HD  عمر من البهجة - عادل امام - فيديو Dailymotion

Drama Zaman | دراما زمان

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Transcript

00:02I feel for people

00:05I'm excited about this.

00:07I am the seeker

00:17What's wrong with you?

00:20Armed

00:22Your Excellency, Imam, I met you ten years ago.

00:25I remember

00:27And I told you

00:28Who is your competitor?

00:30And I remember you told me with one word

00:32Time competitor

00:35Are you still

00:37This meaning is based in your hell

00:39Is time still your competitor?

00:41And who has become your competitor now?

00:42Time too

00:44Why, Mr. Adel, do you consider time

00:46He's still your competitor despite the ten years you've been talking about him.

00:50Time is a rival to any Adam-made structure, meaning

00:52Not just for me, I mean

00:53For which building, Adam's house is cold?

00:55It means that Professor Mohamed Abdel Wahab once asked him

00:57Our great stable

00:59They tell him, of course

01:01It was his birthday

01:03They say to him, "Happy birthday, Professor Muhammad."

01:05What's your feeling?

01:05And they imagine he'll tell them, I mean

01:07Her feeling

01:09He'll sing about these matters now.

01:12God told them it's a terrible feeling.

01:14We are cut off from the age of one

01:29before

01:30For example, I sat down and worked

01:31Years of work touched the workers.

01:33Ah, gentlemen, working

01:34This is forbidden for me because of many roles.

01:36Success itself has become a competitor.

01:39I'm here to talk about the great artist Adel Imam

01:42I could talk to you about it for years.

01:44Yes

01:44And I'm not satisfied or bored with talking about it.

01:48Because I don't just believe in him as an artist, he's a human being.

01:51His humanity is evident in his work

01:53And with others

01:55With the workers, with the young, and with the old

01:58Justice Imam

02:01Firstly, I consider

02:03My firstborn son

02:05It means the first one to arrive at the flat comes before me.

02:08It was a really strange need

02:10His relationships with other actors

02:13Whether their harm was large or small

02:15Justice, Imam, is making us laugh

02:18It's rare to find someone who can make someone our age laugh

02:23And in his experience and in our time in this way

02:26He laughs in the theater

02:28He laughs through it

02:31Through the justice of the Imam

02:34Yes

02:34He has a strong presence and people love him in all Arab countries.

02:40Yes, time has taken the beautiful one

02:44Yes, oh time of the Nile's holidays

02:48Our man is here, welcome, welcome!

02:52No shower

02:53Oh, you are a beautiful woman, take your place, O Egyptian lady

02:55My country is Tantah, not Habash Awanta.

03:00Awanta

03:02Awanta

03:07So, you, the past ten years

03:11From the hour we first met

03:12What is the most important thing about your personality?

03:16Not many things

03:18Many things

03:19It means experience and expertise, of course.

03:25And how to choose roles

03:28And then there's another thing: the accidents that happen in the country

03:32Yes

03:32And in my community, it affects me too.

03:34also

03:35This is reflected in my work.

03:36also

03:37So many things

03:38My son grew up

03:41That's a father

03:43It means father

03:44Stay a father, that's all you need.

03:46Why the children of the disease?

03:48Not children of the disease

03:50Ramis Aziqak

03:51Of course, it's all thanks to my friends.

03:52All my friends

04:07I want to tell you something

04:08You and your work with Professor Sharifa Arafa

04:10Why did you ask that?

04:13Are you working with this deal?

04:15I think he is the latest generation in directing.

04:17Of course

04:18Is she a professor of justice, a wave of understanding, or a unified entity?

04:20The one who brings you together

04:22Or what with the finger

04:22he

04:23He doesn't understand it, but

04:26It is understood, i.e., similar

04:27When he deals with a director

04:28They need to understand

04:29That means he understands the director.

04:30And the director understands, of course.

04:31Okay

04:32But

04:34Meaning

04:35Sharifa Arafa

04:37I rejected the film "Ablik" for him

04:41He rejected a film

04:42He rejected a film

04:43And then

04:44Even when he came, listen to me, I told the producer

04:46I told him the product is a friend, meaning

04:48I told him, "I'm not playing that role, I'm not listening to him."

04:50And you shouldn't make this movie either, because it will lose money.

04:54This film is not a successful discussion about his life.

04:56My expectations regarding him were accurate.

04:58I once saw this movie on video

05:00It was directed by Professor Sharif Arafa

05:02I watched him

05:04I found something different and a different rhythm

05:06The production was different from what I read on paper.

05:08The work is very beautiful and created a rhythm for the subject.

05:13So I felt your true talent, I mean

05:15I am very happy with it

05:17When the generation sprinkles water on it so we can make luqaimat with the adults

05:21Fahid Hamed told me in a recent interview

05:24I felt like he was going to tell me Sharif Arafa

05:26The film works

05:28I asked him, "Who?"

05:29Sherif Arafa told me

05:30I said yes

05:32Why not ask that question?

05:34Because I'm not going to answer him?

05:36I can forget Adel Imam's passion for the art of acting

05:39This also gives him extraordinary strength.

05:43It may be adjusted with the strength of performance control through structured academic training.

05:52I want to ask you about something: how many actors have you worked with?

05:57In Hussein's theory, sports are what I pity.

06:00When he once played the role of a paralyzed person

06:03I think that my excessive immersion caused him to experience temporary drinking.

06:08Another theory suggests that you are interacting with the personality.

06:13But there is an eye that takes

06:15I want to know which school of thought Adel Imam belongs to?

06:19Or perhaps you have a theory of fulfillment?

06:22No, with complete integration, you can't have complete control.

06:29On the personality

06:30important

06:30But you also need to manage the personality within you.

06:34It is managed by

06:35It's nice how you manage it

06:36It is managed by

06:37It's as if there's a continuation of it.

06:39Of course, it's necessary

06:41So, if integration isn't 100% complete, then it will be difficult.

06:45Not difficult

06:46It might be limited to the character itself, to the role itself.

06:48But you absolutely must study the personality.

06:50And you know the material aspects, the meaning, and all those issues.

06:53And then you start dealing with her in a way that was...

06:58Yes

06:58That means, but this affects me too, for example, me

07:01When I worked on Shaid, he didn't see a case.

07:05Yes

07:06I had a feeling for a while that someone was going to hit me on the head from behind.

07:13strange feeling

07:14strange feeling

07:15And then

07:18My friend's language

07:20Yes

07:20Meaning

07:21Related to psychology

07:24He told me, "You're inside me," when I knew the story. He told me, "You're inside me, Sarhan Abdel Basir, Khay, in the rabbit."

07:29Buak, you forgot what he was doing.

07:31My fåitude

07:32false slave

07:34Ali fin

07:35Fada Ba'asd

07:35When I learned the story, the problems disappeared.

07:37He told me, "He's coming to hit, or is the wind blowing?"

07:42Walstan

07:43The Stanti is submissive

07:44I mean, I came to Adel's show "Shahed Ma Shafsh Haga" (Witness Who Saw Nothing), and you're predicting great success on Shahed.

07:48After 14 years of service, Neslawi is saying, "Haaa ...

07:54After the rehearsal was over, Adel took me aside and said to me

07:58Mr. Jalal, why did you bring me into this role? You should bring Shukri Sarhan instead of telling stories.

08:10So I told him, "Adel, no, we haven't explored the role properly yet."

08:17Let's make groups for a week, starting today, Saturday.

08:20Next Saturday we'll work until next Saturday. If you tell me the same thing next Saturday, I'll excuse you from the shift.

08:28Actually, we started continuing in the groups for a week.

08:32A week after the appointment, he came and told me, "I'm sorry, you were right."

08:37music

08:48music

08:53music

08:56music

08:57You need to have a quarter of a jar to change the chips in.

09:00Adel Imam possesses an innate artistic talent.

09:03No human being can define its features

09:06Adel Imam is another one

09:10This means the first phenomenon of its kind in Egyptian art.

09:15Meaning

09:17He has fans like Mickelson

09:22But of course

09:24Multiply by three

09:26for example

09:28Because the fans of the McKelsan

09:29The Mickson was singing

09:31In the days when Egyptians

09:3320 million and 30 million

09:36Today we are 60 million

09:37And with A aircraft

09:39You can complete us

09:4180 million

09:44Through tourism and visits

09:47He has the power to shake the masses.

09:49The guy from Al-Maklasoun

09:51And he shook the audience

09:53And shake the gravity that brings people

09:55From afar

09:56This is a very rare story

09:58She was answering the singer

10:01The singer

10:02Just come, singer

10:04But keep in mind that they used to say it was cold.

10:06I'm good

10:07Al-Rahani was saying

10:08No no

10:17And let it be known that Adel Imam also has a unique quality and phenomenon among the many wonders of Adel Imam.

10:24The play remains linked to him.

10:29in person

10:30In person, yes

10:31So, for example

10:34Wanch wants to do this play.

10:36Wajih did it as another actor

10:38The same survival is not achieved

10:40This is a feature that distinguishes it in the world.

10:43It means people's love for me

10:45His dangerous artistic abilities

10:47It's like we say in the word "Dari"

10:49We say to steal the camera from anyone

10:53I was scared and didn't know what to do, and then they told me it was Adel Imam because he owns a theater.

10:59You don't know the schedule, so it depends on the circumstances.

11:01They might be late, I don't know what.

11:03I actually heard something like that from the industry.

11:07I discovered that it was completely, utterly, completely wrong.

11:11One truly cannot judge someone except by dealing with them.

11:14Or he doesn't listen to anyone because some people sell their art when it becomes very successful.

11:18Why all the talk about it, and why is it just a bunch of talk?

11:21Of course, he's an artist to the core; I mean, he's even sleeping on it.

11:25He's asleep, not dreaming, inside the art

11:28The medicine of nurture after

11:30Why is the explanation correct?

11:32She's a big deal in my brain, and I'll put her in my pocket.

11:58We believed the late Abdul Halim Hafez

12:00It was a significant point in your life as a singer

12:05You stand up for my opinion

12:06They stopped me from expressing their opinion like that.

12:08Glass is supposed to be known

12:08Do not stand in the presence of the word

12:10No, I want to go out with you so we can spend a month together.

12:13We believed the late Abdul Halim Hafez

12:15He had a word embellishment process.

12:18If you remember the severity

12:20naturally

12:20I want to know Mr. Zaadan

12:21She knows I've heard about you, that you're someone who uses words very carefully.

12:27What does the word mean to you in art?

12:30meaning

12:31meaning

12:32fake

12:33meaning

12:34And characterization

12:35For me, for example, the words spoken by a criminal are different from the words spoken by a doctor.

12:41Maybe, and then

12:43The meaning may be the same

12:44For example, the word "I love you"

12:48Or I love you

12:49When he says it, there's a reason for the tear.

12:51Change when he says it, he's trying to get Qatar

12:54Okay

12:55It's different when the characters say it.

12:57Even though the meaning is the same, which is love

12:58Khabib, I love you

13:02any

13:04I love you, it's obvious, right? I don't understand.

13:08It means that when I'm with him, I know he'll turn out right, he'll be employed properly, and he'll be trustworthy.

13:15And I work with him, and this is very important between the two of them when they deal with each other.

13:21Sometimes stars are found in the noses of trust.

13:25They are calling for it, and that is very dangerous.

13:27Adel Imam possesses this characteristic, which is a natural and sound ability to communicate with others.

13:34I love his morals, he's very kind to the artist

13:37This is when someone is sick or something happens to them, they go down to Alexandria and then to Egypt.

13:42Tell her what to do and how to do it, and don't get tired or upset.

13:45He's madly in love with the actor next to him.

13:48Does he know how to respect the female artist in front of him?

13:51He knows how to give him his due.

13:52He knows how to protect him

13:55He knows how to be honest with him.

13:58Because he thought he was one of the smartest people I've ever dealt with in my life

14:02So, is it the makeup itself that makes you live inside the character of Ehab?

14:07Makeup, costumes, and village performance

14:10And I'll tell you something about a movie that has a foot, for example.

14:12Yes

14:13Yes

14:15The script has been with me for two years.

14:17Yes

14:18Yes

14:20So I want to assemble the character, how do I assemble it?

14:22Yes

14:23He was born in a village.

14:25Okay

14:26Which is the "las" that means the one below or this

14:40Okay

14:40It remains unclean

14:42Your soul is very strong and you are determined to come from a certain place

14:44And now I am

14:45The nature of this role

14:46Yes

14:46With us, Mook, I'll bring a new tracksuit.

14:48Yes

14:49And the dirt stays in the hand

14:50The audience feels it and the spectator feels it

14:52Yes

14:52I want this

14:54I'll look for something

14:56I never found any languages that were my assistant's language.

14:58I found a guy playing football in Abdeen

15:00I was delivering to my assistant

15:01I found Ward bin Nab'a ball in Abdiya

15:03I told him I wanted the black tracksuit

15:05I told him to get down, and he replied, "I want to hit you."

15:07I told him, "Hit him, I'm the one who's got fifty pounds."

15:09Yes

15:12Which is me, of course, when I'm fifty.

15:14I'm telling you, I'm wearing black clothes in the street.

15:15Ah, Atring Sud Ma Sweesh Gneh

15:17What a pound

15:19Castle in the street at its hour

15:21But I have that if he asked me

15:22In the mantrond, there is a black trench coat.

15:25Half a pound, ten thousand pounds under love

15:27Because he served the role

15:28The role served

15:29The road to Shari'a Halfuda Arafa Da

15:33Oh, how?

15:35It has to be like that, even if it's a certain form.

15:38What is he wearing on his leg?

15:40Wearing army boots

15:42Without alcohol

15:44Wearing a t-shirt

15:47Terrible, meaning the news of your rustling

15:49Created when I wore that

15:51I saw myself in front of the mirror

15:53I found myself talking

15:54These personal dogs are always

15:56If this

15:58Small details crack in

16:00The end of the personal

16:01That's it.

16:02What are they saying?

16:04Oh, those are the tools of the trade.

16:07If we were to call it a craft

16:08Yes

16:09Obstetric instruments

16:10Which is the physical framework of the personality

16:12How to dress it, how to make it talk

16:14Oh, oh, you work with

16:17Other characters

16:18All of this needs to be taken into consideration.

16:25music

16:31music

16:40music

16:48The pattern of the diameter converter is based on the outfit.

16:56music

16:58music

17:00music

17:07music

17:11music

17:12music

17:15music

17:16music

17:19music

17:20music

17:22music

17:25music

17:26music

17:27music

17:28music

17:30music

17:32music

17:34In front of the people of the current neighborhood

17:36You take it now

17:37You go and pick them up

17:38The color is currently

17:38exactly

17:39In your embrace

17:40Okay

17:41Okay

17:42But in front of the lens

17:43No, it's not her.

17:45It's her.

17:46I am talking about live oxidation.

17:49It means while you're communicating

17:52Communication exactly

17:53This means the Imam can now reach the people easily and simply.

17:59For what we might call artistic radiance

18:02He has an artistic radiance

18:04Not detectable with the naked eye

18:07It does not have its own radar.

18:08But it creates a kind of invasion

18:12The legitimate invasion favored by the meeting place

18:33You're a fool, Adel, you're still the most expensive star in Egypt.

18:37I don't like to pray for the best, most expensive, or most well-known people.

18:42I don't like to put it on favorites

18:45Oh, I don't like this

18:48Egypt's Superstar

18:49He is the divine superstar

18:50It means implementation

18:55Adel Imam is the one and only star in Egypt

18:58Yes

18:59The first star is the fourth

19:01The fourth pyramid in Egypt

19:03But Adel Imam is above

19:04Adel, Professor Adel, could have seen you

19:07And you, excuse me, are sitting there drinking cups of tea.

19:10I noticed that you were experiencing a slight tremor

19:14Because you are focused on his work

19:16And I imagine this is the last scene in the movie.

19:18I have a feeling that there is a high degree of genuine sincerity.

19:25This is the feeling, that's perfect.

19:26This feeling on the first day of the movie

19:29Also, from the first day, this is the last day.

19:32The most dangerous

19:33On the first day of the film, you're still getting a feel for the character.

19:36You still want

19:37Ah, house

19:39Anxiety is working you

19:40naturally

19:41Yes

19:42Oh, what a terrible worry!

19:43Yes

19:44This is exactly what was authorized.

19:46No, this is not authorized.

19:47Second certificate

19:48This anxiety happens to you every day.

19:49The Imam returned and broke the sit-in

19:51Superstar stayed here and there

19:54No one else can break the agreement.

19:56The authorized superstar and the cinema

19:58Your next step, God willing

20:01In your perception of yourself as an artist

20:03What do you want to say?

20:04What do you want to do?

20:06I achieved something a little over ten years

20:07Look at this question; the easy one is very useful in asking questions.

20:10What are you doing here?

20:12You are me

20:13It's the cold weather that's burning me.

20:15It's my personal circumstances that are burning me up

20:19He didn't say, "I asked such and such."

20:21I will do this

20:23What does that mean?

20:23I thought I told you you were planning

20:26I told you

20:27No, no, no

20:27No, no, no, no, no, don't plan

20:29I don't plan

20:29Don't plan

20:30What's this? The country is planning something for you.

20:32Planning

20:32The circumstances I am in

20:33Take this and work

20:35Yes

20:36People and countries are nations

20:38What is the focus of your work?

20:40Ah, Tayq, and that's your idea, of course.

20:44Ah ah

20:44This is its effect

20:46His reaction

20:47The verb is repeated

20:47It means for me

20:49upon you

20:50You always

20:51Okay, so you're hiring someone to write it?

20:53Nor do you agree with people's thinking.

20:55What he writes to you

20:56This is it.

20:58This means that sometimes this happens.

21:00Saad is interested in a specific topic that I want to work on.

21:02Yes

21:03There's a specific need I want to address.

21:06Yes

21:07It also means you have intellectual responsibility.

21:09Oh, of course.

21:09Worker's touch

21:10Worker's touch

21:11So, Professor Adel, you're not an artist?

21:13What might just be that he's a model now?

21:15No, no, no, no, you absolutely need a headmistress's suit.

21:18In the subject

21:19Yes

21:19Necessary

21:20So you take intellectual responsibility for the film's artistic merit.

21:23No, not with the writer, of course.

21:24With the writer who bears intellectual responsibility

21:27The writer essentially means the one who bears the responsibility

21:29By the way, Professor Sherif Arafa gives me a meaningful look.

21:32You are with the student

21:32So I'm leaving you

21:34Thank you

21:35Good-bye

21:35Bye bye, goodbye

21:36This is the tiling

21:41Five minutes, ten minutes, that's it

21:42When the Imam returned, he entered a shelter in the Sayyid's house.

21:48His imagination is applauding him.

21:51Or murmurs or roofing noises

21:53Do you know that old imam who has a history of films behind him?

21:57The sanatorium, the koza, the koza

21:59It's being roofed over

22:00The imam enters, and the imam is applauded.

22:13I believe that Professor Adel Imam belongs to what could be called the automatic school of thought.

22:18The most committed artists

22:21The Imam returned as an indestructible value.

22:22Imam Malhoush returned.

22:24Malhoush Day

22:28music

22:32O Prince, from the Min side?

22:34friction?

22:35Moroccan?

22:36With pain?

22:36O you who are in the desert

22:37My boy?

22:38My boy?

22:39North and south, and behind it on the mountain

22:41Left hand?

22:42What's up?

22:43Come on, get out on the hill so I can protect you.

22:45Yes?

22:46I will protect you

22:47Didn't they say we are a quarter of a million?

22:49no

22:50We are all twenty million

22:52And we are the other twenty million

22:53Saja

22:54God Almighty, a million people

23:00Years will pass

23:01And years will come

23:03And generations will pass away

23:05And generations will come

23:07And he will remain

23:08The Imam returned

23:26MBC Egypt tells you

23:29Season's greetings

23:31music

23:33music

23:34music

HD عمر من البهجة - عادل امام

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