खऱ्या गुहेत, प्राणी-किड्यांच्या सान्निध्यात झालं Indrajaal चं शूटिंग! थरारक लोकेशनची Exclusive सफर

Lokmat Filmy

Indrajaal' Movie BTS: Real Cave Shooting! | The Thrilling Locations of 'Indrajaal' Revealed | Lokmat Filmy   'इंद्रजाल' चित्रपटाचे शूटिंग चक्क एका खऱ्या गुहेत पार पडले! प्राणी आणि किड्यांच्या सान्निध्यात शूट केलेल्या या थरारक लोकेशनची ही खास एक्सक्लुझिव्ह सफर नक्की पहा.   INDRAJAAL Movie | Mahesh Nikam | Shanaya Tripathi | Jageshhwar Lalita Dhoble | 24th July.   Indrajaal is an upcoming Hindi mystery-thriller releasing in theaters on July 24, 2026. Indrajaal is an upcoming Hindi mystery-thriller releasing in theaters on July 24, 2026   #Indrajaal #MarathiMovie #BTS #BehindTheScenes #MarathiCinema #ShootingLocation #CaveShooting #Thriller #LokmatFilmy #MarathiActors #FilmMaking #RealLocations #MovieUpdates #MarathiEntertainment #IndrajaalMovie

Transcript

00:22It was so comfortable that we were living here.

00:31It was so comfortable that we were living here.

01:18It was so comfortable that we were living here.

01:49It was so comfortable that we were living here.

02:03It was so comfortable that we were living here.

02:37It was so comfortable that we were living here.

02:47It was so comfortable that we were living here.

03:22It was so comfortable that we were living here.

03:29It was so comfortable that we were living here.

03:37It was so comfortable that we were living here.

03:42It was so comfortable that we were living here.

04:18It was so comfortable that we were living here.

04:19Because we were living here in the forest, it was so comfortable that we were living here.

04:28It was so comfortable that we were living here.

04:44But the way that the world is changing, the production is in the same way.

04:50The EP is not in the same way.

04:54The reason why you have a base camp, you have to make a base camp,

05:00you have to make a generator like this,

05:03and then the wire is in the same way.

05:08The whole production is in the same way.

05:10We are going to be doing this, we are going to be doing this.

05:14We have become a creative decision, so we have talked about the creative decision.

05:17But it's so important that we are going to be doing the cast of Mahabalishwar.

05:25But we haven't seen this cinema yet.

05:29We have to go to this film.

05:31We have very very good locations, we have to see this drama.

05:35But we had a good idea, we did.

05:40and shoot.

05:42And I think that there are artists in Kutlea,

05:45and they are all of the artists in this way.

05:48And it's a shoot.

05:50Mahesh, what was your experience?

05:54And you have to do this part of the show.

05:56And I think that there's so much trouble.

05:58I think that I can't get to work on this place.

06:01I think that there's a lot of trouble.

06:02I've had to struggle with this location.

06:03Yes, I've had to get to work on this location.

06:06And I think that the excitement has started.

06:08I was not Ahem.

06:09There are a few people who might not be able to see the location.

06:12They might not be able to see the location and see the location.

06:13But the producers are saying, come on,

06:17the audience would like to say that Shreya is a creative producer, Vikram Sen.

06:21They would be able to shift the city to have a horse a little.

06:24They could have a place to shift the city.

06:26They could have a place to have a place to see the city.

06:30What is this?

06:33What the problem?

06:35How was your experience?

06:37How was your experience?

06:38How was your experience?

06:40It was very new.

06:42It was very new.

06:43But when we came, it was a little wet area.

06:48But when we came, it was completely dry and greenery together.

06:51It was a great experience.

06:53When I entered, I was like,

06:55these things exist now.

06:58And I came to shoot there.

07:00My character lives there.

07:01So, it was a great thing for me.

07:03And I actually did everything here.

07:05We used to sit down.

07:06We used to sit down.

07:08We used to sit down.

07:10It was so comfortable living here.

07:12I never felt afraid of anything.

07:14No negativity or anything.

07:16It was very beautiful.

07:19And what do you remember today?

07:24Fight sequence?

07:26Fight sequence?

07:28My fight sequence?

07:29I was like, I'm going to rest.

07:31Actually, I'm going to ask you.

07:34I'm going to ask you, I'm going to ask you.

07:35So, the entrance that you saw there.

07:38It was dry.

07:39There was a temple.

07:41We were sitting there.

07:43We were free.

07:45We were shooting there.

07:46And we went there.

07:48Like EP, me, and lots of 2-3 people.

07:51It was so peaceful.

07:53It was so peaceful.

07:54No wonder.

07:55It's so peaceful.

07:59No, I'm not scared.

08:05No, people are lying there.

08:12No, no, Chris.

08:15What did you say?

08:16Chita.

08:20Chita.

08:21Chita.

08:22What are you doing?

08:25No, no.

08:26The fear came out.

08:27We used to take care of us.

08:31It was very good.

08:33We used to take care of us.

08:34If there was no doubt,

08:35there was no doubt.

08:37We used to call them directly.

08:40Everybody was aware of where to go.

08:42Stay here.

08:43It was very peaceful and good.

08:46It's a small question.

08:48If you want to do a negative character

08:50and do a Hindi character,

08:53if you want to shoot a real location,

08:56what are you going to do?

08:58What are you going to do?

09:00First of all,

09:02we came to the jungle.

09:04There is a jungle here.

09:08There is a huge jungle here.

09:10There are many huge local jungle here.

09:13We were taken to the jungle.

09:16We have not given this jungle.

09:18We have not defined the jungle for the village.

09:19We did not bring that into account.

09:20there is a location

09:20like that.

09:22If you want to look at that.

09:23In Indrajal, there were characters in Indrajal.

09:27And there was a great place in Indrajal where Indrajal had a great place in Indrajal.

09:38So, I asked the question about the rest of my character.

09:41I asked the question about the character of Indrajal.

09:45I asked the question about the character of Indrajal.

09:52I asked the question about the character of Indrajal.

09:58I set the character of Indrajal.

10:02Or, I would never know how the character of Indrajal had a great place.

10:07He married my father in Indrajal.

10:13I asked the question about the character of Indrajal.

10:22I'm not gonna do that.

10:24How do I do that?

10:25I'm not gonna do that.

10:28I'm gonna do it.

10:31I'll do it.

10:32We can do it.

10:43We can do it.

10:45We can do it.

10:48It's a great deal.

10:49The reason I think is that the rock is not a waste of waste.

10:56And we can think that the rock is not a waste of waste.

10:59And it's a waste of waste.

11:04And then the people think that the rock is not a waste.

11:10That people have to buy a lot of waste and that's what I'm saying.

11:13So, we can have a lot of waste.

11:16We can have a lot of waste of waste in it.

11:19So we had a similar vision as a law person.

11:25They were in good hands and decided to become authentic,

11:28and to become sick,

11:30I didn't have to explain a lot.

11:32I had to go to CHAMP,

11:34TABJA and go to the table to be the table and take this money.

11:39It was taken place in my life,

11:42and was Job in which I made

11:44and was my pleasure.

11:47So I was doing the same business as well as the table.

11:49That's what you get.

11:53There's a lot of work.

11:56You've got to do quite some work.

11:58You've got to do quite a bit,

11:58a lot of work.

12:02As the director,

12:08he's got to do more work.

12:13He's got to do more work.

12:16He's got to do more work.

12:19We all have a team, so we have a real location, real character, authenticity.

12:26We all have 4 channels in the jungle.

12:29We have a very big video.

12:32NAAG MAI!

12:34NAAG MAI!

12:36NAAG MAI!

12:37NAAG MAI!

12:47NAAG MAI!

12:48I was surprised to see the film in the film.

12:49I thought it was a great film.

12:54I thought it was a good film.

12:56It was a good film.

12:56I don't think I have a trailer for a film.

13:00I thought you were going to shoot the film and I was going to shoot the film.

13:04And you thought, surprise!

13:06I thought I was like, no, no.

13:07I knew there was a cave, but I didn't imagine it as well.

13:11I didn't have seen it in the film and in the photos.

13:15But I was aware that there is a guffa but the guffa when I actually saw it

13:19You thought it's a set?

13:20It's a set! I thought it's a set. Obviously I have shot in the set.

13:24But it's a real guffa too and it was very warm when we were shooting.

13:28So it's like 45 degrees celsius which I remember because I was burnt out. Everybody was.

13:34And as I came here you get an AC feeling.

13:37So it felt like a good guffa is real and what happens in the guffa?

13:41It was a very authentic and good experience.

13:46But there was a lot of confusion. I was able to learn.

13:48There is a guffa but the trees talk. They literally talk.

13:53We used to exercise. Go hug the tree.

13:56We used to throw the trees.

13:58We used to feel that we were living in nature.

14:01And it was a very new experience for me but I really liked it.

14:04So today while coming Tula sir,

14:07We used to get to the tree if we were living in nature.

14:09There was a lot of confusion.

14:10Obviously, this is the tree.

14:12Ok, this is the tree.

14:13I was sitting on the side of the tree.

14:15Oh! Please!

14:18Do you see these trees?

14:19Do you see these trees?

14:20What do you see them?

14:22It's empty from inside.

14:24It's completely empty.

14:26You can go inside the tree.

14:28I can't believe the trees.

14:37It's the best workshop.

14:38Yeah, right?

14:39Yes, there is a tree.

14:41There is a lot of locations.

14:42Even inside there is a lot of locations.

14:45We have to do the same thing.

14:47We have to do the same thing.

14:48A to Z.

14:50Okay.

14:51But I just wanted to say that

14:54there is a speciality that in this cinema,

14:57VFX is far less.

14:59So, I don't want to play a trailer.

15:01No, VFX is here.

15:03But the real location is here.

15:05We have to do the same thing.

15:08So, we can do the same thing.

15:11What is the difference?

15:14It's the same thing.

15:16We have to do something here.

15:18We have to do a lot of fun.

15:20There is a fight sequence.

15:22It's a lot of fun.

15:23We have to run out of the fight sequence.

15:26Without mat, there is a fight sequence.

15:31What is the situation like?

15:32Make-up is also real.

15:34VFX editing is not real.

15:36Make-up, hair, costumes, everything.

15:41Everything is real.

15:42Nothing is editing.

15:43Whether it's negative, any superpower or anything.

15:46But they are real.

15:47But for you, no need make-up.

15:49I think so.

15:50Oh my god.

15:51I mean, Chanel is like,

15:54I don't know how to do it.

15:56I don't know how to do it.

15:59I don't know how to do it.

16:02I don't know how to do it.

16:07I don't know how to do it.

16:15What is thenicated Falcon Pad or Crocodile,

16:17it's also healthy.

16:19No safety.

16:20Most people say that,

16:22if there's no good for them,

16:24they don't have any fun.

16:26Never have any children.

16:28This team-war has become one.

16:31That's what you can do.

16:33That's what we can do.

16:34What we can do.

16:35You can do it.

16:37I don't know how to do it.

16:39We can do it.

16:40I think that there is only one living in Hindi cinema, but I think that there is a villain in

16:48Hindi cinema.

16:49So, what kind of villain do you think about this villain?

16:54I think that there is a lot of pressure on it.

16:58There is a lot of pressure on it.

17:01There is a lot of pressure on it.

17:02But I think that it's more of a pressure on it.

17:06I try to pull the statue out.

17:11So these people say you got roles roles.

17:12What kind of thing is-

17:14When I tried to bring to the statue,

17:16I already tried to bring my people off my party,

17:25but you have to find yourself sheep.

17:26So, now your life-rellowing player helps you.

17:30You have to do this.

17:31The big director, the big director, the big hero, the big hero, the big hero, the big villain, the big

17:39villain, big villain.

17:40What are you doing?

17:43Okay.

17:44You come here.

17:45So I have a lot of work.

17:47You all know.

17:50You read the music in the cinema?

17:52Yes.

17:52Actually, there was a scene in the cinema.

17:55It was a scene in the cinema.

17:56It was a scene.

18:00and he told me something.

18:03I have heard you say,

18:04I saw you film.

18:05I see some time ago,

18:07but I actually show you all of my friends.

18:13I went to and asked you to cream.

18:17I asked him to say you have a good idea.

18:18Then I asked you how I did it.

18:19I asked him to be more,

18:21and I feel all the happy guys you made.

18:22I have worked all my team with bacteria,

18:26I was coming all the time with the shooting.

18:30I don't know how to sing this song.

18:32I don't know how to sing this song.

18:34Can you sing this song?

18:35Okay.

19:00Here's the song.

19:10Wow.

19:11So, Mitra, you know, this vibe is coming from me.

19:16At the moment, there's one project in the cinema.

19:20That's the reason why you're scared.

19:23And I think that you're a little girl who's a little girl.

19:27I know that you have to take care of yourself.

19:31Oh, that's who you think it is.

19:33Oh, that's who you think it is.

19:36That's who you think.

19:37So, that's who I think we're not taking care of your team.

19:41And I don't know if we're going to support them.

19:45And I don't think we're going to let them know.

19:47I don't know if I'm going to sing.

19:51So, that's what I'm going to say.

19:54So, what do you think?

19:55What you can say is your name or name?

19:57I tell you, my name is Eelaka.

19:59It's about your name.

20:01You can say that the team is even better.

20:04I am the only one who says that you are a little bit.

20:08You can tell the team that the team is even better.

20:16And the team is also very good.

20:16Then the team is not better.

20:17I tell you, that is Eelaka.

20:20Jeelaka is the same way.

20:24Eelaka is the same way.

20:25I would say that with a child, you may have to see the teenage girl who has become a child.

20:46foreign

20:51foreign

20:52foreign

20:56That is all prominent.

20:57That the government is approved by our operations,

21:00concentrating on how these things are contained.

21:04After all, the governmentitatstä to each other

21:04This Uleg will be taking into account time now.

21:12There's a view that says here.

21:15In examples of the languages too...

21:17You have a search, Google or such.

21:20I have a question that the body has been asked for this, because the body is in the nature of

21:26the human being, and the soul are in the nature of the human being.

21:30This is the purpose of the human being.

21:33I have not read the human being, but I have not read the human being.

21:39I have a question about the human being, and I have the human being.

21:44For you to know about this tradition from the Burka,

21:45you should know about the gifts of NIOs.

21:47You all have a question,

21:51In this ´No4,

21:54you hear me to hear what I think of this experience,

21:57I will not give up for you to know that you get the data.

21:59Thus, it is a very difficult thing,

22:00meaning you are talking and you are listening to your business.

22:03When you are listening to your business,

22:04you have to enter the business earlier that you experience with a new business,

22:09and you will go to fear of being your business.

22:10It is lying.

22:10I mean, if you know that, you will be able to know that.

22:17So, I think that's a good idea.

22:21Then, in our cinema, if you know that, you will be able to know that.

22:27There is also a craft and craft.

22:29If you know that, you will be able to know that,

22:33you will be able to know that cinema.

22:34I think that you will be able to do that in 2020.

22:40My name is Sir, do you like this film continuity?

22:45It's so cute.

22:48People say that it's nice, it's so cute.

22:51The original top is here in the costume department.

22:56I'm going to go to my house and go to my house.

23:00There is also a regular top.

23:24So, we are very excited for this film, Ani, my...

23:28That was one of the main clips.

23:32We all arrive here.

23:34Nobody will reach their excitement,

23:36no matter how to get on to it,

23:38I really appreciate it.

23:41There are a lot of people who are in the jungle,

23:44they are so lucky.

23:50I really don't recommend people who are in the jungle.

23:51I am a ranger and I am a danger.

23:52But do you...

23:53You're ranger and danger.

23:55I think I am a danger.

23:58If you do not have a dream, you will have a dream on your own.

24:02When you take a dream, you will need to connect with cosmic energy.

24:12In the future, you will have to learn a lot.

24:14What is the dream you will be able to learn?

24:18I am a guru of Shankara.

24:20I have been teaching in Natra,

24:22and I have been going straight away.

24:27Please, please, please.

24:34This is the same thing,

24:37I don't want to keep shoes.

24:38I'm sure you're in the woods, right?

24:41I think I'm going to be in the jungle.

24:52So I'm going to do meditation.

24:54And I'm going to take a break.

24:57I'm going to do meditation.

24:59And I'm going to take a break.

25:01You feel good.

25:03And I'm going to take a break here.

25:06We are trying to see the future of our work, and our work is not a good thing.

25:11I know I've always told you about that.

25:14I'm aware of our cosmic energy.

25:18I'm going to see the sun in the jungle.

25:22I'm going to see the sun in my eyes.

25:24I'm going to see the sun in the jungle.

25:32I'm going to see the sun in the jungle.

25:35I couldn't stop fighting.

25:37I couldn't stop fighting.

25:41I told him that I was in the house.

25:44I wasn't going to be an enemy.

25:46Plus, I couldn't stop fighting.

25:49I couldn't stop fighting in the shoot.

25:53That's why we couldn't stop fighting.

25:55I couldn't stop fighting for a fight.

25:57I didn't stop fighting for the shooting.

25:58I mean, I'm going to go to my house.

26:02I mean, we have to go to the house,

26:05we have to go to the house,

26:05and we have to go to the house.

26:07We have to go to the house.

26:08I mean, we have to go to the house.

26:10We have to go to the house.

26:11We have to go to the house.

26:13Yes.

26:15So, what are the most important things about wildlife?

26:19It's good.

26:20What do you think about the nature of the cinema?

26:23I think I have a great question.

26:26I was born in a very good script.

26:29There were many developments in the script.

26:32There were many developments that came from the beginning of the book.

26:35There were no names, there were a man.

26:37There were a man who had a man who had a man.

26:39There were a man who had a man who had a man who had a man who had a man,

26:43and the songs were three.

26:45That's the way we did.

26:48What happened to you, Lakshmi?

26:49What happened to you, Lakshmi?

26:52Our country has a difficult time.

26:56The first time we have made is Adivasi.

26:59We have a small population, the whole population has 1 million.

27:02So I am very upset.

27:06Adivasi is a small population, the whole population of the country.

27:09The first time we have to take it.

27:12We can take it as well as we have to make up.

27:13I have to take it as well.

27:16I have to take it as well.

27:18I mean, we can't work.

27:21But it's a great deal.

27:22A lot of people have a lot of energy,

27:25and we have a lot of energy.

27:26And you don't have to think,

27:28what kind of paper is the one that's going to happen.

27:32I'm a paper paper.

27:35But when we get to this,

27:38it's so small.

27:39I think we can have a lot of money.

27:42We can have a lot of money.

27:43We can have some money.

27:44that it was the same as the scene of the scene.

27:47But this was a very big issue.

27:50In the cinema, there were many people who were not able to live in cinema.

27:52But everyone else did this.

27:55Yogesh is a person who is a son of Birju,

27:57the father of Thachanandar,

28:00the little girl,

28:02the baby.

28:03But they did not have chemistry,

28:05but they were all of them.

28:07And the soundskruthy I wanted to hold down with my culture.

28:09I had to love him.

28:11And he was the only one who had a wish.

28:16And I had to imagine how much imagination was going to get up.

28:19I mean, we can't live in real life.

28:21We can't live in real life.

28:23We can't live in mobile.

28:25But in the shoot, we have no phone.

28:30Ranger is not.

28:31Ranger is not.

28:34Ranger is not.

28:36My phone is a phone call.

28:38We must also put in a phone call.

28:40How long are you looking at the cinema?

28:44It seems that this is the place you want to know.

28:47We want to try the hidden location here,

28:50but this is the place that you do is not too much.

28:54We want to go home to the city,

28:56then that you do the many cars outside.

28:59We need to get on the city at least 3-4 km.

29:01Yes, that's a long time.

29:02I don't even know what to do, but I don't even know what to do.

29:06But when shooting, there's lighting, steel, and everything.

29:12So, there's a lot of manpower in this game.

29:15But there's a lot of people in this game.

29:17Because when I was here, I had a pack-up,

29:20and I wanted something to do with everything.

29:23So, there's lighting, steel, or whatever shooting.

29:28So, there's a lot of people in this game.

29:30So, that's a lot of fun.

29:32I had a generator here, but we couldn't shoot any of them.

29:36I didn't shoot any of them.

29:37But I didn't shoot any of them, but I didn't shoot any of them.

29:43I didn't shoot any of them.

29:47So, we used to shoot any of them.

29:48The scene that I got in the Jageshwar Sara,

29:51that has existed in the soundskruti,

29:54but others are used to work on the Sarn.

29:55I am not sure how to do this.

29:56What do you mean?

29:57Folk?

29:58I don't think you're going to do it.

30:01I don't think you're going to do it.

30:03And so, I'm not sure how to do it.

30:06It's like two lines.

30:07We should say...

30:09Songlet Manu.

30:10One minute, thank you.

30:13I'm sorry, thank you.

30:14I'm sorry, thank you.

30:16I'm sorry, thank you.

30:19I'm sorry, thank you.

30:22Thank you very much.

30:24I said,

30:26what do you mean to me?

30:29We had a letter.

30:33Then, I was ready for a letter .

30:36I was hoping that

30:36I was going to write a letter

30:37that I thought that

30:37I had a line from you.

30:40Then, it was...

30:42I am a witch who gave such a lead

30:46to this world

30:48You

30:49You

30:49My

30:56I

31:05I

31:06I

31:07I

31:08I

31:14I

31:15I

31:16I

31:17I

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