Nagarjuna, Akhil, Bhagyashri Borse and #Lenin Team Q & A with Media

Mana entertainment

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Transcript

00:00My brother is here.

00:02He is here.

00:03He is here.

00:04He is here.

00:07He is here.

00:07And yes,

00:09we are going to go to the Q&A session.

00:13Because,

00:13we have speeches in the pre-release.

00:16And we are talking about the cinema.

00:17But,

00:18we are going to start the media Q&A session.

00:31Okay.

00:32I request me to answer some clear questions.

00:34We will start our Q&A session.

00:36I request please clear the way.

00:41Good to go.

00:43You are first.

00:44Go ahead.

00:52Check.

00:56Hello.

00:56So,

00:57I am looking for everyone.

01:02I am looking for everyone.

01:03I am looking for everyone.

01:04I am looking for everyone.

01:06My beginning of my career.

01:08I have 6 people.

01:12I am only one photographer.

01:14No phones.

01:15No recording.

01:16No cameras.

01:17Nothing.

01:18I have a release.

01:19I have just a 6 people.

01:22I have questions.

01:23I have a problem.

01:25And I am not going to talk.

01:27Not anyone.

01:28And they are going to talk.

01:29They are going to talk.

01:30They are going to play the camera.

01:31They are going to play the camera.

01:33They are going to freeze.

01:34I am free.

01:35It is nice to see so many people.

01:37So nice to see you both.

01:40And

01:41Fantastic.

01:42And I am very, very happy to answer all your questions.

01:46I think Lenin started the first press meet.

01:49So, this is how I speak to my friends.

01:52Open from the audience.

01:58I have to talk about Nandhu.

02:05I will say this.

02:07Sir, this is not related to Srirama Puramana

02:11I have come in the process for my first time.

02:13I am very sweet, but Krishna is the only one to say that.

02:18But Chitturu is the only one to say that,

02:22but the first part I try to speak out this song of Antonopaya.

02:26Fantastic narrator.

02:29I think there are dialogues,

02:31really great dialogues along the way from that.

02:35My dialogue has produced for Nandu Rasina.

02:38dialogues and Akhil and Sri Ramapuram

02:43Kodathiskele had a lot of sentiment

02:46in the video. I felt very, very good

02:54and my name is Murali

02:57Murali said thank you

03:01Devarajil said thank you and Akhil

03:04Thank you very much Akhil

03:10Hello

03:12Previous films you delivered

03:17release and films but

03:18you are into a dilemma

03:23so what to choose

03:24but what exactly made you to believe in this particular Lenin script

03:31rightfully said we always put 100% for every film

03:35I am the only one

03:38the idea behind Lenin or the thought behind is

03:42I want to connect the roots

03:46I want to connect the roots

03:49I want to connect the roots

04:01Nakarjana

04:02Akhil

04:02I want to connect the roots

04:06I want to connect the roots

04:07that is common

04:10but this film was

04:12a positive vibe

04:14that you were involved in this film

04:19what did you learn about this film?

04:20Cinema journey was very, very emotional.

04:28I also said that in this stage,

04:31there was pain in this film,

04:34and journey in this film.

04:36He had personally got involved in it.

04:41Because in my career,

04:44I was able to work on other films.

04:47I was able to work on other films.

04:49I was able to work on other films.

04:52So, it was the same custom.

04:56But there was some pain.

04:58There was a pain in that film.

05:01There was a lot of wonderful coordination in this film.

05:09It was the beginning of the film.

05:13Of course, I was a producer involved.

05:16I was involved in this film.

05:17Generally, I was a producer.

05:19I was involved in this film.

05:22So,

05:24I was able to do the film.

05:30I was able to do the film.

05:42we are doing something right

05:45we are doing something correct, we are doing something correct

05:48because we can show the cinema

05:49we are not even if we are a cinema

05:57we have a character, just not one person

06:02we treat this cinema

06:04And every character, every character is as important in this film.

06:12And here, the actors are like Bhagyashree.

06:15Bhagyashree is the heartbeat. She is the soul of Lenin.

06:22So everybody has space in this film.

06:27And the film is the most important.

06:34The characters, the layers were very important.

06:40And the character, the layers, the themes for each character.

06:48And he has done such a wonderful job lifting the film where necessary.

06:56And I thank the whole team for this.

07:00It has been a wonderful experience.

07:05I am not talking about the result.

07:06I am talking about the experience.

07:09Where are you from?

07:11Where are you from?

07:12Where are you from?

07:13Where are you from?

07:14Where are you from?

07:15Yeah.

07:15I can't wait for the light.

07:18Okay.

07:19Okay.

07:20In this film, the film is called the date of the film.

07:23The business, the OTT, and the calculations are made.

07:26Right.

07:27What you do is the opportunity to do in this film.

07:31And for the time of the film, do you not think about the film?

07:34Do you understand the OTT?

07:38I remember the movie, and the film is there too.

07:46And just ask.

07:47I am not trying to do with the film?

07:47These films were the first job.

07:49I am not trying to do with the film.

07:55I do not do with the film.

07:59I have to do with the film.

08:00But I am trying to do with the film.

08:01Not in the film.

08:04OK.

08:04This is the movie. We can release cinema in three days. We can do it in four hours. We can

08:09do it in four days. We can do it in four days.

08:11We can do it now.

08:13But, technicians have requested me to do it.

08:17They did a lot.

08:18May...

08:19May...

08:20Almost May...

08:21May 1st.

08:24Yeah.

08:25Almost 26th June is ready.

08:28Almost June 1st.

08:35Around 15th June, Nagavamshi and Kishore and Annapurna post-production.

08:44The editor of Navin.

08:46And all the technicians came together.

08:50Only two weeks.

08:53Time is there.

08:56We can make the product even better.

08:58We can send them to the show.

09:03Yes, the numbers change.

09:06But the film has gotten all the way.

09:09The film is very close.

09:10No one to some school.

09:11Here, there.

09:12Here, here.

09:13Here, here.

09:14Here, here.

09:27Who is the name of Akhil Garu in the titles?

09:29Akhil Akhil, you.

09:32Ok, Akhil Garu.

09:34Basically, I'm talking about Nagajun Garu.

09:37Pain is also talking about pain.

09:39Everyone is a hero and a commercial success.

09:41Everyone is a compulsory person.

09:43Everyone is in the family.

09:44So, in this scene,

09:46if you are a commercial,

09:47if you are a commercial,

09:48if you are a success,

09:50you are the main thing.

09:52Because you are the main thing,

09:53you are the main thing.

09:56So, you can get a little bit of pain in the time.

10:00Now, you can get success.

10:03We have to make it commercial.

10:06We have to make it how it is supposed to be made.

10:09That's why I have a journey.

10:13You can enjoy yourself,

10:15pray and pray.

10:17You have a lot of respect for this script.

10:19You have a lot of demand.

10:20So, you will completely understand.

10:25There is no commercial calculation with this film.

10:28It is purely,

10:29our efforts,

10:31our genuine efforts.

10:32I have said many of them.

10:33Genuine efforts to put a very, very, very special film.

10:36We have to create it into a cinematic experience.

10:43Because when we are hearing it itself,

10:45it is so special.

10:47That is the only thing I have to say about this.

10:50What it will bring me?

10:51To 10th July,

10:52Manan Chuta.

10:53It is a genuine attempt from all of us,

10:55not just me.

10:55That is why I am not speaking only on my behalf.

10:57I know from this seat here,

11:00from Thaman to that side,

11:01and all the people behind me,

11:03in the front of me,

11:03there is no cost of water.

11:04It is all about the soil,

11:08and I will find it inside the soil.

11:11So,

11:12I have to make it into the soil,

11:12so I have done a lot of things.

11:13I have done a lot of work, sir.

11:13I have done a lot of research.

11:22Yes, sir.

11:51How important is this film for you, me personally?

11:55It is as important for any father who has a son and who is doing something. It is as important.

12:03It is as important for any father who has a son and who is doing something. It is as important.

12:14It is as important for me.

12:55It is as important for me.

12:56It is as important for me.

12:59It is as important for me.

13:02It is as important for me.

13:05Is it a memorable project for me?

13:08See, that is not in my hands.

13:15What I have done, I have done.

13:18It is as important for me.

13:24It is as important for me.

13:27It is as important for me.

13:34Good luck sir.

13:37Good luck sir.

13:49So, promotional content has been really, really stunning and I wish that it is a path-breaking film for Akhil

13:57in his career.

13:58It is really promising.

14:00That is what my heartfelt opinion on that.

14:03Yeah.

14:04Yeah.

14:05Yeah.

14:08Yeah.

14:15It is as important for you.

14:21What is your personal feeling?

14:24What do you think of Akhil in your life?

14:28No, no, no.

14:29You have success, you have success, you have success.

14:34How do you think of Akhil in your life?

14:36What do you think of this movie?

14:40No, nothing.

14:41I mean...

14:42You are a veteran actor, veteran hero.

14:58You have seen a lot of lows and highs of a career.

15:03As a substantial career.

15:05If you are given to make a comment on Achilles...

15:08kills basing on this film

15:10because everybody is expecting

15:12the expectations are at a very

15:14higher scale for this film

15:16that is the problem

15:17that has always been a problem

15:19that has always been a problem

15:29so that pressure

15:30is always on him

15:31that pressure is always on him

15:33so let us not compare

15:36my career to his career

15:38it is no comparison sir

15:41it is no comparison

15:42it is a pure feeling

15:44that is really murmuring

15:46pure feeling is

15:47starting to say

15:50this cinema has been a wonderful experience

15:53great

15:53and from the beginning

15:56to the making

15:57till yesterday also

15:59we all enjoyed it

16:04I am a great film

16:11we are hoping to see the audience

16:16and we are hoping

16:20they will reciprocate

16:22fantastic

16:23akil

16:24you accepted

16:27to take up the role

16:29and the challenge

16:30of that kind of an actor

16:31and everything

16:32ok

16:32but

16:33when you

16:34went inside yourself

16:36a character

16:43what is your first mental challenge

16:46what is your first mental challenge

16:47or the challenges

16:47that you faced

16:48practically all through the shooting

16:52I think

16:53I think

16:55shoot

16:55we had

16:56we did some workshops

16:59but most importantly

17:00was

17:00letting go of myself

17:02I think

17:04a lot of people

17:06in this cinema

17:06100% effort

17:10in the engine

17:11overrev

17:12wheels

17:16spin

17:17so

17:18let go of my

17:22inner energy

17:23and come

17:24as a calm

17:25Lenin

17:25Lenin is a very calm character

17:28he speaks very calmly

17:29he operates very calmly

17:31he is a leader

17:32he is an organizer

17:32in the film

17:33and a

17:34thought process

17:35translating to body actions

17:37so

17:39to do that

17:40I had to let go

17:41of lot of my energy

17:42so

17:42that was the

17:43actual internal prep

17:45I went through

17:45and I think

17:47once that happened

17:48the performance

17:49with Nandu

17:49once we worked on

17:50the workshops

17:51it was working

17:51very smoothly

17:52okay

17:53but

17:53before the

17:54transformation

17:55of the character

17:56in the film

17:56you are

17:57violent

17:59Akhil

18:00comes onto the screen

18:01the violent

18:03Akhil

18:04oh no

18:04then

18:05then

18:06that scene

18:07does it

18:08do it

18:08because it does it

18:09do it

18:10you are talking

18:12about the

18:12trailer

18:12look

18:13climax

18:13all of that

18:14see sir

18:14we finished

18:17the film

18:17okay

18:18so I understood

18:18the emotion

18:19of the film

18:19okay

18:20I understood

18:20why this

18:21character

18:21is doing

18:22he is

18:22asal

18:23it

18:23now

18:23I

18:24can't

18:24go

18:24okay

18:25baseless

18:26violence

18:26it

18:27okay

18:28it is deeper

18:28emotion

18:29so I know

18:30where this

18:30character's

18:31journey has

18:31started

18:32and what

18:32he is

18:32feeling

18:32right now

18:33I really

18:33feel it

18:34because I

18:34finished

18:35the film

18:35and he

18:35has written

18:36it so

18:36organically

18:39because I

18:40believe

18:40the

18:41character

18:41I

18:41believe

18:41the

18:41story

18:42so

18:42by

18:42then

18:42it

18:43was

18:43coming

18:43naturally

18:44fantastic

18:45he's

18:46written it

18:46like that

18:46organically

18:47so I

18:49don't take

18:49any credit

18:50for it

18:50it's

18:50come from

18:51the

18:51story

18:51great

18:51to

18:54best

18:55of

18:55luck

18:56and we

18:58will look

18:58forward

18:59to it

18:59again

19:01here

19:02yeah

19:23Sorry, can you please?

19:31Sir, I think Bharti is very close to my heart because it was very easy to play her because

19:37I am like that personally with my family, with my close friends, so I think our energy

19:43I took it on set and definitely I think Nandu sir was a big, big, big part of Bharti, I

19:49think

19:49whatever credit I get for Bharti, either before the release or release Tarvata, I think it

19:54all goes to Nandu sir for sure, so I would say Bharti is a part of me.

20:00And here is Srila was the consider for the character, then you played this character, do you feel

20:08it's fortunate in your career?

20:11I think sir, Pratikatha decides who's going to be the character, who's going to be the

20:16actor for the story, no matter how much I would want to be a part of a story, I think

20:21it's destiny's call, so I am definitely very fortunate, yeah.

20:26Therese, here sir.

20:31Hello.

20:33Yes sir, actually you have to promise me, when I was talking to you and you are getting pre-release

20:39event, you actually mentioned that you were talking to the character, you have to say that

20:41you are 살� entre the characters, now, only thing that you have to say, you watch the family

20:46and you are only one of the fans, but you are the one of the fans.

20:48Thanks. So my question is,

20:51What is the gap?

20:53In two-three years,

20:55this comeback movie,

20:56this film has been made up of 1 movie,

20:59and you can't do anything.

21:01That movie has been made up,

21:03and that movie has been made up.

21:04That movie has been made up.

21:05So the last bit, that movie is made up?

21:07That movie is made up of this comeback movie.

21:10One film, old director,

21:11you would have been out of this movie.

21:13That movie has been made up of the positivity cinema.

21:15So, he has created that. So, all of the credit goes to him and his story. Content matters. So, content

21:22spoke to me. The story spoke to me and edit type and story. Content screen he translated. So, the experience

21:35of working with him, we just believed in the story and we went with it seriously.

21:43Now, I understand. So, first time I have experienced that and we both worked as newcomers. I am also very

21:56much a newcomer in this film.

21:57All the best.

21:59Akhilgar.

22:00Akhilgar.

22:03Sir.

22:04Sir.

22:05Quite a bit of times you have been talking about.

22:08Yes.

22:08But in this promotions, in your speech, in your interviews, you are a bit of different person.

22:16How now?

22:16You are a lot calm now and a lot mature.

22:24Why?

22:26Why exactly?

22:28What is that?

22:29You try to give your everything, every time, at every opportunity. But you also learn that what is necessary.

22:39In this cinema, what is necessary?

22:42I want to give you the calmness.

22:42And I think the calmness is also coming from understanding how to go about my work.

22:49The calmness is also coming from you.

22:51If you are calm, if you are calm, if you are calm, if you are calm, yes, I feel much

22:53calmer in the last three years.

22:55I went through a journey.

22:57In this interview, I had an injury.

23:02You learn to slow down a little bit and think.

23:05And it happened to me.

23:09I didn't enjoy the gap.

23:11But then I started to enjoy it because I understood myself a little bit.

23:14I came back with the right approach is what I think.

23:16That's all.

23:17Nagsar wants to add something.

23:18You are excited about that.

23:22No, no, no, nothing to add.

23:25I am just listening to him.

23:28Okay, sir. All the best, sir.

23:33Nagsar wants to take a look at my work.

23:35But what do you want to do with your work?

23:40Very happy.

23:43I think the first photo shoot, I invented my name.

23:47And she is very, very happy.

23:48Very happy.

23:50Actually, I am a little bit in the theater in the box.

23:53That's right.

23:54That's right.

23:54Don't worry.

23:55That's right.

23:56We can get a score of the time.

23:57We can get a copy of the time.

23:59Yes.

24:01I have to take a look at my calmness.

24:02I have to take a look at my book.

24:04That's a point.

24:06That's right.

24:07That's right.

24:08It's calm.

24:08So,

24:09I don't know.

24:11I don't know.

24:12But the rest of the time,

24:13I don't know.

24:14I don't know.

24:16This silence is before this time.

24:20That's right.

24:21That's right.

24:23That's right.

24:24That's right.

24:24He's holding his emotions very right.

24:27I know what we all went through last one and a half year.

24:30It was a crazy journey.

24:39It's not easy.

24:44But actually, we'll make it very big.

24:46Sir, Nagarjanagar.

24:48Yes, sir.

24:48Nagarjanagar.

24:49Sir.

24:50Yes.

24:51Yes.

24:53Yes.

25:00Yes.

25:02Guys.

25:03You have not gone through the gate.

25:05No!

25:06No!

25:07No!

25:08있어요.

25:09No!

25:15No!

25:16No!

25:21Sir, a few days back, I have a tweet that I have first cut and I have a new Akhil.

25:29Again, I have seen this tweet that I have a new Akhil.

25:34Yes, I have a new Akhil.

25:37I have a new Akhil in the cinema.

25:41Kishore, I have been doing urban characters in this film.

25:46I have a new film.

25:47I have a new film.

25:56That was one of my first village rural films.

26:00And I know what impact it created on my roots.

26:10So, I have a new film in this film.

26:12So, when I am doing this film, Akhil is a great idea.

26:17After all, I have a new film.

26:21I have a new film.

26:23So, Akhil is looking at my screen, especially the emotional scenes, the dialects are looking at Akhil.

26:38You are going to witness a new Akhil.

26:50Actually, before the release-

26:51I have a lot of questions.

26:52I have a lot of questions.

26:53I have a lot of questions.

26:54I have a lot of questions.

26:57Before the release, Akhil will talk about the performance.

27:01There are all the trailers and the industry people.

27:04And the music director, I have a first audience in this film.

27:07I have a lot of people who are watching this film.

27:09If you are watching the first tour, like Reels wise,

27:13you will see the performance of Akhil,

27:14and you will see the performance of Akhil.

27:15What are your witnesses?

27:17Because,

27:19In 1999,

27:21if you are playing five balls,

27:23you will be playing 100.

27:24You will definitely celebrate one run later.

27:30That's the feeling.

27:31So, in 1999,

27:33you will have 100.

27:35That's the feeling.

27:36That's the feeling of cricket.

27:39Everything is related to cricket.

27:41In the studio,

27:42there is also a comparison with cricket.

27:47So, definitely,

27:48the first day of choosing, we understood.

27:50You know,

27:51Akhil has a script.

27:53I have a script.

27:55He has a script.

27:55In the emojis,

27:57there is a bomb.

27:59There is a bomb.

28:00There is a bomb.

28:01There is a bomb.

28:02He has a message.

28:04This film will be coming up with a different level.

28:06This film will be coming up with a new level.

28:10So, we will fix it.

28:12Thanks,

28:13I will.

28:16We have a decent idea.

28:18And from that studio,

28:21Akhil,

28:21I am a child artist.

28:23I am a first to floor lesson set.

28:25I am a friend.

28:28I am a friend.

28:29I am a friend.

28:30I am a friend.

28:31So,

28:32the next time,

28:34the film will be commercial.

28:37I am a commercial.

28:38I am a commercial.

28:38I am a Tyler.

28:40You also have a black-bust film in class. So, what do you do with Akhil Gurun?

28:50Akhil Gurun said that you don't shoot a mask.

28:55That means you are a good artist and you are a producer.

29:01You are a producer.

29:03You are a producer.

29:08My diaper is also a cold.

29:10Akhil Gurun is not a black person.

29:14Me is not a black person.

29:16We are not a black person.

29:17We are not a black person.

29:25I am a black person.

29:31Sir, why don't you shoot him?

29:34Sir, you know what to do?

29:35Sir, I don't know.

29:36But, what is wrong?

29:38I don't know.

29:40Sir, what do you know?

29:41Sir, do you understand what question?

29:43What question is wrong?

29:45When I know you,

29:47I'm going to get a call from the Shail Nattishka

29:49and I'm going to get a call from the Shail Nattishka

29:51Now, I'm going to get a call from the other side,

29:59right?

29:59Or anyone can't do that in that direction?

30:02I'm sure.

30:03You are doing that.

30:06You are doing that either.

30:07You are doing that.

30:08also doing that.

30:11So, that's why I'm going to do that.

30:16That's why I'm like,

30:17You're doing that, I don't think.

30:18You are doing that.

30:20That's right.

30:22In the film,

30:27She is extraordinary in the film. Really, really extraordinary.

30:34Beginning to end.

30:39She was very good.

30:45And Bagishree, from our whole team, thank you.

30:50Akhil, Akhil, I think my character is a very big character.

30:55And in this film, especially, I think my character is a very big risk.

30:59I think your character is a big hit.

31:04So, the character is a risk,

31:08and then when you accept the risk of the audience,

31:11I think that it's a risk.

31:13So, I think I can reveal to you,

31:15but I think that's why I think you will also be able to give yourself a chance.

31:19You are Tilsa.

31:21How do you write the information?

31:23Oh, no.

31:25Akhiligar.

31:26Yeah.

31:27Director.

31:28Yes.

31:29Yeah.

31:3210th July.

31:33Two days, sir.

31:34I am going to work.

31:35I am going to work.

31:37Yeah.

31:38Akhiligar.

31:39You have a twist.

31:40You have a twist.

31:41Don't worry.

31:42Akhiligar.

31:43Recently.

31:44Okay.

31:44If you have a twist, do you want to work?

31:48Yeah.

31:49Akhiligar.

31:50Sir, where are you?

31:51Yes, yes.

31:52Yes, brother.

31:53He's a legend.

31:55Yes.

31:56He's a legend.

31:57Yes.

31:57What is your legend?

32:01He's not saying that.

32:02He's not saying that.

32:02He's a legend.

32:03What is your legend?

32:04He's a legend.

32:07He's a legend.

32:09He's not a legend.

32:13He's a legend.

32:14You can enjoy the details in the theater, please.

32:17Thank you, sir.

32:18Tiger, you've got a voice.

32:20This milk boy has made chocolate by Maradak,

32:23why did you buy it daily?

32:26I don't like it.

32:29I don't like it.

32:32I don't like it.

32:34I don't like it.

32:36I don't like it.

32:38I don't like it.

32:39I don't like it.

32:42I don't like it.

32:43I don't like it.

32:47You don't like it.

32:49You don't like it.

32:54Make-up boy, chocolate boy,

32:56talk about it.

32:58Two hours.

33:01Bagisri.

33:02Hi.

33:03Hi Bagisri.

33:05So, I want to compliment you,

33:07it's a great thing.

33:08I don't like it.

33:10How are you feeling?

33:13Sorry?

33:15I don't like it.

33:17I don't like it.

33:20I don't like it.

33:31I don't like it.

33:36There are times I feel like,

33:37I don't know if I'm meant to be here,

33:39but compliments like these coming from veterans of the industry,

33:43I think make me feel like,

33:45I am to be here.

33:47I am to be grown into a better actor each and every day.

33:50Yeah, I think it's some sort of a motivation to do better, every day.

33:53Kishor,

33:55Sir, we've talked about the whole thing about the whole thing.

34:00And you, in the hospital,

34:01you also revealed that

34:03what you see in the movie's mind,

34:06that you talk about the whole thing about the whole thing about the whole thing.

34:10You can't tell them to open mind.

34:12You can't tell them to tell them.

34:17You can't tell them to tell them.

34:20You are not ready to say that.

34:22First, you are going to introduce yourself in 3-4 minutes.

34:27So, we are not going to reveal that.

34:29So, if you are in the theatre, you are going to say,

34:34what is your voice?

34:36Sir, sir, sir, sir.

34:38So, what is your voice?

34:41Introduce yourself.

34:42Number of characters.

34:43You are not going to reveal that.

34:46You are not going to reveal that.

34:47But, there are number of characters.

34:49What is the challenge?

34:53Characterization is number of characters.

34:54So, there is a number of characters.

34:55There is a number of characters.

34:57It is easy to deal with.

34:59But, every character is clear.

35:05So, you can discuss and check.

35:08But, there are number of characters.

35:09And, there are number of characters.

35:11But, there are number of characters.

35:13What is your role?

35:16What is your role in particular?

35:18I am 100%.

35:20You don't have to think of the first person.

35:23I am not a character.

35:26I am not a character.

35:27In fact, I am not a character.

35:29I am not a character.

35:31So, I will talk about what I am doing.

35:34I am not a character.

35:34But, there are many characters.

35:35I was able to bring you a lot.

35:37So, I don't know what you're saying.

35:40Director, we've seen a trailer.

35:42We've seen a trailer.

35:44We've seen the voice of Nagarishan.

35:46He said,

35:48He's made a movie with his wife.

35:51He said,

35:52I don't know where he is.

35:57He said,

35:59he's made a movie with his wife.

36:03He said,

36:03he's made a movie with his wife.

36:04Yeah.

36:08Sir.

36:09Sir.

36:09Yeah.

36:09I still do a lot of film?

36:10No.

36:11I still do a lot of film.

36:23It's been interesting.

36:28But you still do a lot of film?

36:35Because Anapurna already we are doing about 4-5 films already, so this is what we are doing in our

36:41lives.

36:44And in collaboration, I am the first to actually go to the cinema.

36:49That's why I am going to show you.

36:51He wanted the script and all of that.

36:54So, as a producer, we are going to show you what we are doing.

36:59So, we became partners like that.

37:02Sir, I am the first to know you.

37:05You know the mass pulse.

37:07Yes.

37:07And what is it?

37:08The mass pulse of a generation is different than you?

37:12No, it is not.

37:14You can do a number of movies, you can do a few, you can do a few, you can do

37:18a few, you can do a few, you can do a few.

37:18You can do a few experiences.

37:20Definitely.

37:21I am the first to know you.

37:21And distribute.

37:25It is very important.

37:27The partner is also important.

37:31I am the same.

37:32It is a work out, sir.

37:34We have discussed many times.

37:35There was not some Halas.

37:39I am the same person when I was back with the politeness.

37:41You can do something a little with me,

37:41But he immediately realized from me.

37:43There was a lot of discussions and he helped me and already he is

37:51Sithara entertainment everybody knows about it

37:54Yes, I am very proud of you

37:57First, I have spoken about it, I have seen you in the suit

38:00I have seen you in the suit

38:02So after that, I have seen you in the suit

38:05I have seen you in the suit

38:07So, you have seen your efforts?

38:11My partner

38:13So, you have seen your efforts?

38:37Thank you very much.

39:16We are very happy.

39:17We are very happy.

39:45We are very happy.

40:01We are very happy.

40:04We are very happy.

40:05We are very happy.

40:07That's the catching point first.

40:10That's the first time.

40:12That's why the first thing is mass cinema, mass cinema.

40:18If we were to talk about it,

40:21it would be difficult for us.

40:24It would be difficult for us.

40:26It would be difficult for us.

40:32That's the main mass appeal for cinema.

40:35Okay.

40:36That's why you are playing the mass series, sir.

40:40After this cinema,

40:42what kind of professional career is in this cinema?

40:48How can you forecast it?

40:51I've talked about it on stage.

40:53I've talked about it.

40:54I've talked about it in a lot of interviews.

40:56I don't understand the cinema anymore.

40:57But I don't understand the history.

41:01It's bad for us.

41:03I've talked about it in a lot of interviews.

41:05I've talked about it in a lot of interviews.

41:07Good luck.

41:07All the very best.

41:10I've talked about it in a lot of interviews.

41:11sometimes I don't care about it.

41:14There are many changes in movies.

41:17Ty.

41:17He's not going to be able to play with the camera.

41:19Is that how he talks about it?

41:23You're the one who's the one who's worst.

41:24It's a final product.

41:28If you want to play with a movie,

41:30or make a good film in the movie,

41:33then you don't have to play with dates if you don't play with the date.

41:38But then you go to the screen and you have to play a character with a film.

41:44Is that what you think of it?

41:47Naghavam Shri Gharu, Akine and Akil Garu fans have a question about the color of the cinema.

41:53It's not the color of the cinema. It's the color of the cinema.

41:57Okay. Bagyashri Gharu.

42:00Hi, Andy.

42:01You have seen a different role in your story.

42:04You have a tension between the cinema and the audience.

42:09I don't think it's a different character than what I've done.

42:12I think I've been destined to do a lot of period films.

42:16So, this is a period film. It's a period character.

42:18And Bharti is very special.

42:21Bharti is a proper Rayal Seema.

42:24So, I hope you will see Bharti and not Bagyashri.

42:30Adina Prayatnam.

42:32Tamangar.

42:33Sir, hi sir.

42:35So, boys, you haven't been acting in this film.

42:38But recently, there is a movie in 10th.

42:40So, I don't have to do a lot of actors.

42:44But specifically, that movie is accepted.

42:46And it's also in 10th.

42:49If you ask me, I will press me.

42:51I will tell you.

42:54Last two questions, Andy.

42:56Hi. Here.

42:59Hello.

43:00Hello.

43:01First of all, congratulations, sir.

43:02Nice to see you.

43:03Where are you?

43:04Here.

43:05Okay.

43:06Sir, actually, I guess, I am looking at me acting.

43:10I am looking at the mass, class, romantic.

43:13I am looking at many of the people who enjoy the film.

43:15And now, I am looking at Akhilgari acting.

43:19So, you really enjoy the film.

43:23I am looking at Akhilgari acting.

43:23What rating?

43:24Thank you very much.

43:54Left, okay.

44:34Left, okay.

44:37Left, okay.

44:39Left, okay.

44:41Left, okay.

45:11Right, sir.

45:12Here.

45:43Right, sir.

46:00Right, sir.

46:08Right, sir.

46:12Right, sir.

46:15I'll come.

46:16I'll come.

46:35I'll come.

46:43Right, sir.

46:51Right, sir.

46:52Right, sir.

46:56Right, sir.

47:02Right, sir.

47:03Right, sir.

47:05Right, sir.

47:08Right, sir.

47:13Right, sir.

47:37Right, sir.

47:40Right, sir.

47:41Right, sir.

47:42Right, sir.

47:43Right, sir.

47:45Right, sir.

47:45Yes, brother.

47:46Actually, like your fans are very loyal to you.

47:49Yes.

47:49From start to till now.

47:51So, I mean, how much you are rooted with this Lenin, I mean, one word, if you want to manifest

47:58a thing.

47:59Like a promise, like a one word manifestation, what you want to give.

48:07Promise.

48:08Promise.

48:09Like a promise.

48:11I feel that I am a wise.

48:16I will say that I will say that.

48:20I said, this time, it's not about promises.

48:25So, I will give my promise, you have to think of my promise once you see the film.

48:30Think of it like that.

48:33Yes.

48:33So, thank you media for your question.

48:35I want to thank everyone.

48:36Maa Promotions Unneed ki Support Jay Sandhuku.

48:38It's gone very positively.

48:39Thank you for receiving our content very well media friends.

48:42Thank you so much.

48:43Thank you media for your questions.

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