NO FILTER with Sudha Chandran | 'नाचे मयुरी' ते 'मालामाल विकली'; सुधा यांनी उलगडले अनेक रंजक किस्से! | Lokmat Filmy | Marathi Entertainment News
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FunTranscript
00:00:00This is my first interview in Marathi
00:00:02Sir, for me, first of all, I said
00:00:05This is not television
00:00:07He said, break, break, break
00:00:08I said, no break
00:00:10He said, why is it not a break?
00:00:12I said, we will be sitting with such a fire
00:00:14I don't want to have a haystack
00:00:16I don't want to show anything, I don't want to go
00:00:19All of the actors, right?
00:00:20All of the actors, right?
00:00:21All of the actors, right?
00:00:24Asrani Sahib personally gave that shot
00:00:26He said, I don't want to do the dupe
00:00:27I don't want to be a court
00:00:27If people said, you can do the tele-films
00:00:30This is definitely diverse
00:00:33Like walking style, I would have to do something
00:00:38Takin from me
00:00:40It is so cute
00:00:40I wrote a check sign
00:00:41I wrote a card
00:00:42One, zero zero
00:00:45I'm telling you how many more than any
00:00:47I don't want to make checks
00:00:50Theuzzyah'sisme comes into the eyelashes
00:00:52All of the white ones
00:00:55I said, Suda ji don't get upset
00:00:58Saha mayan antar, loka to mhala follow
00:01:00So this is Ramula Sekhan's band
00:01:02I said, I am the same
00:01:03Ramula Sekhan's band, sadi, shoes, band
00:01:07But Priyab Bhav is the same
00:01:09So Rajan is the same, he doesn't have the same
00:01:11But you know, it's not Hindi or Hindi
00:01:13So it's a Marathi accent
00:01:16I said, Ramesh Bhattar is a great fan
00:01:19Is that right?
00:01:20Is it really fun?
00:01:21I said, but I am doing so
00:01:22No, madam, I said, Suda Chandran will be anywhere
00:01:26If I am, I will take a look
00:01:27I made a video, I said, Modi ji
00:01:30You are the PM, you are the common man
00:01:32What is that?
00:01:33Mumbai to Hyderabad, I posted
00:01:35And I got a call from the Aviation Minister
00:01:37Suda ji, we apologize, there is nothing like that
00:01:40This is today's government
00:01:41Kerala is not the owner of Kerala
00:01:45No, no, not from Kerala
00:01:46Modi ji, no
00:01:47CBS board, there is a chapter
00:01:50This is that Suda Chandran
00:01:52Mama, we learn about it
00:01:54A real-life heroine and a real-life heroine
00:01:56I'm putting two characters in Kerala
00:02:03Hello, Mitra
00:02:04I have a film with you
00:02:05Sagar, welcome to you
00:02:07Sagar, welcome to you
00:02:07We've got two characters in Kerala
00:02:09I also have a film with
00:02:13Four-day cast of Kerala
00:02:16We'll have a home with four characters in Kerala
00:02:22Thank you so much for your support and thank you so much for your support and thank you so much
00:02:28for your support.
00:02:28Thank you so much for your support. Please welcome you to Suda Chandra.
00:02:36Hello, hello.
00:02:37Suda, welcome to you in the No Filter.
00:02:43First of all, I have a question about Marathi. What is Marathi?
00:02:48I don't have a question, but I speak Marathi because I speak.
00:02:54I was very fortunate because I left Kenjolkar's family, Sammol, Satish Dubashi, and the entire Marathi theatre.
00:03:05I grew up looking at them.
00:03:08I don't like to speak Marathi.
00:03:10In the industry, there are all Maharashtian technicians.
00:03:12I don't like to speak, but I speak 70-80% of Marathi.
00:03:18How are you talking about?
00:03:20Parla.
00:03:21Parla.
00:03:21Parla.
00:03:22Parla.
00:03:22Parla.
00:03:22Parla.
00:03:23Parla.
00:03:23Parla.
00:03:24Parla.
00:03:42Parla.
00:03:51Parla.
00:03:57Parla.
00:04:12Parla.
00:04:12Parla.
00:04:12Parla.
00:04:12Parla.
00:04:12Parla.
00:04:12Parla.
00:04:12And I'm a little bit nervous to hear Marathi.
00:04:15I mean, I'm a fluency girl in this way.
00:04:17Okay, but it's okay.
00:04:19And I'm proud of Mumbai.
00:04:20But did you get some sort of effort from here?
00:04:26Actually, I'm a dancer from accident.
00:04:28I'm a dancer from accident.
00:04:30Mr. Ramoji Rao is a very big producer.
00:04:34South.
00:04:35South.
00:04:35Yes, but now I'm curious that it's a story.
00:04:40So, we translated the film, because the people told us that nothing is impossible in life.
00:04:49So, when I was in Chennai or Kunal, I would like to go to Mumbai,
00:04:54and they came with an offer that we did a film.
00:04:58And I said, I don't want to do it.
00:05:00I said, do it.
00:05:02I said, do it.
00:05:03I said, do it.
00:05:04I said, do it.
00:05:05I said, do it.
00:05:05I said, we are taking your story.
00:05:07I said, it's a story.
00:05:07But I didn't say that because I was in the film industry.
00:05:11When I was in teenage years, there was a lot of film fare, Star and Style, Stardust, etc.
00:05:18And there was a little educated family.
00:05:20We all come from that.
00:05:22So, I thought, I don't know, there are people in the film industry.
00:05:25There are people who don't do it.
00:05:28But I was very pressured to do the producer and director.
00:05:33If I was going to do it, I would say it's okay.
00:05:36I would say it's okay.
00:05:37I would say it's okay.
00:05:38But the main problem was that Mumbai is in Hyderabad.
00:05:42And I was dead against it.
00:05:44Because I'm a hardcore Mumbai-ker.
00:05:46So, at least 20 days, Mumbai is in the film.
00:05:48Friends are in the film.
00:05:50That was my question.
00:05:52But I was in the film.
00:05:53And in the first two days, I was like,
00:05:55I don't want this film.
00:05:58But I thought that industry is beautiful.
00:06:03Because it's not just acting.
00:06:05There are great techniques.
00:06:06And when we take a picture of three people,
00:06:08we say, what a flop picture is.
00:06:12But there is a lot of effort.
00:06:14Unless you are physically present.
00:06:17And then I thought that people are educated and decent people.
00:06:22And I think it's a lot of effort.
00:06:26But the picture is simple.
00:06:28And the director said,
00:06:29let's go to Mumbai.
00:06:31But I thought that I was in Mumbai.
00:06:32And the director said,
00:06:33You are a lot of people.
00:06:34You are a lot of people.
00:06:35You are a lot of people.
00:06:35I said, no.
00:06:36You are a lot of people.
00:06:38I am a lot of people.
00:06:39So, I think that's how it started.
00:06:41And I was not an actress.
00:06:42I was only a dancer.
00:06:43And the film was released.
00:06:45And the film was released.
00:06:46And the film was super hit.
00:06:48Super hit.
00:06:48Super hit.
00:06:49Super hit.
00:06:50Dooper hit.
00:06:51Blockbuster.
00:06:52You are a lot of people.
00:06:54And it's nice.
00:06:55If we say that we are making biopics.
00:06:59But the first biopic,
00:07:00that's my favourite film.
00:07:02It was Mayuri and Archemarie.
00:07:03And in this biopic,
00:07:05no actor,
00:07:07the same person has not played them.
00:07:09Yes.
00:07:10Yes.
00:07:11Totally agree.
00:07:12I think that you easily
00:07:14told me,
00:07:16that I have a accident.
00:07:18But,
00:07:18what is the...
00:07:20I don't think of it.
00:07:22So,
00:07:23it's dangerous.
00:07:24Because you're also going to work.
00:07:26And the film is
00:07:28that
00:07:28I have to work.
00:07:28I was a dancer and I was a dancer.
00:07:35And when I was in the village, I was like, what is the need?
00:07:41I am very tired. I am mature and I am 15 years old.
00:07:46But what is this?
00:07:48It is a spur of the decision.
00:07:52What should I do?
00:07:53I have to think about it.
00:07:55See, you have two options to do or not to do.
00:07:57And at that point, I had to do it for my parents.
00:08:03Because I am the only child.
00:08:05I don't want to do it for my parents.
00:08:07I was very interested in that she wanted to become a dancer.
00:08:12But sometimes, she didn't become a dancer.
00:08:16She made me a dancer.
00:08:17Because I started dancing for three years.
00:08:20And at that point, I wanted to give back to my parents.
00:08:26And the only thing I could think of was dance.
00:08:28But how do I dance?
00:08:29I amputation.
00:08:30I amputated.
00:08:54I amputated.
00:08:55So, I amputated.
00:08:55After India is called the Jaipur Foot.
00:08:58And I was given my daughter to come to my room.
00:09:00See God has answered your prayers.
00:09:02And he came to me and said, what is it?
00:09:03I said, what is it?
00:09:04It was a very new invention.
00:09:06And I was given Raman and Maxis award for the Dra. Raman and Maxis award.
00:09:10I think that the Jaipur Foot has become a wonderful one.
00:09:14In 1981, there was a big international award for invention in science.
00:09:24Dr. P. K. Sethi is in Jaipur and Master Ji. Master Ji is a very common craftsman.
00:09:33Finally, we have discovered something.
00:09:38And when we dissect the foot in Jaipur, there is an indigenous technology.
00:09:44When we call the bathroom chappals, we call the Hawaii chappals.
00:09:48Actually, Jaipur foot is made of Hawaii chappal rubber.
00:09:52So, there is flexibility.
00:09:54And the uniqueness of Jaipur foot is that it takes the shape of the ground.
00:09:59The rest of the foot is rigid. It can't take the shape.
00:10:05And in Jaipur foot, because of that rubber,
00:10:08If we come to the house, it will take the shape of that stone.
00:10:12So, it will take the shape of that stone.
00:10:14And more to suit our Indian culture.
00:10:17I mean, you can go without chappals, without a shoe.
00:10:21Because it is a very natural looking foot.
00:10:25But it is very natural looking foot.
00:10:26I mean, there is a new item in the bagun.
00:10:30I have a new bagun.
00:10:31I have told you guys.
00:10:34I have a new dog.
00:10:37I have a new dog.
00:10:39I have a new dog.
00:10:43I have a new dog.
00:10:45And I have a new dog.
00:10:49I have a new dog.
00:10:49I have a new dog.
00:10:50But the million-dollar question was,
00:10:52How can I dance?
00:10:55And the doctor said,
00:10:57Yes.
00:10:58You can do it.
00:10:59And the doctor said,
00:11:01It is very simple.
00:11:03You have an artificial limb.
00:11:04And the artificial limb is one or two.
00:11:06Exactly one day.
00:11:08I mean, for 45 minutes,
00:11:09You have a measurement.
00:11:11And by that time it is evening,
00:11:13You have a limb ready.
00:11:14Then you have to go to Mumbai.
00:11:16And I said,
00:11:17What do I do?
00:11:17I have to practice and start.
00:11:19But it is not.
00:11:20I have to do three years.
00:11:22And for those three years,
00:11:23I have to do stump bleed.
00:11:26And pain.
00:11:29Generally, it is because of a foreign body.
00:11:31When you are in the original body,
00:11:33You have to accept the mind.
00:11:35And I have to do mental exercises.
00:11:39And I was told,
00:11:40I am a physiotherapist.
00:11:42He used to tell me,
00:11:43That every day,
00:11:44I don't have a leg.
00:11:47I don't have a leg.
00:11:48I don't have a leg.
00:11:49I don't have a leg.
00:11:49That's why it is coordination.
00:11:52Otherwise,
00:11:52So, the mind thought is,
00:11:54You have to clash with a foreign object.
00:11:56It is not a psychology.
00:11:58It is not a system.
00:12:00And then of course,
00:12:02I have to do it for three years.
00:12:07Finally, I have to do it for three tasks.
00:12:10And there is a total performance in Bharatnatyam.
00:12:13That is complete.
00:12:14But did you do that exam?
00:12:17Is it Bharatnatyam?
00:12:18No.
00:12:19When I was young, when I was young, I was young, and before the accident, I had done almost about
00:12:2680-90 public performances.
00:12:28I was quite a known dancer.
00:12:30But you had a lot of attention on the television.
00:12:35No, not in television, not in films.
00:12:37There was a television.
00:12:38I think in 1985, there was a television.
00:12:48The television was not big.
00:12:52I think the majority of the film was in Hindi.
00:12:56It was also super-hit.
00:12:57The film was super-duper-hit.
00:12:58I went to the plaza, and there were people who went to the town.
00:13:02I thought it was a Serpentine Cube, but it was an advance booking.
00:13:06When I was young, when I was young, I was a heroine.
00:13:10It was a very nice feeling.
00:13:14Not just because I became a heroine, but when people came out, they used to say,
00:13:21that when I was home, we would have a great picture.
00:13:24Because there was an important message on the picture.
00:13:27So that's how it happened.
00:13:28I think about 15-20 films.
00:13:32But the first two-three pictures were super-flops.
00:13:37And the people said,
00:13:39Oh, listen.
00:13:40When I was young, when I was young, when I was young, I was young.
00:13:44But it was only one film in Mandir.
00:13:46So they were very quiet.
00:13:48I said,
00:13:48What is this?
00:13:50I think,
00:13:51How do I know in this industry?
00:13:52How do I know?
00:13:53I've lived in seven years.
00:13:55Seven years.
00:13:57But I have education.
00:13:58I have an MA with International Industrial Economics.
00:14:01Seven years.
00:14:03Then I went and asked,
00:14:04And the people asked,
00:14:04You are intelligent.
00:14:05I have an other thing.
00:14:06Why do you say?
00:14:07But you say,
00:14:08If this industry is a super-hit,
00:14:11I wouldn't give another super-hit.
00:14:13I will not give another super-hit,
00:14:14I will not give another.
00:14:15I will not give another.
00:14:16And I will say it.
00:14:17I have a great idea.
00:14:18I think you have to be a great idea of this industry.
00:14:20In the past,
00:14:21How do I know?
00:14:22Why do you want?
00:14:22It is because,
00:14:24we need to be a great idea of that,
00:14:26we need to be a great idea of that.
00:14:27We need to be a great idea of that.
00:14:30You need to maintain it.
00:14:34Ayusha continues to be a continuous process.
00:14:36And we need to do it.
00:14:38That's very important.
00:14:41But you...
00:14:42When you start the television...
00:14:45It doesn't work.
00:14:46It doesn't work.
00:14:47It doesn't work.
00:14:50It doesn't work.
00:14:51You say it. You say it.
00:14:53You say it. You say it.
00:14:54You say it. You say it.
00:14:56You say it.
00:14:56I think it's nice.
00:15:00It's nice.
00:15:00I say it.
00:15:02When it's practical, we have to do it.
00:15:06You say it.
00:15:07You say it.
00:15:08You say it.
00:15:10You say it.
00:15:10You say it.
00:15:12You say it.
00:15:17But I'm not in industry.
00:15:20So I say it.
00:15:22And then,
00:15:23you say it.
00:15:24At the moment,
00:15:24you say it.
00:15:26You say it.
00:15:29And then I say it.
00:15:33Good actors.
00:15:37But not getting good roles.
00:15:39You say it.
00:15:39He was doing good films and I started from zero again on television.
00:15:45Then when I was doing television, I said that beggars can't be choosers.
00:15:51Television, stage, stage.
00:15:53And I had gone to Cinevista.
00:15:57Junoon was super late.
00:15:59He was creating history.
00:16:01And Sunil Mehta, owner of Cinevista, and of course Prem Kishan ji.
00:16:07They both are owners of, they still are owners of Cinevista.
00:16:10Then I said, I don't have to work.
00:16:13You can tell me that I don't have to work.
00:16:16Then Sunil ji said, you have to go home for 15 days.
00:16:19Then I said, you have to go home for 15 days.
00:16:21Then I said, you have to go home for 15 days.
00:16:23Then I said, you have to go home for 15 days.
00:16:24Then I said, thank you sir and I didn't go home.
00:16:27It was 10 days.
00:16:28A call from Cinevista.
00:16:30We started.
00:16:32And Sunil Mehta sir personally said,
00:16:35You have to contact them and you have to go home.
00:16:38And then I said, we have to say, filmy promises.
00:16:43It's not true.
00:16:44Filmy promises.
00:16:45When people say, you are a king, you are a king, you are a king.
00:16:49It's not.
00:16:50It's not.
00:16:51It's not.
00:16:52It's not.
00:16:53Because I said, filmy promises meant a lot.
00:16:56The people who have promised me, they have all my work.
00:16:59Starting from Sunil Mehta ji, then I didn't sit down with Gautam Adikari ji.
00:17:03Then I called Ramesh Bhattar, a very big fan.
00:17:06My girlfriend.
00:17:08When I told him to go home, I said, Ramesh ji, you have to be a great man.
00:17:13You are a great man.
00:17:14Why are you?
00:17:14Why?
00:17:15Why are you so good?
00:17:18I said, sir, you are not a great man.
00:17:19I am a great man.
00:17:20I am a great man.
00:17:22I am a great man.
00:17:24I am a great man.
00:17:24And then Gautam Bhattar told him that, sir, I said, I am a great man and a frame.
00:17:28I said, what is the frame?
00:17:30Then do a whole episode with him.
00:17:32I said, what is it?
00:17:33I said, what is it?
00:17:35The movie is the painting.
00:17:36The movie is the first.
00:17:37When I started doing it, I said, the actor was a great man.
00:17:40The actor was a very famous director, but it was a great film.
00:17:44The movie is the film.
00:17:44Who did the film in Madhav Kroni.
00:17:45It was a bad movie.
00:17:46And then they were making it in, in the film.
00:17:49and Gautam Adhikari, Rajan Vagdare Sir, our director.
00:17:53He said, oh, I love Rajan Vagdare.
00:17:57And in comedy, 40-50% comedy, it is because of Rajan Sir.
00:18:02You do 40-50% comedy?
00:18:04No, it's not in personal life.
00:18:07No, it's not in screen.
00:18:09In personal life, we do 100% comedy.
00:18:11Porn, screen, and then Rajan Sir.
00:18:14He said, Sudha Ji, you're one-liners must have, you're trying comedy.
00:18:19I said, I'll do the work, I'll do it.
00:18:22That's how it happened, there and there.
00:18:24And I think Madhavi Gokte Ji's role, that I did.
00:18:28Me, Shekar Suman, and Varsha, was going on.
00:18:30Serial super duper hit.
00:18:32And of course, we were talking about serials, big, big, big, big, big, big.
00:18:37And suddenly, we had a phone called Balaji Telefilms.
00:18:42We are making a suspense thriller.
00:18:44And the ma'am wants to meet you.
00:18:46So, I said, I don't have a job.
00:18:48You're one-liners.
00:18:48One-liners.
00:18:49I said, I don't have a job, I'll do it, we'll try it.
00:18:53So, that's how I was going to play.
00:18:55And the people said, Balaji, do you want to do the film?
00:18:57So, you're definitely diverse.
00:18:59Because you've got to do the work of 27 people.
00:19:03And I told my husband, I said, that the people say.
00:19:07My husband was very supporting.
00:19:09I said, Ravi, you're doing a job.
00:19:11And the people are doing the work of 27 people.
00:19:15So, they know they're doing the work of 27 people.
00:19:16So, I said, no.
00:19:17They're the people who say, that the people are doing the work of 27 people.
00:19:20So, they're doing the work of 27 people.
00:19:22So, they say, you're doing the work.
00:19:24I'm here, don't worry.
00:19:27And I went to work with her, she was a creative head, and she was like a story.
00:19:33I said, what is my story? Because Ramula is a 2nd Hi-Fi entrepreneur, a big industrialist.
00:19:40I can't live in that role, because I have a middle class Bremen family.
00:19:45And I have a kutun style icon, I don't have anything to do, Baba.
00:19:50And Shaina, the heroine, I am very big.
00:19:54And I said, what is the role of Ramula?
00:19:57I said, no, no, no, Ekta Ji, first choice is for Ramula Sikan.
00:20:03I said, I believe that I am a big entrepreneur, stylish, amok and amok.
00:20:09We are all middle class.
00:20:10No, no, no, Ekta wants you to do this role.
00:20:13I said, okay, if she wants me to do, no.
00:20:15Then I said, okay, but I guided myself.
00:20:18And Homi Wadia was the director.
00:20:20Homi Wadia?
00:20:21Yes, theatre. Obviously theatre.
00:20:24And then I went to the first time and said, you know, it's a working style.
00:20:29We have to do something.
00:20:31I don't have to do something.
00:20:33I have to do something.
00:20:34I have to do something.
00:20:35And the director said, you are an entrepreneur.
00:20:38You are a very good start.
00:20:39You are a very good start.
00:20:40You are a very good start.
00:20:42I said, sir, how are you going to do this?
00:20:44I said, no, I am.
00:20:46I will do it.
00:20:47I said, okay, I will do it.
00:20:48I said, okay, I will do it.
00:20:48And in the first scene, there is a file.
00:20:51I said, you can do it.
00:20:53I said, you can do it.
00:20:54I said, you can do it.
00:20:54And I said, you can do it.
00:20:57I said, you can do it.
00:20:58I don't do it.
00:20:58But I did it.
00:20:59Because I am a very good copycat.
00:21:00As an actress, I am a perfect copycat.
00:21:02The director J says, you can do it.
00:21:04You can do it.
00:21:04He said, the second scene is, you can sign a check.
00:21:08When is 1 crore?
00:21:10Sir, I said, how much?
00:21:121 crore.
00:21:13And then you have a check.
00:21:14This is 1 crore.
00:21:16And then you are going to drop.
00:21:17I said, sir.
00:21:19I said, action.
00:21:20Then I said, one.
00:21:22Zero, zero.
00:21:23And I said, how many years do it?
00:21:27I said, man, how you are going to be a class.
00:21:30I said, sir.
00:21:31Yes, I think you have to say that you don't have to do a lot of checks.
00:21:34You don't have to say that, you don't have to say that.
00:21:38But, you know, when there are challenges as an actress, you grow.
00:21:44When people say, what is he going to do?
00:21:47But, you know, there is a belief that he is going to do.
00:21:50And then, I was able to give a partner.
00:21:55Gopi Kishan was a choreographer.
00:21:57Yes, I was very lucky.
00:21:58You have to say that Gopi Kishan was a choreographer.
00:22:03We have to say that we have to do a lot of work.
00:22:06Because I did Pati Permishar, Nache Mayuri, Tachanantar, Bengali film.
00:22:10So, Gopi Kishan and my relationship, I was like, oh, let's go, Suda, let's go.
00:22:17Then, I was like, Gopi Kishan came and said,
00:22:21I said, yes, Master, your eyes are dying.
00:22:26You have to do a negative role.
00:22:28You don't have to do a positive role.
00:22:30You don't have to do a negative role.
00:22:32But, when I did some day, I did some day.
00:22:35I remember Gopi Kishan.
00:22:36But, I have to say something that you have to say.
00:22:41That Sampurna Bhartatliya Mahila,
00:22:44Sampurna Mahila,
00:22:45Ticklea in such a way.
00:22:48You have to say, Ticklea?
00:22:48Yes, Ticklea, Kaanathliya.
00:23:04Ticklea, Kaanathliya.
00:23:05I said, which is my ring?
00:23:07If I cross a diamond.
00:23:10I said, this is going on.
00:23:11I said, in the market, there is only Ramola Sikhan.
00:23:14The rest of them are Ramola Sikhan.
00:23:16Sadi, clothes, bindi.
00:23:18When I purchased it,
00:23:20I went to an event.
00:23:23I went to a diamond ring.
00:23:26Then, I said, I said,
00:23:30It's a big race.
00:23:31We are concerned about it.
00:23:31I am telling you.
00:23:32It's true.
00:23:33I said,
00:23:34I said,
00:23:34I said,
00:23:35That's 600 rupees.
00:23:36I said,
00:23:40What are you talking about?
00:23:40This is Ramola Sikhan.
00:23:42I said,
00:23:42I am the same.
00:23:44I said,
00:23:44I am the same.
00:23:45I am the same.
00:23:45I am the same.
00:23:45But, it was a big race.
00:23:50Yes.
00:23:51See,
00:23:54there are a lot of things.
00:23:56We don't have to concentrate on it.
00:23:58For example,
00:24:00bindi.
00:24:00I thought,
00:24:01We love bindi.
00:24:02We love bindi.
00:24:03We do fashion.
00:24:04As an important attire,
00:24:07an important portion,
00:24:09not only women,
00:24:10men loved it.
00:24:12Yes.
00:24:14And,
00:24:14I think,
00:24:15I think,
00:24:15I think,
00:24:16I think,
00:24:17I think,
00:24:18I think,
00:24:19I think,
00:24:19I think,
00:24:20that,
00:24:21If you get a patent,
00:24:22then,
00:24:22you look like,
00:24:23I think that,
00:24:26But,
00:24:27We're working.
00:24:28And,
00:24:28in the career
00:24:30we are working for
00:24:3424-7.
00:24:35we are working for 24-7.
00:24:36Like,
00:24:36Highest tier.
00:24:38Like,
00:24:39I feel like,
00:24:39we are going on a 16 tier.
00:24:40What do you want to do with that?
00:24:42I think that when I have a freeze, mostly my last freeze.
00:24:47Last 11.30am freeze, Ramola looks.
00:24:50And my friends deliver them.
00:24:52Who did you see? Who is going to die?
00:24:55Don't tell me, my child is not asleep.
00:24:58And I told you, I don't know what to do on Monday.
00:25:01And what is it?
00:25:03We have a curtain and we have a curtain.
00:25:05And we have a curtain and we have a curtain.
00:25:06So I think that's it.
00:25:09I have a teaser promotion.
00:25:11I've said to you, every day,
00:25:13that I am at the time of the day,
00:25:17but when in the day of the day of the day,
00:25:19there are lights that take a long day.
00:25:20At the evening,
00:25:21we're all in the morning and we're in the evening.
00:25:25We're all in the morning.
00:25:26I was just thinking about the fact that
00:25:29that we have a blackout.
00:25:33It's a night off.
00:25:34That's why I had a lot of fun at night.
00:25:37Bro, I mean, it's a 11 o'clock slot.
00:25:39The channels say that it's a dead slot.
00:25:41We actually gave the best AR from the 11 o'clock slot.
00:25:45I mean, Azun, you have a question.
00:25:47What?
00:25:47When you show Didi,
00:25:51when he was shooting Paddhati,
00:25:52he was shooting all the script.
00:25:55He was shooting all the script.
00:25:55He was shooting all the time in one-tech.
00:25:58No.
00:25:59No.
00:26:01He was shooting all the same page scenes.
00:26:02He was shooting all the time in one-shot.
00:26:03Because in the television,
00:26:05there is awareness.
00:26:08There is a telecast.
00:26:10There is pressure.
00:26:11You don't want to talk about it.
00:26:13I want to talk about it.
00:26:14I want to talk about it.
00:26:15I want to talk about it.
00:26:16I want to talk about it.
00:26:16I want to talk about it.
00:26:18I want to talk about it.
00:26:21But in the television,
00:26:23the memory is very important.
00:26:25Yeah.
00:26:26Azun, we have 17-17 pages.
00:26:28Even Rajan Vagdar,
00:26:31I, Shekhar, Varshav,
00:26:34Veinaray Yedeker.
00:26:34The people,
00:26:35as the two reading,
00:26:38about 10-12 pages
00:26:39as it allows.
00:26:41One-shot.
00:26:41Then the second shift.
00:26:43Then one shift.
00:26:43Then the first pack up.
00:26:44So,
00:26:46as it is,
00:26:46all they have done.
00:26:47What do you think,
00:26:47is that as to one piece.
00:26:49Veinaray Yedeker, Shekhar, Summan?
00:26:58Veinaray Yedeker,
00:27:00I was thinking about it and I was like, I'm a friend of mine, but I'm a friend of mine.
00:27:08But I'm a friend of mine.
00:27:11I'm a friend of mine.
00:27:11I'm a friend of mine.
00:27:12I'm a friend of mine.
00:27:12I'm a friend of mine.
00:27:13I'm a friend of mine.
00:27:18We had such a wonderful time.
00:27:20I used to be there at 6.30, 7 o'clock roll.
00:27:26Rajan is very particular about timing.
00:27:30And it was exactly 1 o'clock.
00:27:33At 7 to 1, Rajan is always doing 7 to 1.
00:27:39And I'm like, sir, what are you doing?
00:27:41I'm going to go home.
00:27:42I'm going to go home.
00:27:43I'm going to go home.
00:27:46And there was an actor, Girish.
00:27:50Girish, Girish.
00:27:54We had to go home.
00:28:00And she told me, what's up?
00:28:06And she says, look, look, this is a pill.
00:28:08I was like, this is the first time of the exam.
00:28:11The first take, no, no, no.
00:28:13No, no, no.
00:28:14She doesn't have to go home.
00:28:15I was like, I'm going to go home.
00:28:15Hey, my friend.
00:28:16I need to go home.
00:28:17Today, I was going to go home.
00:28:18There's 4 things that I'm going home when I was going home.
00:28:21original bang
00:28:23and around 10 o'clock
00:28:27bang asad sadhla girish hoer
00:28:29and a cut sloop
00:28:31mr lova lova
00:28:32koni yaitse jayaz aiche
00:28:34mr lova lova
00:28:35he was worth oh oh
00:28:37we felt so bad
00:28:40mcdiniar contractor ji hoetay
00:28:41hey, I got a very good film
00:28:43you can eat it?
00:28:46asad sadhla
00:28:47you can eat it
00:28:49you can eat it
00:28:52hardly shot
00:28:53hardly shot
00:28:55but it was fun working with rajan sir
00:28:58brilliantly
00:28:59some days
00:29:01after Ekta Kapoor
00:29:04it was a week
00:29:07it was very high
00:29:08it was a high tier
00:29:08what was that?
00:29:11that was that actually
00:29:12the first time
00:29:13it was very good
00:29:14it was very good
00:29:16because I was south
00:29:18because in south
00:29:19I was very minimal
00:29:20and I thought
00:29:22I made makeup
00:29:23and said
00:29:26what do you do?
00:29:27so makeup, eyeshadow, lipstick, blush on
00:29:30and eyeshadow
00:29:35and long lashes
00:29:37and long lashes
00:29:37and long lashes
00:29:37so I made a comment that
00:29:38Suda ji's clothes
00:29:40are not eyelashes
00:29:42so I thought
00:29:43I thought
00:29:44I thought
00:29:45that I didn't make up
00:29:49so I made a set
00:29:51that were
00:29:52and she said
00:29:54Suda ji
00:29:54don't get upset
00:29:56and that was her prediction
00:30:01and that was her prediction
00:30:16I was sketching diamonds
00:30:17and I said
00:30:19bro, what is it?
00:30:20and she said
00:30:21what is it?
00:30:21you can do it
00:30:22and we can do it
00:30:23and that's how you can do it
00:30:23and that's how strength follow
00:30:26because as
00:30:28whatever we did
00:30:29it became a hit
00:30:30it was only because of the audience
00:30:32you said
00:30:33Jitu ji
00:30:34you said
00:30:35when you did this set
00:30:36and who was it?
00:30:38so humble
00:30:40my god
00:30:41it was
00:30:43Jitu sahab
00:30:44when I was doing
00:30:45the climax song
00:30:46and Jitu ji
00:30:49was working with T Ramrao sir
00:30:50T Ramrao sir
00:30:52who is our
00:30:53director
00:30:54he said
00:30:56he said
00:30:56he said
00:30:57he said
00:30:57he said
00:30:58he said
00:31:00he said
00:31:02he said
00:31:02he was shooting
00:31:03the climax song
00:31:04and Jitu sahab
00:31:05he said
00:31:05he said
00:31:06he said
00:31:06he said
00:31:07he said
00:31:07he said
00:31:07he said
00:31:07he said
00:31:08he said
00:31:08he said
00:31:10the first book
00:31:13came to me
00:31:14from
00:31:16Jitu sahab
00:31:17Dheeraj Kumar
00:31:18and Sanjay Khan
00:31:21and
00:31:21first call
00:31:22came to me
00:31:23from
00:31:24Sandhya ji
00:31:25Mahipal sir
00:31:27I said
00:31:27I'm talking to Mahipal
00:31:29and I said
00:31:29yes sir
00:31:30you don't know me
00:31:31I said
00:31:33I've seen you
00:31:34with Sandhya ji
00:31:35good films
00:31:36and I felt
00:31:38so nice
00:31:39and
00:31:39a dance subject
00:31:40for many years
00:31:41and
00:31:42dancers
00:31:43it's a treat
00:31:45for the eyes
00:31:45and then
00:31:46Jitu sahab
00:31:47told me
00:31:48mark my words
00:31:49this film
00:31:50is a super hit
00:31:51I'm feeling
00:31:52and
00:31:53even
00:31:54when I was
00:31:56doing dubbing
00:31:57in the house
00:31:58then
00:31:59I was also
00:31:59with Jitu sahab
00:32:00and then
00:32:01I said
00:32:01my blessings
00:32:02I got
00:32:03my blessings
00:32:03but
00:32:04no
00:32:04you are
00:32:05our
00:32:05you are
00:32:07you have
00:32:08telephones
00:32:08these are the characteristics
00:32:13Jitu ji
00:32:14but
00:32:14Marathi
00:32:14you are
00:32:15and
00:32:16you are
00:32:16you are
00:32:19in
00:32:20Mumbai
00:32:25you have
00:32:26to speak
00:32:26Marathi
00:32:27where
00:32:27you are
00:32:28but
00:32:30Nantar
00:32:30you have a cinema
00:32:31movie
00:32:31in Kriya Darshan sir
00:32:33and
00:32:34there is a sequence
00:32:36but
00:32:36there is a character
00:32:38that
00:32:39there is a negative shade
00:32:41and there is a character shade
00:32:44and there is a character shade
00:32:44so
00:32:44those characters play
00:32:46in Kriya Darshan
00:32:46will
00:32:47how do you
00:32:47how do you
00:32:48we
00:32:48do
00:32:51in
00:32:52television
00:32:53or
00:32:53direct
00:32:54we
00:32:55don't
00:32:55do
00:32:55we
00:32:58do
00:32:59do
00:33:03the
00:33:04pressure of work
00:33:09but
00:33:10Priyan
00:33:10sir
00:33:11is
00:33:12very natural
00:33:13director
00:33:14very natural
00:33:16but
00:33:17I
00:33:17said
00:33:18that
00:33:20this is not television
00:33:21this is a simple character
00:33:23this is a simple character
00:33:25don't have to be caricature
00:33:25you only have to say your lines
00:33:29because
00:33:29in lines
00:33:30it is comedy
00:33:31it is a situational comedy
00:33:33and
00:33:33there is a lot of people
00:33:36like
00:33:37Parish Rawal
00:33:38Asrani
00:33:39Om Puri
00:33:40and
00:33:41Ritesh
00:33:42Teshmuk
00:33:42then
00:33:43it was like
00:33:4410 man army
00:33:46against
00:33:46one woman army
00:33:47it was like
00:33:48very beautiful character
00:33:51and
00:33:51when the film
00:33:52played
00:33:52I felt so nice
00:33:54because
00:33:54a great role
00:33:56in the films
00:33:57people
00:33:58think
00:33:59that
00:33:59you don't have to film
00:34:01in the film
00:34:02and
00:34:02I said
00:34:03that
00:34:04normally
00:34:05it is a flop film
00:34:07and
00:34:07there is no chance
00:34:08but
00:34:10it is a million dollar question
00:34:12I don't even have an answer
00:34:14but
00:34:14it was a great experience
00:34:16working with
00:34:17the starlets
00:34:19the starlets
00:34:20of Ritesh
00:34:20I love Ritesh
00:34:22I love Ritesh
00:34:24I love Ritesh
00:34:25we
00:34:25we have a lot of combination
00:34:27we have a lot of combination
00:34:28we haven't seen in the film
00:34:28because we, Rajpal
00:34:30and
00:34:30yes
00:34:31I have a lot of combination scenes
00:34:36but
00:34:37I have always admired Ritesh
00:34:39always
00:34:41He has been multi-talented
00:34:43He is multi-talented. And even in the couple shows, we also have a complete entertainment package.
00:34:54As an actor, as a comedian, as an emotional. And last, I saw his lie in the hospital.
00:35:04I had a flu at that time. Temperatures vary, so I had two days in the hospital.
00:35:13Just to get the feel of the lie. And I thought that Janilia and Ritesh are the most genuine couples.
00:35:21And I am an example to be the best couple from the film industry. And I am so happy that
00:35:27Raja Shiva ji is also super hit.
00:35:30In the first time in Marathi cinema, it is so much for Bollywood and Hindi.
00:35:36And that is because of Ritesh's relationships.
00:35:39Because he has always maintained that relationship. But there are very genuine relations.
00:35:44I mean, there are no filmy and farcical relations.
00:35:47And it is so genuine. And she is also in the press conference and in the release.
00:35:53But it was so touching. It was so touching. So touching. I mean, I love Ritesh.
00:36:03I mean, there are many people in the world that we have heard about.
00:36:06I mean, there are many people in Mumbai.
00:36:09I mean, there are many people in Mumbai.
00:36:15There are many people in Mumbai.
00:36:29There are many people in Mumbai.
00:36:37But of course.
00:36:39I mean, there are many people in Mumbai.
00:36:43which CM can save. But we had wonderful experiences.
00:36:49Asrani Sahib, he was a vegetarian, you know.
00:36:53And when we started, we started four hours.
00:36:57Four hours?
00:36:58We were all ready.
00:37:00We had a protocol that
00:37:0315 actors,
00:37:05all the actors are now in the car,
00:37:08and our staff are now in the car.
00:37:11The first car, the director Priyadarshan.
00:37:14We all followed them.
00:37:16We all followed them.
00:37:18We were all in the location.
00:37:20We were all in the scene, ready.
00:37:23We were all in one scene,
00:37:26break for breakfast.
00:37:28And we had to pack up for one scene.
00:37:31I said, sir, the artist is here.
00:37:33So, go and relax.
00:37:35He said,
00:37:36the artist is here.
00:37:37He is here.
00:37:40So, I think,
00:37:43it was a big experience working with
00:37:46the most renowned actors.
00:37:48Paresh Sar, Om Sar, Shakti Kapoor,
00:37:51Arbaaz,
00:37:53Multistar and Rajpal, of course.
00:37:56There was a chase sequence in the climax.
00:37:58There was a chase sequence.
00:37:59There was a kiss.
00:38:00What is a kiss?
00:38:01A kiss.
00:38:01A bike is all brake fill.
00:38:05Huh?
00:38:06Yes.
00:38:06You know,
00:38:07Manu is a man.
00:38:09He was a man.
00:38:09He was a man.
00:38:10I was like,
00:38:12don't break.
00:38:13I was like,
00:38:15break, break, break, break.
00:38:17Mother,
00:38:18no break.
00:38:18I said,
00:38:19what is a break?
00:38:21We will be in this fire.
00:38:23I told you,
00:38:23you will be in this fire.
00:38:24We will fall in the pit.
00:38:26And the guy,
00:38:26the guy,
00:38:27the guy,
00:38:28the guy,
00:38:28he strap it.
00:38:29I don't know anything.
00:38:31I am not.
00:38:31I will not go to this. I will not go to this.
00:38:33It's a crazy chase sequence.
00:38:37And I have to say, Asrani, normally dummies, like my wife,
00:38:44the other actors, the other actors, the other actors.
00:38:48Asrani has personally shot that.
00:38:51He doesn't do that, he needs to do that.
00:38:54I mean, it's a good feeling from these actors.
00:38:59And that was the most hilarious sequence.
00:39:01Because Priya Darshan's climax is like that.
00:39:03Like, in the middle of the night,
00:39:04I am so sorry, I am so sorry.
00:39:09Asrani, don't do it, don't go away.
00:39:11We will come back.
00:39:15So, yeah.
00:39:17A great experience is good.
00:39:18And 15 years of the film is complete.
00:39:20Is it so much like StarCast?
00:39:22No, no.
00:39:24I don't like it.
00:39:27In 15 years of the film,
00:39:30I don't like it.
00:39:32I don't like it.
00:39:33The film is complete.
00:39:35I don't like it.
00:39:36But recently, you didn't give it to films like that.
00:39:42The film?
00:39:42I don't like it.
00:39:46That is a very diplomatic way of saying that
00:39:47I don't like it.
00:39:48I don't like it.
00:39:50I don't like it.
00:39:53Why do we have to do films like that?
00:39:55Do we have to do films like that?
00:39:56Yeah.
00:39:56Because as we can't see the pictures,
00:39:59We don't like it.
00:40:02Because it's not the offers.
00:40:04It's not the offers.
00:40:06Some people especially say that
00:40:08Sudha Ji is very busy on television. This is a problem. And I don't have to worry about the phone.
00:40:14Then there is a local telephone. You can just do a mobile phone.
00:40:18I don't have to worry about it. So I decide.
00:40:22I don't have to worry about television.
00:40:24I don't have to worry about it.
00:40:25But then there is a lot of information about television.
00:40:33I was not doing television here.
00:40:35Because there is a lot of information about it.
00:40:39It's a Star Plus War.
00:40:41It's a super hit serial.
00:40:43It's a remake.
00:40:46Who is in Rasode?
00:40:47It's the same character.
00:40:50It's 4 years ago.
00:40:51It's a super hit serial.
00:40:55Then my husband called me up.
00:40:58He said,
00:40:59In the colors, he was a promo.
00:41:01Nagan.
00:41:02Then I said, why are you doing Nagan?
00:41:05You are doing this.
00:41:06You are doing the promo.
00:41:06Then you are doing the serial.
00:41:07No, no, no.
00:41:08Because my husband was an assistant to Rajkumar Kohli sir.
00:41:13Nagan.
00:41:14I said, no, your concert is very good.
00:41:15I think Balaji is doing it.
00:41:17I said, okay.
00:41:18I said, okay.
00:41:18Let's go.
00:41:203-4 days after a phone.
00:41:22Calling from Balaji Telefilms.
00:41:23Ekta ma'am wants you to do Nagan.
00:41:25I said, huh?
00:41:26Ekta ma'am wants me to do Nagan.
00:41:28I said, but I am doing south.
00:41:30No, madam.
00:41:31Ekta ma'am said,
00:41:32Sudha Chandran,
00:41:33I want her for this role.
00:41:36I said, okay.
00:41:37I said, I am not here.
00:41:38I am here.
00:41:39I said, I am doing south.
00:41:41I said, no, come on.
00:41:43I went.
00:41:43I took her.
00:41:44I was on the other side.
00:41:45Ekta Jinn, the story telling was amazing.
00:41:49Amazing.
00:41:51I was just like that.
00:41:54I was doing NAC.
00:41:56I was doing NAC.
00:41:56I was like that.
00:41:57And suddenly, I got to turn.
00:41:59I said, you will be thinking,
00:42:01what I am doing in the serial?
00:42:03You will not do this in the 30 episodes.
00:42:04You will not do this in the 30s.
00:42:06You will only do this in the 30s.
00:42:07You will only do this.
00:42:08But I will not say anything.
00:42:09Because all artists are doing this.
00:42:10I will not do this.
00:42:12I will not do this.
00:42:13I will not do this.
00:42:14When the point is,
00:42:14I will not do this creative.
00:42:16I will not do this.
00:42:18And so true.
00:42:20But when I was re-entering on television,
00:42:23I would not get the title role in the title role.
00:42:27But of course, thanks to my director, Santra Marama.
00:42:30The colour of the character,
00:42:31the colour of the character,
00:42:33we will only do this.
00:42:36So, I will be thinking about you.
00:42:38What is your name?
00:42:40How many languages are you?
00:42:41I am speaking all of the languages.
00:42:44I am speaking all of the languages.
00:42:46I am speaking to you.
00:42:47I am speaking to you.
00:42:48I am speaking to Marathi.
00:42:48I am in Mumbai.
00:42:49I am speaking to Tamil.
00:42:53I am speaking Tamil.
00:42:54I am speaking Tamil.
00:42:54I am from Kerala.
00:42:55I am speaking to Tamil.
00:42:57I also speak to Demi.
00:42:59I am speaking to Telugu.
00:43:01I am speaking,
00:43:01wall of Telugu.
00:43:04дорoh's work don't work.
00:43:06There is built in Gujarati.
00:43:08Other than Gujarati films.
00:43:11There is also not good in Hindi.
00:43:12And to tell you the truth,
00:43:15don't state awards for his best actors.
00:43:18Gujrata won't put any машini.
00:43:20And in Bengali, people said that the people who are going to do the job is to do the job.
00:43:28I said, what is the job? I said, it's a road theatre.
00:43:32Three hours ago. And I said, I had to do a job.
00:43:38I said, how long did I do it?
00:43:4215-20 hours. I said, how long did I do it?
00:43:44I said, not bad.
00:43:47I said, how long did I do it?
00:43:49How long did I do it?
00:43:51How long did I do it?
00:43:54I said, how long did I do it in Bengali?
00:43:55I said, how long did I do it?
00:43:57I said, 3-4 months.
00:44:00I said, if I had studied for my education,
00:44:04I would have definitely been on Nasa or somewhere.
00:44:07I said, I would have taken four hours,
00:44:09and I would have written a lot of scripts in Bengali.
00:44:11I would have written a lot.
00:44:12And I would have written a lot of scripts.
00:44:14And when I went on stage,
00:44:16I said, I don't know if the actors are telling the other actors.
00:44:19I would have asked,
00:44:20I said, 1, 2, 3, 4, 1, 2, 1, 2, 1, 2, 1, 2, 1, 2, 1, 2, 1, 2,
00:44:231, 2, 1, 2, 1, 2, 1, 2, 1, 2, 1, 2, 1.
00:44:35And when I feed them, I feed them.
00:44:37And for me, I have almost 250 shows.
00:44:40I have a lot of them.
00:44:42But did you do a lot of cinema in Marathi?
00:44:45Yes, for me.
00:44:46For me.
00:44:47For me.
00:44:47For me.
00:44:47For me.
00:44:47For me.
00:44:47For me.
00:44:48For me.
00:44:48For me.
00:44:49For me.
00:44:49For me.
00:44:49I mean, Priya Ji is a heroine.
00:44:52And I played,
00:44:52I mean, second late.
00:44:54I would love to be in the 90s.
00:44:56In the 90s.
00:44:57In the 90s.
00:44:57And that was also because of Junior Mehmud.
00:45:01I always called him my brother.
00:45:03Mehmud sahab, I think he is a very good talent.
00:45:05He is a very good talent in Marathi cinema.
00:45:07Industry was a very good talent.
00:45:09I think that I think that Junior Mehmud would love to be a lot,
00:45:14What would he do with it?
00:45:16He said to me,
00:45:17I think that I did not.
00:45:18I would say Juno,
00:45:19you are not a great talent.
00:45:21And what if you are a great talent?
00:45:22Why is it so good?
00:45:23If you are all like Master Raju,
00:45:24you are not a great talent,
00:45:25you are a great love for me.
00:45:29Just because of him,
00:45:29I thought I was a good talent.
00:45:30But I would love Marathi films.
00:45:33But I love Marathi films.
00:45:33Mehmud sahab,
00:45:34Junior Mehmud sahab,
00:45:35that was one of the kids.
00:45:36You loved it.
00:45:38You loved it.
00:45:39You loved it to be in the cinema.
00:45:40I loved it.
00:45:43But you loved it.
00:45:44I loved it.
00:45:44I loved it.
00:45:45I loved it.
00:45:45I loved it.
00:45:46You think that you are doing for your brother.
00:45:49I said, let's go.
00:45:50I said, I don't want to say anything.
00:45:52What happened to you?
00:45:53We had a lot of relationships that were there.
00:45:57And it lasted.
00:45:58I said, now we have a relationship,
00:46:00and we have a relationship.
00:46:01We have a show that you are not alone.
00:46:03I was not alone.
00:46:06We have a lot of actors.
00:46:09Today, we think that everyone has a pause button.
00:46:12We have a pause,
00:46:13and we release the pause button.
00:46:15Same emotions, same sentiments, same feelings.
00:46:19We don't have any interest in the industry.
00:46:23In your house,
00:46:26there was a devotee to you.
00:46:30Akshara Devi gave you a wish.
00:46:32And the video was viral.
00:46:33And the other people were being trolled.
00:46:36What do you think about it?
00:46:37Who cares?
00:46:39I don't care.
00:46:40I don't care about it.
00:46:41I don't care about it.
00:46:44Because, you know,
00:46:45there are emotions and feelings.
00:46:48When we explain what we are trying to do,
00:46:52I don't care about it.
00:46:54It's a very internal feeling.
00:46:56And if it's not genuine,
00:46:58it's not genuine.
00:46:59If you are just trolled.
00:47:01And what do you do?
00:47:01What do you do?
00:47:02I don't care about it.
00:47:03You know,
00:47:04you are also trolled.
00:47:05You are trolled,
00:47:06but I am very famous.
00:47:08You are trolled.
00:47:10And the people who are trolled.
00:47:13I don't think it's going to be like your house.
00:47:16And the people I've met, they say,
00:47:20Madam, my mother, my mother, my father,
00:47:23my father, too.
00:47:24But what do you say?
00:47:27What kind of issues do you have in India?
00:47:32What kind of issues do you have in India?
00:47:35What kind of issues do you have to say?
00:47:38What kind of issues do you have to say?
00:47:42What kind of issues do you have to say?
00:47:45And what kind of issues do you have to say?
00:47:47I feel blessed.
00:47:51I'm lucky.
00:47:52I'm lucky.
00:47:55It's even more better.
00:47:57So, you've got to be a very spiritual and very good.
00:48:02You have to be a very negative character.
00:48:05But you have to be very positive.
00:48:09You have to be social events,
00:48:10you have to be social activities.
00:48:13What kind of issues do you have to say?
00:48:19What kind of issues do you have to say?
00:48:19My upbringing is.
00:48:21I have a middle class family.
00:48:23I have a family.
00:48:25I have a middle class family.
00:48:27I have a grandmother.
00:48:29I also have a mother.
00:48:30I also have a mother.
00:48:32I also have a mother.
00:48:37I have a mother,
00:48:37I have a family.
00:48:41You are a mother,
00:48:43I have the mother,
00:48:43that people should remember you.
00:48:48That's not the important thing.
00:48:52that today you have a lot of money, resources and resources,
00:48:57but do it with people.
00:48:58I don't know that whoever you come to,
00:49:01you can do it with one percentage.
00:49:04And I do it with special challenges.
00:49:06In fact, I don't think that I need to do a lot.
00:49:11I need to do a lot.
00:49:13And my last focus is,
00:49:15in politics,
00:49:17I have to challenge people with a special challenge.
00:49:20This is my journey.
00:49:23If you want to say that,
00:49:25do you want to say that?
00:49:28Yes.
00:49:30I want to say that,
00:49:31I want to say that,
00:49:33I want to say that,
00:49:34I want to say that,
00:49:36I want to say that,
00:49:40I am not exclusive,
00:49:41I am not unique.
00:49:42But what happened?
00:49:46We can do something.
00:49:48We can do something.
00:49:50And we can give a message.
00:49:53Because I have to say that,
00:49:56every individual has a responsibility towards society.
00:50:00And I am very fortunate,
00:50:02because I have a lot of inspiration for people.
00:50:06And when I sit down,
00:50:08people say that,
00:50:09Madam,
00:50:10you are so proud that we are doing that.
00:50:12Madam,
00:50:12you are so proud that we are going to go with that.
00:50:14And not just because of it,
00:50:15we can say that,
00:50:16that is not a blessing for us.
00:50:17That itself is a blessing for you.
00:50:20I want to say that,
00:50:22I want to say that,
00:50:22that's what you do.
00:50:23What?
00:50:24What?
00:50:24You have performed for not only in the show.
00:50:27You have performed at the show.
00:50:28That was the present for Helen.
00:50:30Yes.
00:50:30And,
00:50:31you have done that.
00:50:33You have done that.
00:50:35It's still good.
00:50:37I can't explain it.
00:50:38But because I'm a very big fan of Helen Ji.
00:50:40I also say that Helen Ji is the only actress who has given dignity to cabaret.
00:50:48Cabaret was always said that, eh, she's a vulgar dancer.
00:50:52Helen Ji when she did cabaret, it was the most dignified performance.
00:50:57She didn't have any angle, she didn't have any songs vulgar.
00:51:02So, Helen Ji was an epitome of it.
00:51:05She was the only person who does it.
00:51:09She was the only person who does it.
00:51:10To do such bold songs, she shows everything.
00:51:15When I was doing Marathi,
00:51:16I was just a film of Marathi,
00:51:19Mahesh was very kind enough that,
00:51:21Sudha Ji, you also joined us.
00:51:23So, I also said that,
00:51:27famous Marathi film personalities
00:51:30are the only one for the first stage.
00:51:31to share.
00:51:34Then Helen ji came to a performance.
00:51:38And as usual, I had a lot of performance.
00:51:41Helen ji stood in the first seat.
00:51:43She came towards me.
00:51:44She was congratulating me.
00:51:47And suddenly she touched my feet.
00:51:52In 30 seconds, I was blank.
00:51:54Yes, you can stop it.
00:51:55I said, what can I do?
00:51:58What can I react?
00:51:59I said, what can I do?
00:52:01And I said, because of my first performance,
00:52:05after I lost my leg,
00:52:08my father gave me a tribute.
00:52:11I said, Helen ji, what are you doing?
00:52:14No, no.
00:52:16I am a very fan.
00:52:18I said, ma'am, you are a fan.
00:52:20The world is your fan.
00:52:21Why do you wear my pants?
00:52:23No, I am wearing my pants.
00:52:26No, I am wearing your pants.
00:52:26I am wearing my pants.
00:52:28I am wearing my pants.
00:52:30My God, I am wearing my pants.
00:52:32I said, I think you are like this icon.
00:52:34Think of me.
00:52:36I said, red eyes, red eyes.
00:52:38I said, I have nervous.
00:52:40I have a face in my face.
00:52:42I didn't know.
00:52:43I think it was a very precious moment.
00:52:47And that's a video that I did.
00:52:49So, I will preserve it to the last breath of my life.
00:52:52I have a face in my face.
00:52:56I have a face in my face.
00:53:00I have a face in my face.
00:53:03I have a face in my face.
00:53:05So, I have a face in my face.
00:53:07And how did you feel like that?
00:53:07And of course.
00:53:09You've been doing it, right?
00:53:10I have to think.
00:53:12Because,
00:53:13I have to think.
00:53:14And...
00:53:15I don't know where to go.
00:53:17Who will say.
00:53:18Who will say.
00:53:19And...
00:53:19I have to think.
00:53:22In that situation,
00:53:23I have to think.
00:53:25But I am very bold.
00:53:27My father and mother.
00:53:28But...
00:53:28I am very bold.
00:53:31But, at night,
00:53:32I have to think.
00:53:34I have to think.
00:53:36I have to think.
00:53:36I am not in another bedroom.
00:53:37I do not have to think.
00:53:38I have to think.
00:53:39What's an honour?
00:53:43We are as if we are having to know.
00:53:43And no one person is being able to know.
00:53:46That's not the right thing.
00:53:46What's the honour?
00:53:48That's not the right thing.
00:53:52That's not the right thing.
00:53:53I thought it was.
00:53:53I've been there for the night.
00:53:54I have to tell the young man.
00:53:55We are also doing well.
00:53:55And I am the public religious.
00:53:58He asked me.
00:54:00I have to think.
00:54:01What's it?
00:54:01So,
00:54:0315 years ago, people say karma, karma, what kind of karma is it?
00:54:07Karma is the name of the name of the people.
00:54:09And people say, we are doing a great prayer,
00:54:13we are doing a great prayer,
00:54:14and my grandmother said,
00:54:17we will never do this.
00:54:20And when you think about it,
00:54:23you are very depressed,
00:54:25you think about it,
00:54:27but it's good to say it.
00:54:29You are going to go and go.
00:54:32And then, in the last couple,
00:54:34I am going to cry and cry.
00:54:38I am going to cry.
00:54:41You will never have seen me cry.
00:54:45Because I am going to cry,
00:54:48and I am going to cry.
00:54:50And I am going to go and get you.
00:54:53So, when Helen was taken to you,
00:54:55I am going to cry.
00:54:55Then, at that moment,
00:54:57I am going to cry.
00:55:01And I am going to cry.
00:55:02And I am going to cry.
00:55:04And I am going to cry.
00:55:04Why did you say flashbacks?
00:55:07Why did you say that?
00:55:08And when I cry,
00:55:12I am going to cry.
00:55:13I am going to cry.
00:55:15I am going to cry.
00:55:15I am not going to cry.
00:55:18I'm going to cry,
00:55:19And now,
00:55:20I am going to cry.
00:55:32And after that,
00:55:33I am going to cry
00:55:34I love the earth's love.
00:55:35Because it's a feeling that it's a natural limb and an artificial limb.
00:55:39But I think that's a very big reason.
00:55:41I think that's a very big reason that as a natural limb as a natural limb.
00:55:48And I think that when I dance, I don't have limbs.
00:55:53I just want to dance.
00:55:55So, I just want to dance.
00:55:57It's a very good thing.
00:55:59What's your story about Tanya's story?
00:56:03I think it's a big honor that in textbooks, the coming generation is a chapter.
00:56:11You know, in the CBSE board, there is a chapter in all state governments.
00:56:18The younger generation is a chapter.
00:56:23And when people talk about it, they say, oh, this is the same thing.
00:56:27Mama, we read about it.
00:56:29But I think it's a very good thing because it's a real-life heroine and a real-life heroine.
00:56:36They're putting in two characters.
00:56:39But I think that you want to give me a lot of politics.
00:56:44I want to give me a lot of politics.
00:56:45I want to give you a lot of politics.
00:56:47Because I think that the government has potential.
00:56:52And politics is not so much.
00:56:55See, politics is a kind of a medium.
00:56:58I think that I can do something with our community.
00:57:03And...
00:57:03What is the community of community?
00:57:06Specially challenged?
00:57:07Specially challenged.
00:57:08Specifically, I say that we have to do something with our community.
00:57:12We don't compete at that level.
00:57:14But I think that today, specially challenged, 8-9, 10% of the voting population.
00:57:22So, it is very important that we have to represent a face.
00:57:26And I think that there was always a saying, a man who makes the shoe doesn't know where it pinches.
00:57:33The man who wears the shoes knows where it pinches.
00:57:37Personally, there are some problems that I can feel.
00:57:41Because I have undergone that.
00:57:43So, there is a face that comes from us.
00:57:46And I think that today, I don't have a position that I can do it.
00:57:52I don't know how to do it or how to do it.
00:57:55And I come from Kerala.
00:57:57So, obviously, politics and Kerala go hand in hand.
00:58:01Because I am very politically conscious.
00:58:03And I am a big fan of Modi Ji.
00:58:06Modi Ji and Yogi Ji are like mine.
00:58:09So, are you not from Kerala?
00:58:12No, no, no, not from Kerala.
00:58:15So, Modi Ji is not here.
00:58:17So, I am doing it.
00:58:19What I am doing is, what I am doing is the regime of Modi Ji, what I am doing is
00:58:21BJP.
00:58:23So, it is a final decision.
00:58:26But, are you active in social media?
00:58:28Very active.
00:58:29Very active.
00:58:29I have dance at the same time.
00:58:31It's like you are active.
00:58:33People say, what are you doing?
00:58:35I am playing.
00:58:36The whole thing is the whole thing.
00:58:37I said, the whole thing is the whole thing is the whole thing.
00:58:39And when people think about it, there is nothing to do that.
00:58:42The whole thing is, I am not going to do gossip.
00:58:43I am saying that Vijay is a real one.
00:58:45And I am a lot of white people.
00:58:47So, the cameraman is doing that,
00:58:50when I am doing the whole thing,
00:58:51when I am doing this, I am doing the whole thing.
00:59:03Because it also keeps you connected with the audience and people don't want to go with the title, go with
00:59:12the title.
00:59:15But within your limits, within your age, Instagram has been used for all purposes.
00:59:25We can give a social message that we can entertain people in a decent manner.
00:59:31And we can have daily connections.
00:59:33Tell me.
00:59:37When you are active in social media, we have seen a stand-up comedy called Pranit More.
00:59:45So Pranit is a good troll.
00:59:48When you go to the show, you go to the show.
00:59:50You go to the Biryani Varun.
00:59:51Then you go to the Biryani.
00:59:53You go to the Biryani shop and then you go to the Biryani shop.
00:59:56Sad. Very sad.
00:59:57What do you think?
00:59:58You go to the yoga yoga yoga yoga.
01:00:00See, I mean, I usually like him as a contestant.
01:00:04I think it's a good thing.
01:00:06You go to the show.
01:00:07But one thing, I think, when Salman Khan said that,
01:00:13you can do comedy until you don't have that effect.
01:00:17So it's a big tagline.
01:00:19And it's an experience of an actor.
01:00:23So I just gave him a hint.
01:00:26That's how big it is.
01:00:27Yes.
01:00:28Because he said that you do comedy.
01:00:30But we need to cross a limit and we need to cross a line.
01:00:33That's how definitely Salman Khan would say.
01:00:38Unfortunate.
01:00:39But sometimes, when we're happy, you learn a lesson.
01:00:44I mean, he'll bounce.
01:00:45Hundred percent.
01:00:47What's your point?
01:00:48What's your point?
01:00:49What's your point?
01:00:51What's your point?
01:00:52You know, when we're doing comedy, we're doing stand-up comedy.
01:00:55We're trying to figure out what is that line you should not cross.
01:00:59We're trying to get swayed.
01:01:01We're trying to get swayed.
01:01:01See, when you're doing comedy, comedy is not limited.
01:01:07There are perceptions.
01:01:08People have perceptions.
01:01:10And when there are perceptions, then it goes out of control.
01:01:16But when we're doing that, you should know that we're trying to cross this line.
01:01:20Because when we're doing stand-up comedy,
01:01:23there were so trolling, so much audience reactions were very less.
01:01:27But in the past, you were the reaction.
01:01:29It's an instant reaction.
01:01:30And it's an instant reaction.
01:01:33And I'm sure that Pranit will bounce back.
01:01:36That's right.
01:01:37It's okay.
01:01:38You learn a lesson.
01:01:40But did you get to Marathi cinema?
01:01:43Yes.
01:01:45I mean, Marathi cinema inspired you very much.
01:01:48Marathi cinema has inspired you very much.
01:01:49Marathi cinema has come to play.
01:01:51We don't have to play.
01:01:51We don't have to play.
01:01:54We don't have to play.
01:01:54We don't have to play.
01:01:55We don't have to play like Marathi cinema.
01:01:55You said that we have a great role.
01:02:00It's a woman-centric film.
01:02:02And yes, my favourite actress is Amrita Khantilkar.
01:02:05She's a dancer.
01:02:06She's a very nice dancer.
01:02:08And Ashish Patil choreographs her.
01:02:10And Ashish Laa, I'm a dancer.
01:02:11She's a very nice dancer.
01:02:13She'll have to play with her girls as a combination.
01:02:16She'll have to come in this room.
01:02:18So I know her.
01:02:19And she's a very Roman tradition.
01:02:22So I know her.
01:02:23I'm very happy.
01:02:23I like Amrita Khantilkar.
01:02:25And of course, Ritesh Deshmukh is my all-time favourite.
01:02:27I would love to do a beautiful role in Marathi because it's a very positive role in Marathi.
01:02:40Aishwa, do you think that the more you're dreaming, the more you're dreaming, the more you're dreaming, the more you're
01:02:51dreaming, the more you're dreaming, the more you're dreaming.
01:02:56The more dreams are fulfilled, the more dreams emerge.
01:03:00Well, you think, aishwa, what is your future? No, I'm not going to be eager to do it.
01:03:07So if you think that you have a single team, then, let us live.
01:03:11You don't know. I don't like it. Fair enough.
01:03:14Unless you don't dream, there is no purpose.
01:03:17I will take a look at myself.
01:03:19I will always say that I will do that.
01:03:22But I will achieve the paths in my list.
01:03:25I will give you 4 forwards.
01:03:28If this is true, then we will go next.
01:03:31Sudha Ji, you are the main leader.
01:03:34Now we will go.
01:03:37The biggest joke of 2026.
01:03:39I like it.
01:03:41But, what changes do you have to do in this society
01:03:44and not in the politics of the election?
01:03:49We will fulfill the promises in the election.
01:03:53We will just say it.
01:03:55I think, if you have a film,
01:03:57you will become a CM.
01:03:59Nayak.
01:04:01It was also a Tamil film.
01:04:02I will give you money.
01:04:04One day, become a common man's CM.
01:04:08Become a common man's PM.
01:04:10That is necessary.
01:04:11Then we will say that
01:04:12if we have a voting right,
01:04:14that is a proper use.
01:04:17I would want to work for the common man.
01:04:19Because I am a common man.
01:04:21I think that common man is
01:04:23what are problems.
01:04:24And I think, every day,
01:04:27I am a name on Instagram.
01:04:29I don't want to be a member of this road,
01:04:30that is not a member of this road,
01:04:31I don't want to be a member of this road,
01:04:32I don't want to be a member of this road,
01:04:33I don't want to be a member of this road.
01:04:33I don't want to be a member of this road.
01:04:35And even a big campaign.
01:04:37Actually, directly,
01:04:38I put a post on Modi Ji in the Instagram.
01:04:41When I went to the airport,
01:04:43I told them that they were going to the airport,
01:04:45I thought,
01:04:46I thought,
01:04:46I and Vijay,
01:04:48we were going to the shooting of the Ijrabad.
01:04:50Then I told them that they were going to the airport,
01:04:52and they were going to the security check.
01:04:53I said, what is this?
01:04:55I was going to the airport in a room.
01:04:58I said,
01:05:02I was going to the airport,
01:05:03I had to go to the airport,
01:05:06and I said,
01:05:06Bodhi Ji,
01:05:08you are going to be a common man PM.
01:05:10What is this?
01:05:11I told them,
01:05:12I told them,
01:05:12Mumbai to Hyderabad.
01:05:14And I got a call from the aviation minister,
01:05:16that we apologize again that there will not be anything like that.
01:05:21This is today's government.
01:05:23Sudha ji, give a question.
01:05:25What do you think about politics?
01:05:27That's a good question.
01:05:29I don't think it's a good question.
01:05:30But, I think, the President of the President of the President of the President,
01:05:35the President of the President of the President, Ajit Parv, Shinde Sahib,
01:05:38and Tegan, who is your favorite?
01:05:41That's a good question.
01:05:42I think Devinder Farnaviz ji, the planning, the insight, the future of the President,
01:05:50is very good.
01:05:51I think we need a person like Devinder Farnaviz, not only for the state, but for the country.
01:05:56Shinde Sahib, common man's sin.
01:06:00So, I don't want to say that,
01:06:01I can always say that,
01:06:03I can always say that,
01:06:04I can always say that, sir,
01:06:06I don't want to do this anymore.
01:06:09That's what I see in Shinde Sahib.
01:06:11And I think Shinde Sahib is very, very, very good.
01:06:14And I'm so happy,
01:06:16that Manus is a common man,
01:06:19Rahun,
01:06:19common man's problems,
01:06:21and he comes with a common man.
01:06:23And he comes with a common man.
01:06:25And he says,
01:06:25unfiltered,
01:06:26he says,
01:06:28he says,
01:06:29and he says,
01:06:30he says,
01:06:30he says,
01:06:31I love you Shindeji.
01:06:32He says,
01:06:34he says,
01:06:36he says,
01:06:48he says,
01:06:50I don't have to look at the screen. People say, I'm a good person.
01:06:54I'm a good person.
01:06:56I don't have to look at it.
01:06:57I'm a good person.
01:06:59I'm a good person.
01:06:59People say, I don't have to worry about it.
01:07:04I have to do anything for money.
01:07:07You have to take a bite pick on Aishwab.
01:07:10But…
01:07:10You have to take a bite?
01:07:11Yes. But…
01:07:12You have to take a bite pick on Aishwab.
01:07:14So, who did you take a bite pick?
01:07:16Mother Teresa.
01:07:21Mother Teresa, you have to take a bite pick on Aishwab.
01:07:23What are you talking about with Lokmata and you?
01:07:28When I went to Naapur,
01:07:31there was no social media. It was only press.
01:07:34I had a first interview.
01:07:36I went to my house and I had a beautiful interview.
01:07:40And next day, next day,
01:07:43one full page write up of Sudha Chrandran and her performance.
01:07:47I had a cutting on Aishwab.
01:07:48I had a piece of paper.
01:07:49Because my father, my father,
01:07:52made an album.
01:07:53And everyone, as long as cuttings are,
01:07:55they stick it.
01:07:57And now I have still preserved it.
01:07:59But I have never been a Swiss writer.
01:08:02I said,
01:08:03I was like,
01:08:03I'm not a person in Marathi.
01:08:05I'm not a person in Marathi.
01:08:07This is my first interview in Marathi.
01:08:10Full-fletched interview.
01:08:11I didn't have a full-fletcher interview.
01:08:12And I don't think it's like a Marathi interview because I think it's Hindi interview.
01:08:17Actually, I don't know.
01:08:19When you talk to Marathi, I think it's been about to talk to Marathi.
01:08:24Thank you very much Sudhaji.
01:08:27Thank you, Sagar.
01:08:39Thank you so much, Sagar.
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