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00:00:00I am the best dancer.
00:00:09Today, we celebrate that dancing queen,
00:00:12who has waged in the 2000s that he became an overnight superstar.
00:00:18When the film came to say,
00:00:20the audience said,
00:00:22where is your love?
00:00:24When he became Sakina,
00:00:25then he reached out to his acting without a kagas.
00:00:32His beauty has taken a hand-pump from many people's hearts.
00:00:36Please welcome Filmfare and multiple awards,
00:00:38the diva, the Malika, Havisha Pathe.
00:00:41Let's go.
00:00:43Let's go.
00:00:44Let's go.
00:00:47Let's go.
00:00:48Let's go.
00:00:48Let's go.
00:00:50Let's go.
00:00:50Let's go.
00:00:54Let's go.
00:00:58Let's go.
00:01:03Let's go.
00:01:05Let's go.
00:01:06Let's go.
00:01:07Let's go.
00:01:09Let's go.
00:01:10Let's go.
00:01:10Let's go.
00:01:11My heart beat.
00:01:12I had danced with you.
00:01:13I have danced with you.
00:01:14It's all done.
00:01:15Terrance sir.
00:01:16Get up.
00:01:19Terrance sir, first of all,
00:01:20did you dance with me?
00:01:21I have done it with you.
00:01:25Before you and before you...
00:01:28...who danced with me and choreographed...
00:01:32...was Terrence Lewis.
00:01:36My first film fair performance...
00:01:39...was done by Terrence.
00:01:41Don't you think...
00:01:42...we talk about the same thing...
00:01:45...but one of the heroes didn't say this.
00:01:50Thank you so much for coming, ma'am.
00:01:52But why did we come to our show?
00:01:54What is it?
00:01:56I come here...
00:01:57...but when I come here...
00:01:58...I'll kill you.
00:02:02Have you seen this show?
00:02:05Absolutely.
00:02:05It's a very good thing...
00:02:06...that you have started...
00:02:08...Bollywood dancing...
00:02:09...India dancing...
00:02:10...started on the show...
00:02:12...and it's such a refreshing change.
00:02:14You know...
00:02:15...because it's our Sanskrit...
00:02:16...and it's our dance form...
00:02:17...so it's amazing.
00:02:19What a joke.
00:02:23I'll give you an OTP...
00:02:24...5, 6, 7, 8...
00:02:26...and they have to take it.
00:02:27They don't have to take it without OTP.
00:02:28So I'm only confident in our show.
00:02:35What a joke...
00:02:35...we take the body of my mind...
00:02:36...why...
00:02:39...why...
00:02:41...why...
00:02:42...why...
00:02:42...and I wish it upon our show...
00:02:44...I wish it needed to join him.
00:02:49I wish you...
00:02:52...but...
00:02:54...they can also be...
00:02:56and fight co-presented by Vimal Elaychi.
00:03:01So let's call our first contestant.
00:03:05Presenting the Shishya,
00:03:07whose career is correct,
00:03:08the dream of the marriage of the Guru.
00:03:12Ritesh Pahl with choreographer Pratik Utekar.
00:03:15Thank you, Ritesh.
00:03:25What have you written?
00:03:26I don't understand.
00:03:28How do you write about your heart in this book?
00:03:31Oh, so much.
00:03:33Just listen to this.
00:03:52How do you write?
00:03:53Okay, please explain.
00:03:54What is the name of my heart?
00:03:58My heart is just fining...
00:04:03Bless me.
00:04:04It changes...
00:04:06How Has it been...
00:04:07How will your emotions touch?
00:04:27Very nice, yeah.
00:04:53Very nice, yeah.
00:05:06Very nice, yeah.
00:05:09Very nice, yeah.
00:05:31Very nice, yeah.
00:05:47Very nice, yeah.
00:05:53Very nice, yeah.
00:05:57Very nice, yeah.
00:06:31Very nice, yeah.
00:06:33Thank you so much.
00:06:35Pratik, you're always full of surprises.
00:06:38I liked the very good choreographically and the way I was surprised that you took a hook step, which is
00:06:44a famous hook step.
00:06:46But the way you did it was amazing.
00:06:49Ritesh, the flip you hit, you know, you took a photograph and you hit it.
00:06:54That was superb.
00:06:55And the way you hit every hook step, the transition stage, that was mind blowing.
00:07:01You own the song, Bacha, and I love that about you.
00:07:04Thank you so much, sir.
00:07:07This was the Indian dance where it reaches the competition level and gets the full score.
00:07:13Thank you so much, sir.
00:07:20Thank you, ma'am.
00:07:20Thank you, ma'am.
00:07:44Thank you, ma'am.
00:07:46Okay, look, this film is close to my heart.
00:07:49Because I got the opportunity to work on this film.
00:07:52Amisha, ma'am, to work with Amisha, ma'am.
00:07:54And my dad had to learn a lot.
00:07:56You need to tell me a little bit, babes.
00:08:00For me, this song is an energy that actually brought Ritik.
00:08:05Because when the song was set in the hall, the hook step was new.
00:08:10Because we have to repeat it and repeat it.
00:08:13We have to do it for the song.
00:08:15When he performs on stage.
00:08:17So, the hook was the one that we can do.
00:08:19The hook was the one that we can do.
00:08:20If you're a child, you're a child, you're a child.
00:08:20So, this was an instruction.
00:08:22So, we had a lot of wisdom.
00:08:24One, two, one.
00:08:26So, we had a shimmy on the shoulder.
00:08:28And the step was basically right leg forward, left leg behind.
00:08:33Right leg forward, left leg behind.
00:08:34So, when Ritik has learned this,
00:08:36So, that's what everyone is doing today.
00:08:39The kick is on the shoulder.
00:08:41If you can see it.
00:08:42That is something that he brought to the table.
00:08:45And when she saw her, ma'am,
00:08:46And she was like, this is beautiful.
00:08:48I don't want to change this.
00:08:50This is how everybody will do it.
00:08:51So, sometimes an artist takes a unique role.
00:08:56So, there was a great chemistry between the two of them.
00:08:59You had a great chemistry on stage today.
00:09:01All the dancing bits were solid.
00:09:04They were good.
00:09:05They had impact.
00:09:06And they reached me.
00:09:07So, I loved this performance.
00:09:09Thank you for this performance.
00:09:10Thank you so much.
00:09:11Well done, Ritesh.
00:09:13Judges of Vakti, score cut.
00:09:25Amisha, ma'am.
00:09:26In this film,
00:09:27You had to wear the costume.
00:09:29The pink color skirt.
00:09:31You had to wear it for 40 days.
00:09:34I was afraid of that pink skirt.
00:09:36In fact.
00:09:38And Gita knows this.
00:09:40Because,
00:09:41I started the first shooting with the film.
00:09:45There were scenes in the ship.
00:09:48There were scenes in the set.
00:09:50There were scenes in the island.
00:09:51There were scenes in the island.
00:09:53I had to wear the skirt with 10 copies.
00:09:57Because it was bad.
00:09:58It was bad.
00:09:59It was bad.
00:10:00It was bad.
00:10:01But when the film released.
00:10:02All the girls were performing at school concerts.
00:10:05When they were in love.
00:10:07Or they were in fancy dress.
00:10:08They were wearing the pink skirt.
00:10:11I said,
00:10:12Oh my god.
00:10:12Little did I know.
00:10:14I was so afraid of the skirt.
00:10:16It would be rage.
00:10:17And I became iconic.
00:10:19What a matter.
00:10:22And there were a few guys in the island.
00:10:24Whereas,
00:10:24It was very iconic.
00:10:25And this is very iconic.
00:10:25This is the entire Hinduist.
00:10:26Today.
00:10:27It wasn't the event of this song.
00:10:30And we performed with you.
00:10:32This was a dance icon.
00:10:32And we performed with you.
00:10:33In this film.
00:10:34That was a film.
00:10:34Which is like Hritik Roshan.
00:10:35But here,
00:10:36we also have a dance icon.
00:10:37A Javed Sir.
00:10:38With you,
00:10:39If we dance with you.
00:10:41Then we will be very happy.
00:11:11In
00:11:16You must say to them
00:11:18There is loveność between you
00:11:25Like you
00:11:32There is no desire to leave them
00:11:49Oh
00:12:00Wow
00:12:08Yeah
00:12:11Yeah
00:12:12Yeah
00:12:14Oh
00:12:14Oh
00:12:15Oh
00:12:15Oh
00:12:23Oh
00:12:43Oh
00:12:45Oh
00:12:46Oh
00:12:47Oh
00:12:48Oh
00:12:49Oh
00:19:19It was so beautiful, it was 90 years ago, it was so beautiful, it was so beautiful, it was
00:19:2590 years, wow, not even, and her eyes were so beautiful, it was beautiful, it was beautiful,
00:19:32it was beautiful, it was beautiful, she had a habit that she used to dab, you know, the
00:19:47old school, beautiful handkerchief, like in school, in our pocket, which now people
00:19:54don't keep it. To maintain her fragrance, I kept it in ziploc, and I haven't washed it
00:20:00in 15 years since she passed away, it's just as is. The last things, now it's broken,
00:20:08but for me, it's not broken. When she was up in the morning, it was her habit that she
00:20:15would make her hair sophisticated, you know, she would change her sari three times a day,
00:20:20matching jewellery, her thing was tip top, but before she was drinking coffee or tea, before
00:20:26even brushing her teeth, she always made her hair. And this was her comb on her dressing table,
00:20:32so I took it every day, and every day, I took it in my eyes that my dadi maa
00:20:39lived on me. This is my asher waad every single day. So, just in your performance,
00:20:46I took it to you and now I took it to my dadi maa. So, yes, these are the three.
00:20:52And this is very moving. I mean, yeah, this is beautiful. Amazing, amazing. Thank you so much.
00:21:02We always have our next dancer Prathmesh, our next dancer Prathmesh,
00:21:06our next dancer Prathmesh was a top scorer for 3 weeks.
00:21:10And last week, he got a power.
00:21:12Like Sunil Shetty in his films, he said,
00:21:15Shakti Maa Shakti.
00:21:16But last week, our next dancer Prathmesh said,
00:21:19Super Shakti Dema. And Gita Maa gave a bonus bonus point in his super shakti.
00:21:53Presenting,
00:21:54Wow. Let's go!
00:21:56Wow. Let's go!
00:22:00Wow.
00:22:01Oh, my god...
00:22:16Wow!
00:22:16Oh, my god!
00:22:19Wow!
00:23:56Good job.
00:23:58Good job.
00:23:59Good job.
00:24:13Good job.
00:24:21Good job.
00:24:28Good job.
00:24:30Good job.
00:24:59Good job.
00:25:01Good job.
00:25:04Good job.
00:25:05Good job.
00:25:16Good job.
00:25:31Good job.
00:25:40Good job.
00:25:51Good job.
00:25:54Good job.
00:25:55Good job.
00:26:21Good job.
00:26:41Good job.
00:26:43Good job.
00:26:43Good job.
00:26:44Good job.
00:26:48Good job.
00:27:02Good job.
00:27:08Good job.
00:27:09Good job.
00:27:19Good job.
00:27:22Good job.
00:27:26Good job.
00:27:43Good job.
00:27:46Good job.
00:27:57Good job.
00:27:59Good job.
00:28:03Good job.
00:28:19Good job.
00:28:22performance
00:28:46Dancer
00:28:52I'm a Christian.
00:28:55I'm a Christian.
00:28:57I'm a Christian.
00:28:58I'm a Christian.
00:29:02I'm a Christian.
00:29:03What happened after the Khindji?
00:29:05I was the one who was playing with Khindji.
00:29:09I was playing with Khindji.
00:29:10I was like, I'm a kid.
00:29:11I said that in four rooms,
00:29:12we would do rehearsal.
00:29:13This time, it was in eight rooms.
00:29:17So...
00:29:18I was very...
00:29:20hard work.
00:29:21And as I knew that I'm going to meet Amisha,
00:29:24so...
00:29:25I'm a big fan of them.
00:29:28I've researched them all.
00:29:30They've got a purse of millions of crores.
00:29:38They've got a gold medal in the economy.
00:29:42In economics?
00:29:45In economics.
00:29:46Staffs University, Boston Economics, yes.
00:29:48I have a magna cum laude.
00:29:49Oh, wow.
00:29:50Graduate.
00:29:51I like the pink colour too.
00:29:54Whatever.
00:29:57And...
00:29:58I'm trying to learn English too.
00:30:01Oh, my God.
00:30:02When they are doing interviews,
00:30:05they're very...
00:30:06what...
00:30:08Fluently...
00:30:09What?
00:30:10So sweet.
00:30:13So, I'm trying my best.
00:30:16I'm trying my best...
00:30:17Oh, like...
00:30:26You need to be a Jackie Shrop.
00:30:28Suddenly.
00:30:32We will be a boy.
00:30:36Boys, boys, tell us.
00:30:38We want to surprise you.
00:30:40Let's do it.
00:30:41I want to request you.
00:30:44I want to request you.
00:30:45I want to request you.
00:30:45I want to request you.
00:30:47I want to request you.
00:30:47I want to request Pratmesh and his gang.
00:30:50Please come to the stage.
00:30:51So they can perform for you.
00:30:53Absolutely.
00:31:51You are, you are, you are
00:31:55Sanam, my love
00:32:02Sanam, my love
00:32:10I took off and took off
00:32:17I'm annoyed
00:32:19I took off on the hook
00:32:21The road
00:32:25I took off
00:32:28I took off
00:32:30I took off
00:32:32My heart
00:32:33I took off
00:32:35I took off
00:32:36I took off
00:32:42My heart
00:32:44It's
00:32:56Oh
00:33:15Oh
00:33:19Manja
00:33:22Manja
00:33:24I
00:33:30Khabhi Aasaf
00:33:32Khabhi Mushkil
00:33:34Ajab Hai Piyar Dheera Hai
00:33:37Havao Nhe
00:33:39Ye Kaha
00:33:43Fizjan Nhe
00:33:46Ye Kaha
00:33:49Aayi Piyar Kishi
00:33:52Ye Dutt
00:33:53Bai Tuphani
00:33:56Toons
00:33:57Var Goraya
00:34:06Hard,
00:34:09We will write our own story
00:34:15We will write our own story
00:34:22We will write our own story
00:34:37We will write our own story
00:34:39We will write our own story
00:34:41We will write our own story
00:34:42God bless you
00:34:43Come on, girl, you're right.
00:34:49Come on, girl, you're right.
00:34:52Woo!
00:35:07Come on, girl, you're right.
00:35:11Come on, girl, you're right.
00:35:21Come on, girl, you're right.
00:35:23Come on, girl, you're right.
00:35:23Come on, girl, you're right.
00:35:24Come on, girl, you're right.
00:35:26Amisha, ma'am, you've worked with Sunny and Bobby.
00:35:30Yes.
00:35:31Tell us about the experience of working with both.
00:35:34Sunny is very shy,
00:35:36but it was very open for me.
00:35:39And people were surprised at the set
00:35:42that Amisha and Sunny's bonding
00:35:44was so tremendous.
00:35:47They were very protective.
00:35:48I had something that happened before.
00:35:50They were standing there.
00:35:51I was not alone.
00:35:53I didn't release the song.
00:35:55I started working on Gadar.
00:35:57I was very proud of the song.
00:35:59And I was very proud of the song.
00:36:01And I was very proud of the song.
00:36:03And there was a lot of different films.
00:36:05I was extremely proud of the song.
00:36:20that you needed to be a very seasoned actor.
00:36:25Toh bohat time peh
00:36:27jab mein set peh hoti thi,
00:36:28mein atak jati thi,
00:36:29aur mein shot nahi de paati.
00:36:31And my director, Anil Sharma,
00:36:33chila chila ke ki,
00:36:34kya woh rahi?
00:36:34Retake pe retake, you know.
00:36:35Sunny ji ithne patient teh,
00:36:37nere Tara Singh, real life ke Tara Singh.
00:36:39Anil ji ko bolte thi,
00:36:40ap set se bahar jao.
00:36:42And as a director,
00:36:43he would take over.
00:36:45And direct the shot for me,
00:36:46aur woh ek take mein ok ho jaan.
00:36:48He was always concerned,
00:36:49apna khana share kar ki thi,
00:36:50we have a great comrade dream.
00:36:52But he's shy.
00:36:53And wo jo ek,
00:36:55masoomiyat ar shyness hai,
00:36:57I think ho Tara aur Sakeena ki khasiyat hai.
00:36:59Wo shyness ab tak bar karar hai,
00:37:02isley gadar ab tak bar karar hai.
00:37:04Amazing.
00:37:04Bobby on the other hand,
00:37:05is chilled, outgoing,
00:37:07he'll party with you,
00:37:08he'll joke with you,
00:37:10he'll say aray yaar,
00:37:11he'll give me a shot de na hai,
00:37:12kyaa,
00:37:12you know,
00:37:13I have to make up cards,
00:37:14I have to go to the house.
00:37:16So they're too extreme,
00:37:18like,
00:37:18extreme north and southpore.
00:37:20I think,
00:37:21ki logo ni gadar ko,
00:37:22ithna pasand kiya,
00:37:24ki jab mein humraaz ki shooting kar rahi thi,
00:37:26Bobby ji ke saath.
00:37:28Jaipur me hum climax ki shooting kar rahi thi,
00:37:30and last shot tha,
00:37:33Jaipur fort me,
00:37:34bahut sari bheer jamah hoi thi,
00:37:36toh ek barricade banaya gaya tha.
00:37:38Wo shot me,
00:37:39Bobby has to come and hug me.
00:37:42Toh,
00:37:43action hua,
00:37:44and he came and hugged me.
00:37:45Or,
00:37:45wahaan se loog ithna chillane lage,
00:37:49chod de,
00:37:50ye toh tere bhai ki amanat hai,
00:37:51Tara Singh is ko pakistan se lege aya,
00:37:54chooda mati se.
00:37:56So,
00:37:57yeah,
00:37:58Bobby and I just looked,
00:37:59ham loog wahaan dekhne lage ki,
00:38:01guys,
00:38:02calm down,
00:38:02haunne hi film ki shooti hai,
00:38:03nahi, nahi, nahi,
00:38:04yeh taara Singh ki amanat hai,
00:38:06haat mat laga ho se.
00:38:07So, yeh itna,
00:38:08you know,
00:38:08we would just take it up back.
00:38:09So, anyway,
00:38:10humare producer,
00:38:11Venus Films,
00:38:12and Abbas Mistan,
00:38:13directors ne calm down kiya sab ko,
00:38:14and phir humni shot firsi diya,
00:38:16without hurting the sentiments of the people.
00:38:19Movie ka,
00:38:20dekho,
00:38:20joh asar tha logon pe,
00:38:22ke,
00:38:23after so many years,
00:38:24when Gadar 2 happened,
00:38:25kaha,
00:38:26they still loved it.
00:38:27Zordar thalia ho jainanam.
00:38:31Chariyev aage vartte hain,
00:38:33and presenting,
00:38:35Shimla ki wadi se,
00:38:36Shehzadi,
00:38:37Vaidehi Chauhan,
00:38:38with choreographer,
00:38:39Akash Thapa.
00:39:05Piaar ki khashti mein,
00:39:08Leharo ki maastri mein,
00:39:11Pavan ke shor shor mein,
00:39:13Chalee hum sor sor mein,
00:39:16Gagan se dhul,
00:39:20Gagan se dhul,
00:39:30Yine si yi Reharo ki maast mi me hengi hee,
00:39:42aaaaaaaaa,
00:39:44Lehele uchi mari,
00:39:47Njana buu mehengi hee,
00:39:53Oh
00:40:19I become safe, I'll become safe
00:40:22I'll experience my dreams
00:40:24I'll meet my dreams
00:40:33I've heard what she said
00:40:35And I know she's very close
00:40:40Love is so good
00:40:41Feelin' with love
00:40:42In the heart of the big blue
00:40:47We'll just know bulging
00:41:10Yeah
00:41:10They are the key custom
00:41:25Oh
00:41:38Let's start with Amisha, ma'am
00:41:41And what film was it called?
00:41:43Thank you
00:41:44First of all, I thought I was in love
00:41:47I was in love
00:41:48And as we were shooting
00:41:50We were in turbulent waters
00:41:52We were always scared
00:41:55But without the boat
00:41:57You created that turbulence
00:41:59Yes
00:42:01We didn't even think
00:42:07We were in a flat stage
00:42:09I really thought
00:42:11You were performing in water
00:42:13And there were a lot of things
00:42:15It was a float
00:42:17Superb use of that
00:42:18Important prop
00:42:19In the entire sequence
00:42:20And again
00:42:29I gave a new chair
00:42:31Absolutely fantastic
00:42:34Thank you, ma'am
00:42:35Geetha, ma'am
00:42:37What do you want to say?
00:42:38Yeah, see
00:42:39When we watched a song in the film
00:42:39We watched a song
00:42:42There was a lot of things
00:42:43There was a lot of things
00:42:44We were on a yacht
00:42:46And that yacht
00:42:47Meaning, samundar
00:42:48And then
00:42:49Helicopter shots
00:42:50And you have all this grandeur
00:42:52Dancers
00:42:53There was a lot of time
00:42:54We were shooting
00:42:574-5 days
00:42:58Continuously for the song
00:43:00So the song
00:43:01Is that beautiful
00:43:02There's so much happening
00:43:05But to not have anything
00:43:06There's no ship
00:43:08There's no dancers
00:43:09There's no dance
00:43:10There's no shots
00:43:11There's no dance
00:43:12There's no dance
00:43:12There's no good performance
00:43:16So you can see
00:43:17You have to sit
00:43:17And put up
00:43:18Because nothing is
00:43:19Pure dancing
00:43:20Thank you so much
00:43:21The opening
00:43:23KashiDi
00:43:24You were superb
00:43:26Darshaya, superb.
00:43:31And the best part was, Aakas,
00:43:34when he floats, he can go anywhere.
00:43:36But he gave you a googly spin
00:43:38and he came back to reverse.
00:43:41I have to tell you,
00:43:42this was so amazing
00:43:44in terms of prop management
00:43:46and how well you all did it.
00:43:48Thank you so much, sir.
00:43:49For me, this is a full 10 score.
00:43:53The dancer gave 10,
00:43:55the rest of the judges will score.
00:44:10I will tell you,
00:44:12this is from Shimla
00:44:14and in Shimla, their touch-out is a very good house.
00:44:18Everything is right,
00:44:19there is no struggle in life,
00:44:20there is a well-to-do family.
00:44:21But they have to struggle here.
00:44:24And they have to struggle here,
00:44:25and they have to struggle here.
00:44:26They have to do an actor in Mumbai.
00:44:30But one problem is,
00:44:32this is also an Amir.
00:44:34They have to struggle here,
00:44:36and they want to be a Mumbai fan.
00:44:38Yes, of course.
00:44:40So give them some tips.
00:44:41First of all,
00:44:43I would like to ask you a question about Shimla.
00:44:45Yes.
00:44:45Do you know that
00:44:48I have a song called Shimla
00:44:49and the song called Shimla.
00:44:51Originally, Shimla's Gate.
00:44:53It was shot in the theater.
00:44:57What did you go there?
00:44:59I mean,
00:44:59it was very close to my home,
00:45:00so frequently,
00:45:01my school is also there.
00:45:03So I live here.
00:45:04It is very important for me,
00:45:05and I am very close to Shimla.
00:45:07And now,
00:45:09you want to join from Mumbai.
00:45:11Yes, ma'am.
00:45:11You want to test
00:45:12that you are a real Mumbai fan.
00:45:15Yes, absolutely.
00:45:17I am living at Marine Drive.
00:45:19My house is in South Bombay.
00:45:21Have you ever gone to Marine Drive
00:45:24for the night out?
00:45:26I went with my mom.
00:45:29And I went with my mom.
00:45:30She knew I was in Mumbai.
00:45:32Okay.
00:45:33Second,
00:45:34most important.
00:45:37Have you ever suffered
00:45:39on a train in Mumbai,
00:45:46Mumbai,
00:45:49Mumbai.
00:45:50I have to be here.
00:45:52One day, sir.
00:45:54after that.
00:45:55Yeah, ma'am!
00:45:56There was no struggle with her.
00:45:58But you said,
00:45:58I have to test that.
00:46:00It's okay, ma'am.
00:46:02I am the last question.
00:46:03And this is a true test ki aap Mumbaikar ke liye paas ho ki nahi.
00:46:09Kya aapne kirti college ka vada pav kabhi khaya hai kele?
00:46:18Batao!
00:46:19Nain ma'am!
00:46:20Hey?
00:46:20Nain ma'am!
00:46:21What?
00:46:22What?
00:46:22Go back to Simla!
00:46:26Geetha ma, aapne to khaya ho ga kirti college ka.
00:46:29Ashok vada pav.
00:46:29Khaya hai,
00:46:30But,
00:46:31Ek bar khaya hai, bar bar khane ka man karte hai.
00:46:34Haan, to bilgul.
00:46:35Mela hai hoon.
00:46:36Kyunki jabbi bhi mei shoot pe aati hoon,
00:46:38To merah sham ka nashita na,
00:46:40Kirti college ka vada pav hota hai.
00:46:42Vada pav.
00:46:45Manga hai jai kirti college ka vada pav.
00:46:47Manga hai jai please.
00:46:49Ahaha!
00:46:51Biryani mehengi hai,
00:46:52Kanduri mehengi hai,
00:46:54Sabse sasta hai vada pav.
00:46:56Yee pura shimla ka pahaada bana gila hai.
00:46:59Yehaan bhi dhe dho kuch bhuke loog hai,
00:47:00Yehaan pe.
00:47:03De lo, de lo, de lo, de lo guys.
00:47:04De lo guys.
00:47:05Manga hai,
00:47:08Manga hai,
00:47:09Manga hai,
00:47:09Manga hai,
00:47:10Manga hai,
00:47:11Manga hai,
00:47:28Isse poori ki poori mumbaikar bana diya.
00:47:30Thank you so much ma.
00:47:31Kassawatla aamcha.
00:47:32Zan zanit wada pav.
00:47:34Kupa chan.
00:47:35Chani?
00:47:36Tasty ya ma.
00:47:37Chani ek bar zor dar taliya ho jai.
00:47:47Ye e aasi time meh jhaan par hum spicy spicy khana khayenge aur...
00:47:51Spicy spicy.
00:47:52Spicy dance dekhinghe.
00:47:54Exactly.
00:47:54Aak spicy dance hai.
00:47:56O gaana bada spicy tha.
00:47:57Lazy lamb hai.
00:47:59Us gaane ki koreografer khud aaj humare bich vada pav kha rih hai.
00:48:05Kiteni bade baat hai ye.
00:48:07Ahaa.
00:48:09Gita ma, aaj ho na chahiye.
00:48:10Ya.
00:48:11Aaj bhi aap is gaane ko koreograaf kare.
00:48:14Terran sir ke saath,
00:48:15Anisha ma'am ke saath.
00:48:16I don't mind.
00:48:17Definitely, definitely.
00:48:18And in fact, aap khud bhi aya.
00:48:19Ahaa.
00:48:20And dance bhi kare ye, Gita.
00:48:21Kya aap Gita ma ki aadaini dekhna chahte hai?
00:48:24Yeah.
00:48:40Aranyu pa الخad.
00:48:42Chute hai k сa k k e a lazy lamb hae.
00:48:45Lazy lamb hae.
00:48:50breaksee hai.
00:50:05Oh, I love to be here.
00:50:08Oh, I love to be here, man.
00:50:11Oh, wow, wow, wow.
00:50:15India's Best Dancer Season 5
00:50:18has increased the stage.
00:50:26What's the meaning of this?
00:50:41Oh, my God.
00:50:43Oh, my God.
00:50:54Oh, my God.
00:51:06You know with all the lovely leading ladies who come or it's just a own corner chat a hey or
00:51:14it is
00:51:14Hattie cut a man. What about Gita?
00:51:22She was not Gita Ma she was Gita
00:51:28Presenting gorgeous key mummina judges tako head Tana Mara on shika Dara with choreographer Rupesh Soni
00:51:35I
00:51:38Chalo bye guys
00:51:41Kya must party the higher masagya
00:51:45Haa party to khatam ab main araam se baby
00:51:51Hmm party khatam ui
00:51:54Matlab ab kya hooga?
00:51:56Nain,ain,ain,ain,ain,ain,ain,aaj,ne,Aaj,ne, please please party ke baad
00:52:01Tumhari after party
00:52:05Oh, oh, oh, oh.
00:52:44Oh, oh, oh.
00:53:05Oh, oh, oh, oh.
00:53:37Oh, oh, oh, oh.
00:53:47Oh, oh, oh.
00:53:51Oh, oh, oh, oh.
00:54:08Oh, oh, oh, oh.
00:54:11Oh, oh, oh.
00:54:15Oh, oh, oh.
00:54:20Oh, oh, oh.
00:54:23Oh, oh, oh.
00:54:24Oh, oh, oh.
00:54:25Oh, oh, oh.
00:54:26I'm sorry.
00:54:47What do you want, Amisha?
00:54:49When the song was choreographed in Honeymoon Travels, Farah Khan.
00:54:53In the context of Honeymoon, there were 6-7 couples in Honeymoon.
00:55:00K.K. Menin, the director of the song,
00:55:04never had a high in life.
00:55:09They would eat it and absolutely go mad.
00:55:12It's a crazy, crazy song.
00:55:15They also showed a new idea.
00:55:20They did the opposite work of the lyrics.
00:55:23It was a very interesting take with full energy and equal pagalpan of the original song.
00:55:29Very, very creatively done, differently.
00:55:32Thank you, ma'am.
00:55:34Rupesh, I love the fact that this song is organized chaos in the actual song.
00:55:40And I also like your take on it.
00:55:42Because I like that you use the forte of Anshika in many places.
00:55:47The music piece you use, I love that choreography.
00:55:53Anshika, I'll give you one advice.
00:55:55Because I love your dancing.
00:55:57I love the energy.
00:55:58But in every place, the energy is not good.
00:56:03When you did it in the beginning and you went there, you almost slipped there.
00:56:07I love the energy.
00:56:09I love the energy.
00:56:10I love the energy.
00:56:10I love the energy.
00:56:10So, you put the force on the landing.
00:56:14Because there is a little grace and softness.
00:56:18So, bear this in mind.
00:56:20Because everything is all.
00:56:21What is the problem of this little change?
00:56:23What is the problem of this little change?
00:56:23So, that's all I need you to work on.
00:56:27Let's go, Jazzy's a book, the score.
00:56:32Your total score is 33 points.
00:56:38Amisha and ma'am, I wanted to talk about something.
00:56:41The movie called Kahuna Pyaar.
00:56:43Whenever I come to TV, I've always watched it.
00:56:46And the song, Janeman Janeman, is my favorite song.
00:56:51So, my request is to dance with me.
00:56:53Would you like to dance with me in this song, please?
00:56:56Really?
00:57:25I owe you for watching.
00:57:26Heavenly quote.
00:57:32Take care.
00:57:42Bye-bye.
00:57:44Bye-bye.
00:57:44Bye-bye.
00:57:45Bye-bye.
00:57:49qualquer
00:58:00Oh
00:58:22Oh
00:58:49Hamesha ma'am, today we are celebrating your work
00:58:53so there is a director who wants to say something for you
00:58:58and we want to show you
00:59:00Please have a look
00:59:02Hamesha ji, how are you?
00:59:04What is your situation?
00:59:05You just met GADAR in the party in the 25th year
00:59:09I remember when I see you,
00:59:11I remember when I met you in the first time
00:59:15during the screen test
00:59:16I felt like
00:59:18the time has been standing there
00:59:20and now I have been standing there
00:59:21and there is no problem you are not getting there
00:59:24You were feeling so good
00:59:26and now I am so good
00:59:27Why did you do not understand me?
00:59:29Every scene, every scene, every scene
00:59:31you have 100 times rehearsed me
00:59:33I remember that
00:59:35when we were shooting in Lakhna
00:59:38with your scene
00:59:40I was not able to die
00:59:42because I know
00:59:44and I will come
00:59:45and I will cry
00:59:46and I will cry
00:59:48That scene, you did so good
00:59:49and you performed so great
00:59:52that
00:59:53I know that there were many people
00:59:56who were all around the world
00:59:58and they were all around the world
00:59:58and they were all around the world
01:00:00Hamesha, take care all the time
01:00:07Gathear 1 and Gathear 2
01:00:08who was involved
01:00:08Anil Sharma
01:00:09who did direct Gathear 1
01:00:11and Gathear 2
01:00:11and Gathear 2
01:00:17he was a legendary director
01:00:19when did you get these
01:00:20when did you have this bike up
01:00:22this is recent
01:00:24because we had a celebration
01:00:27and called
01:00:28we are here
01:00:28You know, it's crazy how soon you got it.
01:00:32These people are going to record the night and say, sir, I want to record it.
01:00:36Very, very amazing.
01:00:38We are going to get surprised anywhere and we request a lot, sir, please give it to us.
01:00:42And he was very sweet that he gave it to us.
01:00:51So let's start with the show.
01:00:53Last week, our trophy winner will be a great winner.
01:01:00But you have seen what happened right now.
01:01:03Gitanjali's name, a Sherini,
01:01:05went back two steps,
01:01:06but now he hit the ball and hit the score again.
01:01:11What will happen today?
01:01:14No doubt. I will be very happy.
01:01:16The one who gives it to me, the one who gives it to me.
01:01:19So no doubt.
01:01:22If Gitanjali will be given to me,
01:01:24and if there will be anyone from him, then he will be given to me.
01:01:27The one who gives it to me, the one who gives it to me.
01:01:28Oh, wow, wow, wow, wow.
01:01:30You come to Sony TV at 7 o'clock,
01:01:32and we will show you a lot.
01:01:37I will tell you,
01:01:39how they did party and what they did.
01:01:41Let's see. Have a look.
01:01:49Party, party, party, party.
01:01:50I'll make a friend,
01:01:51yeah, yeah, yeah.
01:01:54Yeah, yeah, yeah.
01:01:55Hello, hello, hello, hello, hello.
01:01:56Come on.
01:01:58Come on.
01:01:59You've got me too, man.
01:02:01You've got me too.
01:02:02When will you give me a burger?
01:02:04Give me a burger.
01:02:04Yeah.
01:02:04Come on, brother.
01:02:06You're so happy,
01:02:07you're so happy.
01:02:08Oh, my God!
01:02:10What are you doing?
01:02:12We don't even call them. How are they?
01:02:15There's a lot of friends here,
01:02:18so I think that no one will challenge the battle.
01:02:26If I have an option to save my brothers,
01:02:29then I won't put them in attention.
01:02:33In India's Best Dancer, we're very good friends.
01:02:37There's a lot of problems with this,
01:02:39because they're not able to do this.
01:02:42They're not able to make a connection.
01:02:43They're not able to do this.
01:02:45I think that if Gitananjali is a friend,
01:02:49then Gitananjali will tell me something about Gitananjali.
01:02:52So I'll tell Gitananjali for me.
01:02:54When I won the battle,
01:02:55we were planning for the next week
01:02:57that we will have a trophy for Pranay.
01:02:59We don't want to give this trophy out of the room.
01:03:01We don't want to give this trophy out of the room.
01:03:05Oh, my God!
01:03:09This is a Delhi sahab, friends.
01:03:11What does this mean?
01:03:13We don't want to increase our points.
01:03:14We don't want to increase our points.
01:03:15That's why we will save one another.
01:03:17I mean, we don't want to get in battle.
01:03:19I mean, boys don't want to get in battle.
01:03:20What's in battle?
01:03:20I mean, girls don't want to see if they don't want to win it in battle.
01:03:25I mean, there aren't any other sorority.
01:03:25So I think that the girls are that we are making out of the room
01:03:28and trying to keep in battle.
01:03:30It's not that the girls don't want to get them good.
01:03:32Their point is also a very good point.
01:03:34And we don't want to say that the girls don't want to get your point.
01:03:37We appreciate the point that your mind is good.
01:03:40It's a good point.
01:03:40But in battle we also want to see
01:03:42that when two girls fight to fight together,
01:03:44what's this going on?
01:03:50I have a great time to watch a girl's metal.
01:03:54I'm so proud of you.
01:03:59All the performances of this week have been done.
01:04:02And judges, the winner of the sports of this week
01:04:04are the full marks of the contestants.
01:04:07...Nipali Borkan,
01:04:09Ditanjali Marwaha,
01:04:11Ritesh Pal,
01:04:12Baidahi Chohan,
01:04:13and Khatmesh Mane.
01:04:18So, judges,
01:04:20tell you who is the performer of the week of this week.
01:04:25Performer of the week is...
01:04:29The Karma Boy.
01:04:31Oh, hey!
01:04:35Oh, hey!
01:04:37Oh, hey!
01:04:38Oh, hey!
01:04:39Oh, hey!
01:04:40Oh, hey!
01:04:41Now, who are you choosing?
01:04:43I've been here,
01:04:45which I ordered online.
01:04:50All jokes will be not.
01:04:52Tell me.
01:04:58Tell me.
01:05:02I don't want my heart,
01:05:04but in the show that
01:05:05girls are choosing something like that.
01:05:08I want to break this.
01:05:10I want to take the name of Prince.
01:05:18It feels like this is going to be a good battle.
01:05:21Yes!
01:05:26Are you ready for the battle?
01:05:34Presenting the challenger,
01:05:38Ritesh Mane.
01:05:48Presenting the challenger,
01:05:50Ritesh Mane.
01:05:57I don't know what to do to come.
01:06:01I am a big,
01:06:06I am a big,
01:06:10I don't want to say it…
01:06:14I can see the bénéfice,
01:06:15whatever,
01:06:15I don't want to stop.
01:06:17I have to leave.
01:06:32Nice!
01:06:47I don't know if I love you
01:06:52He's dead, he's dead
01:06:56I'm a young man, a young man
01:07:03Presenting the opponent, Prince Pandey
01:07:09That's my son
01:07:11That's it!
01:07:17Youppi wala Tom ka lagao
01:07:20K hairoo jaysse naach ke dikkaao
01:07:24Naach ke dikkaao, 572
01:07:25Gori naach ke dikkaao
01:07:28Naaach ke dikkaao, 572
01:07:31Sangy sandy tujhe bhi na chaao
01:07:34K hairoo jaysse naach ke dikkaao
01:07:37Sangy sandy tujhe bhi na chaao
01:07:40K hairoo jaysse naach ke dikkaao
01:07:43Array!
01:07:47I said chup chup ke milaye kyun na chariya
01:07:51Chai se matra mein kahin cham ke pijuriya
01:07:56Bahi bala jhat ka sikhhao ke hero jase naach ke dikhhao
01:08:01Yuppi bala kum ka lagao ke hero jase naach ke dikhhao
01:08:12Let the final battle begin
01:08:44Let the final battle begin
01:08:47Let the final battle begin
01:09:17Let the final battle begin
01:09:31Yeah, yeah, yeah.
01:10:05The winner is
01:10:16Pratmesh
01:10:23Pratmesh, you become the Performer of the Week
01:10:27And the second time, the trophy will get you
01:10:30Once again, it will be a great deal for Pratmesh
01:10:34And Prince, for the second time, you will get a 0 score
01:10:40What's up Pratmesh?
01:10:52Are you happy?
01:10:55Are you happy?
01:10:59What's up Pratmesh?
01:11:03I don't know, it feels bad today
01:11:05Why?
01:11:09When I chose it, it feels bad today
01:11:16I don't know, it's competition
01:11:22But...
01:11:24I don't know, it's not that competition
01:11:29It's not that competition
01:11:30It doesn't mean that competition
01:11:31It's not that competition
01:11:31You stand in the Munch
01:11:32It's a competitive sport
01:11:35You dance
01:11:38It's not that competition
01:11:39It's not that competition
01:11:39It's not that competition
01:11:42It's not that competition
01:11:43And I don't want to ask you
01:11:45Why did I choose?
01:11:46You have to choose
01:11:47The Prince has the maximum chances
01:11:50To come and shine over here actually
01:12:00That's what I love about it.
01:12:02Yeah!
01:12:22It's the best performance.
01:12:27That's what I want to go to the train.
01:12:31We are an escalator.
01:12:33Come on!
01:12:34Come on!
01:12:48No one is better at your expressions.
01:12:51Today is a new wedding.
01:12:53Don't worry, everything will be fine.
01:12:56The one who will be fine is also sitting here.
01:12:59I want to forgive myself.
01:13:04You can't do it from the car.
01:13:04I want to forgive myself so many times.
01:13:09Ok!
01:13:15Me then, of course, I do have to forgive myself.
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