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Dynasty 1981 S03E11
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02:08Good morning.
02:10May I ask what you're doing here at the crack of dawn?
02:14Since when are you so concerned about my beauty sleep?
02:18You're flying up to South Borneo to talk to the foreman of that rig about Stephen. I'm coming with you.
02:22I'm flying up there with Dan Cassidy and I plan on talking to that foreman by myself.
02:27Oh, no, Blake. No, you don't. You see, I'm not the poor cast-off little wife any longer, just content
02:33to survive on the crumbs from your table.
02:35Yes, that's right. You're the wealthy Alexis Colby now, aren't you?
02:39I'm the very wealthy Alexis Carrington Colby, Stephen Carrington's mother.
02:46So, if you don't want me on your plane, I'll charter my own, or I'll buy one and the pilot
02:51to fly it, and I'll fly up there myself because nothing or no one is going to prevent me from
02:55finding out everything there is to know about Stephen, particularly not the loving father who drove him away in the
03:01first place.
03:04Come in.
03:06Morning.
03:07Morning, Dan.
03:08Oh, good morning.
03:09Oh.
03:11Ready to leave, Mr. Carrington?
03:12Yes, I am.
03:14How far is it to South Borneo, Mr. Cassidy?
03:16Oh, 350 miles, give or take a few.
03:20Excuse me, but are you planning to go along with us?
03:30Mrs. Colby's going with us.
03:33Oh.
03:46Alan?
03:49It's Stephen, isn't it?
03:56Hey, come on.
03:58Your father is so sure he's alive.
04:00Stephen will be back.
04:02I'm not so sure about that.
04:05Oh, why did Stephen have to die?
04:08Don't upset the baby.
04:10Or yourself.
04:13Look, do what I do.
04:16I tell myself he may still be alive, and I remember him alive.
04:22The three of us playing those let's pretend games up in the attic on rainy afternoons, remember?
04:27Yeah.
04:29You know, sometimes when sad things happen, people are brought together.
04:33They realize that their differences are not all that important.
04:39So, maybe it'll be like that now, with you and Jeff getting together again.
04:46No, Kirby.
04:48Why no?
04:49Because what's between Jeff and me is a mistake, a basic mistake that never should have happened.
04:55Are you so sure about that?
04:58I am.
05:01Look, why don't you change for dinner while I take over?
05:05I'm not hungry.
05:07This whole house is so lonely.
05:10Except for in here.
05:12Why don't you take the rest of the day and the night off and go to the movies or something?
05:16I just want to stay here with my son.
05:21Okay.
05:23Feel better.
05:24Help me.
05:25I'm in here.
05:37I'm in here.
06:07Kirby.
06:08Yourself?
06:10How's my son?
06:12He's fine.
06:15Except that he's illegally handsome.
06:17And right now, even as we speak, there are hundreds of girl babies here in Denver lying in their cribs,
06:23not knowing how in about 18 years the hearts are going to be broken.
06:28What's the matter?
06:29I'm a little tired.
06:31And angry that I barged in on you.
06:34I didn't mean to. There's no one outside. They seem to have all gone home.
06:37They lived a few minutes ago.
06:42And you're welcome any time.
06:46Well, no wonder you're beat.
06:48Look at this.
06:50And I thought they overworked us at the Sorbonne.
06:52As a matter of fact, they did.
06:54At which point, I'd say to someone, usually male,
06:58how about taking in a double feature?
07:00Dutch.
07:01Thanks, but no.
07:03We know.
07:04We could order up some sandwiches and watch TV here together.
07:09No, I...
07:11It's my father, isn't it?
07:12He had an oh-so-serious talk with you about me.
07:15Look, Kirby...
07:16Oh, don't worry about it.
07:17We've settled that between us.
07:20You see, he thinks I'm Sabrina.
07:21Do you remember that movie with Audrey Hepburn?
07:25Well, I'm not Sabrina.
07:27I'm me.
07:28And I choose my own friends.
07:30I want you to be one of them.
07:33Well, we always have been friends.
07:34You know that.
07:36Sure, we climbed dozens of trees together.
07:38That bonded us for life.
07:40We could forget about the movie.
07:41Go find a new tree.
07:44No, I'm sorry, but I have a lot of work to finish.
07:47Okay.
07:48Then I'll go find one myself.
07:50And climb it.
07:51And pretend it's the old days.
07:54It's dark out there.
07:57You should be home.
08:00You're the one who's busy and tired.
08:02Not me.
08:24This was left for you at the front gate by your brother-in-law.
08:32Is he still there?
08:34He dropped it off with a guard and drove away.
08:45Sorry I scared you.
08:46I just got sore that being tossed out by somebody I was related to once.
08:51Anyway, I got your message via Mark.
08:54And your help.
08:55So don't worry, you won't be seeing me again.
08:59What helped, Mark?
09:02I don't know what he's talking about.
09:06Mark, what help?
09:10I remember Frank from the old days, Crystal.
09:13With your sister.
09:15The trouble that he used to put Iris through.
09:17The pain.
09:19And I figured the best thing to do was to get him out of town as fast and as far
09:23away as he could go.
09:24So I sent him on his way, gave him a few bucks.
09:29Well, Frank laughs at a few bucks.
09:30How much did you give him?
09:32A thousand.
09:34What?
09:36Yeah, and he didn't laugh.
09:37He took off.
09:38Well, that's what you wanted, isn't it?
09:40Yes, to get rid of him, but to buy him off, never.
09:44Crystal, this is the kind of man that would...
09:46It was my problem, Mark.
09:47And mine, too.
09:48I didn't want him anywhere near where he could hurt you.
09:52Besides, I owed you a thousand.
09:54A little bit more when I drew that money out of our joint account and went to Mexico.
09:59Well, I'm just glad that I got a chance to finally pay you back, okay?
10:05Account settled.
10:06I appreciate why you did it, but I can't accept it.
10:10Crystal, I don't want that.
10:12For once in our lives, it's what I want.
10:19It's nice to see you're wearing the locket again.
10:22At least something of our past still matters to you.
10:26The picture of me inside, it's not still there.
10:33I replaced it.
10:36The picture of Blake.
10:40That's right.
10:55I must tell you, sir, that Mr. Bartell was very badly burned in the explosion.
11:00He's in great pain, and I will not allow him to be questioned too long.
11:02Of course, doctor.
11:05It's necessary to put these gowns on.
11:08They're still on.
11:10Mr. Carrington, while you're in there with him, I think I will call operations and check on the RC search,
11:14okay?
11:15Good.
11:25Mr. Bartell, I'm Blake Carrington, Stephen's father.
11:31And I'm his mother, Mr. Bartell.
11:33Mr. Carrington, can you tell us what happened on your rig?
11:40What happened?
11:44There was this sudden explosion.
11:48A fireball.
11:52Men were shouting, screaming.
11:56I got lucky, I guess.
11:59I blinked out, and here I am.
12:04What about Stephen?
12:06All I remember is that the shift was changing.
12:10Five men were coming on.
12:13Well, was my son one of them?
12:15Yeah.
12:17Your son, Stephen, and Ben Reynolds.
12:21Ben.
12:23He was the only one of our crew your son ever talked to.
12:28As far as the rest of us were concerned...
12:31What, Mr. Bartell?
12:33He was quiet.
12:35A loner.
12:38We all figured that he was running away from something in his life.
12:43Oh.
12:48Excuse me.
12:49Excuse me.
12:50Can I speak to you a moment, please?
12:53Thank you very much.
12:54We'll let you rest now.
13:08Uh, I've just heard from one of our boats,
13:10and they tell me that three of the bodies have been recovered.
13:14Not Stephen.
13:16No.
13:17The two they haven't found are your son and your friend Reynolds.
13:21Now, we know they were together.
13:23They were working in the same area on the rig when it blew.
13:26Yes, and?
13:28Well, Mr. Carrington, I guess somebody's got to say it.
13:32Since there hasn't been any trace of your son or Reynolds,
13:36we think they were blowing off that rig and obviously drowned.
13:43What do you mean, obviously?
13:46That's what you think, right?
13:48That's speculation, right?
13:49Well.
13:50I don't give a damn what you think.
13:52I want facts.
13:52Do you understand?
13:53I want facts.
13:54I'd say you have the facts.
13:56Are you listening to me?
13:58Now, I know this part of the world,
14:00and I know that there are hundreds of uninhabited islands out there.
14:02My son was a strong swimmer.
14:04He could have reached one of those islands.
14:05Ariel, Sturge, covered all those islands, the sea, everything.
14:08I'll cover it all again.
14:09And once again.
14:10And I'll pay for the cost.
14:13Till I see my son's body,
14:16I will not give him up for dead.
14:21Okay.
14:40Why?
14:44Why? Why, Phil? Why has it been so raw, so rotten for us?
15:08I couldn't find a tree, a suitable one. So I went to the movie down the street, and I wonder,
15:16can I hitch a ride home?
15:33Jeff, did you hear me? What? Have you been drinking? No. Well, I'll drive. I think I'd better.
16:03You sure? I'm fine.
16:10It was a really good movie. The one I stayed for, anyway. Terrific plot, you know, about real relationships.
16:19It was this girl who loved this man. Though she never spoke it, she couldn't.
16:25And the man, needing and deserving love, because he was just as caring a person as she was,
16:31they couldn't break down the deep but unnecessary barriers between them.
16:39Actually, it was a pretty dumb movie. You're lucky you missed it.
16:53She never spoke it. The man needing love, the deep but unnecessary barriers between them.
16:59Why? Why? Why didn't you ever tell me this before, about us?
17:08Because I never dared to.
17:12And you've always loved me?
17:15Yes. Always. Always.
17:20Always.
17:26Oh, Fallon.
17:33Fallon.
17:36No.
17:38Fallon, come back.
17:39Oh, Fallon, come back.
17:49Herbie.
17:50Adam, would you please let go of me?
17:52What's the matter?
17:54Please let go of me.
17:56Not until you tell me what's wrong.
17:58All right. I started on this stupid diet this morning. I haven't eaten all day, and I'm famished.
18:03And I always cry when I'm famished.
18:04I knew a girl like that once. She dissolved in her own tears. Nothing left but a pound of damp
18:10salt.
18:12Look, um, I was heading on upstairs to go for this dull file, but I got a much better idea.
18:17A restaurant in the sky, where a famished and very pretty girl can have whatever she wants to eat.
18:26Are we on?
18:36Come in.
18:43Mr. Colby.
18:45Mr. Carrington, we've got something here they found floating near the explosion site.
18:50What is it, Dan?
18:53Well, I'd rather you open it.
19:03You see, these jackets are standing at issue for all the rig crew members.
19:10Oh, no!
19:11This doesn't mean anything to me.
19:13I want the search for my son to continue, do you hear?
19:16He must have got hit by something during the explosion.
19:20They're bloodstains.
19:22You heard what I said. Continue the search. Tell everybody concerned.
19:25Mr. Carrington?
19:26Continue the search!
19:26I can't do that.
19:28You what?
19:29And neither can the other men.
19:31They've all got other jobs they've got to get on to.
19:34Work's been piling up. They've been putting it off.
19:36Me, I'd like to do more to help, but I've really done all I can.
19:43Now, do you understand what I'm saying?
19:44I understand what you're saying. You're quitting.
19:46We've got to.
19:48It's useless to go on. It's hopeless.
19:51All right, I'll get other men to do it. Better men.
19:54Well, it won't be easy out here. You're in Java.
19:58Especially in this kind of weather.
20:01You know there's a typhoon coming up?
20:06I'm sorry.
20:07I'm sorry.
20:11I'm really sorry about everything.
20:29Stop that crying. There's no need to cry.
20:32No need to cry?
20:35How can you say that? Our son is dead, Blake.
20:38He's still alive somewhere. I know it.
20:41Do you?
20:43Yes.
20:45I gave up once on Adam.
20:47Turned out he was alive. I'm not going to give up on Stephen.
20:52Are you using this as an excuse, Blake?
20:56Beamer.
21:00Beamer, is that his name?
21:02Do you hate me so much that you can't even share our grief?
21:06No, no, it's not Beamer. It's like Beamer, but it's not Beamer.
21:10What are you talking about?
21:13A man. A man whose name that...
21:15What man?
21:17A man who could be very important to her.
21:19I'm talking about us.
21:21I asked you a question. Is this an excuse?
21:29What was your excuse with Adam all those years ago?
21:34I needed you then.
21:36I needed your support.
21:40What I got was a husband who withdrew into himself.
21:46Who built himself his own strange tower of strength.
21:56Blake, you're only fooling yourself if you think that Stephen is still alive.
22:00Because underneath it all you're as afraid as I am.
22:03Admit it! Admit it!
22:08You can't, Kenny.
22:11You'd rather die yourself than to confess to a human emotion like fear.
22:19Because to Blake Carrington, fear equates with weakness.
22:25That would never do, would it?
22:29Dana.
22:31It's... it's Dana, not Beamer.
22:34Yes, that's it. Dana. It's not Beamer. Daner.
22:37Who's Dana?
22:38He's a psychic.
22:39A what?
22:39He's a man of extraordinary powers.
22:41I've read about him. I saw him once on television.
22:44I believe he comes from California.
22:45And you think he's going to help you?
22:47Help us. Maybe he can help us.
22:49He's helped other people. Lots of them.
22:52Now, several years ago, there was a child that was missing.
22:54He'd wandered away.
22:55And the parents called in this man, Dana.
22:58He sat with the parents for a couple of days.
23:00And then he said...
23:01He felt the boy was in a bottomless pit.
23:06Well, they began a search and they found him.
23:08In an abandoned quarry.
23:10And the boy was still alive.
23:14Look at this.
23:15Look at this!
23:16I'm not buying that.
23:17That jacket is not my son.
23:19Stephen is dead, Blake.
23:21My son is dead.
23:23And if his father won't cry with me, then I'll cry alone.
23:27With only this jacket for company.
23:30Because that's all I have left of him.
23:40Dana.
23:43Dana.
23:50California?
23:51To look for a psychic?
23:54That's all I know, Crystal.
23:55That's what Blake wants.
23:57At least that's what he wants when he...
23:58Go.
24:00Jeff.
24:01What is it?
24:07No, I am.
24:08No, I'm okay.
24:10No, you're not.
24:13I don't know.
24:15Maybe I'm not.
24:18I don't know what's wrong with me tonight.
24:23I'm not talking about tonight.
24:25I'm talking about the past few days.
24:27You're not well.
24:29No, I'm fine.
24:31You're obviously not up to flying to California tomorrow and looking for that man.
24:41Joseph, get Dr. Winfield on the phone.
24:43And then please phone Paul.
24:45Tell him I'll be flying to Los Angeles in the morning instead of Mr. Colby.
24:49Jeff.
24:53Jeff.
25:07You fibbed so easily.
25:12Not happening to mention that the restaurant in the sky just happens to be the very apartment where you live.
25:21Deception.
25:22Deception.
25:24You know, I learned one thing.
25:27Along the primrose, if not entirely prim, path that I've been forced to travel sometimes.
25:36Deception is part of their game plan.
25:39Men's.
25:42Was it Jeff who deceived you tonight?
25:46Was that the true reason for those hungry little tears?
25:48Who's Jeff?
25:52Oh, Jeff Colby.
25:55Felon's hamlet of a spouse.
25:58No.
25:59No way.
26:02I don't quite believe you, Kirby.
26:07Well, would you believe that I want to dance?
26:10More than anything.
26:12With you.
26:14I'd like some music, please.
26:17Isn't there any music in this tower?
26:21Oh, please.
26:24Or I'll have to find a proper escort with proper music, so...
26:42Oh, it's all wrong.
26:43A luscious girl like you and Nurse May.
26:48Maybe the richest baby in the whole world.
26:51Is that so bad?
26:52Well, rich is money in the bank.
26:57And my nephew's money is all in his granddaddy's pocket.
27:01Oh, no.
27:01Well, you see, when the baby was born, his granddaddy put a great big chunk of the company...
27:13Um, in his name.
27:17And I don't call that poor.
27:19Well, that makes two of us.
27:23We're really kind of alike, aren't we?
27:26Two people who didn't grow up with the privileges of rich kids.
27:34Two people who also knew what they wanted, and how to go after it.
27:46Do you want me?
27:48Want is in desire?
27:51No.
27:52What I desire, more than anything in the world right now, is to dance.
28:00There was a time a few days ago I was out of the house, and I saw you dancing alone.
28:06And I told you then, you were going to want me.
28:11Remember?
28:13No.
28:20Remember now?
28:21I have to go.
28:23No!
28:24No!
28:26Don't leave me alone.
28:30What?
28:32What are you doing?
28:34Oh, no!
28:36Oh, I don't know!
28:39No!
28:40Don't!
28:41Please!
28:42Please!
28:43No!
28:44No!
28:48No!
28:49No!
28:51No!
28:53Oh, my God.
29:30Oh, my God.
29:52Look, Kirby, I'm sorry that it all happened, that I lost control.
29:59And if you're concerned about my respect for you, it hasn't suffered at all.
30:03Your respect for me?
30:06It means less than nothing.
30:10My respect for myself, that's what suffered.
30:13I said I'm sorry.
30:15Oh, save it.
30:18I'm not blaming you, I'm blaming myself.
30:21I've had champagne before.
30:23I wasn't dragged here forcibly.
30:26I simply made a stupid mistake earlier this evening, and then I doubled it by coming here
30:30with you.
30:32Now I'm going to phone for a taxi and go home.
30:35I'm going to phone for you.
30:36I'm going to phone for you.
30:57I'm going to phone for you.
31:03And nobody ever died from overwork.
31:06Do you need anything?
31:08Can I get-
31:08No.
31:10Look, I'm really concerned about you.
31:13You don't have to worry, Fallon.
31:14I'll survive.
31:17I hate to disappoint you, but that's the way it is.
32:06Kirby? Where have you been?
32:10Out.
32:11Kirby.
32:12Good night, Papa.
32:14Kirby.
32:21Good movie? I know it was a long movie.
32:25Yeah, it was. You looked drained.
32:28Did it get you that much?
32:30I don't understand why I look the way I do.
32:33It was a comedy of errors, just like life.
32:50I think I heard a lot of things.
32:51I am not alone.
32:52Thank you, Joseph.
32:56Hey, you want another one?
32:58You want another one?
33:00No, huh?
33:01Driving a car, it looks like.
33:05You should be in bed, shouldn't you?
33:07Well, if you're worried, don't be.
33:09A slight case of fatigue isn't even slightly contagious.
33:12I want to see my son for a few minutes in case he's worried, too.
33:17News really travels around this house.
33:19What?
33:21What?
33:23Okay, okay, I'll put you down.
33:28I, um, I wasn't well last night, Kirby.
33:34Something happened between us at the office.
33:37Something I remembered this morning when I woke up.
33:40I was tired, I was dead tired.
33:43My nerves were shot and they were playing tricks on me.
33:46When you came in the office, I didn't really see you.
33:51It was Fallon.
33:53Suddenly it seemed to be Fallon.
33:57And when I kissed you, I...
33:58You thought you were kissing Fallon.
34:00Yes.
34:01Well, what's the big deal?
34:02What's a friendly kiss between friends?
34:06Shouldn't you get back to your bed and, uh, defatigue or whatever it is you have to do?
34:11You understand that?
34:12Sure I do.
34:14You love Fallon.
34:16I love Fallon.
34:18The baby here loves Fallon.
34:21She's very lucky.
34:22She'll realize that one day.
34:35Oh, she doesn't realize how lucky she is.
34:49I'll be landing shortly, so may I get you another drink?
34:51No, thank you.
34:59Will you be staying in L.A. a while?
35:02Yes.
35:02Yes, I will.
35:05How long?
35:06I don't know yet.
35:10When I'm going, uh, on to Denver, I feel I should extend to you one final courtesy.
35:19That being what?
35:21As soon as I get back, I'm going to have a memorial service.
35:26Stephen.
35:28You can either attend or not, as you see fit.
35:31You are not going to arrange that, do you hear?
35:34You won't do that.
35:36Memorial services are for the dead, not.
35:39Do you understand?
35:43Understand?
35:46What I understand is the only emotion that I feel for you is Betty.
35:52You've cracked Blake.
35:56The redoubtable Blake Carrington has lost his mind.
36:01He thinks that the son that he sent away is still alive.
36:06He has to think that.
36:09To preserve the remnants of his tormented mind.
36:15Well, Stephen is dead, Blake.
36:18Because when you sent him away, you killed him.
36:38Do you say you feel your son is calling out to you?
36:41Yes.
36:41Yes, I do.
36:42I feel him very strongly from the bottom of my soul.
36:46See, I know nothing about your son, sir.
36:49Other than his name.
36:51Stephen.
36:53So I can feel nothing about him at this time.
36:57Is there something, anything, that you have with you that belongs to him?
37:06No, I...
37:09Wait, wait.
37:10I have a letter that he wrote to his sister.
37:13I have a letter that he wrote to his sister.
37:49It's not enough.
37:51A minute ago, you said something that belongs to him.
37:55Now, what does possessions help?
37:56I mean, his clothes, his books, his surroundings, his room.
38:01Maybe.
38:04And maybe not.
38:07Mr. Taylor.
38:09Please, come with us to Denver.
38:12We've got to try.
38:13We've got to take a chance.
38:15We...
38:16Please.
38:20I won't be able to leave until tomorrow.
38:22Well, my wife and I will wait.
38:24Crystal?
38:26Of course.
38:47Mr. Carrington.
38:48Is there somewhere I can be alone to continue concentrating on this letter?
38:52Yes.
38:53We have a bedroom cabin back there.
38:55Tom.
38:55Show Mr. Daniel where that is, please.
38:57Yes, of course.
38:58Right this way, sir.
39:00Excuse me.
39:06The doctor did say that Jeff was going to be all right.
39:11Yes, he did.
39:14I want you to know, Crystal, that you're going to California.
39:19You're being with me.
39:21Means a great deal to me.
39:24Well, you look better relieved now that Mr. Daner's coming back to the house with us.
39:31I am.
39:33He's an honest man, Blake.
39:36He said it himself that his powers or whatever don't always work.
39:43But they will.
39:44They will this time.
39:45Don't worry about it.
39:47Blake.
39:48Now, you doubt him, don't you?
39:49Well, I don't.
39:50I can't.
39:54I'm sorry.
39:55I'm very sorry.
39:56Nothing to be sorry about.
40:05Well, very pretty.
40:12What a beautiful locket.
40:15It was my grandmother's.
40:17I've always loved it.
40:19Oh, that's why I'd never seen it before.
40:21Well, it's a long story.
40:25Mark walked it when we were married.
40:28And he knew it broke my heart.
40:31So one day he got it out of Hawk and he kept it.
40:34And he gave it back.
40:37Was this when you were married?
40:39No, the other day.
40:41I thought it was a nice gesture.
40:43Well, you think so?
40:45Like he was just making amends.
40:49Well, really, it doesn't matter.
40:52Not one bit.
40:53I have other things to think about, more important things.
41:12I'm not certain about what I have, but I'll certainly look and see.
41:16Oh, Joseph, have you prepared Stephen's room for Mr. Daner?
41:19Yes, I have.
41:20Mr. Daner, William, we'll show you the way.
41:22Remember, the more personal the object, the more valuable it is to me.
41:26I'll see you in a while.
41:29Daddy.
41:32Hello, darling.
41:33Oh, Daddy.
41:35I'm so sorry.
41:36Hey, no, no.
41:37No tears.
41:38Oh, Stephen's not dead.
41:39He's alive.
41:41That's what Mr. Daner is doing here.
41:43He's here to help us find him.
41:44What do you mean he's alive?
41:45What are you talking about?
41:46Well, Mr. Daner is a psychic.
41:48And he's helped other people in situations like this, just like this.
41:54How's Jeff?
41:55He's gone back to work this morning.
41:58Good.
41:58I'm not so sure about that.
42:00He's still acting strangely.
42:03I don't know what's happening to him, but he's not the same young man we both know.
42:21Catherine?
42:25Catherine?
42:34It's Adam.
42:36Catherine's down the hall with the other girls celebrating somebody to have his birthday, remember?
42:42You housecleaning jet's a bit messy.
42:46I was looking for the file on the Garvey site.
42:48What happens to things around this place?
42:49Hey, calm down.
42:51You gave that to me to handle three days ago, and it's been handled.
43:03I'm sorry I was wrong about you.
43:05What about?
43:06About this office.
43:09Taking it away from you.
43:10It's, uh, your office?
43:13Your prerogative?
43:15There's something about it.
43:17I don't know.
43:18Maybe it's the damn color that's depressing me.
43:21Don't blame me, Jeff.
43:21I chose it.
43:24Well, there's, there's shadows in it, and I see faces that stare at me.
43:33Anyone I know?
43:34Sorry, bad joke.
43:36Jeff, I did choose it, and I was obviously wrong in choosing it, but when I make a mistake,
43:41I like to correct that mistake, so I'll see two of it has changed.
43:44All right?
43:45All right?
44:09Blake?
44:13Are you going into Stevens' room?
44:16I haven't been in there since the night he left.
44:18Yes, it's true.
44:19I haven't been.
44:29But I am going in there now.
44:31To join Mr. Daner?
44:33Yes.
44:33I'm bringing in Stevens' watch.
44:35Why?
44:36Is there something wrong?
44:38Blake?
44:40You've flown halfway around the world with practically no sleep.
44:42Now, can't this wait until you get some rest?
44:45Why don't you say it?
44:47You don't believe in any of this?
44:49Come out and say it.
44:50You think I'm wasting my time.
44:52It's not belief or disbelief.
44:55It's concern.
44:56My concern for you, the way you're driving yourself.
45:00Please keep your voice down.
45:03And please keep your negative thinking away from this room, away from this hallway.
45:06I don't want that man's concentration hurt.
45:09Please.
45:11Please.
45:48If your son is alive, Mr. Carrington, he'll come to me here.
45:57He will.
45:59I know he will.
46:02I know he will.
46:12This the compound you want?
46:14It's exactly what I want.
46:16What are you, uh, going to mix it with?
46:19Paint.
46:20No, I was going to ask you, what will you be painting?
46:22Oh, a hull of my boat.
46:24Ah, then this stuff should do it.
46:27But just let me remind you...
46:29You need to be careful of the fumes, they're poison.
46:31They can really mess up your mind after a while.
46:33And if you breathe them long enough, you can kill them.
46:35Yes, I know all that.
46:37It's very much on my mind, in fact.
46:40You can't.
47:06So it's very good.
47:07You're welcome.
47:08So it's true.
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