30It's an organized organization.
00:29:33And in a organized organization, it's a pithertoire.
00:29:37It must be written, it's true.
00:29:39What will I write?
00:29:40For you.
00:29:42You are false.
00:29:44You have been arrested by the techniques.
00:29:47You have been arrested by the fact that you are false.
00:29:51You are a teacher to write the truth of your students.
00:29:57Don't speak.
00:29:58You don't have to tell me anything else.
00:30:00I will not forget.
00:30:02You have learned to forget very easily.
00:30:05You are crazy.
00:30:07You will not have a whole family.
00:30:09I don't write.
00:30:10You are not.
00:30:11You are a fool.
00:30:13You are a fool.
00:30:13You are a fool.
00:30:14You are a fool.
00:30:16You are a fool.
00:30:17You are a fool.
00:30:19And you will be a fool.
00:30:19You will have to invest in this world.
00:30:23That's what you say about it.
00:30:24What do you say about it?
00:30:26And who is it?
00:30:29The protection, the protection.
00:30:35So, this is your love for the art.
00:30:38For the truth, for the students.
00:30:41I want you to not be able to do this.
00:30:44The man must be able to get the form.
00:30:48That's a lot of art.
00:30:49What is the art of art?
00:30:50The art is right by the means of the art.
00:30:56The white paper, the white paper, the color, the color.
00:30:59Even the color and the color, the art of art, must be transformed.
00:31:07It's not someone who gives an image of an image of an art,
00:31:10an image of a human nature, who is not by us.
00:31:14But the person who gives you the highest awareness of the body and the strength of the body
00:31:21is to transform the society, the society and the body.
00:31:30There are not many ideas that don't have to do,
00:31:33but they work in relationships and statements of the events,
00:31:37and they are able to create a change.
00:31:39Thank you very much.
00:32:11Thank you very much.
00:37:32The fact that the President of the United States has a great interest in the world,
00:37:34and he can continue to be the great person.
00:37:39He has become the most popular in the world.
00:37:42The response from the President of the President,
00:37:46except that he has a great interest in the world,
00:37:49gives a positive confidence in the world.
00:37:55And while the interest of the President of the United States is the most important thing,
00:37:58we don't have to wait for the next generation.
00:38:19It is clear that this is the duty of the government.
00:38:31Yes, yes, yes, yes, I'll be afraid of you.
00:38:43All the same things we have to do here.
00:38:46Here we have to take care of you.
00:38:48Shh!
00:38:48Shh!
00:38:48Shh!
00:38:49Yes, yes, I'm afraid.
00:38:51Here you go!
00:38:52You are afraid of me!
00:38:54Don't speak!
00:38:55Have you been speaking to me?
00:38:56No!
00:38:57These kids are just like a whyself.
00:39:00It's a game!
00:39:01It's a game!
00:39:02It's a game!
00:39:04It's a game!
00:39:04It's all that games, someone else will lose.
00:39:06It's not that much!
00:39:09What are you doing at the end of the game?
00:39:12What are you doing there?
00:39:14It's not a game!
00:39:17It's the game!
00:39:18That's right.
00:39:18What are you afraid of?
00:39:20What do they say?
00:39:21They talk to me.
00:39:22They talk to me.
00:39:24They talk to me.
00:39:25I'm going to go.
00:39:26Did you understand that?
00:39:27You're not sure.
00:39:33I know this.
00:39:37But we've agreed to...
00:39:38Stop it!
00:39:41If Sophia has a need for therapy,
00:39:44we're the same.
00:39:48And I?
00:39:50You don't understand what you want to say.
00:39:53How?
00:39:54And very well.
00:39:59This Friday, the decision of the decision.
00:40:03From the moment where we are,
00:40:06it's all right.
00:40:07It's all right.
00:40:08You're right.
00:40:12I'm afraid it's a crime.
00:40:16You're right.
00:40:18It's all right.
00:40:19I won't pull out.
00:40:23No one's gonna act.
00:40:25It's not a crime.
00:40:26It's evil.
00:40:32It's evil.
00:40:33You're right.
00:40:33I can't talk to a place.
00:40:35You're right.
00:40:35Oh my goodness.
00:40:44I see.
00:47:08Now, let's go.
00:47:37Now, let's go.
00:48:08Now, let's go.
00:48:41Now, let's go.
00:49:08Now, let's go.
00:49:13Now, let's go.
00:49:14Now, let's go.
00:50:21Now, let's go.
00:50:23Now, let's go.
00:50:24Now, let's go.
00:50:27Now, let's go.
00:50:27Now, let's go.
00:50:28Now, let's go.
00:50:50Now, let's go.
00:50:56Now, let's go.
00:51:27Now, let's go.
00:51:30Now, let's go.
00:51:37Now, let's go.
00:51:37Now, let's go.
00:51:43Now, let's go.
00:51:51Now, let's go.
00:52:10Now, let's go.
00:52:15Now, let's go.
00:52:15Now, let's go.
00:52:18Let's go.
00:52:18Now, let's go.
00:52:20Now, let's go.
00:52:27Now, let's go.
00:52:29Now, let's go.
00:52:31Now, let's go.
00:52:39Now, let's go.
00:52:46Now, let's go.
00:52:53Now, Let's go.
01:03:25I'll offer you a hearty for prep.
01:03:29Stavro?
01:03:59Stavro?
01:04:01Come on.
01:04:02You must write, Sofia, for your life.
01:04:06Yes.
01:04:20If you don't like Spina and Krakos, you won't be crazy anymore, do you understand?
01:04:44I love you.
01:05:07amazoo
01:05:42Oh, my God.
01:06:07Mm-hmm.
01:06:45The pain is not to be a person like Sophia
01:06:51But all of them
01:07:00But all of them
01:07:02That's it?
01:07:10I'm still alive.
01:07:14I'm still alive.
01:07:17I'm still alive.
01:07:22We have to go back to the dead man.
01:07:27And the man,
01:07:28I'm still alive.
01:07:38It's still alive.
01:07:47If it's like this,
01:08:00we can do it.
01:08:12I have to go back to the dead man.
01:08:13I have to go back to the dead man.
01:08:24I'm still alive.
01:08:55Είσαι τρελός, τρελός, τρελός!
01:09:05Σόδα, νερό.
01:09:06Μόνο πάγο.
01:09:18Βλέπω αρκετούς δικούς του πίνακες.
01:09:20Τους είχα πω πριν, τους αγόρασε.
01:09:22Πού να προβλέψει κανείς. Τυχερά.
01:09:24Ακριβώς.
01:09:25Στην υγειά σας.
01:09:26Στην υγειά σας.
01:09:29Δεν κάθεστε.
01:09:32Ευχαριστώ.
01:09:39Ωραίο σπίτι έχετε.
01:09:41Μόνο που η συγκοινωνία για να έρθει κανείς με το λεωφορείο.
01:09:44Έπρεπε να έρθω να σας πάρει.
01:09:45Είναι και η ζέστη.
01:09:46Από το 65 θυμάμαι τέτοια ζέστη.
01:09:48Ναι, πράγματι.
01:09:49Την είδατε.
01:09:52Ναι, συμφωνεί βέβαια.
01:09:54Οι λεπτομέρειες θα βρεθούν.
01:09:55Πού λέτε, η επιτυχία ενός καλλιτέχνη εξαρτάται από χίλιους παράγοντες.
01:10:00Οι δικηγόροι τουλάχιστον οι γιατροί είναι εξασφαλισμένοι.
01:10:03Τι λέτε κι εσείς κύριε Μαυρόπουλε.
01:10:05Εξαρτάται.
01:10:06Προκειμένου να σε πάρουν για τρελό, τώρα θα μου πεις, όσο περισσότερη τρέλα, τόσο μεγαλύτερη αξία.
01:10:15Είχε εκθέσει το 46 στην Πανελλήνιο, ή κάνω λάθος.
01:10:19Ναι, νομίζω το 46.
01:10:23Οι δικηγόροι ξέρουν να κινούνται.
01:10:25Γνωρίζουν τους νόμους και μπορούν να διεκπαιρεώσουν μια υπόθεση.
01:10:29Ενώ ένας ζωγράφος πρέπει να είναι και λιγάκι τρελός.
01:10:33Έμπνευση και τρέλα πάνε μαζί που λένε.
01:10:35Μα η Σοφία όμως δεν είναι ζωγράφος.
01:10:37Αυτό ναι.
01:10:38Ποιος θα νοιαζόταν αν δεν ήταν κόρη του και μάλιστα μοναδική κληρονόμος.
01:10:43Τα λεφτά.
01:10:44Ο άνθρωπος όμως.
01:10:46Μόλις πάει στο εφετίο υπόθεση, θα ξεκαθαρίσει.
01:10:51Μέχρι τι ώρα έχει λεωφορείο.
01:10:53Θα σας κατεβάσω εγώ, μην ανησυχείτε.
01:10:55Είμαστε και υπάλληλοι εμείς.
01:10:56Ξυπνάμε από τα χαράματα.
01:11:02Οι διαδικασίες κουράζουν οπωσδήποτε.
01:11:04Αλλά είναι απαραίτητες.
01:11:06Ο κύριος Μαυρόπουλος γνωρίζει τα τυπικά.
01:11:09Ό,τι χρειάζεται...
01:11:10Θα κάνουν ό,τι μπορούν για να την κρατήσουν εκεί μέσα.
01:11:13Το θέμα είναι να...
01:11:13Δεν μπορούν να κάνουν τίποτα πια κυρία μου.
01:11:15Οι πίνακες αυτοί αφορούν ουσιαστικά το έκληρος.
01:11:18Καταλαβαίνετε.
01:11:19Το έργο του ανθρώπου που αφιέρωσε ολόκληρη τη ζωή του σε έναν τέτοιο σκοπό
01:11:23δεν είναι σε θέση κανένας να το εκμεταλλευτεί.
01:11:26Η Σοφία όμως είναι.
01:11:27Η Σοφία καταλαβαίνει και συμφωνεί.
01:11:30Έτσι δεν είναι κύριε Μαυρόπουλε.
01:11:32Βεβαίως.
01:11:36Δεν την ενδιαφέρουν τα χρήματα.
01:11:39Γι' αυτό δορίζει τους πίνακες στο Ίδρυμα.
01:11:41Όταν όλος ο κόσμος θα μπορεί να θαυμάζει τα έργα του πατέρα της στην Εθνική Πινακοθήκη
01:11:45αυτό θα της δίνει μεγαλύτερη χαρά από μερικά χρήματα.
01:12:09Επαναλαμβάνεται η διακοπή σας συνεδρίασης.
01:12:12Να προσέλθει ο Μάρτης Χαράλαμπος Φωτιάδης.
01:12:16Φωτιάδης.
01:12:23Δεν έχω πρόθεση να κουράσω το σεβαστό δικαστήριο
01:12:26αναφερόμενος σε ψυχοκινητικές διαταραχές,
01:12:29αλλοτριοπροσωπείες και άλλα εχειρά παρόμοια.
01:12:33Είμαι όμως υποχρεωμένος να τονίσω ότι
01:12:34η διάγνωση της ψυχοπάθειας είναι δύσκολη
01:12:37γιατί οι άνθρωποι αυτοί πάσχουν από απόψεως κοινωνικής συμπεριφοράς.
01:12:42Δεν ξέχνάω βέβαια ότι κυκλοφορούν ελεύθεροι 50.000 ψυχοπαθείς.
01:12:47Όπως έχει δηλώσει ο υφηγητής της ψυχιατρικής, κύριος Τριγκάρης.
01:12:50Ούτε ότι οι ψυχικά ανώμαλοι Έλληνες είναι 80 με 90.000.
01:12:54Ο ένας τους εκατό.
01:12:56Σύμφωνα με την άποψη του κυρίου Πατρικίου,
01:12:58ο οποίος μάλιστα δήλωσε χαρακτηριστικά τρέμω όταν κυκλοφορώ.
01:13:02Αλλά ούτε μπορούμε να ξεχνάμε το αίσθημα της ευθύνης του ψυχιάτρου.
01:13:06Όταν ο οποιοσδήποτε και για οποιονδήποτε λόγο
01:13:08κατηγορεί το συνάνθρωπό του ως ψυχοπαθή
01:13:10και μάλιστα επικίνδυνο για τη δημόσια ασφάλεια.
01:13:13Μα κρυγορείτε κύριε Μάρτης, στο προκείμενο παρακαλώ.
01:13:16Είναι επικίνδυνη ή δεν είναι.
01:13:18Όσον αφορά την περίπτωση της Σοφίας Ράλλη,
01:13:22είμαι της γνώμης ότι εφόσον η κυρία Ζαμπέλη
01:13:24δέχεται να την πάρει υπό την προστασία της
01:13:26και εφόσον μετατρίμινον επισταμένη παρακολούθηση
01:13:29νηστοθεραπευτήριον,
01:13:30δεν παρουσίασε τίποτα περισσότερο
01:13:32από μια ψυχοπαθητική προδιάθεση.
01:13:35Ψυχοπαθής στη μοντέρνα ψυχιατρική
01:13:37δεν σημαίνει τρελός,
01:13:39αλλά ψυχικά ανώμαλος.
01:13:42Προτείνω την υποδικαστική παρακολούθηση
01:13:45έξοδον της εκ του θεραπευτηρίου
01:13:46τουλάχιστον επί τριετήεν.
01:14:14Υπότιτλοι AUTHORWAVE
01:14:31Υπότιτλοι AUTHORWAVE
01:14:32Υπότιτλοι AUTHORWAVE
01:14:44Let's go to the side of the corner
01:14:51Be careful, eh?
01:15:06Let's go!
01:15:08Let's go!
01:15:09The head of the woman...
01:15:13The head...
01:15:24The head of the woman...
01:15:26The head of the woman...
01:15:32The head of the woman...
01:16:14The head of the woman...
01:16:14The head of the woman...
01:16:19The head of the woman...
01:16:21The head of the woman...
01:16:22The head of the woman...
01:16:24The head of the woman...
01:16:24The head of the woman...
01:16:26The head of the woman...
01:16:30The head of the woman...
01:16:47I don't know exactly what role he could play in this art, but I don't know exactly what the stage
01:16:54was going on.
01:16:56I don't know how to do this work.
01:16:57I don't know how to do this work.
01:17:01I don't think it's all the same.
01:17:03Now I think it's more oxidative.
01:17:07Do you want to say that now are more difficult?
01:17:11I think it's more effective.
01:17:15I think it's more effective.
01:17:18I think it's more effective than the past.
01:17:22The case of the film was that the film could be taken away from the beginning.
01:17:27Because it was taken away from the beginning.
01:17:35At the beginning, we didn't have taken away from the beginning.
01:17:40We shouldn't have taken away from the beginning.
01:17:41We should have taken away from the beginning.
01:17:45From the beginning, we took a lot of things.
01:17:49Today, we should be able to work on the same way.
01:17:54In the social environment.
01:17:56But that's all.
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