00:00So, I think you've already seen the eagle fight and the eagle sequence, and I think it's very important to
00:07you.
00:08But behind the camera, your mind is brainstorming energy. That means it's particular.
00:14The eagle episode of Srujana has done so much work.
00:18So, I thought I would choose the remaining works, sound wave fight, stick fight, climax bridge fight, Manojigari entry fight
00:32sequence, remaining everything, I thought I would choose.
00:38So, I thought I would choose to do some decode, Manojigari fight, stick fight, what attacks do you have to
00:44do?
00:45I think there is a sound wave fight.
00:53The sound wave fight, the director, in particular, will maintain the time and shoot.
01:01This sound wave, in the time duration of the sound waves, will be hit by the opposite person.
01:12The sound wave, the sound wave, will be hit by the opposite person.
01:17The sound wave, the sound wave, will be hit by the opposite person.
01:33The sound wave is in the sense of the duration of the sound wave.
01:42The sound wave, the sound waves, will be on the right direction of the sound waves, the sound waves.
01:52And also, I think there is a very old character who is here.
01:56He is happy.
02:00So what is your most challenging part of your sequence of VFX artists?
02:06The most challenging part of your sequence is a bridge fight.
02:11The bridge hit the IC and the sequence hit the track.
02:16The sequence hit the track and the sequence hit the track and the sequence hit the track.
02:25So I created the entire shots in VFX.
02:30It's not done in the live.
02:32I hope you have a little bit of time when you have a bigger fan.
02:38So I think it's a bit of time.
02:42There are gaps in the schedule of the various films.
02:46The fact that the sequence hit the VFX.
02:52The sequence hit the track and the sequence hit the track.
02:57The VFX works.
02:58You can wait for the final edit.
03:03For the final edit, we have movies in the last minute.
03:10So, if you have the heavy VFX-related works, it's impossible to complete.
03:17So, if you have the VFX-based portion, you can edit it in one week.
03:24So, you can edit it in one week.
03:27So, you can edit the sound waves in the 3D VFX.
03:33You can edit the bridge.
03:36You can edit the sound waves in the 3D VFX.
03:41So, you can edit it in 15-20 days.
03:46So, you can edit it in one week.
03:51You can edit it in the 4D VFX.
03:57So, you can edit it in the 5D VFX.
03:57If you zoom in, you can edit a pixel in your image.
04:03You can edit a pixel.
04:06So, I can edit it in the 5D VFX.
04:13I was able to create the pixels and create the background process.
04:23Asset creation, camera movements, lighting, and many departments.
04:33How happy is that you are in the cinema?
04:39Super happy.
04:42Basically, when I was happy, I had a lot of applause for the audience.
04:51But I was able to do a lot of things in India.
04:54I was able to do something in Mirai.
04:55I was able to do something in Mirai.
04:57I was able to do something in Hollywood style.
05:02I was able to do something in VFX.
05:06I was able to do something strong.
05:07I was able to do something in the background.
05:09I was able to produce the quality.
05:11For the Hollywood tint, Karthik Garu, lighting, pixelation, usage, color palette.
05:20I was able to do something in the background.
05:23I was able to do something in Mirai.
05:24If you do something in Mirai, you will be able to do something in Mirai.
05:27But what did you do?
05:30Sure, I will be able to do something in my background.
05:35I think Purple Tuvain.
05:37I thought there would be an agenda.
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