00:00Because Mohan is a big deal.
00:01And when Mohan is a big deal,
00:03he's a big deal.
00:05He's a big deal,
00:06and he's a big deal.
00:11I'm going to go outside,
00:13and I'm going to go outside.
00:22Hello everyone, I'm Pooja Abur.
00:24Welcome to Lohkmat Filmi.
00:24Welcome to Lohkmat Filmi.
00:26In the third set,
00:27we've got the Vrindha Mohan.
00:30Finally,
00:30Vrindha Mohan is a big deal.
00:33We're going to go to Mumbai.
00:35We're going to go to Mumbai.
00:36We're going to go to the set of Mohan.
00:37We're going to go to the set of Mohan.
00:40Vrindha, how are you?
00:42First class.
00:43What about Mohan?
00:47Mohan is a big deal,
00:49but we're going to go to Mohan.
00:52Yeah!
00:54Mohan!
00:56here is Mohan.
00:58So here is Mohan.
01:01You had to Sally in the house?
01:04Yeah, it was.
01:05How are you?
01:05How are you?
01:05How are you?
01:06How are you?
01:07How are you?
01:08You are going to be back in Shiva.
01:09We've got to bring you that.
01:11Because Mohan is too small.
01:13And this is how you can help for Mohan.
01:14If Mohan is like the family,
01:15you will be able to help you.
01:16Then the family and ex- Neon are like to.
01:21The children are all.
01:23They are all young.
01:24It's a bad thing.
01:26Your dad and my sister.
01:29And how much love you to our people?
01:31No, no, no.
01:32So, you know, it's a big young girl and I feel like we're doing a lot of work.
01:37Actually.
01:38You know?
01:39I mean, you don't have to do that.
01:41I don't know.
01:41Actually, I think you should have met my girl who's the only one.
01:45I think I am going to leave.
01:47OK.
01:50How do you do this?
01:51It's not a new name.
01:53I have to get up with my friends.
01:54You have to get up with me.
01:55I have to get up with my friends.
01:58We have a gang.
02:00We have to get up with that gang.
02:03This is not a new name.
02:04You can have to get up with your friends.
02:06I don't know.
02:09No, no.
02:10We have a lot of fun.
02:12We are very passionate.
02:15I have to turn off the work.
02:18We have to get up with our friends.
02:21We have to do it.
02:23we don't have to do it.
02:27We are very passionate.
02:28We are very serious.
02:30We will do it.
02:32We are very good.
02:34We are very active.
02:37It's our relationship.
02:38We are very different.
02:40That is a very different thing, but we also have a lot of efforts in you, so good.
02:50So Sadha...
02:51Yes, of course, Sadha.
02:55And Sadha, you know what to say in the house, he's a man-made person.
02:59Hopefully, you've got to say something.
03:01No, he's a man-made person, he's a man-made person, so he's a good person.
03:05I would like to say that
03:07if someone is an actor,
03:09it's a little bit different.
03:11If someone is an actor,
03:14you can reflect on the performance.
03:16There is no innocence in the performance.
03:18You are an actor.
03:20So, if someone is an actor,
03:21then you can see the innocence.
03:24That's it.
03:25Why are you talking about it?
03:28Why are you talking about it?
03:31Because you are talking about it.
03:32That's it.
03:33It's that a lot.
03:34This problem is a lot.
03:35I didn't speak to people.
03:37I had a feeling of a person in the background.
03:38What has your turn on?
03:42What does it mean?
03:43What do I mean?
03:44I'm tired of it.
03:48I'm tired of it.
03:50My body is tired of it.
03:51It was tired of it.
03:51I was sleeping early on,
03:52especially when I got married to my wife.
03:54Then I was awesome.
03:56I was tired of it.
03:56Because it's a lot of tension.
03:59I was tired of it.
04:00I'd say,
04:00We won't do any time in this situation, we won't get it.
04:04We won't do any time, we won't do any time.
04:06Are we going to start with the target?
04:11No, we didn't have a target.
04:14We didn't have a target, but we didn't have a target.
04:17I'm still going to say, I am going to give it to you.
04:19We'll give it to you, if you enjoy it.
04:22It's not good, you're doing the right.
04:24You don't have to give it to me.
04:25You have to give it to me, you're not going to give it to me.
04:28That's it.
04:30Let's plan it. Don't worry, we'll plan it.
04:32Let's make a move on to a little bit of a move on to a little bit of a move
04:37on.
04:37That's right.
04:38Then we'll be stubborn.
04:40That's a good one, right?
04:42You're not sure.
04:42You're not sure.
04:46First of all, we have to take a single team in this team.
04:52We have all the best 10-year-old members in the team.
04:57What are you saying?
04:59I was told that I had a lot of pressure on the TV because
05:04I don't have to do the TV on TV.
05:07I don't think I'm a senior actor or established actor,
05:10I'm not a senior actor.
05:11I'm working on this.
05:13I have to say that I'm not a senior actor.
05:19I don't think I'm a senior actor.
05:21I have to say that I'm a senior actor.
05:26I'm not a senior actor.
05:26and I have been very good at work.
05:29I haven't seen this much before, I haven't seen my profile.
05:32But I haven't seen any of them before.
05:34So I have been very good at work.
05:36I have been very comfortable feeling at times.
05:39I have always been very comfortable feeling at times.
05:42So I have got my friends.
05:44And I have made very good friends.
05:49And I have also seen the other,
05:50Shuhita, Parimam, Sneha,
05:53and I have been very good at work.
05:56It's very difficult to give up to the rich world of success.
05:58But, as always, it's a good thing that people want to get into this world.
06:04Yes, it's a good thing that people want to get into this community.
06:06A lot of people want to get in this world.
06:09They want to get into this world, but they try it out.
06:10I think that the whole family is doing it.
06:10You know that your senior's have to get into this world.
06:14It's not that you can get into it.
06:16I think that's what the culture of success is.
06:21But, you know, I just want to get into it.
06:23I just want to get into it.
06:23So, they need to get into it.
06:25and she is a little bit more like that.
06:29This is a lot of pressure.
06:30But I feel blessed that I am directing my head.
06:34I am very proud of them.
06:35And then I am directing my head.
06:39I am a very proud of them.
06:40I am a very proud of them.
06:45Swatha, I am a little bit more like that.
06:46I am a little bit more like that.
06:49I have no attention.
06:50It's not enough of us.
06:51You don't even have to worry about them.
06:53When I started, I didn't even say that.
06:57I don't want to do it.
06:59I don't want to.
07:01I don't want to.
07:01I'm going to eat it.
07:02I thought, do it, and I don't want to.
07:05I don't want to say that like this.
07:08Do you know?
07:09In the script, Sangram doesn't say that like this.
07:11I don't want to say that like this.
07:12You don't want to.
07:14I don't want to.
07:16Why don't we go.
07:17I don't want to complain about it.
07:18I was like, I can't even get to the house.
07:19It's a big deal.
07:22So, I can't even get to the house.
07:25I can't even get to the house.
07:27I don't know.
07:29But anyway,
07:31you've got to the house for Mumbai.
07:32You've got to the house for Mumbai.
07:35So,
07:36how did you find the house?
07:38How did you find the location?
07:41I'm asking you for a question.
07:43I don't have to answer that question.
07:44I don't have to answer that question.
07:45I was shooting at the beach.
07:48I was shooting at the beach.
07:49What a lot.
07:51I'm taking a beach in Mumbai.
07:53I was living in the city outside.
07:56There's no relationship.
07:57There's a lot of connection between the beach.
07:58So, I don't know where Mumbai is.
08:00But I was shooting at the beach.
08:03I thought that there should be a beach in the beach.
08:06I was sitting in the house.
08:06I was sitting in the house.
08:08But the location is so good.
08:10I'm looking for the episode of Bangladesh.
08:12If you want to talk to me about the other places,
08:14how to shoot our location.
08:15We shoot a lot of beautiful locations.
08:17We also have positivity in the beautiful location.
08:20We have to look at Kaiwattler, Redu,
08:22Wagda Fields.
08:24We have to take a look at the same time.
08:27I don't know.
08:28We don't have to worry about it.
08:29We have to get out of traffic here.
08:31We have to get out of there.
08:32We don't have to get out of touchwood.
08:36We don't have to get out of touchwood.
08:37We don't have to get out of touchwood.
08:41No, we don't have to get out of touchwood.
08:43No, we don't have to go to touchwood.
08:46We do not have to get out of touchwood.
08:47Some people don't do it as much.
08:50So, they are coming to the town of G7, right?
08:52But since we met with a team in the past,
08:56a big channel came up early.
09:00Did you give my first song as you told us about that project?
09:04What was the first reaction to this project?
09:06Actually, I told you that
09:09I was told that I was a kid in the house, so I was a kid.
09:13I was told that there was a new show in the audience.
09:16There was a teaser for AI video.
09:18I was told that my mom was watching me and I was shooting.
09:22She told me that there was a joke.
09:25I was told that she was a kid.
09:29I was told that I was a kid.
09:32I was a kid.
09:34I was a kid.
09:36I was a kid.
09:38I thought, what's going on?
09:40I have to feel it.
09:40I have to feel it.
09:42I'm not going to feel it.
09:42You have to feel it.
09:46I'm not going to feel it.
09:47I feel like I'm not going to feel it.
09:50I don't want to feel it.
09:55And when I hear things,
09:57I'm not going to feel it.
09:58I'm not going to feel it.
09:59I'm going to have a video.
10:01It's a lot of emotional moments.
10:04It's all about it.
10:06What's your first time from you?
10:11Can you see iWordla?
10:13Well, I think iWordla iWordla, I didn't do shooting, i didn't do that,
10:21but i didn't have TV or TV or TV or TV or TV.
10:24I also have the third time from Ramesh to talk about the film.
10:30It was the first time I was working on it.
10:32So, if I had a new album, I had a screen presence on the bus.
10:41So, I had one person.
10:42So, I don't know what to do.
10:44It's like TVR2S.
10:46It's like TVR2S.
10:47So, I don't know what to do.
10:49But, at home, I was working on it.
10:53So, I don't know what to do.
10:53I don't know what to do.
10:54I don't know what to do.
11:00I don't know what to do.
11:01I don't know what to do.
11:03I feel like I have a special guest.
11:06I say, I don't know what to do.
11:08I'm like, come on.
11:09I celebrate them.
11:10I don't know what to do.
11:13I have told you that,
11:16I'm not going to be a brother.
11:18But, I have to do everything.
11:21So, I think that,
11:23I have to be pressure.
11:24If I can't do anything,
11:26I don't know what to do.
11:27It's hard to think.
11:29I had also thought that
11:31that I should also be doing the best.
11:33So people are working to do the best.
11:35He should be doing the best.
11:38So I should be doing the best.
11:40But you have to go to the third class.
11:43You have to take the best.
11:46You have to turn your best.
11:47We are alerted to one scene.
11:50Ok, we will do the best.
11:52We will do the best.
11:53We will do the best.
11:53I think that's the way we do it.
11:56So it's the way we do it.
12:02Thank you so much.
12:05I've been here for a long time.
12:07I've never been here for a long time.
12:10I've never had this movie before.
12:13And I've never had this movie.
12:14Did you do it again?
12:19I think so.
12:21That's the first thriller.
12:22Malika Vishwath.
12:24Right?
12:25Yes.
12:26So that's why it's fun for you.
12:28Definitely, definitely. It's challenging.
12:31It's hard to say that usually we have a lot of thoughts.
12:35We have a start point, a mid point, a end point.
12:38We have a lot of the ERP plus or minus.
12:40And Malika doesn't have a lot of thoughts.
12:43We have a lot of thoughts.
12:45We have a lot of thoughts.
12:47Right.
12:48We have to do a lot of thoughts.
12:50We are going to be doing a lot of activities.
12:50We should do a lot of work in our work.
12:53And we should do things.
12:56And I don't think we should worry about it.
12:58We have to think about it.
13:00I don't think we should find it.
13:00But I don't think we should do it.
13:02What is the problem of Mohan?
13:05Karni, are you getting the project?
13:07Do you need to know that another project?
13:07No, no, no.
13:09I don't want to get the project of Mohan's work.
13:11We need to know that Mohan's work.
13:13he gets the only one night
13:17should we have to show you a fight
13:18at the moment
13:21Mohan is not a friendly person
13:21what you say to me
13:24when the first episode of Mohan is not aхдз, or anything
13:30Lula is not a kind of a problem
13:31but Mitala does not have to show me
13:33Lula does not feel me
13:34that you think you are a good person
13:34you are not a good person
13:36if Mitala is a good person
13:37and he is a good person
13:39and you work with your work.
13:42I don't want to do it in a set.
13:45So, I said, you will be like,
13:46you are not that.
13:49Anyways, thank you so much.
13:51We enjoyed the conversation.
13:53We are going to continue to be in the room.
13:56We are going to be in the room.
13:57And we are going to be in the room.
13:59Oh, we are going to be in the room.
14:00You have to give me permission.
14:02I will give you permission.
14:03We will give you permission.
14:05So, don't worry.
14:09Thank you so much.
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