Satya Dev & Venkatesh Maha and Rao Bhadur Team Q & A With Media

Mana entertainment

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Transcript

00:01Q&A. Yeah, sure, sure, yes. So, Q&A dvara, Satchi Devgar Matal kuda vinda Mumanam. So, over to media

00:08to start the interaction.

00:12Sir, English here. Sir, I was watching Swathim Uchchum cinema. I was watching a lot of films from the cinema.

00:22When we were talking about the first scene, we had to talk about the first guy.

00:28What, do we have to talk about how many of them would you like to talk about the first scene

00:35but not the first deal.

00:37If you say something, he was a documentary, but the other, he was talking about the second deal

00:44and he was talking about the first deal with it. Thanks for that.

00:45Many people have experienced social comments.

00:51In every cinema, many people have said that they are not a good person.

00:57They are saying that they are not a good person.

01:03I have a very good dialogue about social comments.

01:18Thank you, sir.

01:19Thank you, sir.

01:52Thank you for asking this question.

01:54This is the first question.

01:57Sir, this is Asandarba, sir.

02:01I have seen the film in the cinema for two hours and 3 hours.

02:05I have seen the film making for 20 hours.

02:10You have seen the entertainment.

02:13You have seen the scene in the beginning of the scene.

02:15You have seen the scene in the beginning of the scene.

02:19If you see that, you have seen the vision that you have seen.

02:25But the vision of the vision is also entertaining.

02:30So, what do I do?

02:32What do I do, sir?

02:37What do I do, sir?

02:39I'm going to write writing school.

02:42So, first thing, first day,

02:44what do I do,

02:45act one, act two, act three?

02:47Beginning, middle and end, right?

02:49Sidfield.

02:52First, Aristotle said,

02:55beginning, middle and end, act one, act two, act three.

02:58So, I'm going to write a lot of methods,

03:01but in the first class,

03:06I'm going to validate a lot of visual,

03:08but I'm going to write an extra visual.

03:11What is the third act?

03:17Most of the time films,

03:19a second half,

03:21a third act,

03:32Second half month.

03:34Second half month.

03:37Second half.

03:38Second half syndrome.

03:39Second half syndrome.

03:41First half is not a bad thing.

03:43Second half is not a bad thing.

03:45How many cinema should I have done?

03:48Because I have a small amount of time.

03:51Second half is a bad thing.

03:53That one of the times the first half is not a bad thing.

03:58You have to get it.

03:59First half is a bad thing.

04:01What is the problem?

04:02We have a practice.

04:06We don't have the practice.

04:09And that is why people are saying,

04:12it's like a never before experience.

04:14So, never before.

04:16That means,

04:16how many times you run into this subtext

04:21I will show you a little bit.

04:25If you look at this 20 minutes,

04:27now,

04:28I will tell you a little bit later.

04:30Every dialogue makes sense.

04:32Every scene makes sense.

04:35If I am a player,

04:37like a Sathadev,

04:38I can establish with my wife

04:42the second half of that is.

04:43At the time.

04:47I think,

04:49I would give a coffee,

04:50to drink a coffee in the house.

04:54And later,

04:55the thought of it.

05:03And I used all those things for the sake of good drama, sir.

05:09Okay, nothing else.

05:10And I was wondering,

05:11I didn't know that in the morning Japan,

05:15but the audience had no problem with that.

05:20They were actually enjoying,

05:21they were actually asking me,

05:23are black coffee and tea?

05:24Because of this, the meaning of this.

05:26Sir, that's a mess of cinema.

05:28If it makes you think,

05:30and when a person is next,

05:32to discuss the points,

05:35that's a mess of cinema.

05:37Audience didn't have any problem.

05:40I met almost 500 audience yesterday.

05:42More than, what 500?

05:44I actually met probably some 1500 to 2000 audience yesterday.

05:49That show didn't.

05:51Everyone understood every single point I was trying,

05:54into portrait on screen.

05:57So, yeah, that's what.

05:58In the cinema, they are also talking about theories and theories in the theater.

06:02They are almost like me.

06:04You are all the best.

06:05You are all the best.

06:08Actually, there is a sub-titles.

06:11There is also a sub-context.

06:14There is also a sub-context.

06:16The two things are very easy to do with brainwashing.

06:21Now, you can see the brainwashing.

06:23You can see the brainwashing.

06:26There is also a brainwashing.

06:30I have to say,

06:31A sub-context is in a video report.

06:34that people are stuck to a bankara.

06:38I thought,

06:39they are stuck to a bankara in some days.

06:41They are stuck to a bankara in some days.

06:44They are stuck to a bankara.

06:44There are also the sub-texts.

06:46It is a sub-text.

06:50As to the producer,

06:51Sir, tell me, I have seen the video on the screen, and I have seen the video on the screen.

06:58Mark, tell me.

06:59In fact, I used a cinema at various stages, for 10 years.

07:04Every time I saw something, sir, I found something new.

07:07I would tell him, this is how it is.

07:10I would tell him, this is how it is.

07:11I would tell him, this is how it is.

07:12I would tell him, this is how it is.

07:22I would tell him, this is how it is.

07:23I think, as a producer...

07:25He is also doing it, sir.

07:26He has subtext.

07:28That is how it is.

07:29That is how it is.

07:30But, there is a lot of learning experiences.

07:32I think this film has been a learning experience for me.

07:38Where, when it comes to cinema,

07:40it is pure, it is beautiful,

07:43it is a learning experience.

07:45Because, a lot of people,

07:46as a business and a commercial,

07:49we do every single single double.

07:52If we do everything honest with us,

07:55money is something, how the world rewards us.

07:57If you do anything honest,

07:58you sing, dance, make a film,

08:00honestly,

08:00it is beautiful to come and have an emotion feel.

08:03We will have nothing but double.

08:05So, I think,

08:06to have the opportunity and give the opportunity of our great things,

08:09it will come and have the opportunity of some of the music.

08:11By the way,

08:12I would tell him that

08:15gross is 3.9 crore guys. So, and now I have a message that I have opened in the show.

08:21I have not opened in the show. So, the cinema is doing something. I hope this film becomes

08:29really, really big and goes national, goes multi-language. Because this is a fire.

08:34We will keep you posted on where it goes. But, I don't know if you are watching, there is a

08:38momentum

08:38in the show. If you don't want to release it, I will not have any theater. So, something

08:47crazy is happening. We are also unable to process it. But, some magic is happening, sir.

08:52Thank you. Thank you, sir.

08:54Satyagaru, do you accept this story?

09:00Satyagaru, completelyève.

09:01Satyagaru, noene, there are. This is probably one problem. negociers

09:10on him, Maha, not another. So, their wailer is kind. That is a problem, ymers사�iks na

09:18haveloggad into the gambling. So, quite an animated movie in Japan.

09:21But, if you answer the question you answer, definitely not. That is Maha, its such a

09:32So what we feel should be like, what we feel should be doing,

09:39Having to take it, having to take it, having to take it, having to take it,

09:40having to take it, having to take it,

09:41I think that's not what I said about Hype Up Jazz,

09:47All I have said to you,

09:51I have a lot of comments on this topic.

09:53I'm going to tell you how to represent a movie.

09:57One of them, another one, another one, another one, another one.

10:00And I have told my film about the Rachubadur cinema in Japan.

10:04And that's why I made this film on Twitter and Instagram in the first place.

10:08That came from the heart.

10:10So, I didn't have any attention to the cinema and hype up.

10:14I felt like that I didn't have any attention to the cinema.

10:16I felt like the cinema was there in the recommendations in Japan.

10:19This day, I told you that everything was there.

10:21I felt like that, from the heart, you felt like that.

10:23And I was told,

10:25Sir, I was told,

10:27I was told,

10:28July 4th,

10:30rebirth,

10:33I was told,

10:35especially for a while.

10:37I was told,

10:38I was told,

10:39I was told,

10:40I was told,

10:41I was told,

10:42I was told,

10:43I was told,

10:44I was told,

10:45I did the same thing,

10:49But,

10:50I didn't decide,

10:53I didn't do the disappointment.

10:54I didn't do the disappointment.

10:56I asked myself,

10:58I told myself,

11:01I did the same.

11:04So, I didn't do the disappointment.

11:07Obviously,

11:08Firstly, success is a little bit, technically.

11:11If I make this film a little bit more than a point,

11:17I had success in July 3rd,

11:20I would say,

11:22if I make this film a little bit,

11:26not about me receiving success,

11:28I would say,

11:29if I make this film a little bit more,

11:33more importantly,

11:34if I make this film a little bit,

11:36if I make this film a little bit,

11:42it's a responsibility.

11:45More importantly,

11:46success is a little bit,

11:49do something with pure heart,

11:51success will follow for sure,

11:52that's what I always believe.

11:54This particular film is a little bit,

11:57but more importantly,

12:00success is a little bit,

12:01than not to do something with pure heart,

12:04success will follow for sure,

12:06that's what I always believe.

12:07If I make this film a little bit,

12:11it's a little bit,

12:13it's a little bit,

12:21it's a little bit,

12:23it's a little bit,

12:24it's a little bit,

12:25it's a little bit,

12:26the way I just think of the film,

12:27and I'm also,

12:29I never think about it,

12:30I'm not be afraid of a single,

12:31so many,

12:34I'm reading tag sets,

12:35in the US,

12:36many Americans will watch,

12:39Americans tend to watch their 3 people,

12:43they see the 3 events,

12:44they say,

12:45we didn't expect this,

12:46I will recommend this film,

12:47and they will make it,

12:49and they will make it,

12:50and you this is exactly what I wanted,

12:51so that is

12:53more than anything else

12:55yes thank you for giving us a great success

12:57thank you

12:58thank you

13:00for giving us a great success

13:02life time

13:04first day

13:05you are a hundred

13:08sir Roju

13:10so

13:11my producer

13:12Chintagar

13:13Anurag

13:14first time

13:20Anurag

13:21and we have other options

13:22at the time

13:24but we thought

13:25if we all have a shoulder

13:30this will be

13:32one of the best

13:33film

13:34it came from heart

13:37let's go with them

13:38in fact

13:39you all know

13:40that

13:41Maha

13:42this cinema

13:42in the capacity

13:43in the capacity

13:44in the capacity

13:45in the capacity

13:46I am a

13:47I am a

13:48I am a

13:49I am a

13:50I am a

13:51hero to try

13:52to do it

13:53and you will

13:54do it

13:54in the capacity

13:54you are a

13:56miss

13:56you are a

13:57I am a

13:59I am a

14:02I am a

14:03I am a

14:04I am a

14:09but they say,

14:10it's not that.

14:10I'll just have to say,

14:11it's not that.

14:13For me,

14:14I was doing a film on the film,

14:17because,

14:18all of us have been doing a lot of rape movies,

14:23and we still have a lot of film on the film,

14:26and we are doing a film on the film,

14:31so,

14:32I've done some mediation on the film.

14:34I've done a lot of media.

14:34I've done that.

14:35I'm doing it.

14:36I can't do it.

14:37I am always there.

14:38I am always there.

14:39And even if you are able to reach this one, you can reach me.

14:45You can reach me.

14:46You can reach me when you are able to reach me.

14:49Thank you very much for that Chathya.

14:51It's very, it takes a big heart to do that.

14:54Yeah, when I do it, I am such a big blessing.

14:59It's a big problem.

15:00Sir, what kind of thing is this,

15:02when I do it, I know how to do it.

15:18I am really happy that

15:23Every day before going to bed

15:26You can speak to the cinema

15:27You can speak to the cinema

15:28You can speak to the cinema

15:31Satya has to be celebrated sir

15:33Satya has to be celebrated big time. For his heart, in the competitive chaotic world, to have that heart of

15:45gold, it is very difficult to get into gold, and Satya has to be celebrated.

15:55It deserves a national award, it deserves a national award, it is very happy when the world is saying that

16:11it will all pay off.

16:12Sachadev, happy birthday to you. Normal, there is a saying, you know, it falls in places.

16:20That's why you have a cinema release, hit, a good response. You have a director, you have a success. You

16:29have a lot of mileage.

16:32Thank you, sir.

16:33Today, you have a birthday. It has all fallen into the places.

16:38You have a lot of mileage. I know that you have to talk about it. I have a lot of

16:43mileage.

16:44I have a lot of mileage. I have a lot of mileage.

16:46I have a lot of mileage. I have been on the 31st.

16:48I have been on the 30th of my movie.

16:52So, now, I am getting into the car, I am on the special day.

16:56So, this morning call, I have been on the 3.9th.

17:04One day in the 4th day, we wanted to tell you what is true and it was a great number.

17:27I felt very happy

17:33and I think

17:35I think

17:35cover it

17:36cover it

17:37cover it

17:38and

17:39I think

17:39how to say

17:41how to say

17:46how it reaches

17:48where does it reach

17:50tomorrow

17:50that has to be

17:51awaited and seen

17:52that's it

17:53but

17:53I think

17:55I think

17:56you can say

17:57I think

17:58I think

17:59I think

17:59when you are acting

18:03with a lot of

18:04exercise of

18:05makeup

18:06six hours

18:06seven hours

18:07like

18:07work

18:08you

18:10have to

18:11the scene

18:12you

18:12have to

18:14look at

18:14the

18:18of faith

18:20or the

18:20world

18:21of

18:21passion

18:22or the

18:25world

18:25of

18:26you

18:29continue

18:30your faith

18:31till the

18:32last frame

18:32I think

18:34I will

18:34know

18:34I will

18:34know

18:35yes

18:35definitely

18:37sir

18:40Sir, I don't know if I put it in my mind.

18:45But, that's not true.

18:46No, no, no.

18:46What's wrong with you sir?

18:50First thing, this cinema is not a blind faith.

18:56That's because of my money.

19:00I already said that.

19:02I already said that.

19:02that I was already a career of Kancharapalava

19:04and Sri Maath reached.

19:05So, on my point,

19:07I'm thinking,

19:08I'm thinking,

19:09whatever the captain

19:11where you think about it,

19:13I will show you a little bit.

19:15First of all,

19:16I'm thinking,

19:17I'm thinking,

19:18I'm thinking,

19:19I'm thinking,

19:21so, every time,

19:23one time I have also,

19:26and any actor sir,

19:28I'm thinking,

19:35The most easiest and most happiest thing, you don't want to use your brain because you are a character, you

19:45are coming on to the set, you are a director, you are going to guide you.

19:48The hardest thing you do to manage is how the matter is the same but you are a character and

20:04then you want to apply the same thing.

20:06He will not be able to do anything.

20:08He will not be able to do anything.

20:09He will not be able to do anything.

20:09This is not what he will not agree with.

20:10According to the law of physics, he will consider it.

20:17So, if you want to do anything like that, you will not be able to do anything.

20:21If you want to do anything, you will not be able to do anything.

20:24So, that is what, you know, the confidence that I have in him.

20:28It is like as easy as going in.

20:30If you want to do anything, you will be ready to do anything.

20:34At that point, sir, I am very happy.

20:38And that is what it is.

20:39And I think more importantly, for me, it is like to understand the character, understand the scene.

20:45We will highlight that particular scene as well.

20:48We will not be able to do anything like that.

20:50This is what it is.

20:52And I think, I think you know the one that is clear on me,

20:58that it is a coordination with my mind.

21:01And, in fact, it is also a student director.

21:06Sorry, I am.

21:08I am like,

21:10I will not be able to do anything with my mind.

21:13Then, I will not be able to do anything.

21:15So, I will tell you what he is thinking.

21:16So, in the scene, it is very easy, sir.

21:20Fantastic, fantastic.

21:21Thank you, sir.

21:55Thank you, sir.

22:23Thank you, sir.

22:26So, someone is putting an effort to tell you and bring you a story or something with so much conviction.

22:35So, we went with that final version.

22:42I will give credit to our team, Ramji, but Mahagoda, sir.

23:06I feel it's a film for all of us.

23:24I feel it's a film for all of us.

23:50I feel it's a film for all of us.

23:53I feel it's a film for all of us.

24:00I feel it's a film for all of us.

24:13I feel it's a film for all of us.

24:15I feel it's a film for all of us.

24:18I feel it's a film for all of us.

24:31I feel it's a film for all of us.

24:32I feel it's a film for all of us.

24:44I feel it's a film for all of us.

24:54I feel it's a film for all of us.

25:02I feel it's a film for all of us.

25:07I feel it's a film for all of us.

25:33I feel it's a film for all of us.

25:34I feel the most встречer in the world.

25:36I feel it's a film for all of us.

25:39I feel it's a film for all of us.

25:42I feel it's a film for all of us.

25:43Don't worry if you don't worry about making.

25:46Because if you're not allowed to,

25:49you're not allowed to go to the DC.

25:50You don't want to come in.

25:51I don't want to say that to you.

25:53I'm not allowed to do anything in that scene.

25:57If you're not allowed to,

26:00I'm not allowed to do anything.

26:01I'm not allowed to.

26:03Sir, for example,

26:05we have to say that we all have to say that

26:07we have to say that

26:09you've seen cinema vision of the cinema,

26:11I said, I am a business man, but I made decisions very adventurous for me.

26:22I told him that I had a phone call in the film.

26:25I didn't say anything, but I don't have a call.

26:30I made a lot of adventurous.

26:35So, I made a lot of bad things.

26:40But I think, in this case, if we look at the results, we can't see it, but we can't see

26:48it, but we can't see it, but we can't see it.

26:53The director says that one writer has known the name of Samaj, Ardhika, Rajakiya, Sanskrit and have influenced your voice.

27:09So, he has to point out that he is going to show his story, and he has to point out

27:13that he is going to show his story.

27:17So, the fact that he is going to show his story, and he is going to show his story.

27:26So, he might as well know the story in particular.

27:30I would like to talk to you in a society.

27:58But that was not the problem.

28:00It is not the problem,

28:02it is not the problem.

28:03If we don't eat after African,

28:04all mixed fruit juice,

28:08we don't have to use mixed fruit juice.

28:12We are going to ask you a little question.

28:16Okay.

28:17Benkatesh Mahalveru.

28:20Tell me, sir.

28:22You can't talk to your legs.

28:23Your legs have to be in your legs.

28:29That's not true.

28:30Normal guys...

28:42If you want to make a movie open,

28:45you can't tell you.

28:47Normal guys,

28:49we have to do a lot of costumes.

28:52We got to talk about the same thing.

28:53We have to talk about the same thing.

28:54and the doctor and patient bonding.

28:58I have a dialogue that I have been locked.

29:00The dialogue is called

29:02Nizalu Chepi Satamata Parichai.

29:05Nizalu Chepi Satamata Parichai Badalu,

29:07Abaddaal Chepi Kitha Kethal Veddam Manchidiyahani.

29:10There is a dialogue that is a universal point.

29:16The whole audience connects the whole audience.

29:20So, that particular dialogue is all about you.

29:22What do you inspire in your life?

29:25Yes, I know.

29:28I've been told to say,

29:30I've been at my age,

29:32but I'm honest,

29:33I'm a mother.

29:36I'm not a mother.

29:37I'm not a mother.

29:40I don't know how...

29:43I don't know how the camera is acting.

29:46I don't know how the camera is acting.

29:47So, I'm not a mother.

29:49I'm a mother.

29:50I don't know how the camera is acting.

29:56I'm a mother.

30:01I'm a mother.

30:02So, I'm not a mother.

30:06I'm a mother.

30:09I'm a mother.

30:11I'm a mother.

30:14I'm a mother.

30:15Thank you, Devgaru.

30:19So, I'm excited.

30:24I've been talking about a lot of talk about the cinema.

30:28I'm talking about the positive and negative.

30:31I'm talking about your response.

30:34That's right.

30:36I'm talking about the response.

30:37I'm talking about the response.

30:43Let's say, let's say, one of them.

30:47Say it.

30:48Say it.

30:49Say it.

30:50Say it.

30:53I'm talking about it.

30:57I'm talking about it.

31:01In general, it's a very good film.

31:03Nice performances.

31:05Good job.

31:06They are saying the page and paragraph.

31:10They are saying the idea.

31:11If you're taking a text and getting a text,

31:13I'm talking about the noise and adding it.

31:15I don't like it.

31:17They are saying I'm doing the noise.

31:20They are saying it.

31:21I'm talking about the noise.

31:22He says,

31:23I'm talking about it.

31:25Everything is connecting.

31:27I told my story earlier,

31:30I told my friend and my friend.

31:31He's met the actor who's poor.

31:33He said that 70% of each other is crazy.

31:41One person is 25.

31:43But he's not even enrolled.

31:46But he's not enrolled.

31:46He's not enrolled in the same time.

31:49That's exactly what's happening.

31:52Let's talk.

31:52Like me cinema, first day, despite...

31:55I mean, divide talk in cinema,

31:58Indian film industry is doing shake.

32:00But in the first day,

32:03there's a lot of negativity.

32:04And then there's a bunch of benchmark films.

32:09Of course, you film too.

32:11Thank you, thank you, thank you so much.

32:12So, we'll take that appreciation.

32:16Thank you so much, thank you.

32:18One question.

32:19Doctor Gar.

32:20I've said that.

32:21I've said that.

32:23I've said that.

32:25I've said that.

32:27But I've said that.

32:29Because...

32:33If I can't,

32:34How much I can do,

32:35I could do that.

32:38I can't do that.

32:40I can't do it.

32:50I can't do that.

32:50I don't need to.

32:51I can't do it.

32:54I can't do that.

32:55I can't do it.

33:20So, Vikas, thank you for being such a wonderful co-star.

33:53Thank you, thank you.

37:23On this note, I actually want to know what you felt after watching the film.

37:26film journalism.

37:26Because coming from a woman is…

37:28I have a request for a film journalist.

37:32Can you bring more women into film journalism, please?

37:35Because…

37:36Because…

37:36In this film…

37:37For example…

37:38For example…

37:42When you make a film about patriarchy…

37:48So…

37:49We have to understand that 99.99% of film journalism…

37:53Journalists are men.

37:56And…

37:56Patriarchy is directly associated with men.

37:58They are using food as a…

38:01Because…

38:01They are being questioned…

38:03They are asking me…

38:06So…

38:06It's called a woman.

38:07Those are the right things.

38:08As a very good answer…

38:08So…

38:08If you get…

38:09If you bring more women into…

38:11Uh…

38:12Film journalism…

38:13So there will be a balanced opinion on everything, is what I feel.

38:16For example…

38:17In my direction…

38:18When you look in you like in the cinema…

38:21In the direction team…

38:23I have to do my role in the direction…

38:25If I am…

38:25That's right…

38:27I'm going to talk to Achamma characters.

38:28In my writing team, we used to talk about Achamma character.

38:32But I think I'm going to talk to Achamma in a way to talk about me and talk about a

38:40story and development consultant.

38:42So, I'm going to talk to them all.

38:46I am a producer and producer.

38:50Everyone, everyone,

38:51I am a member of the women's POV,

38:57I am a member of the women's POV.

38:58For example, in the film,

39:01I am a member of the film,

39:04I am a member of the team.

39:06I am a member of the team,

39:08I am a member of the team members.

39:10They say,

39:14thank you for your attention.

39:17I am a member of the women,

39:19I am a member of the women.

39:22Thank you very much.

39:23So, I am a member of the balance.

39:27But, I think,

39:32we need more women in film journalism.

39:34I am a member of the film.

39:36I have always given the training point

39:38I will

39:39go out with to a multiple gender.

39:52I heard many reviews.

39:53Many people said,

39:54first of all is slow,

39:55first of all is slow.

39:56But everyone is saying

39:57that I am a member of thenesa film.

40:01If there may feel a popular thing,

40:04then

40:04last beautiful things

40:06don't go

40:07from the common audience

40:11from my friends

40:11so please do try this kind of stories

40:14satshadevagar acting

40:16meir thiesnand thabaga

40:17meir baidi thieskush nand thabaga

40:19inke avar dekiranna

40:21ante ninkonchon kastame

40:22choddo indikante

40:23illante different characters

40:24meir vayan dwara thieskarao

40:25umma mahesaro ga avachu

40:27ithika avachu

40:28it was like

40:29two beautiful effect

40:31two beautiful act

40:33from all your team

40:34anumata

40:35meir andhra

40:36astabadi

40:36istabadi

40:37inni savachral

40:38inni medhi petti thiesinandhukku

40:40aa yukka essence ni miri rojja

40:42enjoy sir and vans poot

40:43ka kourukkunta anu

40:44naak sinima chala chala

40:45baaga natchindi

40:46all the very best

40:47thank you very much

40:50so thank you

40:51thank you media

40:52thank you to the whole team

40:53thank you

40:53thank you very much

40:54anu

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