Subtitles Writer Padmalaya Garimella Exclusive Interview

Mana entertainment

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Transcript

00:00:00Hello ma'am. First of all, thank you so much for accepting my request.

00:00:04I am.

00:00:04Because we have a lot of different channels, actors, and dietitians.

00:00:08And we also have a lot of renowned technicians.

00:00:13But something different.

00:00:14A subtitle writer for the first time.

00:00:17We are so happy.

00:00:22First of all, thank you so much.

00:00:24My pleasure.

00:00:25And almost 5 years completed.

00:00:27We are so happy.

00:00:29We are so happy that we have a job.

00:00:32We are so happy that we have a regular job.

00:00:34But how do you find out first of all?

00:00:37Do you have a subtitle writer for the first time?

00:00:39Actually, I don't know.

00:00:42So, pre-lockdown, I used to watch Chinese dramas.

00:00:48And Korean dramas.

00:00:49So, I used to watch those dramas.

00:00:53There used to be an app called Wiki.

00:00:55Now, it's not Netflix.

00:00:57It's not just Wiki.

00:00:58Like, still it is there.

00:01:00So, there are some shows.

00:01:03There are some ads on YouTube.

00:01:06There are some ads on YouTube.

00:01:08There are some ads on YouTube.

00:01:09There are some subscriptions.

00:01:10It's available for free.

00:01:12There are some ads on YouTube.

00:01:12So, I discovered Telugu subtitles on that show.

00:01:18That means, I am thinking, okay, this is a great content.

00:01:22Okay.

00:01:28So, they were not perfect.

00:01:34Okay.

00:01:35So, I thought, okay, I will have to find out more about it.

00:01:43Like, what is it?

00:01:44What is it?

00:01:45Then, I started digging about that platform called Wiki.

00:01:49And there, I got to know that we can go and write ourselves now.

00:01:55And then, I was thinking, like, a community, a volunteer community.

00:01:59I was thinking, I wanted to show you the best to find my application.

00:02:03And then, I was thinking, I was thinking, I was thinking, okay.

00:02:06Yeah, that's what I felt.

00:02:08So, I applied, created an account, started applying.

00:02:13And then, I started doing it alone.

00:02:26So, then, I started doing it alone.

00:02:28So, that means, that means, if you have a subtitle, you can update it in the app.

00:02:33So, I thought, I was thinking, I'm happy.

00:02:38Something happens.

00:02:39It's a different topic.

00:02:41Yeah.

00:02:41So, I started doing the exact lockdown.

00:02:44So, I started doing it for 10 minutes.

00:02:47So, I went and played on TV.

00:02:49So, that means, I wrote a drama.

00:02:53That means, I started editing the drama on YouTube.

00:02:57I did.

00:02:59And then, I thought, okay.

00:03:02Like, now, I'm not going to be a lead.

00:03:05Obviously, I'm not going to be a lead.

00:03:06I was going to be a lead.

00:03:07So, I started applying as a lead.

00:03:10Like, I was a single team member.

00:03:13Then, I started doing it on my own.

00:03:17Like, look at the beginning.

00:03:19I thought, I was thinking, I was thinking, okay.

00:03:26Okay, Padma is there.

00:03:28So, you can take guidance from her.

00:03:30Or, you both can do it.

00:03:31So, my team started growing in that.

00:03:34So, my team started growing in that.

00:03:36Like, one year, I wrote like, I put free time.

00:03:39Like, I put free time.

00:03:40Like, I put free time.

00:03:41Like, love stories.

00:03:42Like, I used to write subtitles there.

00:03:45In Telugu.

00:03:46Alla, alla, I have become a channel manager.

00:03:49Like, India, which is a third channel manager.

00:03:51Like, Telugu is one and only till now.

00:03:54So, it's a volunteer platform.

00:03:56But, it's something that gives me a lot of happiness, Anmata.

00:03:59So, alla, I have become a channel manager on that platform.

00:04:04Like, a movie career.

00:04:05Now, there are five projects.

00:04:07Like, some dramas, Chinese series, etc.

00:04:10So, I am currently the CM.

00:04:12Right.

00:04:12So, alla, I have become a channel manager on that platform.

00:04:15Like, I love this work so much.

00:04:17Like, why cannot I make money out of it?

00:04:19Like, why cannot I take it professionally?

00:04:22Like, why I want to do this for money?

00:04:25Like, why can't I do this in that zone?

00:04:29So, I started digging more about,

00:04:33Now, I started digging more about,

00:04:33Now, everyone has a lot of research on the platform.

00:04:37Then, I thought,

00:04:39Okay, it's not in real time.

00:04:40Like, then, I went on LinkedIn,

00:04:42Freelancer.com, Indeed, Now3.

00:04:44There are translation jobs, subtitling jobs.

00:04:47Then, I started to search.

00:04:48Started to apply for companies.

00:04:50And then, I started applying to those jobs.

00:04:55And then, I started doing a video.

00:04:56And then, I started doing a video.

00:04:57If that becomes okay, then I used to get the project.

00:05:00So, allah, I used to give lot of free samples.

00:05:03And that's how my journey with translation started.

00:05:06Okay.

00:05:07So, if you're volunteering,

00:05:08Do you have to balance that time?

00:05:10That's how I did it.

00:05:14That was my only obsession.

00:05:17Okay.

00:05:18When we were in the stage,

00:05:20You decided,

00:05:21You have to decide that you have to make your career.

00:05:24You have to do it.

00:05:25It's not that passion.

00:05:26You have to do it.

00:05:27You have to do it.

00:05:28Today, you are going to have passion,

00:05:29You have to do it.

00:05:32That's how I did.

00:05:34So, I have to manage your problems.

00:05:35I have to manage your solution.

00:05:36You have to get your solution.

00:05:37I have to manage your solution.

00:05:38I am.

00:05:38Yeah, yeah.

00:05:43I feel like I am good only in that. That is my only strength and I am the best in

00:05:51that only.

00:05:52I have to do something today before sleeping.

00:06:06If you study 10-15 lines, you will get happiness.

00:06:10You will get to that stage.

00:06:12Now you will get to that stage.

00:06:15But do you have to do something like that?

00:06:18Do you have to do something like that?

00:06:19Do you have to do something like that?

00:06:22I always wanted to be a doctor.

00:06:27I always wanted to be a doctor.

00:06:29I did buy a PC.

00:06:31But I feel like this career chose me more than I am choosing it.

00:06:35It came my way.

00:06:37I am not sure if I am a doctor.

00:06:39I am not sure if I am a doctor.

00:06:41I am not sure if I am a doctor.

00:06:43But after that, how things will change?

00:06:46Do you have a volunteer job?

00:06:49Do you have a LinkedIn event?

00:06:52Do you have a first project?

00:06:53How did it get locked in?

00:06:54How did there do it?

00:06:55If there are many films or assignments?

00:06:58If I had PhD publi for summer, then the ones also knew.

00:07:02There was các films from the five-six movie.

00:07:04There were subtitles.

00:07:06Okay.

00:07:06So I'm like, movie is good, the record is good, it's good, it's good, it's good, it's good, so that

00:07:14was there, after two years I got to know that it's all tirade and so I did that, and after

00:07:23like two months or three months I got this Amazon project, like, it's trans, right, right.

00:07:35So that's my first OTT subtitling project, that's back in 2022. Then I was like waiting for it and that's

00:07:48not coming and then suddenly this, I started with Z studios.

00:07:53Then I entered into English subtitling, I was in only Telugu, like, I was in only Telugu, but then a

00:08:02company manager, they're like, why don't you try, you can do it, and he made me do one episode of

00:08:11390.

00:08:12So he gave me feedback, so that's what I wanted to do, and that's through a company.

00:08:22Then I got the contract that stopped and I got directly contacted by Z, Z Jaipur.

00:08:39So that's where my theatrical journey actually started in 2022.

00:08:56Okay.

00:08:57Now, initial stage, do you have family reactions?

00:09:00Do you have any family reactions in your profession?

00:09:02Do you have any family reactions in your profession?

00:09:06They were okay with that.

00:09:08Okay.

00:09:08But what, in the first thing initial, I don't have a laptop initially.

00:09:14I didn't have it.

00:09:15So I used to do everything on phone.

00:09:18Okay.

00:09:18So, in 2019, 2020 time, I got a phone.

00:09:25There was a perception.

00:09:27There was a phone.

00:09:28There was no phone.

00:09:29There was no phone.

00:09:30There was no phone.

00:09:30Because now it is normalized.

00:09:32Right.

00:09:32There wasn't that way.

00:09:34So, in this obsession, like, I used to fight with my sister for the phone.

00:09:40I was surprised by Vicky.

00:09:41Okay.

00:09:42I was surprised by the obsession I had.

00:09:45I was surprised by my sister for a long time.

00:09:47I couldn't even know if I was in a phone.

00:09:51And I used to say that I'm watching drama and all.

00:09:55So, I was aware that I was navigating through that site initially.

00:09:59Then, I have become channel manager.

00:10:01And then there was an academic academy.

00:10:03Where you can learn segmenting and subtitling.

00:10:06All of those, I don't have anything to know.

00:10:09But there was a segmenting academy.

00:10:10Then I also graduated from that academy. That's also a volunteer-run program.

00:10:17So initially, I would like to speak to my phone, but after that they understood.

00:10:24Now they are very happy with it.

00:10:25Great, great. I have to explain some of this segmenting.

00:10:28If you look at two-three subjects in this crowd,

00:10:32like zero-segmenting or forty-one-segmenting,

00:10:35what is the segmenting?

00:10:39Okay, there are segmenting, time coding,

00:10:43and there are many names.

00:10:45There are spotting.

00:10:46Now, if we look at the movie,

00:10:49then we have a subtitle,

00:10:52and then we have a subtitle.

00:10:55So, we have to place the text exactly where we have to place the text.

00:11:00We have to decide the time coding on the screen.

00:11:03So, until you spot where the subtitle should come,

00:11:08or you create a time code.

00:11:09So, that is what segmenting is.

00:11:12And so,

00:11:13if you look at the same thing,

00:11:17then we have to look at the audience right now.

00:11:19In English English,

00:11:20after the lockdown,

00:11:21then we have to look at English.

00:11:25But at the time of 2020,

00:11:27then we have to look at the subtitles,

00:11:29and then we have to look at the subtitles.

00:11:32So, what are the importance of the subtitles?

00:11:33What are the reasons for the subtitles?

00:11:36I come from watching Asian shows.

00:11:39In English,

00:11:41we have to do that.

00:11:42Chinese,

00:11:43Thai,

00:11:43Korean,

00:11:44Japanese.

00:11:45So, the subtitles were the only thing.

00:11:49So,

00:11:52we have to look at the subtitles.

00:11:57So,

00:11:58we have to look at the subtitles.

00:12:00We have to look at the subtitles.

00:12:05So,

00:12:06we have to look at the subtitles.

00:12:08we have to look at the subtitles.

00:12:09So,

00:12:09we have to look at the subtitles.

00:12:12So,

00:12:12there is a lot of subtitles.

00:12:15So,

00:12:16the subtitles are very,

00:12:17they are the only medium where people can understand the content.

00:12:21Great.

00:12:22Yeah.

00:12:23I am so happy.

00:12:24we all have to look at Korean dramas.

00:12:26Korean boyfriends.

00:12:29We are so happy.

00:12:33We are so happy.

00:12:34Yeah.

00:12:36So,

00:12:36your journey around the ups and downs.

00:12:38How excited is this journey?

00:12:41Every day is great.

00:12:44Every project,

00:12:45I take it very personally.

00:12:47So,

00:12:48Ups and downs,

00:12:49we have to look at the work,

00:12:51and then,

00:12:53then,

00:12:54I go on wiki and write.

00:12:55Because,

00:12:55I have that access.

00:12:57So,

00:12:57I am so happy.

00:12:59Now,

00:13:00I am a complete English professional.

00:13:02I am so happy.

00:13:03I am so happy.

00:13:04So,

00:13:04something or the other.

00:13:06Whether it is giving me money or not,

00:13:08I will just do.

00:13:09Downside,

00:13:10I am not the same downside.

00:13:12So,

00:13:12I am growing.

00:13:14Still growing.

00:13:15Will grow.

00:13:16I am so happy.

00:13:17You have to do a first time,

00:13:19you have to do a subtitle.

00:13:20Do you have to do that emotion?

00:13:22Can you do a subtitle?

00:13:23Yeah.

00:13:25Actually,

00:13:25I am so happy.

00:13:26That means,

00:13:28what is right,

00:13:29or like,

00:13:30what the audience want,

00:13:32are two things.

00:13:33Right.

00:13:33Now,

00:13:34I will tell you one example,

00:13:35where I got stuck initially,

00:13:36because I have no mentor there.

00:13:40There is an emergency room.

00:13:42I have no.

00:13:45I have no idea.

00:13:49there is an emergency room.

00:13:56I mean,

00:14:04It is not a problem.

00:14:06Now,

00:14:06I used to get confused here.

00:14:09I don't know if you have a career, or if you have a job, I don't know if you have

00:14:13a platform.

00:14:15So, I am like this.

00:14:17So, that's why I started to move on to the platform.

00:14:21I started to think like an audience.

00:14:23Now, I don't have a t-shirt.

00:14:25If you don't have a t-shirt, I don't have an audience.

00:14:30So, I thought, okay.

00:14:32I don't want an emergency room.

00:14:33I don't want an emergency room.

00:14:34I don't want an audience.

00:14:36I don't want an audience.

00:14:37So, if you don't want an audience, I'm happy.

00:14:41I thought, I got to think about it.

00:14:46What did I say?

00:14:47I thought, I want to practice that platform.

00:14:49I want to practice that platform.

00:14:52Then, I got the ability to train new subtitlers who came on to that platform.

00:15:00I feel like subtitlers were trained on that platform.

00:15:05I was like, you know what is your opinion?

00:15:08You would have to practice that platform.

00:15:09It was the judgment.

00:15:10You would have to be a audience.

00:15:12Like, if you don't have this set of audiences.

00:15:18If you don't have this set of audiences, we would have to be a set of audiences.

00:15:23Maybe my mom, maybe my mom, maybe my mom, maybe my mom.

00:15:27So, I started to start with that set of audiences.

00:15:32That's why I started to understand.

00:15:34I started to understand that.

00:15:35Where do you think the audience is?

00:15:38We are the same as the audience.

00:15:40We are the same as the audience.

00:15:43So, I figured out how to figure out the audience.

00:15:46So, now that you are going to work,

00:15:49the audience is out of the state.

00:15:53Who are aunties?

00:15:54100% of them are going to choose.

00:15:56So, I used to use advanced English words.

00:16:00I used to use simple English in daily words.

00:16:07I used to write like that to me.

00:16:09And every time it used to pass.

00:16:12So, I figured out how to figure out.

00:16:13In Telugu, even in English and Telugu,

00:16:18there are two pairs in Telugu.

00:16:20So, even when I was writing for Dubbing,

00:16:25now I am Gen Z.

00:16:29So, in my daily life,

00:16:31people are constantly learning English.

00:16:34I always say that in that same level,

00:16:35we are able to make English use.

00:16:37But if you're interested in how to figure out the audience.

00:16:40If you're interested in Telugu.

00:16:42When I choose a book and I am in Telugu,

00:16:43then I can connect.

00:16:45So, we can update the vocabulary.

00:16:50How to find out there?

00:16:52I have to think about this again.

00:16:54Also, I am.

00:16:54That's the first time I was using it.

00:16:59And commercial first break-thru, how did you do the first project in the first break-thru?

00:17:04Exposure, commercial, etc.

00:17:09It's not going to happen in one day.

00:17:11Definitely, it's not a...

00:17:14But my first breakthrough, I believe it is G-Studios.

00:17:20Definitely.

00:17:21When I was a volunteer, I was not on the commercial thing.

00:17:27I was like, seven months ago, I got from Zee.

00:17:31So, seven months ago, it was a short period of time.

00:17:35You got it, right?

00:17:36I got it.

00:17:38So, after three months, I got theater projects.

00:17:43Theater projects I did for a company.

00:17:45So, yeah, I first did this first release.

00:17:51It was my first release.

00:17:53So, I don't have a video.

00:17:56I'm not just doing anything like this.

00:17:58But I only have dubbing track.

00:18:00I don't have a video.

00:18:02I don't have any subtitles.

00:18:04I don't have any subtitles.

00:18:05But that resulted in a lot of bad translation.

00:18:08Okay.

00:18:09But that was my first high.

00:18:12Like, wow.

00:18:13Allo Suresh movie.

00:18:15Like, you will start this is seven months out.

00:18:17Eight months out.

00:18:18Wow.

00:18:20And then I took my parents to the theater.

00:18:22And then there are rules and regulations.

00:18:25So much.

00:18:27So much.

00:18:28Okay.

00:18:28Could you please explain the right process.

00:18:30The right process.

00:18:32The right process.

00:18:33The right process.

00:18:35The right process.

00:18:36The right process.

00:18:38Okay.

00:18:39And then.

00:18:39Projects.

00:18:40Different stages of production.

00:18:42Okay.

00:18:43First edit time.

00:18:45It can come to us at any stage.

00:18:47And mother.

00:18:49Like a two hour movie.

00:18:51We'll take like three days.

00:18:53Okay.

00:18:55And we will get a video.

00:18:57And we will give SRT file.

00:18:58That is my standard procedure.

00:19:01And mother because I don't deal with any kind of.

00:19:04If you don't have subtitles in the video, you don't have to be off or off.

00:19:09So, hard subs are soft subs.

00:19:13So, I am a hard subs deal.

00:19:15So, you only have soft subs deal.

00:19:17If you print in the video, that's their heading.

00:19:21So, if you just make MP4 videos, I will give you the SRT file.

00:19:25This is spotting, time coding, everything and translation.

00:19:28So, I am a manager.

00:19:30Great.

00:19:31What is the emotional stage?

00:19:34There is an emotional scene between mother and son.

00:19:38So, there is a very heavy dialogue between mother and son.

00:19:41So, what do you do with English?

00:19:44What do you do with English?

00:19:46What do you do with English?

00:19:48The first thing is,

00:19:50the first thing is, you don't speak English.

00:19:52That is the base.

00:19:53The first thing is, you don't have to translate the word.

00:20:00The first thing is, you can do English, you don't have to be a place in the English.

00:20:03If you don't have a language, you can write in the English.

00:20:05If you don't have to be a place in the English, you can write in the English.

00:20:08Like, my name is Padma.

00:20:10That's correct.

00:20:11There is no way to readability.

00:20:15Now, there are a lot of things that we can do in a few days.

00:20:20So, that's an argument.

00:20:23It depends on a lot of instances.

00:20:25We have a lot of examples.

00:20:28So, if there is a gap in dialogue or music space,

00:20:34if there is a few shots,

00:20:37then we can extend a little bit to the subtitle.

00:20:40Then, we can use extra context.

00:20:45So, there are rules,

00:20:47but I would love to have that free hand in subtitling.

00:20:53Now, if there is a double meaning joke,

00:20:55then we can explain it to the audience.

00:21:01So, if there is a subtitle in Korean,

00:21:06then we can use the subtitles in the Korean language.

00:21:09Now, there are words in Korean like double meanings.

00:21:12Now, there is English in Korean.

00:21:13Now, there is a word in English.

00:21:17Now, there is a word in English,

00:21:17and there is a word in English.

00:21:17In Korean, there is a word in U and V.

00:21:20However, in a few instances,

00:21:23there are a few instances.

00:21:23We used to write about extra context in Viki,

00:21:25and then we used to write a little more context.

00:21:28So, this is what the audience wants.

00:21:31The audience wants to know exactly what they are talking.

00:21:33If there was double meaning,

00:21:34then what is double meaning is,

00:21:36then we would like to hear people as an audience.

00:21:38So, I think like an audience.

00:21:39So, in those instances, when you get emotional, jokes, etc, you start talking about the first thing.

00:21:49You know, you're trying to trim the timing and you're trying to explain extra space after that.

00:21:56But, audience disconnects. They'll get connected more. Subtitles are the only way audience feel more connected.

00:22:03If you look at the original voice or the original faces, it's the same story.

00:22:09But a lot of people prefer Telugu subtitles, actually.

00:22:14Because if you read English subtitles, it's a medium to be frank.

00:22:19To be frank.

00:22:20Great.

00:22:21So, I thought that you had an exposure to the English subtitles.

00:22:27Is it different from that?

00:22:28Yes.

00:22:29Okay.

00:22:30That is different.

00:22:31To the point, I started reading English subtitles.

00:22:36I started reading English subtitles.

00:22:38I'm sure they're getting a speed.

00:22:40Sorry, English is getting a speed.

00:22:43So, after I finished reading the first episode, I took 6 hours.

00:22:48Okay.

00:22:496 hours.

00:22:50I was struggling so much.

00:22:52But now I write it in 1 hour 45 minutes like that.

00:22:56That speed over the years is getting a speed.

00:22:59If you're English, you're English to Telugu.

00:23:02Like starting, there's a lot of judgment.

00:23:05There's a lot of judgment.

00:23:07But after that, it's getting a speed.

00:23:09So, that also results in speed.

00:23:12But if you're getting a speed, they may take more time.

00:23:16Right.

00:23:16Experience, fast.

00:23:17It's because of the judgment.

00:23:20Mr. So, he said, if you talked about it, you'll have self-learning.

00:23:24Yes.

00:23:25Mr. No, he doesn't know.

00:23:27He doesn't know how to do even more bad.

00:23:28He doesn't know if he's going to do something.

00:23:30Yes.

00:23:31If I actually do it, he doesn't know?

00:23:32Everyday it's a learning process.

00:23:34You know that.

00:23:34But at minimum basis, I'll clear.

00:23:37When I have to go to and to increase the minimum basis,

00:23:39What do you look at that time?

00:23:40English to Telugu, first name is the name of the English.

00:23:43I have to learn that. I have to learn that.

00:23:46I have to learn that.

00:23:48I have to learn that.

00:23:49I have to learn that.

00:23:53Because I don't think I have to learn English.

00:23:59Now, most of my conversation is only English.

00:24:03That's what I am.

00:24:04Because most of my clients were North Indians.

00:24:07I have to learn English.

00:24:11So, my English started in June of 2022.

00:24:18So, after that, I had to learn 3 months.

00:24:23Like, we used to have a QC person at Zee Loa.

00:24:28Randomly, they used to pick an episode and she used to do QC and send me feedback.

00:24:41So, she used to give me feedback.

00:24:43So, she used to give me feedback.

00:24:55And then, I started exporting the text from the subtitle software into a document.

00:25:02And started doing grammar check.

00:25:04That's why I used to self-manage.

00:25:07Like, now that I have to submit a file,

00:25:09It was only for me to translate some of the Señ,

00:25:12I used to fill up a file and use it to fill up in the flow.

00:25:15So, how to say that?

00:25:16How to turn it in to that.

00:25:16Even if I use it, I would also recommend it.

00:25:19You shouldn't have to film it.

00:25:20If I like to understand it,

00:25:20you don't have to make mistakes with it.

00:25:21So, this is my case.

00:25:22You can start painting the flow.

00:25:35Okay, okay.

00:25:36So, until today.

00:25:51I submit to the client, whoever the client is. If you do an individual movie maker, I will give it

00:26:03to the director, so the director will give it to the editor and I recently got to know, like last

00:26:08month, I will give it to the director.

00:26:09I got to know that they add this SRT file and they do the styling, text, font and they will

00:26:21export. I don't deal with any kind of hard subs or like printing or anything like that.

00:26:30What do you mean? I don't know. I don't know anything about media.

00:26:35Great. But you are a fantastic girl in the film. You are a fantastic girl in the film. You are

00:26:42a fantastic girl in the film.

00:26:44But you are one of the most challenging films in the film.

00:26:48Actually, we used to do with dubbing track. That is the challenging part.

00:26:55The rest of this over the years, I think I forgot.

00:26:59I think I forgot. But...

00:27:04It means, even when the judgment is difficult, that project is challenging.

00:27:11Judgment most of the time is difficult. Comedy is difficult.

00:27:21So, after a point of time, I am not able to give 100% because I am not a video.

00:27:27Okay.

00:27:28I am not able to give a video. I am not able to give a video.

00:27:33I am not able to give a video.

00:27:35I am not able to give a video.

00:27:36There are a lot of rules.

00:27:37So, I am able to give a video to the non-Telgu audience.

00:27:39I am not able to give a video to the non-Telgu audience.

00:27:40I thought, Amada? I am not able to give a video.

00:27:49I was able to give a video on this.

00:27:51When you are a look at the prodigy track of the dubbing track, I am able to give a video

00:27:56about that.

00:27:57So, how do you remember the video?

00:28:00How did you accept films in this film?

00:28:05Yes, I did not do with the video. So it was a big production.

00:28:18I don't know what to do, but right now the situation has changed.

00:28:25I'm afraid I'm afraid to file a video.

00:28:29But why don't you make a contract? I used to tell my client,

00:28:33I will sign a contract so we can do better work.

00:28:38Rather than just do it.

00:28:40Now we are going to contract.

00:28:48Recently I got a call for another movie.

00:28:51That's a huge production. They wanted me to come to their studio and write.

00:28:55Because they don't want to give out the film. It's a big film.

00:28:59So I'm like, okay, this is much better.

00:29:02If you don't know what to do,

00:29:04then you can't get it.

00:29:08Once you get the audience properly.

00:29:11So what is your comfortable space to write as a text?

00:29:15In this mindset, in this mindset, in this mindset?

00:29:18How do I get the first thing?

00:29:20I'm distracted.

00:29:23I'm distracted.

00:29:24If you don't know what to do,

00:29:25then you don't focus on it.

00:29:27But you don't have to focus on it.

00:29:28I'm not disturbed.

00:29:30If you don't have to get the deadline to get the deadline,

00:29:34I don't have to focus on that range.

00:29:38And I really hate timing.

00:29:42If you don't notice what I want to do,

00:29:45you don't have to worry about it.

00:29:46You don't have to worry about it.

00:29:47You don't have to worry about it.

00:29:48The deadline is cut.

00:29:49You don't have to worry about it.

00:29:50But I'll get a little bit of a update.

00:29:55You don't have to worry about it.

00:29:56I'll worry about it.

00:29:56But don't rush me.

00:29:57I don't want to do extra time, I don't want to do extra time in three days, but I don't

00:30:02want to do four to five days.

00:30:04I want that extra time so that I am not stressed on while working.

00:30:08So when I sleep peacefully, like a fresh mind, I start.

00:30:13Like first I'll watch the movie, then I'll do the time coding and then I'll write.

00:30:19And then I'll go through it again and submit.

00:30:21Last minute deadline was in cinema, right?

00:30:24That's a good one.

00:30:26Starting though.

00:30:30It's a good one.

00:30:32So starting, I used to work 16 hours a day.

00:30:37But I used to work 16 hours a day.

00:30:39I used to work 16 hours a day.

00:30:40I used to work 16 hours a day.

00:30:44It used to be like that.

00:30:46Now there are many movies in starting.

00:30:48There are dubbing tracks.

00:30:49But in dubbing tracks, I am hearing.

00:30:52I am getting this premium privilege of watching a content before the audience.

00:31:09So that still gives me a kick.

00:31:11That is the only kick I am running after.

00:31:15I am working on a cinema.

00:31:16For example, you are a great film or a good one.

00:31:20You are a great film.

00:31:20You are out at a theater.

00:31:22I think you are a great film.

00:31:23Why did you like a cinema?

00:31:24You are doing a great film?

00:31:24How does the project do you really like?

00:31:27I am not working, but right now I am manifesting some movies which I want to work on.

00:31:34That is why I used to work from Vijayvada.

00:31:37I've come to Hyderabad last year. So I didn't have any exposure. I was only working and sending files and

00:31:46receiving money kind of thing.

00:31:48But after I come to Hyderabad, I worked on this Four Tails, like that's my debut with Kadasudha.

00:31:58So I attended an event, it was not a premiere. So after that, I said, if we go to more

00:32:08events, if we go to more events, I'm going to Hyderabad.

00:32:12So my exposure slowly started growing. And if you're working, if I like your project very much, I wait for

00:32:22it, I anticipate for it, I hype the audience up for that cinema.

00:32:26But right now, I have some movies in mind, which I'm very anticipated about, and I'm very eager to work

00:32:34on them if I get a chance.

00:32:35After all, you're in the process. Now you're running a man-fession cinema, you're going to take a look at

00:32:39it.

00:32:40You're going to approach it, and you're going to approach it.

00:32:44That's the second option. We don't approach it.

00:32:47Now, you discovered my profile because I was rigorously posting on my Instagram.

00:32:52I'm going to ask you, I'm going to ask you, I'm going to go to a spam.

00:33:01So, people don't know. If you have subtitles,

00:33:05you're going to do that. If you have subtitles, you're going to do that.

00:33:09where to go and see where to go.

00:33:12Actually, we don't have to do that marketing.

00:33:16So, we have to approach that.

00:33:19Now, in the last moment,

00:33:22we know that the subtitle is mandatory.

00:33:24We know that the captions and ADR are mandatory,

00:33:27but we know that the subtitle is mandatory.

00:33:29That's why we don't have the last moment.

00:33:32Do you have any sense of the word?

00:33:35Do you have any rules?

00:33:37Do you have any subtitles?

00:33:37What is the importance of it?

00:33:39I don't know much about censor.

00:33:42But I know about censor script and people who write censor script.

00:33:46I don't write.

00:33:47So, in censor, whatever the vocal content,

00:33:51like if you say anything,

00:33:54that everything will be there in the censor script.

00:33:59Because of the English translation, it will be 100%.

00:34:01Okay.

00:34:02And if you say anything,

00:34:04if you say anything,

00:34:04then it will be there.

00:34:07Like subtitles should be there.

00:34:09Okay.

00:34:10So, for English translation,

00:34:12because they don't know the censor in Telugu.

00:34:16Some people don't know who is censor.

00:34:19So, for them,

00:34:19English translation is mandatory.

00:34:21Okay.

00:34:21So, if you say anything,

00:34:35that's what I did not like.

00:34:37Okay.

00:34:39So, if you say anything,

00:34:40three days later,

00:34:41three days later,

00:34:42next day in the morning,

00:34:44you can submit that movie overnight.

00:34:47Right.

00:34:47So, if you say anything,

00:34:48if you say anything,

00:34:49if you say anything,

00:34:50if you say anything,

00:34:50they will all deliver in three to four hours.

00:34:53They will clap it and submit it.

00:34:57That's what...

00:34:58I mean,

00:34:58that's what I'm saying.

00:34:59Now,

00:34:59there's a style of writing.

00:35:01Like,

00:35:02there's a judgment,

00:35:03there's a thing about our audience.

00:35:06There's a feeling that you see it in the audience,

00:35:08but that means,

00:35:08what is right,

00:35:10what is correct translation,

00:35:11and blind.

00:35:13If you say anything,

00:35:15then you'll be able to say anything.

00:35:20But I want to ask an interesting question.

00:35:22Yeah.

00:35:22There are subtitles.

00:35:23there are subtitles,

00:35:23which of the these subtitles,

00:35:26are also more or less.

00:35:27In the film,

00:35:29there's a lot of subtitles.

00:35:32Tell them about English subtitles.

00:35:34Tell them the subtitles for single screen,

00:35:36maybe.

00:35:38If you say something about single screen,

00:35:40you don't have to say anything.

00:35:40They might try something.

00:35:41Just tell them the subtitles for in every single screen.

00:35:42Okay.

00:35:42Why does this mean?

00:35:42How does this mean?

00:35:42The only thing about this thing is.

00:35:43We use the subtitles for multiplexes.

00:35:45If you say anything about any of the television films,

00:35:47you don't have English subtitles.

00:35:50I'm not aware.

00:35:51I am aware, obviously.

00:35:53I am aware of that commercial aspect.

00:35:57I am aware of that.

00:36:02Okay.

00:36:06Uneducated will prefer dubbing and educated will prefer subtitles.

00:36:13And that's my perception. I don't know if this becomes a controversy or something.

00:36:17And I have seen my friends saying that.

00:36:23Same thing happened.

00:36:24But you have to learn multiple times.

00:36:27Why do you have subtitles?

00:36:28I don't know if you don't have subtitles.

00:36:29I am aware of that.

00:36:31I am aware that there is a sector of audience.

00:36:33And educated people prefer dubbing.

00:36:37I don't want to get on anybody's bad side.

00:36:42So, that's one thing.

00:36:44And the second thing is that the state is mostly on education and job purpose.

00:36:52So, they mostly prefer multiplex.

00:36:55So, that is the reason that multiplex should be subtitled.

00:36:58You have used this video.

00:37:00You can be interested in cinema, you can be interested in series, you can be interested in YouTube too.

00:37:07But the quality of that information is the height of the quality of the writing.

00:37:11So, the difference there is a difference.

00:37:13Yes.

00:37:13That is what I believe, what I have been practicing.

00:37:21In the theatre, we use an advanced English word.

00:37:26We use an advanced English word.

00:37:27We use an advanced English word in the theatre.

00:37:30We use an advanced English word in the theatre.

00:37:32We use an advanced English word in the theatre.

00:37:35We use an advanced English word in the 50-40 years.

00:37:42We use an advanced English word in the cinema class.

00:37:51If in case they want to learn English, theatre is not the place to learn English.

00:37:56Theatre is the place where you have to enjoy the content.

00:37:59So, we use an advanced English word in the theatre.

00:38:04That is one thing.

00:38:06In the OTT, we use advanced English as well.

00:38:10If the director wants or if the content is demanding that English, then we can do it for the OTT.

00:38:16What is it?

00:38:17In the OTT, we have the option of stopping the movie, going to Google and searching the meaning of the

00:38:24word.

00:38:24In the theatre, we cannot do that.

00:38:25So, in theatre and OTT, there will be a difference and there should be a difference in the subtitles.

00:38:32That is what I believe.

00:38:33Now, do you want to play the cinema?

00:38:35Do you want to play the subtitles?

00:38:38Yes, I will tell you.

00:38:39But if you have a proper feeling and에서는 that you have to draw the English and difficult to use English.

00:38:46Then you can do the simple stuff.

00:38:50Yes, so there should be a difference.

00:38:51You want to make a very good job.

00:38:53Don't focus on the content and the subtitles.

00:38:57That's what I believe.

00:38:58The same thing happened. I haven't seen the cinema, but I don't know if there are subtitles, but I don't

00:39:04know if there are subtitles.

00:39:05There are a lot of subtitles in the scene, but I don't know if you have a feeling of the

00:39:12audience, whatever you feel.

00:39:15I don't know if I'm not sure if I'm reading speed reading.

00:39:19If I'm doing a lot of speed, I don't know if I'm looking at the face and I'm looking at

00:39:23the lame button.

00:39:23I don't know if I'm looking at the same time.

00:39:25Because of your audience, I've been looking at the subtitles for years.

00:39:32If they're looking at the same subtitles, they're looking at the same show, but they're looking at the same subtitles.

00:39:43And the reason why you feel is because of more CPS, like technical terms of subtitling.

00:39:54It's called reading speed.

00:39:57You can use a little speed.

00:40:00So, we set the parameters for the slow reading reader.

00:40:04We set the timing in the subtitling.

00:40:07Then, you can use the slow reading reader, you can use the speed, you can use the speed.

00:40:12You can choose content.

00:40:14Then, you can use the speed, you can use the speed.

00:40:20Because the skype is walking the speed, you can use the speed.

00:40:23Because they cannot read faster.

00:40:25And, at the very same time, you can use the speed.

00:40:30They can use it like 900 seconds.

00:40:31If you have a video, you can't get any feedback from the video.

00:40:37And if you use a video, you can use a video.

00:40:40You can use a video in 3 days, and you can use a video in 3 days.

00:40:43You can use a video in subtitle, or you can use a client.

00:40:49That means, if you do a video, you can use a video in a video.

00:40:54You can use a video in a video.

00:41:00If you have a document, you will need to sync.

00:41:04If you are doing this, you will definitely do this.

00:41:09If you are using the sync file, you will check all the time.

00:41:13You will do the first thing, and you will set a new set of timing.

00:41:18You will start arguing with text, and you will talk about the speed, the length of the dialogue.

00:41:23I will extend the segment.

00:41:26But in the subtitle, when you start the dialogue, you can start the dialogue, now you can start the dialogue.

00:41:33You can start a half or a millisecond before you start the dialogue. That's basic practice.

00:41:38When you end it, there are strict rules in OTT.

00:41:43You can start the dialogue in two frames.

00:41:47But in theatre, there are rules.

00:41:50If there are rules, I practice the rules.

00:41:53I'm telling you, the audience is not here, and we are going to extend this.

00:41:58Nothing will happen if we extend that.

00:42:00If you start the dialogue as well, we will extend that.

00:42:02So, we will extend that dialogue.

00:42:03What do you say?

00:42:03We don't extend that dialogue with a small reading speed.

00:42:08We extend that dialogue with a slow reading speed.

00:42:10But we will extend that dialogue.

00:42:12We will extend that dialogue.

00:42:12We will extend that dialogue with one and half seconds.

00:42:15So, in terms of the slow and fast-paced dialogue,

00:42:18the dialogue with context and clarity,

00:42:30It depends on different examples, it depends on a deeper level of discussion.

00:42:37But you successfully completed five years.

00:42:40More than five years.

00:42:42But next five years, subtitles are very important.

00:42:47So, everyone is exposed to the English language.

00:42:51Everyone is easy to understand.

00:42:53If you look at subtitles, you can see the emotion.

00:42:57So, what is your take on that?

00:43:01I don't agree to that.

00:43:03Now, there is a lot of demand for subtitles.

00:43:08Because, in Reels, there is also a lot of subtitles.

00:43:14Now, if you look at other people without sound,

00:43:17you don't have access to the sound.

00:43:20If you look at subtitles, you consume content.

00:43:24So, if you look at the audio,

00:43:26subtitles are the thing that is catching the audience lately.

00:43:29In short form of content.

00:43:32And, in CBFC procedures, subtitling is very important.

00:43:37So, there is no way subtitles will become obsolete.

00:43:42So, that's one thing.

00:43:43And, one thing is how I take this information.

00:43:46If you look at a subtitles,

00:43:48so, you can ask English as well.

00:43:50After engaging in English.

00:43:54You say, as a movie,

00:43:57you can say to this one of the's movies,

00:43:59you cannot speak a bit of a few facts.

00:44:00You must speak to them in a bit.

00:44:02You cannot speak a bit.

00:44:03Now, there is an African English and American English,

00:44:06there is no British English.

00:44:07This Scottish English is not a thing.

00:44:10So, yes, everyone is speaking English, everyone is well versed with English, that's not the thing.

00:44:19Every time you will not have access to earphones or every time you are not consuming,

00:44:23you cannot put the sound on TV.

00:44:28In that time, the subtitles are the ones which actually help you continue with the show.

00:44:34So, subtitles are very, very important and the demand will only grow.

00:44:38So, yes, definitely.

00:44:40So, now that you have a lot of subtitles, you have to explore this profession.

00:44:46Yes.

00:44:48Someone wants to explore this profession, is it allowed to be a career path?

00:44:52If you have a course, if you have a prime day, if you have a cover of it in the

00:44:57industry, how these things will work?

00:45:00It's all self-learning, everything.

00:45:04If you have courses, I don't have to worry about it anymore.

00:45:06But if you want to learn, you can definitely learn with companies.

00:45:10Like, you can approach or like you can ask them, you want to learn as an intern or you want

00:45:17to join.

00:45:17Like, to make a career path out of it, there are so many ways.

00:45:24Like, there are so many companies that deal with subtitling.

00:45:27So, if you want to learn, you can take a test, like I'll give you a test, like I'll give

00:45:34you a test, like I'll give you a feedback, or you can go on LinkedIn professionals and ask them, like

00:45:39if you have a video, give me the review, help me improve and then you can do that.

00:45:45But basic skills criteria, if someone wants to become a subtitle writer, translation, they need to know translation, they need

00:45:53to be well versed with English and Telugu.

00:45:55Like, if you have two languages, you can do subtitling, any language, English, Tamil, or like English, Kannada, or English

00:46:03is based first.

00:46:07And the rest of all is judgment you have to learn.

00:46:11And every subtitle, it is different.

00:46:15What is right and what the audience want to.

00:46:19So, if you are perfect in that approach and judgment, then you can become one definitely.

00:46:26You have to do self-practice, like random YouTube video download, download that software, club both and play on the

00:46:37software.

00:46:39Like, everything is on YouTube. Everything is on YouTube.

00:46:43You can check like, you can create a segment, export, format, format, and styling.

00:46:54Like, there are several SRT making software, subtitling software, you can check.

00:47:03Like, if you have a practice, you don't have to do a blind approach.

00:47:10You can download different software and shortcut set.

00:47:13So, if you have to do a technical part in the technical part, you can do a bit of speed

00:47:19in the segment.

00:47:23You can do a bit of translation.

00:47:26So, first, get interested in that work.

00:47:30If you have fun, it will be great.

00:47:33But there are a few inflectures on there.

00:47:35Just to google it and translate it.

00:47:38Yeah.

00:47:39If you have to do a subtitle, it will be subtitle writing and a journey.

00:47:41It will be great.

00:47:42It will be great.

00:47:43It will be great.

00:47:46It will be great.

00:47:49It will be great.

00:47:52It will be great.

00:47:53There are people who do that.

00:47:55But...

00:47:56And...

00:47:58You...

00:47:59You...

00:48:00You...

00:48:02You...

00:48:03You...

00:48:04You...

00:48:05You...

00:48:06You...

00:48:07You...

00:48:08You...

00:48:09You...

00:48:10You...

00:48:11You...

00:48:12You...

00:48:14You...

00:48:16You...

00:48:17It will somewhere fail, but the AI is not 100% accurate.

00:48:22Initially, there are multiple taps to different professions.

00:48:27And happily, there is a title writer and a professional.

00:48:31But what is the pay skill?

00:48:33What is the pressure?

00:48:34What is the experience of the person?

00:48:40There is a lot of pressure.

00:48:42They pay the same for the work.

00:48:45Ok.

00:48:47But, quality is not there.

00:48:50I have never observed that the quality is paid.

00:48:54For cinema duration, cinema scale,

00:48:58D.E.S.A. Company,

00:48:59I am going to be coach.

00:49:02Now, two or three people are coached.

00:49:04For experience, it is there.

00:49:07But, experience is quality.

00:49:11But, when I was starting,

00:49:13If you look at the middle man companies, you get paid less.

00:49:18If it is a direct client, you get paid more.

00:49:20Work is good.

00:49:21Quality is good.

00:49:24Experience is good.

00:49:26But, maybe, if you look at the beginner's quality.

00:49:30But, you don't have numbers.

00:49:32I don't know.

00:49:34I don't know.

00:49:35I don't know.

00:49:54You have subtitling is based on per minute rate.

00:49:57Okay.

00:49:59Per minute translation will start from around 30 to 40 rupees per minute.

00:50:09Starting going till 500, 600 also.

00:50:13Wow.

00:50:14Great.

00:50:14Until it depends on the client.

00:50:17Yes.

00:50:17It depends on the project.

00:50:18Right.

00:50:19It depends on your experience also.

00:50:21Until it depends on the client.

00:50:26Yes.

00:50:26It depends on the client.

00:50:30It depends on the project.

00:50:35It depends on the client.

00:50:36So, if you look at the right client.

00:50:38So, if you take a lower job at the right client.

00:50:40Like, if you look at the right client.

00:50:40We can look at the right client.

00:50:42To further away.

00:50:42Ok.

00:50:45There must be more money.

00:50:46But anyway.

00:50:46So, in the right client, you can do the right talent.

00:50:51As you guys know that you don't have a lot of attention.

00:50:51But, what about the financial situations.

00:50:53How are you handling the debt?

00:50:54I am quite stable

00:50:56I am quite stable

00:50:58but

00:51:00yeah you don't get

00:51:02right now I am very strict about

00:51:04payments

00:51:05because I am there

00:51:08until that time

00:51:09there were instances where I did not get paid

00:51:15after doing work

00:51:16so they were there

00:51:18but right now I am like

00:51:19you have to clear all my payments

00:51:2150% advance

00:51:23I will start the work

00:51:26so I am like that right now

00:51:29but initially

00:51:31I used to work with companies

00:51:32so they were doing monthly or bi-weekly payments

00:51:35a little bit of trust

00:51:37but if you are individual filmmakers

00:51:41so I learned my lessons

00:51:43so right now I am like

00:51:45I want the payment to slip

00:51:48so I will call

00:51:50you need to clear my payment

00:51:51because I still feel

00:51:54there are some people

00:51:55who take subtitles for granted

00:51:58so I am a little scared

00:52:00they will ditch me again

00:52:08someone become a good friend

00:52:11just from client to good friend

00:52:12it's always companies

00:52:14and companies when I work

00:52:15managers, friends are here

00:52:18and filmmakers I regularly keep in touch

00:52:21filmmakers yes

00:52:24there are a few directors

00:52:26I have met

00:52:28outside work

00:52:31some actors also

00:52:32I have friends

00:52:33some

00:52:33yeah

00:52:35like

00:52:35it will start

00:52:37like

00:52:38Chappan Gada

00:52:38has only come to Hyderabad last year

00:52:40so

00:52:41they used to be on the phone only

00:52:44but right now we do meet

00:52:46and we sit for

00:52:48pre-production stage

00:52:50scripts level

00:52:50and all

00:52:53I thought

00:52:54subtitle writer

00:52:58that was crazy

00:53:06but it is too demanding

00:53:09and

00:53:09it is too demanding

00:53:11it is too demanding

00:53:11that I am a good friend

00:53:12that I am a good friend

00:53:13and I will relax

00:53:15and work

00:53:16but

00:53:16when you go on

00:53:17set to art

00:53:18it is different

00:53:19there are so many people

00:53:21so

00:53:21yeah

00:53:22I do transcription

00:53:23I do translation

00:53:24I do subtitling

00:53:25ads

00:53:26and

00:53:27this

00:53:29audio-visual translation

00:53:30umbrella

00:53:31is a little bit

00:53:32about education

00:53:33content

00:53:34and

00:53:34entertainment

00:53:35content

00:53:35and

00:53:36infotainment

00:53:37I do

00:53:39but

00:53:39you are

00:53:40also doing

00:53:41a lot of creators

00:53:42but

00:53:43when it comes to youtube

00:53:44it is important

00:53:45that you can do it

00:53:48you can do it

00:53:49you can do it

00:53:50accuracy

00:53:51right

00:53:52now

00:53:53you are talking

00:53:54and talking

00:53:55and talking

00:53:56right now

00:53:57the technology

00:53:58is not giving

00:53:58that much accuracy

00:53:59in the transcript

00:54:01so

00:54:01we can translate

00:54:02that inaccurate

00:54:02in the transcript

00:54:03in English

00:54:04we can do it

00:54:05there is no

00:54:07perfection

00:54:08there is no

00:54:08accuracy

00:54:09so

00:54:09humans

00:54:10have to be

00:54:13approved

00:54:14so

00:54:15we need a human

00:54:16we cannot

00:54:16completely depend

00:54:17on AI

00:54:18or machine

00:54:19or anything

00:54:20so

00:54:21creators

00:54:22I have approached

00:54:23them

00:54:24I mean

00:54:25you mean raw dogs

00:54:26right

00:54:27raw dogs

00:54:28I approached

00:54:29them

00:54:29right

00:54:31that's

00:54:32that's

00:54:32that's a breakthrough

00:54:33I am thrilled

00:54:34to work with

00:54:35him

00:54:37yeah

00:54:38super

00:54:38youtube

00:54:40content

00:54:41single

00:54:41vloggers

00:54:42for example

00:54:43so

00:54:45non-stop

00:54:46not

00:54:47I charge more

00:54:48for that

00:54:49podcast we charge

00:54:51more

00:54:52action movies

00:54:53I charge less

00:54:54yes

00:54:55there is no

00:54:56dialogue

00:54:56so

00:54:57I charge

00:54:57that's

00:54:59the difference

00:55:01companies say

00:55:02they charge the same

00:55:04but I am not like

00:55:05that

00:55:06I charge differently

00:55:08devotional content

00:55:09or comedy

00:55:09I charge more

00:55:14but for action movies

00:55:15and all I don't charge

00:55:16more

00:55:17of them

00:55:18for podcast

00:55:18I definitely charge

00:55:19time

00:55:20that's

00:55:21one

00:55:21to talk

00:55:23and talk

00:55:25like

00:55:27breaks

00:55:29scripted shows

00:55:30not unscripted shows

00:55:33so

00:55:33podcasts

00:55:35I charge more

00:55:36yeah

00:55:37finally

00:55:38if you

00:55:38are

00:55:38the top

00:55:39square

00:55:39you

00:55:40are

00:55:59That would be Nilabai. Nilabai, I love that project so much. And that's the first project I actually got credits

00:56:06on my big screen and I got credits which is the first project.

00:56:10I have rarely seen subtitlers getting credits. That's only mandatory approval for English translation. But now it's different. So that

00:56:29was my first silver screen moment.

00:56:34I loved the content, I loved doing the work and I loved the team and everyone.

00:56:41And then, to be frank, it's a strategy. Like when you say best work, I will only tell them the

00:56:53big names. That's what we should do.

00:56:58So, for Allah chose, mine would be Kadasudha projects. Like Four Tails, Mask, Gatana, Riddhi Rider and Bama Chappan Kada.

00:57:08That one. Like February release.

00:57:10So, these are the big and breakthrough projects.

00:57:15I have a lot of people.

00:57:16But you promised to be a lot of people.

00:57:19Sorry?

00:57:19I have a lot of people.

00:57:23I have a lot of people.

00:57:24I have a lot of people.

00:57:24I have no idea why and Chappi but it came out like that.

00:57:27I have a lot of people.

00:57:28I have a lot of people.

00:57:31But I did not even get credits for any of them.

00:57:34Sometimes.

00:57:35Yeah.

00:57:36Starting.

00:57:37Not sometimes.

00:57:37Starting.

00:57:38Starting.

00:57:40But right now, I demand the credit.

00:57:42Like before confirming the project, I need the credits.

00:57:46And they are like okay and then okay, we are doing it.

00:57:50So, I am very particular about credits, payments, everything.

00:57:54Like I have learnt all my lessons and I am very like streamlining.

00:57:59This is how it works.

00:58:00This is how it works.

00:58:02This is how it works.

00:58:04This is how it works.

00:58:04But starting is good.

00:58:06I am happy for that.

00:58:10I am happy for that.

00:58:10Like this is where we are.

00:58:11Because starting is great because we are looking for like this.

00:58:17The next part is what we are talking about.

00:58:22With the opportunities to be like this.

00:58:25Because we can be committed to work and credit to putting our initiative.

00:58:26We have to fight for that.

00:58:27Yeah.

00:58:28The starting is difficult.

00:58:30Something new.

00:58:31So, we have to fight for that.

00:58:34Because this five years taught me so much.

00:58:38If you want to implement it, it's a waste.

00:58:43But there is also something tough to do.

00:58:47That means, how do you do this journey?

00:58:51Yeah.

00:58:52How do you say it?

00:58:53How do you say it?

00:58:55Subtitle write it as a journey.

00:58:58That means, there is no issue.

00:59:00It is always the issue with people.

00:59:03It's the people.

00:59:04I'm telling you.

00:59:05So, yeah.

00:59:09If I don't meet directly here,

00:59:13I don't know.

00:59:15But there is no issue.

00:59:17There is no issue.

00:59:18There is a night call.

00:59:20That's all.

00:59:21If you have an emergency,

00:59:23I will talk to you.

00:59:25Okay, okay.

00:59:27And then, I'll tell you.

00:59:28I'll tell you.

00:59:30I'll tell you.

00:59:31I'll tell you.

00:59:32I'll tell you.

00:59:33I'll tell you.

00:59:34I'll tell you.

00:59:36Finally, what's the next goal?

00:59:38Be in this.

00:59:39Until my obsession is over.

00:59:42No, I don't know.

00:59:44I'll tell you.

00:59:44I'm happy.

00:59:46I'll tell you.

00:59:46There are many projects.

00:59:48I want to see credits for those also.

00:59:52I'm not satisfied with the credit part.

00:59:55So, I want to do more.

00:59:56And get more credits in big projects.

00:59:59When we work in our industry, we work with technicians, people, and people, and the audience.

01:00:09What about sub-titles?

01:00:11What about the audience?

01:00:12What about the scope of the audience?

01:00:15Why is this?

01:00:16First, we have to credit.

01:00:19We have to credit.

01:00:20We have to credit.

01:00:23What we are talking about now is that dubbing and subtitling are colliding so much.

01:00:32Now, the audience is separate from the sub-titling, and the dubbing audience is separate from the dubbing audience.

01:00:42So, the dubbing is different, right?

01:00:53I don't know what I am saying.

01:00:54Correct.

01:00:55Okay.

01:00:56So, the appreciation is that dubbing is pushed by the dubbing writers.

01:01:03Right now, if we get, we only get credits for English subtitles, not for the dubbing subtitles.

01:01:09So, the other language audience will be watching.

01:01:13So, they will only appreciate the content.

01:01:17But, what they don't understand is that the content to enjoy the reason is subtitler.

01:01:24Right.

01:01:25So, if you have a director, or writer, or dialogue, or audience throughout the movie, at the very same time,

01:01:31they are reading what we are writing.

01:01:33Correct.

01:01:34But, still, I would like to appreciate the appreciation for this profession.

01:01:42Whatever the other industry is exposal.

01:01:44Allowing the subtitles, writers, and subtitles importance.

01:01:46In Tamil industry, they have opening credits.

01:01:50They are opening credits.

01:01:51They are opening credits.

01:01:53In Tamil industry, they charge three to four times what we charge here.

01:01:59Yes.

01:02:01I don't want to make it.

01:02:03I don't want to make it.

01:02:04I don't want to make it.

01:02:05No, I don't want to make it.

01:02:06No, I don't want to make it.

01:02:08No, I don't want to make it.

01:02:09Exactly what I am shocked about.

01:02:11Like, Neel Russell X is saying,

01:02:13Wait, what is this?

01:02:15What is this?

01:02:16I don't want to make it.

01:02:19Recently, I did one film called Shusti.

01:02:23Okay.

01:02:23It's unreleased.

01:02:26It's a Hindi film.

01:02:27I told him to do a project.

01:02:30That's all.

01:02:31That's all.

01:02:32That's all.

01:02:33That's all.

01:02:35They used AI and the director is not satisfied with the output.

01:02:39So, they wanted me to edit it.

01:02:40Do the QC.

01:02:42Okay.

01:02:42So, they gave me another project.

01:02:46That's why I am Hindi.

01:02:48I am not fluent at all.

01:02:50But, if you don't want to deliver anything,

01:02:54I don't want to do the project.

01:02:57So, I gave a number of another person.

01:03:00So, he charged so much.

01:03:02Like, they called me back again.

01:03:05And, they are like,

01:03:07This person has charged.

01:03:10What is this?

01:03:12What is this?

01:03:13What is this?

01:03:14What is this?

01:03:16What is this?

01:03:17I think, I really don't know how to become a hundred

01:03:18If it is even to a hundred.

01:03:22Then, I took the project.

01:03:25Like we didn't change the format than we did.

01:03:29I said,

01:03:30We have to энерг guidance.

01:03:31You know that's how I charge so much.

01:03:36And, that is very normal for them.

01:03:40That's very normal rates.

01:03:41for them and i'll tell you one more thing why subtitling english subtitling is so important

01:03:49that day if you have a movie that movie can be translated to any language in the world

01:03:59so that is the reason english subtitles are very important for a film and that is the reason

01:04:04why they charge that much but they are not letting that charge

01:04:09they are like what is this inflation inflation but they are not increased last four three years

01:04:25when she same rises until we believe prices did not increase i am getting more but prices are still

01:04:34the same from the last three years still the same i am very pissed about it

01:04:46i am very surprised that there are very few at least exposure

01:04:53I have one person who actually markets and who is actually known to people after me.

01:05:00So that makes two of us.

01:05:03But with the company associate, I have a lot of trouble.

01:05:09I have a lot of trouble.

01:05:21There is a good pool of translators, but subtitling, ill films, there are very less.

01:05:31The more close you are, if you are focused on a particular thing, your experience will be more and you

01:05:39will be more valued.

01:05:41So I have a lot of transcription, education content, infotainment, only entertainment.

01:05:50That is why I am here.

01:05:52That is why I am here.

01:05:54If we keep doing a niche, if we keep doing it, that's where.

01:05:59Great. Anyways, Vishvi, great success.

01:06:03I have a question from Mr. Jenni. I have asked you, how you feel like you are hyper, or someone

01:06:10else is a fan of a fan.

01:06:13I am so happy to make you feel like a fan of your head.

01:06:16I am so happy to make you feel like anything like that.

01:06:17But it is the traditional fashion of that.

01:06:19I am so happy to make you feel like you are black.

01:06:22I am so happy to make you cry and cry.

01:06:26I am so happy to make you cry.

01:06:27I like that.

01:06:28I am a mix of both.

01:06:31I like that space

01:06:36Where I am on my own

01:06:38And I am just writing for my enjoyment

01:06:40Otherwise I go to movies

01:06:42And I enjoy ice cream

01:06:43This is how I am outside my work

01:06:48And if you grab a note

01:06:50Grab a note

01:06:51I don't know

01:06:53You want to thank 50 people

01:06:55In your journey

01:06:57I want to thank Vinegar

01:07:02That came

01:07:04In a moment

01:07:05Where I did not expect it at all

01:07:06But when I received it

01:07:08I was like this is yes

01:07:09Okay

01:07:16But how did you even find my problem?

01:07:20You are very good

01:07:22Regularist marketing

01:07:24I don't know

01:07:26I am a ghost writer

01:07:30I want to be very proud of my work

01:07:33I want to

01:07:38I am the first in my family

01:07:41In my relatives

01:07:42Like they don't know

01:07:45What exactly I am doing

01:07:46I am a ghost writer

01:07:47I am a ghost writer

01:07:48I am a ghost writer

01:07:50I am a ghost writer

01:07:51I am a ghost writer

01:07:52So yeah

01:07:55Please

01:07:56If you are a filmmaker

01:07:57Or if you are a podcast host

01:08:00Like Vinegar

01:08:01If you are a YouTuber

01:08:03If you want to add

01:08:04In the subtitles

01:08:05To your content

01:08:06Please contact me

01:08:07So that's

01:08:09Me marketing myself

01:08:11Using the opportunity again

01:08:13Thank you so much

01:08:14Great success

01:08:15Yeah

01:08:15Such a fantastic journey

01:08:18Self made star

01:08:22That's why today

01:08:23You are here

01:08:24Yes

01:08:24Thank you

01:08:25I did not expect it at all

01:08:27Like

01:08:27Yeah

01:08:28I am glad that

01:08:29You have recognized me

01:08:31And you are appreciating me

01:08:33And you wanted to know more about

01:08:34I hope

01:08:34Next to 5 years

01:08:35When you have a subtitle

01:08:37Write a cults interview

01:08:39Definitely

01:08:39I would be very proud

01:08:44I would be very happy

01:08:45I want to be with that

01:08:46Definitely

01:08:47Definitely

01:08:48Thank you so much

01:08:49Best to follow your side

01:08:51And you have the best emotion

01:08:52In the category

01:08:52We will be writing

01:08:53Thank you so much

01:08:55Yeah

01:08:55Welcome

01:08:56My pleasure

01:08:57Thank you for inviting me

01:08:58Yeah

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