Step into the world of Flykten till Havanna (1951), a captivating adventure drama filled with suspense, danger, and the pursuit of freedom. Set against an exciting backdrop, this classic film follows a thrilling journey where courage and determination are tested at every turn.
With engaging performances and timeless storytelling, this vintage classic is a must-watch for fans of classic cinema and unforgettable adventures.
If you enjoy classic adventure films, vintage movies, and timeless storytelling, be sure to like, comment, and follow for more classic films.
#FlyktenTillHavanna #ClassicFilm #AdventureMovie #VintageCinema #OldMovies #ClassicMovies #BlackAndWhiteFilm #PublicDomain #RetroCinema #AdventureDrama
With engaging performances and timeless storytelling, this vintage classic is a must-watch for fans of classic cinema and unforgettable adventures.
If you enjoy classic adventure films, vintage movies, and timeless storytelling, be sure to like, comment, and follow for more classic films.
#FlyktenTillHavanna #ClassicFilm #AdventureMovie #VintageCinema #OldMovies #ClassicMovies #BlackAndWhiteFilm #PublicDomain #RetroCinema #AdventureDrama
Category
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Short filmTranscript
00:00:28The
00:03:14Yes, what is it?
00:03:20Can I see Mr. Roman?
00:03:21What do you want to see him about?
00:03:24Well, I'd like to give him something that belongs to him.
00:03:34What do you want?
00:03:36Can I see Mr. Roman?
00:03:38What do you want to see him about?
00:03:40I'd like to give him something that belongs to him.
00:03:53Come inside.
00:04:04What was it you just said at the door?
00:04:08I said I wanted to see him?
00:04:10I said I wanted to see Mr. Roman.
00:04:11What for?
00:04:13Well, I've got something for him.
00:04:15Could mean a lot of things.
00:04:17What have you got?
00:04:20Well, you're not Mr. Roman.
00:04:23How do you know?
00:04:26Well, you just don't fit.
00:04:30Is it all right, Mr. Gino?
00:04:32Well, I guess it's all right.
00:04:34I'll take him in myself.
00:04:36Come on.
00:04:36I'll take her in myself.
00:04:52We came back.
00:05:20I see Andy there.
00:05:28I like it.
00:05:31It's all right.
00:05:35You're a good barber, Miss Carnish.
00:05:37Oh, thank you, Mr. Rowan.
00:05:41How do you feel?
00:05:43I mean, how does it feel being a barber?
00:05:46Cutting men's hair.
00:05:50It feels good, huh?
00:05:54Look at her.
00:05:55She's blushing.
00:05:56Oh, I'm sorry, Mr. Rowan.
00:05:58You moved.
00:05:59But you didn't.
00:06:01Quick enough.
00:06:05Get her out of here.
00:06:08Stupid dame.
00:06:10The beast.
00:06:12The filthy beast.
00:06:30Hey, you.
00:06:51Catch him.
00:07:00What can I do for you, Jack?
00:07:03Are you Mr. Rowan?
00:07:05That's right.
00:07:14What you'd like to have this back.
00:07:19Is it mine?
00:07:20It's got your name in it.
00:07:24Where'd you find it?
00:07:26I don't remember the name of the street.
00:07:29It was in front of a restaurant, though.
00:07:33How much was in it?
00:07:34Eighty-one dollars.
00:07:37I spent a dollar and a half for breakfast.
00:07:38There's 79.50 there now.
00:07:44How do you like there for an honest guy?
00:07:46I don't.
00:07:49Silly law-batting jerk.
00:07:53How do you like that?
00:07:55He comes all the way out here just because he found it.
00:07:59You know, you ought to get a medal.
00:08:02Gino, go buy him a medal.
00:08:04Thanks.
00:08:05I got a medal.
00:08:07Oh.
00:08:10Next G.I., huh?
00:08:11Yes, I was in the Navy.
00:08:18I like him.
00:08:19I want to do something for him.
00:08:21Give him a sawbuck.
00:08:23That's the trouble with you, Gino.
00:08:25You have no appreciation for honesty.
00:08:34Tell me something.
00:08:36What made you bring the wallet back?
00:08:40Well, I don't know.
00:08:42Now that I'm here, I wonder myself.
00:08:45I guess I'm just a sucker.
00:08:51I like that, too.
00:08:53Can you drive a car?
00:08:55Yes, sir.
00:08:56You got a job.
00:08:57What do you need two chauffeurs for?
00:08:59Fire or Claiborne.
00:09:00All right.
00:09:01No, wait a minute.
00:09:02I don't want to take another fellow's job.
00:09:05Take it easy, Chad.
00:09:07The name's Scott.
00:09:08Chuck Scott.
00:09:13Okay, Scotty.
00:09:15Hello, Fats.
00:09:18Fats, what do you do besides talk on the telephone all the time?
00:09:21I've been trying to reach you for 45 minutes.
00:09:24Oh, never mind that.
00:09:25How about Johnson?
00:09:26Did you contact him yet?
00:09:28Or what's he stall this time?
00:09:31Oh.
00:09:33Well, I'll have him at my house for dinner Wednesday night.
00:09:37No Fats, not Thursday.
00:09:39Wednesday.
00:09:58Yes?
00:09:59Right.
00:10:00Be right there.
00:10:01Thanks, John.
00:10:03Oh, Job.
00:10:05Like in the Bible?
00:10:07Kings, Chronicles, Ezra, Nehemiah, Ezra, Job.
00:10:09Fine, I won't forget it.
00:10:11Bye.
00:10:32Thanks, Tom.
00:10:32Come on, Tommy.
00:10:37You come over, Tommy.
00:10:40You come over.
00:10:42Oh, don't you?
00:10:44Yes, sir.
00:10:46What?
00:10:46Oh, my god.
00:10:48And a little bit.
00:10:50Oh, shit.
00:11:45Mr. Roman, there's something wrong. I can't slow the car down.
00:11:49Relax, Scotty. I take care of all that back here. You just handle the wheel.
00:11:54You mean you...
00:11:54That's right.
00:11:56Yes.
00:12:16He's right on time.
00:12:17Eddie, you don't know how he drives.
00:12:20We'll find out.
00:12:23Maybe not.
00:12:26We'll find out.
00:12:26We'll find out.
00:12:40We'll find out.
00:12:40We'll find out.
00:12:43We'll find out.
00:12:50We'll find out.
00:13:01We'll find out.
00:13:03We'll find out.
00:13:28We'll find out.
00:13:31We'll find out.
00:13:32We'll find out.
00:14:05We'll find out, Scotty.
00:14:09I guess he doesn't know.
00:14:11I know you too well.
00:14:12I know you too well.
00:14:12I must say there aren't many men would have taken it the way your husband has, Mrs. Roman.
00:14:18Live and let live.
00:14:22That's my motto.
00:14:26Isn't that so, Gino?
00:14:27Oh, the world is big enough for all of us.
00:14:30You too, Mr. Johnson.
00:14:34Well, thank you, Gino.
00:14:37I have a very interesting house in Havana.
00:14:41I'd be very pleased if you'd all come and visit me sometime.
00:14:44You've been in Havana, haven't you, Mrs. Roman?
00:14:45No, I've never been there.
00:14:47No, Mrs. Roman doesn't travel very much.
00:14:49Oh, I'm sorry.
00:14:51Doctor's orders?
00:14:52No, mine.
00:15:00Well, if you'll excuse me, I'll let you go on with your business.
00:15:08Oh, good night, Mr. Johnson.
00:15:11Good night, Mrs. Roman.
00:15:12It was nice meeting you.
00:15:24She's lovely, isn't she?
00:15:25Oh, she's beautiful.
00:15:28How about a little brandy?
00:15:30Well, I don't mind if I do.
00:15:33Where's Tommy?
00:15:34Oh, he behaved badly.
00:15:36I put him in a cellar.
00:15:38Oh, Tommy's a dog.
00:15:40It's a big dog.
00:15:41Oh, yes.
00:15:42I'm not drinking alone, am I?
00:15:44No.
00:15:45Mr. Roman, could I ask you a very personal question?
00:15:49Yes, of course.
00:15:51What is your business, really?
00:15:55Gino, what business would you say we were in, really?
00:16:00No, I'd say the amusement business.
00:16:04The amusement business?
00:16:06Yes.
00:16:08Strictly for laughs.
00:16:15All kidding aside, Mr. Johnson.
00:16:16I still want to buy those two ships of yours.
00:16:18Well, but I don't want to sell.
00:16:20Oh, maybe we can talk you into it.
00:16:22What do you say, Mr. Johnson?
00:16:24Well, I'll think it over.
00:16:26Oh, no, that'll be too long.
00:16:31I can let you know tomorrow.
00:16:33No, tonight.
00:16:35Now.
00:16:42Well, how much would you give me for them?
00:16:44Nothing.
00:16:57Oh, you're joking, huh?
00:16:59Oh, well.
00:17:02I've had a lovely evening, but I've got to run along.
00:17:04We can go into it further tomorrow.
00:17:05Oh, no, you can't go now, Mr. Johnson, without seeing the rest of the house.
00:17:07Well, you haven't even seen the upstairs.
00:17:09Or the wine cellar.
00:17:10Oh, we have a nice wine cellar.
00:17:11Well, I would like to see the wine cellar.
00:17:19Napoleon brandy.
00:17:221815.
00:17:23Oh, Gino, I don't believe it.
00:17:25Why, I didn't think there was a bottle of real Napoleon brandy left in existence.
00:17:30Why, Gino, do you realize that...
00:17:33Gino.
00:17:38Gino.
00:17:40G...
00:17:42Hey, Gino.
00:17:48Gino.
00:17:54Gino.
00:17:58Gino.
00:18:02Hey, Gino.
00:18:08Gino.
00:18:12Gino.
00:18:21Yes!
00:18:22Oh, no.
00:18:24Oh, no.
00:18:24Gino.
00:18:26Oh, no.
00:18:28No.
00:18:31No.
00:18:32No.
00:18:33No.
00:18:34No! No!
00:18:36No!
00:18:37No, no, no!
00:18:39No, no!
00:18:42Help!
00:18:44Help!
00:19:04...
00:19:09...
00:19:14...
00:19:16...
00:19:16...
00:19:42Turn off here, please.
00:19:48Oh, my God.
00:20:40I'm standing off the clothes, Miss.
00:20:42I think you'd better step back.
00:20:46What happened to Claiborne?
00:20:50He's gone, Miss.
00:20:53It's Mrs. Roman.
00:20:58I beg your pardon.
00:20:59I didn't know.
00:21:01Oh, that's all right.
00:21:04I think I like it better the other way.
00:21:15Is there anything I can do?
00:21:18Yes, Vic, it's three years ago.
00:21:21If you can't do that, call me, Miss.
00:21:24And if you can't do that, just look the other way.
00:21:32You can go back to the car.
00:21:33You can go back to the car.
00:22:15What's out there, straight ahead?
00:22:19Well, Havana, I think.
00:22:25Have you ever been there?
00:22:27Yes, I was a long time ago.
00:22:32What was it like?
00:22:35Oh, for me it was cheap hotels, cheap restaurants, cheap friends.
00:22:45All places are like me and broke.
00:22:50It would be worth a thousand dollars to me to get to Havana.
00:22:56A thousand dollars?
00:22:57Yes.
00:22:59Steamship tickets only about thirty.
00:23:03I could never make it alone.
00:23:06Why not?
00:23:08Have you ever been afraid?
00:23:10Really afraid?
00:23:14What do you want me to do?
00:23:17I want you to take me to Havana.
00:23:20But why me?
00:23:24I think I can trust you.
00:23:29You mean you think I look like I, um, need a thousand dollars, huh?
00:23:34Have it your way.
00:23:36But I still think I can trust you.
00:23:40When can we go?
00:23:42How soon can you leave?
00:23:44Now, right this minute.
00:23:48That's a pretty long swim.
00:23:52I'll check the sailings tomorrow.
00:23:57Think I'd better take you home now?
00:24:00All right.
00:24:08That'll be 4220.
00:24:10Sign there, please.
00:24:12Uh, two tickets for Havana tonight, please.
00:24:15I'm sorry, there's no space available.
00:24:16We're completely sold out.
00:24:18Are you sure?
00:24:20Just a moment.
00:24:21There may be a cancellation.
00:24:26Yes, here's one.
00:24:28But it's a single cabin.
00:24:29Will that do you?
00:24:30Uh,
00:24:31Yes, it'll have to.
00:24:33How many tickets?
00:24:34Uh, two.
00:24:35How much is that?
00:24:37That'll be 5760.
00:24:42Sign there, please.
00:24:46The SS Cuba.
00:24:48Leave spare 26 at 11 o'clock tonight.
00:24:51Thank you, sir.
00:24:52Keep the changes.
00:25:17I'll take it, Jobe.
00:25:18Yes, ma'am.
00:25:29Hello?
00:25:32Hello?
00:25:34Hello?
00:25:36Hello?
00:25:37Uh, I got the tickets for Havana.
00:25:39It's on a ship called the Cuba.
00:25:42Leaves 11 o'clock tonight.
00:25:44Now listen carefully.
00:25:45Have dinner with him as usual.
00:25:47At 9.30, say you want to take a drive.
00:25:49I'll be waiting in my room.
00:25:50Now don't you call.
00:25:50Have Job call as usual.
00:25:52I'll bring the car around.
00:25:53No, don't worry.
00:25:54They don't know where I am.
00:25:55Yes, I'm picking him up at the Union Bank now.
00:25:58Good.
00:25:59See you later.
00:26:01Bye.
00:26:05I'll leave Thursday.
00:26:06Any particular boat?
00:26:07Let's see my chair.
00:26:08I don't care.
00:26:35Flowers, did you take care of them?
00:26:37Yeah.
00:26:38Red and white roses, big anchor.
00:26:41150 bucks.
00:26:43You know, 80, 15 years ago in Cicero?
00:26:46Same roses, the same anchor.
00:26:49Could have picked it up for a double saw bug.
00:26:51Maybe two bits.
00:26:56150 bucks.
00:26:58Brother, I don't care what they say.
00:27:00Hey, that's inflation.
00:27:06Scotty.
00:27:08Yes, sir?
00:27:10Mrs. Roman goes for a drive almost every day, doesn't she?
00:27:14Yes, sir.
00:27:16Where did she go?
00:27:18Nowhere in particular.
00:27:19Nowhere in particular.
00:27:20What do you mean, nowhere?
00:27:21Well, just along the beach.
00:27:25Always the same place.
00:27:28Yes, yes, same place.
00:27:30Oh, you know that.
00:27:31I didn't.
00:27:34I want to go there, Scotty.
00:27:35Uh, now?
00:27:39Uh, now?
00:27:39Now.
00:27:43Yes, sir.
00:27:55What do you see out there?
00:28:00I wouldn't know.
00:28:03What do you see out there, Scotty?
00:28:07Sky?
00:28:08Water?
00:28:13Must have a special meaning for her.
00:28:17What does it mean to you?
00:28:20I don't know.
00:28:21I'm not a psychiatrist.
00:28:24You don't have to be to figure this out.
00:28:29Is that right, Gino?
00:28:32I'd say she was contemplating a voyage.
00:28:42She ever say anything to you about it?
00:28:46Why would she tell me?
00:28:51You've got the kind of face women like to talk to.
00:29:10Some kind of food on the children.
00:29:29Yes, sir.
00:29:31I'm sorry.
00:29:32Let's go.
00:30:11Let's go.
00:30:32Let's go.
00:31:03Eddie, they're gone.
00:31:07Where do you think they've gone, Gino?
00:31:09I don't have to think, I know.
00:31:11To a van on Cuba.
00:31:13Found it in a wastebasket.
00:31:24What do you want me to do?
00:31:28Play the other side.
00:32:43I didn't know you were a musician.
00:32:47I haven't played in a long time.
00:32:53Still scared?
00:32:56I'm getting over it.
00:32:58I bet you don't get over three years of terror in one night.
00:33:04He couldn't follow us here.
00:33:13What's our first stop?
00:33:15Havana.
00:33:18It looks like all roads lead to Havana.
00:33:22That's what you wanted, wasn't it?
00:33:27I owe you $1,000.
00:33:38Who did it belong to me for?
00:33:43They don't ask you that when you spend it.
00:33:59You want to go to Marsha?
00:34:01I don't know.
00:34:03I don't know.
00:34:06I don't know.
00:34:39Chuck.
00:34:53Chuck.
00:35:13Chuck.
00:35:15I don't know what to do.
00:36:08I love you, Charles.
00:36:11I love you, Lord.
00:36:20Oh, that's not our boat.
00:36:24How much time do we have?
00:36:26Forget time.
00:36:29You think we'll make it?
00:36:32We've got to.
00:36:34Señor, el caballo no puede estar aquí toda la noche.
00:36:42What are we sobbing here for?
00:36:43El caballo no puede estar aquí toda la noche.
00:36:46What was that?
00:36:46The horse is tired.
00:36:49Take us back to the boat.
00:36:54Did you hear me?
00:36:55Take us back to the boat.
00:36:56I already told you the horse is tired.
00:37:00Chuck, let's get out.
00:37:12Say, our boat leaves in an hour for South America.
00:37:16How much of a walk is it from here to the docks?
00:37:18I don't understand English.
00:37:20Let's go, Pancho.
00:37:25What did he say?
00:37:28Something about not understanding English.
00:37:32He must not understand money either.
00:37:35Didn't take his fare.
00:37:39Chuck, what do we do now?
00:37:42I don't know.
00:37:49Let's get a drink.
00:37:52All right.
00:37:54Wait a minute.
00:37:57We should go back to the boat.
00:38:00Who's afraid now?
00:38:02No.
00:38:03No.
00:38:05No.
00:38:07No.
00:38:08No.
00:38:09No.
00:38:10No.
00:38:11No.
00:38:11No.
00:38:27Still scared?
00:38:42No.
00:38:43Pardon, Signor.
00:38:55Pardon, Signor.
00:38:59Dos pesos.
00:39:02Dos.
00:39:02Tre."
00:39:04Me.
00:39:04La Fumma.
00:39:06Saha.
00:39:07Nei.
00:39:09La Fumma.
00:39:10La Fumma.
00:39:11La Fumma.
00:39:16I hear a father calling me
00:39:23This is his ecstasy
00:39:36Where lovers capture moments of rapture
00:39:44My heart will always be
00:40:07Havana, like the stars in a dream song
00:40:13And guitars in a theme song
00:40:18You're a promise of love
00:40:24Havana, lovers thrill to your soul
00:40:29As your harbors surrender
00:40:35To the moon high above
00:40:41Where to yearning hearts can stare
00:40:46Don't eat any steam eat here
00:40:49Where to yearning hearts can stare
00:40:52To steam eat
00:41:13Tell me again
00:41:15I love you, darling
00:41:18I love you
00:41:22Darling, I don't care what happens now
00:41:25I just don't care
00:41:27Laura, don't keep saying that
00:41:29Please don't keep saying it
00:41:31I won't
00:41:33I won't say it anymore
00:41:36Because I do care
00:41:37I don't care
00:41:52I don't care
00:41:56I don't care
00:41:57I don't care
00:42:00I don't care
00:42:03I don't care
00:42:43Mark and a scar?
00:42:45Knife wound.
00:42:46No other marks.
00:42:52We're waiting, Mr. Scott.
00:42:58Oh, can I make you understand?
00:43:00You've got the wrong man.
00:43:04I loved her.
00:43:05You loved her so you killed her.
00:43:08That's understandable.
00:43:11She was all I had.
00:43:12So you made sure no one could take her from you.
00:43:15Oh, you're blind.
00:43:18Why would we come all this way together?
00:43:20I let you tell me why.
00:43:23Just answer three questions.
00:43:26How long had this woman been in Havana?
00:43:31Oh, we got off the boat around six o'clock this evening.
00:43:36Eight hours ago.
00:43:38Had she ever been here before?
00:43:40No.
00:43:41Did she know anyone here?
00:43:42Anyone at all?
00:43:43No.
00:43:44There is your answer.
00:43:46Do you still insist somebody else did it?
00:43:49In a place where she had just arrived?
00:43:51In a place where she had never been in her life before?
00:43:53And above all, with your own knife?
00:43:55It wasn't my knife.
00:43:57But you just admitted a moment ago it was your knife.
00:43:58I didn't admit it was my knife.
00:44:00I merely said it looked like my knife.
00:44:01But it wasn't.
00:44:01Oh, yeah.
00:44:03Now I remember.
00:44:05The knife you bought.
00:44:06You did buy a knife.
00:44:08Yes, I bought a knife!
00:44:09Save your strength, my friend.
00:44:11You may need it.
00:44:17Your knife.
00:44:19Let me see.
00:44:22Describe it again, please.
00:44:28On the handle of the knife I had,
00:44:30the little carb-nocky was holding his ears.
00:44:34The knife you've got, he's covering his eyes.
00:44:36You can see that.
00:44:37He's covering his eyes, but not mine.
00:44:40Don't joke.
00:44:41If you don't believe me, ask the shopkeeper.
00:44:42Find out what kind of a knife I bought.
00:44:52Are you sure this is the place?
00:44:55Yeah, yeah, that's it.
00:44:58I repeat, for a stranger in Havana,
00:45:00you certainly found an out-of-the-way place
00:45:02in a very much of a hurry.
00:45:04We didn't find it.
00:45:05I told you a guide brought us here.
00:45:07I know.
00:45:08The guide who kept pestering you.
00:45:10The one who drove you to the nightclub, huh?
00:45:12You don't believe anything, do you?
00:45:13Well, my clients have a chronic tendency
00:45:16to call her the truth.
00:45:21You first, Mr. Scott.
00:45:30Just a moment, please.
00:45:32Not so quick.
00:45:42Where is Chin?
00:45:46I'm Chin.
00:45:48I'm Lieutenant Acosta, Homicide Squad.
00:45:54What can I do for you?
00:45:56Madam, will you please tell the gentleman...
00:45:57We'll ask the questions.
00:46:01Take a look at this man here.
00:46:04Did you ever see him before?
00:46:06Yes.
00:46:08When?
00:46:10The gentleman was here earlier tonight.
00:46:13Alone?
00:46:13No, he was with the lady.
00:46:17Did he buy anything?
00:46:19Silk handkerchief for a lady.
00:46:22That all?
00:46:23The gentleman also bought a knife.
00:46:26What kind of knife?
00:46:28A knife was a jade handle.
00:46:30It got letters.
00:46:31It got fruit.
00:46:32To hang on the wall, maybe.
00:46:35Describe the jade handle.
00:46:37A jade handle had a carved monkey.
00:46:39We know that.
00:46:40Describe the monkey.
00:46:41Monkey was holding his eyes.
00:46:43So.
00:46:46You're crazy.
00:46:48I bought the one that was holding his ears.
00:46:51The gentleman is mistaken.
00:46:53Are you sure the one he bought was holding his eyes?
00:46:57They come three to a set.
00:46:58First one is sold to this gentleman.
00:47:00The others I still have.
00:47:02I can show you.
00:47:04Show me.
00:47:12These are imported from Hong Kong.
00:47:14I only ordered one set.
00:47:17Costs too much.
00:47:19Never sold any except to this gentleman.
00:47:29I don't understand.
00:47:30I don't understand.
00:47:36I...
00:47:37I'm sure I bought this one.
00:47:40The one that's holding its ears.
00:47:41Why did you buy any knife?
00:47:42I didn't buy a knife.
00:47:44I mean, I didn't intend to buy a knife, but...
00:47:46Lorna was looking for jade, and she said the only jade she had was on the knife handles.
00:47:51And the one we finally bought was this one.
00:47:54The one that's holding its ears.
00:47:56Perhaps Madame Chin switched to the knives, huh?
00:48:00She must have.
00:48:03Did you ever sit, Chin, before?
00:48:08No.
00:48:09Then why would she change the knives?
00:48:30I don't know.
00:48:36Because you are a stranger, and only because you are a stranger,
00:48:40we've given you every chance to clear yourself.
00:48:44You should have been locked up an hour ago.
00:48:48Admit it.
00:48:49You know you killed her.
00:48:55Admit it!
00:48:58All right.
00:49:02Then you did kill her.
00:49:06Yes.
00:49:07Why, Mr. Scott?
00:49:15Because she was afraid.
00:49:17Because she wanted to go back.
00:49:19Back?
00:49:19Where?
00:49:20To her husband.
00:49:22Her husband?
00:49:23Her name wasn't Mrs. Scott.
00:49:25Her name was...
00:49:27Mrs. Eddie Roman.
00:49:29We left Miami together last night on the Cuba.
00:49:32We docked here this morning.
00:49:34Didn't leave our cabin until it was dark.
00:49:35Wound up in that...
00:49:37nightclub.
00:49:39We had a drink there.
00:49:46Mr. Scott...
00:49:48You are a gentleman.
00:49:51Only from the viewpoint of the police, of course.
00:49:56Have a seat.
00:50:01Pablo!
00:50:02Ford!
00:50:03There you go!
00:50:06Give us a little!
00:50:07Pablo!
00:50:20Let's go.
00:50:52Let's go.
00:51:17Let's go.
00:51:46Let's go.
00:51:57Let's go.
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00:52:03Let's go.
00:52:16Let's go.
00:52:34Let's go.
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00:53:11Let's go.
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00:54:10Let's go.
00:54:15Let's go.
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00:54:25Let's go.
00:54:31Let's go.
00:54:35Let's go.
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00:55:27Let's go.
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01:00:24Let's go.
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01:00:38Let's go.
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01:01:27Let's go.
01:01:30Let's go.
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01:02:04Let's go.
01:02:04Let's go.
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01:03:02Let's go.
01:03:05Let's go.
01:03:33right now.
01:03:38Let's go.
01:03:48Let's go.
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01:24:42let's go.
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