00:00Everything in the theater is done in hand,
00:02from the button attached to the gilet,
00:04to the steering wheel,
00:06to the camion charged,
00:08to the scene illuminated,
00:09to the director of orchestra,
00:12to the violins with the colophonia,
00:14which, in the end, moves out the Mozart.
00:17So we are condemned to the manuals in the theater.
00:21Fortunately,
00:22it's a great game that we still have
00:23in the hands.
00:26Yes, we have in the hands.
00:27So, okay.
00:29I'm confident.
00:30When I arrive a project,
00:32I open the door and see what I meet.
00:35Sometimes it's a joy,
00:37sometimes I say,
00:40no, this child is not bad,
00:42he doesn't like it,
00:44because not always the things that I do,
00:47they will become mine.
00:49I don't say for the force,
00:51but when they are made to be born,
00:55as soon as possible,
00:58as soon as possible,
01:00you get to be born.
01:01So,
01:01at the end,
01:04this relationship is key.
01:09I can find it hard to say,
01:11no, I don't like it.
01:12I have to do it.
01:14And,
01:15in some part,
01:16there is a positive part
01:17that I'm going to be able to finish the Dalgianima.
