- 6 hours ago
Experience the charm of Calendar Girl (1947), a delightful classic musical romance from Hollywood's Golden Age. Beautifully restored for modern audiences, this timeless film combines memorable music, lighthearted comedy, romance, and captivating performances that make it a favorite among classic movie lovers.
Whether you're discovering this vintage gem for the first time or revisiting a beloved classic, Calendar Girl (1947) is a wonderful addition to any classic film collection.
🎬 Movie: Calendar Girl (1947)
🎭 Genre: Musical, Romance, Comedy
🌍 Language: English
🎞️ Presented in a restored edition for fans of classic cinema.
If you enjoy classic Hollywood films, don't forget to Like, Comment, and Subscribe for more restored full-length movies from the Golden Age of Cinema.
Whether you're discovering this vintage gem for the first time or revisiting a beloved classic, Calendar Girl (1947) is a wonderful addition to any classic film collection.
🎬 Movie: Calendar Girl (1947)
🎭 Genre: Musical, Romance, Comedy
🌍 Language: English
🎞️ Presented in a restored edition for fans of classic cinema.
If you enjoy classic Hollywood films, don't forget to Like, Comment, and Subscribe for more restored full-length movies from the Golden Age of Cinema.
Category
🎥
Short filmTranscript
00:00:24I love her so she doesn't know I mean it
00:00:34I love her so she doesn't know I mean it
00:01:13Well what a pretty picture I wish I'd painted it that way
00:01:16You're not hurt are you?
00:01:18Of all the stupid elephants I've ever seen you two take the cake
00:01:21Why can't you look where you're going?
00:01:23We were looking where we were going we're just trying to find the...
00:01:25Also a couple of hay seeds from New Rochelle
00:01:27No we're not we're from Boston
00:01:29Hicks
00:01:29Hicks
00:01:31Look at me just look at me
00:01:32We are looking at you
00:01:33Look at my hat you must be all out
00:01:35I wouldn't say that
00:01:36Look at my hair look what you've done to it
00:01:38It's like spun gold
00:01:38My dress is all dirty
00:01:40More charming than the latest Parisian fronts
00:01:43That's not all
00:01:44Your eyes?
00:01:45Even angrier they put the stars to share
00:01:47Oh let her go Steve I'll go in and see if this is Lulu Varden
00:01:49How did you hear about Lulu Varden way up in Boston?
00:01:52Indians they spread it by Tom Tom
00:01:53They sent up smoke signals from hill to hill
00:01:55Oh so you're Indian
00:01:56Madam you are at the moment conversing with maestro Johnny Bennett
00:01:59The great young composer
00:02:01And with Mr. Stephen Davis of Chestnut Hill
00:02:03The great young artist
00:02:04How do you do?
00:02:04I never heard of you
00:02:05Well uh nobody ever heard of me
00:02:07Ah but they will
00:02:08Our fame will spread throughout the land
00:02:10We'll take New York by Stone
00:02:11We'll take London
00:02:12We'll take Paris
00:02:13I'll take a ride
00:02:16It's a nice neighborhood
00:02:17I think I'm going to like it
00:02:20Professor Garibaldi wrote that you boys were coming
00:02:22He said some very nice things about your music Mr. Bennett
00:02:26Your ears must have burned from the nice things he said about you
00:02:29Oh bless his heart
00:02:31He's such a darling
00:02:33You know he used to occupy the very same studio I reserved for you
00:02:36Are you a composer too Mr. Davis?
00:02:38Me? I'm too weak to carry a tune
00:02:40Steve's an artist
00:02:41Good this studio has a fine north light
00:02:44Just right for an artist
00:02:45Well that's peachy Mrs. Martin
00:02:46Everyone calls me Lulu
00:02:48Everyone calls me Steve
00:02:50I'm Johnny
00:02:50Oh I'm very happy to know you both
00:02:53The price will be $6 a week double
00:02:55Pay your own gas and no cooking
00:02:57Here's a month in advance
00:02:58I'll pay you back Steve as soon as I sell my first song
00:03:01Um what kind of a struggling artist are you?
00:03:04He's a different kind man
00:03:05You see he's struggling not to be a banker
00:03:07Oh
00:03:08Steve Lulu my old man is
00:03:10The head of one of the oldest tanking houses in Boston
00:03:12And he sort of planned on having me follow in his footsteps
00:03:14But you always wanted to be an artist eh?
00:03:17Well not exactly but it was one way of getting to Greenwich Village to have fun
00:03:20Lulu
00:03:20Oh yes I love Peter
00:03:22I need a couple of dollars on account
00:03:23I played at a dance last night
00:03:26Oh Peter look at those cuffs
00:03:28How do you expect to get jobs that way?
00:03:31Here take this money and go buy yourself a new shirt
00:03:33Well thanks Lulu
00:03:35Oh Igor
00:03:36How did the audition for the symphony go?
00:03:38They turned me down
00:03:40Now where are you going?
00:03:42Oh I'm not skipping Lulu
00:03:43I was going to
00:03:45It's a wonderful violin
00:03:46Worth money
00:03:47Mmhmm
00:03:48I thought I saw that porn shop gleam in your eye
00:03:51Don't be silly
00:03:53Go back to your room
00:03:54How are you going to audition without it?
00:03:55I told you the audition was
00:03:57Oh I mean the next audition the one when they won't turn you down
00:03:59Oh thanks Lulu
00:04:01Say what kind of a landlady are you anyhow?
00:04:03What do you mean?
00:04:04Well you're supposed to rang and berate and foreclose mortgages
00:04:07They even cast people out in the snow
00:04:08Oh next week East Lynn
00:04:11No boys this is a house of artists
00:04:13Some are singers, some are writers and some are painters
00:04:16But all are artists
00:04:19I was one myself
00:04:21A great one
00:04:22And so you see without art we have nothing to live by
00:04:25People pay when they can and if they can't
00:04:27Well they're still artists
00:04:28And I still love them
00:04:30Lulu
00:04:30You're a very nice girl
00:04:32Will you marry me?
00:04:34I think I'm a little old for a June bride
00:04:36Asking at January
00:04:39Well here we are
00:04:40I have your things brought up just as soon as they arrive by express
00:04:43And your trunks are in the bedroom
00:04:45Thanks
00:04:45And here's the piano
00:04:47Oh I do hope it's in tune
00:04:52Well I'll leave you boys to get settled now
00:04:54Then your laundry's picked up on Tuesdays
00:04:57And the gas meter's just outside the door when the lights go out
00:05:00When you leave the lights will go out
00:05:02I'll then just drop a quarter in the meter
00:05:04Come right this way and I'll show you how
00:05:07Put your coin in there
00:05:11Now that will give you one revolution
00:05:12Oh by the way Steve
00:05:14Yes?
00:05:15Uh a young lady telephoned you
00:05:17And Miss Radford
00:05:18She wants you to call just as soon as you arrive
00:05:20Her number's on the telephone pad downstairs
00:05:22Well thanks Lulu
00:05:23You don't waste much time do you?
00:05:26Oh life's too short to waste time
00:05:28Keep beautiful
00:05:31Steve
00:05:31Is Livy here in town?
00:05:33Spraining at her aunt
00:05:35Say that's swell
00:05:36Yeah?
00:05:37What's swell about it?
00:05:39Well you're in love with her aren't you?
00:05:40It's your fiancee
00:05:42Oh sure, sure
00:05:44Now don't get me wrong
00:05:45Olivia's a great girl and she'll be a wonderful wife
00:05:47But this isn't Boston
00:05:49This is Gotham
00:05:50Served up on the half shell of rising weather
00:05:52This is the land of wild oats
00:05:54And Greenwich village
00:05:54And beautiful women
00:05:56And I don't want any Boston strings tying me down
00:06:13Very well young lady, let us begin
00:06:16Now we will start with the hand positions in the middle zone
00:06:19Number one
00:06:21Number one, the palm supine
00:06:24Number two, the palm prone
00:06:27Number three, the palm vertical
00:06:30Percy dear, the palm vertical should be raised in gentle terror
00:06:34Remember as you move into the mood that you're with a cad
00:06:37A cad?
00:06:39A nefarious scoundrel whose intentions are not honorable
00:06:42I'm sure Byron's intentions are honorable, Lulu
00:06:45Who?
00:06:45She means Byron Jones
00:06:47He's always making the palm vertical to me
00:06:49But suppose Byron weren't out with you
00:06:51I just like to see him out with anyone else
00:06:53For perhaps he engaged
00:06:55Does he know it?
00:06:57Come, come, come now, girl
00:06:59Come, let's try it again
00:07:03Patricia, Patricia
00:07:04Now, how many times have I told you
00:07:06You should be weak and wilting and timid
00:07:08As if the very air around you were charged with peril
00:07:11But that's namby-pamby, Lulu
00:07:13I'm not afraid of anything
00:07:14My dear, do you wish to be a star?
00:07:16A great star?
00:07:18Or do you wish to dispute the championship
00:07:19With Mr. James J. Jeffries?
00:07:22Now, that's more like a lady
00:07:24A lady?
00:07:26Patricia, life is a book of evidence and rules
00:07:28You're born a girl, but you have to learn to be a lady
00:07:32Girls may be attractive to boys
00:07:33But only ladies attract gentlemen
00:07:35And only gentlemen are rich
00:07:38You know those two new boys that are staying with me?
00:07:40Uh-huh
00:07:41Suppose one of them were a millionaire
00:07:42Suppose one of them were a Boston banker incognito
00:07:46Oh, then he'd be in Boston being a banker
00:07:48Oh, no, you're wrong
00:07:49He might be right here learning to paint or compose
00:07:52As a matter of fact, my dear, he is right here
00:07:58Well, wait on this, then
00:08:00How about you?
00:08:01Fine
00:08:01This winter looks out on somebody's roof
00:08:04This one looks up at heaven
00:08:13Hey, take it easy
00:08:14You could pickle onions on that kind of music
00:08:18Can't seem to get this tune
00:08:35Nice, quiet place
00:08:38One, two, three, four
00:08:40Three, two, three, four
00:08:41Shame lowers the body's girls
00:08:43Harking to the little virgin
00:08:45One, two, three, four
00:08:47Retreat keeps upon vertical
00:08:49Fear, two, three, four
00:08:50Delight expresses with the face
00:08:52Joy gives to the whole world
00:08:54Three, two, three, four
00:08:59Hey, Steve
00:09:00Come and take a look at this
00:09:04The little goat we lock horns with
00:09:29Time is right for a man to sing
00:09:35Starry light
00:09:37Starry light shines above
00:09:41Lovely night
00:09:43Oh, dancing
00:10:14But it's a much better night
00:10:16Who, me?
00:10:17I want to see you
00:10:18You do?
00:10:19Right away
00:10:20Oh, I'll be right over
00:10:27Hiya
00:10:29Who are you?
00:10:30What's your name?
00:10:30I'm Byron Jones
00:10:31Byron?
00:10:32Yeah, I'm a poet
00:10:33You're a card
00:10:34No, a bard
00:10:35I'm one of the bards of Greg's greeting cards
00:10:37I write verses for birthdays and Christmas and all that
00:10:40You know, like, uh, uh, roses are red
00:10:42I send them to you just to say on this day
00:10:45I'll always be true
00:10:47Look, I'm Johnny Bennett
00:10:49This is Steve Davis
00:10:50Hello, Steve
00:10:50Look, where'd you hear my tune before?
00:10:52Oh, I never heard it before
00:10:53Well, but you sang words to it
00:10:55I made them up
00:10:56Just like that?
00:10:57Sure
00:10:57I can write poems faster than you can write music
00:11:00You can, huh?
00:11:01Uh-huh
00:11:02Well, we'll see about that
00:11:03Okay
00:11:05Now we'll see how good you are
00:11:08June
00:11:09Moon
00:11:10To
00:11:12Croon
00:11:13Broon
00:11:14Goon
00:11:16Loom
00:11:17Spitoon
00:11:19Vanilla
00:11:24Sassafanilla
00:11:28You know, you're pretty intelligent
00:11:29Oh, not only that, but I'm smart, too
00:11:31I'm the only guy in the world that can rhyme orange
00:11:34Orange?
00:11:34Yeah
00:11:34Orange
00:11:36Hey, that is a tough one
00:11:37How do you rhyme orange?
00:11:39Oh, no you don't
00:11:41If I told you, I wouldn't be the only guy in the world anymore
00:11:45Look, I'm writing tunes and I need words
00:11:47What do you say we team up, Byron?
00:11:49Leave us, get working, and keep the muse perking
00:11:54I'll bet that's Eddie
00:11:55Come in
00:12:00Hiya, Eddie
00:12:01Come on in
00:12:02Hey, fellas
00:12:03This is Eddie Gaskin
00:12:04How are ya?
00:12:05I'll bet Lou will send you up here to invite the fellas to that shindig tonight down in the restaurant
00:12:09Do you usually ride that night around the third floor?
00:12:11Oh, that's just a model
00:12:12He's an artist
00:12:13He lives right across the hall
00:12:14Is this thing?
00:12:15You sell your stuff?
00:12:15He sure does
00:12:16He's got pictures all over the country in all the best places
00:12:19Where?
00:12:20He's hanging in every pool, saloon, livery stable
00:12:23All the best places
00:12:24They are by his pictures
00:12:25What kind of pictures do you do?
00:12:26He does calendars
00:12:27Oh, girls
00:12:28No, cows
00:12:30Just cows?
00:12:31That's all just cows
00:12:33Contented cows, discontented cows, blue cows, moo cows
00:12:36He's the bovine barragelli
00:12:38Well, how'd you happen to pick on cows?
00:12:40He's a little cow-happy
00:12:41He painted a picture of Pat O'Neill once
00:12:43Boy, was she mad
00:12:45What happened?
00:12:46Well, nothing much, really
00:12:47She turned out kind of pretty
00:12:49Except for the horns
00:12:50You're in a bad way
00:12:51He can't look a bottle of milk in the face anymore
00:12:54They're trying to graduate into horses
00:12:56Calendars
00:12:56Seems like a good way to break in
00:12:58Might try it myself
00:12:59Just go see Mr. Ward
00:13:00He's the president of Calendars Incorporated
00:13:02Maybe he'll give you a job
00:13:03But I don't know him
00:13:04Oh
00:13:05Well, he, guys
00:13:06He'll take you down tomorrow and introduce you
00:13:08Thanks, Eddie
00:13:09You're a thoroughbred
00:13:11Don't forget to call Olivia
00:13:13I'll pay her a quick visit upon the telephone
00:13:15And then we'll settle down to a life of art
00:13:17And thing
00:13:25Hello
00:13:26Hello, Libby
00:13:27How are you, darling?
00:13:29I'm just fine, darling
00:13:30Uh, how long are you going to be in New York?
00:13:32Don't stop, don't worry
00:13:33I'm going back to Boston tonight
00:13:35Oh
00:13:36Well, that's too bad
00:13:37Doesn't give me any time to see you
00:13:38You can see me, Steve
00:13:40Night and day for the rest of your life
00:13:42Simply by going back to Boston with me to a wedding
00:13:44Oh, but I can't, darling
00:13:45You know I want to
00:13:46But I've got to have a try at my art
00:13:48Don't play Rembrandt with me, Steve
00:13:51Rembrandt?
00:13:52We've been through this artist thing before
00:13:54You had to go to Paris, remember?
00:13:56When the girls caught on to you there
00:13:58You had to go to London
00:13:59When the ladies there got your number
00:14:00You came running back to Boston?
00:14:04Oh, really, Libby
00:14:05That's not fair
00:14:05It certainly isn't
00:14:07And now it's Greenwich Village
00:14:08Well, this is the last time
00:14:09You're going to break out the plow
00:14:10To sow your wild oats
00:14:11I'll be patient for three weeks
00:14:13No more
00:14:15Take fast, young man
00:14:16But three weeks is all
00:14:18But three weeks is all me
00:14:20Three weeks is all you'll get
00:14:21Then back to Boston
00:14:22To be a banker and a husband
00:14:24Shall we have tea?
00:14:25Well, I
00:14:26I'm pretty busy
00:14:27Oh, if you'd rather not
00:14:28Oh, sure, sure, Libby
00:14:29I'll meet you for tea
00:14:30Four o'clock at Rector's?
00:14:32Four o'clock
00:14:33You're the most wonderful girl
00:14:35I've ever known
00:14:36I'd rather be the only one
00:14:38Goodbye
00:14:42Women
00:14:53That's what I said
00:14:54Women
00:14:57In her bonnet of blue
00:14:59What a picture she'd make
00:15:00No
00:15:03Try it
00:15:04In her bonnet of blue
00:15:05What a picture she'd made
00:15:07She was the belle
00:15:09Of the Bucket Brigade
00:15:12Come in
00:15:15Hello, Pat
00:15:16Hello
00:15:18Hiya, Pat
00:15:18This is Johnny Bennett
00:15:20Patricia O'Neill
00:15:21We just call her Pat
00:15:22Uh, we've already met
00:15:23In a way
00:15:24Uh, Lulu set up some tea for you
00:15:26Oh, boy
00:15:27Not for you, Byron
00:15:28This is strictly a Boston tea party
00:15:31Oh, I can take a hint
00:15:32A house doesn't have to fall on me
00:15:34Well, a house will
00:15:35If you don't hurry
00:15:35Tassie's waiting for you
00:15:36Downstairs
00:15:37Oh
00:15:39Uh, where'd you know
00:15:40The other one?
00:15:40See?
00:15:41She's not back yet
00:15:42Oh
00:15:43Well, you don't have to look
00:15:44So disappointed
00:15:45I'm not
00:15:46I didn't mean that
00:15:46Then you'll have tea with me
00:15:47I'd love to
00:15:50How do you like your tea?
00:15:51Lemon and one sugar
00:15:52And I saw you dance
00:15:54Down there on the roof
00:15:55You were pretty good
00:15:56Thank you
00:15:57You were really wonderful
00:15:58Only I can't say things like that
00:16:00Makes me blush
00:16:01I'm a shy guy
00:16:03Where'd you learn to dance like that?
00:16:05Oh, it was easy to dance to the music you were playing
00:16:07What was it?
00:16:08One of my tunes
00:16:10Beautiful
00:16:11No, it was a song I could never finish
00:16:13I was stuck with it until I saw you start to dance
00:16:15And then it just kind of flowed out like champagne
00:16:18You're about as shy as a brass band
00:16:20Well, don't get me wrong
00:16:21I really am
00:16:22Well, what I mean is I
00:16:23What you mean is you like me
00:16:25Well, that doesn't sound strong enough
00:16:27But on account of I'm shy
00:16:28I'll settle for it
00:16:30Anyway, thanks a lot
00:16:31What for?
00:16:32Well, for letting me in your life
00:16:33For being here
00:16:35Part of Greenwich Village in New York
00:16:37What I can't figure out is
00:16:39How you can like
00:16:40Leaving a palatial mansion in Boston
00:16:42And coming to a grubby place like Greenwich Village
00:16:44Wait a second
00:16:45I think you've got something wrong
00:16:46I haven't any palatial mansion in Boston
00:16:49I haven't got but a dollar to my name
00:16:52Then it's Mr. Davis
00:16:54Oh, Steve
00:16:55Yeah
00:16:55He's quite wealthy
00:16:56Banking family
00:16:58Very sophisticated
00:16:59Been to Europe, London, Paris
00:17:02Oh
00:17:03Don't you worry
00:17:04Someday when you've written your songs
00:17:05You'll be rich too
00:17:06I'm not worried
00:17:07I don't even care
00:17:08You don't care?
00:17:09No
00:17:10Don't you want to be rich and famous?
00:17:12Well, if it goes with being happy
00:17:14You see
00:17:15All my life
00:17:16Ever since I was a kid
00:17:17I've been full of music
00:17:19Before I even knew what to do about it
00:17:21I had the songs in my head
00:17:23I used to hear them playing at night
00:17:24With a full orchestra
00:17:25When I'd go to sleep
00:17:26And even then
00:17:27With a kazoo
00:17:28Or an ocarina
00:17:29When I was old enough
00:17:30Well, I'd play these tunes out
00:17:32When my mother didn't know what to do with me
00:17:35Now this is wonderful
00:17:37A piano like this
00:17:38To play to my heart's content
00:17:40To write out some of these melodies
00:17:42That have been inside me
00:17:45I can sit here
00:17:47And touch these ivory keys
00:17:49And look up at the stars at night
00:17:52Through this window
00:17:55And they'll become my orchestra
00:17:56Playing with me
00:17:59With all the strings
00:18:01And horns
00:18:02And harps of heaven
00:18:05Joined in a strange
00:18:06And wonderful symphony
00:18:10That's beautiful, Mr. Bennett
00:18:13You're beautiful, Pat
00:18:15Thank you
00:18:17Call me Johnny
00:18:20I was just going to
00:18:24You know what's happened to me
00:18:25Since I saw you?
00:18:26What?
00:18:28False face
00:18:29Lump in the throat
00:18:31Hot and cold flashes
00:18:34Maybe you've got the measles
00:18:36Yeah, maybe I've
00:18:38Yes
00:18:43Say
00:18:44I've got to write a jingle
00:18:45For the party tonight
00:18:47Byron left these lyrics here
00:18:49Will you help me with it?
00:18:51Sure I will
00:18:51We've got to impress Dilly
00:18:54I met an old flame
00:18:55At the fireman's ball
00:18:56How did it go?
00:18:58Well, that's what I want to know
00:18:59How's this?
00:19:04That's good
00:19:05Do it again
00:19:14Oh, I met an old flame
00:19:17At the fireman's ball
00:19:19She was so charming
00:19:21So dainty and small
00:19:22By the old hooking ladder
00:19:24She hooked me right in
00:19:26I felt her mischief begin
00:19:28When she gave me the eye
00:19:32How the sparks began to fly
00:19:35Now my heart is on fire
00:19:37When she's in my arms
00:19:39I can hear nothing but fire alarms
00:19:42And it's thrilling to think
00:19:44She was willing to fall
00:19:46That night at the fireman's ball
00:19:52In her bonnet of blue
00:19:54What a picture she made
00:19:55She was the belle of the bucket brigade
00:19:59And she looked so demure
00:20:00By the old fire hose
00:20:02I simply had to propose
00:20:04How my heart seemed to pound
00:20:07As I waltzed her round and round
00:20:11By the fifth time I kissed her
00:20:13I heard people call
00:20:15Why don't you two go and hire a horse
00:20:18So we left for Niagara
00:20:19That very same night
00:20:21After the fireman's ball
00:20:27In his bright red suspenders
00:20:29He said, oh, you kid
00:20:30What did I do?
00:20:32Well, you know what I did
00:20:33I fell hook, line, and sink
00:20:35For that so-and-so
00:20:37How was a young girl to know
00:20:39Oh, I thought he was blue-blue
00:20:42With his 23-skidoo
00:20:46He gave me the hot foot
00:20:48And I should have learned
00:20:50I played with fire
00:20:51And boy, I got burned
00:20:52But if you were the truth
00:20:54On my knees, I would crawl
00:20:56Back to the fireman's ball
00:21:02There was Patsy
00:21:03O'erree
00:21:04O'Toole
00:21:05Not six
00:21:05All of them trying to win her away
00:21:08But so tis the fireman
00:21:11Hadn't a chance
00:21:12He never gave him a glance
00:21:14He had eyes just for me
00:21:18Just the way it ought to be
00:21:21Oh, the mercy's on Hannah Edison
00:21:24All the shenanigans didn't face her
00:21:27For it was I who walked off
00:21:29With the bell on the frog
00:21:31Down at the fireman's ball
00:21:33Oh, it never ever would have happened
00:21:37If she hadn't happened to be standing there
00:21:38She was such a lovely creature
00:21:40I could see just such a lovely love affair
00:21:42And the band began to play the melody
00:21:43I said, would you consider that to me?
00:21:45She was all a Twitter, but she didn't disagree
00:21:48How my heart seemed to come
00:21:52As I walked around and round
00:21:55And I slipped a ring upon her finger
00:21:57And we went to linger underneath the moon
00:21:59I could see that we were heading for an early wedding
00:22:02In the Massachusetts
00:22:02We'll have a lot of little places
00:22:04We'll be singing phrases
00:22:05As we bring them all
00:22:06Back to the fireman's ball
00:22:09Back to the fireman's ball
00:22:15Back to the fireman's ball
00:22:19Very good, Lulu
00:22:26Very good, indeed
00:22:27Didn't I tell you I had some interesting protégés?
00:22:31Uh, that one there
00:22:33The one with the little blue hat
00:22:35Patricia, you mean?
00:22:37She's very attractive
00:22:39I'll have to keep my eyes on her
00:22:41You'd better keep your eyes off her
00:22:43Or else I'll knock them out of their sockets
00:22:45And what business is it of yours, may I ask?
00:22:48That Corrine happens to be my daughter
00:22:50That's what business it is
00:22:52And if I catch you filling her
00:22:53A foolish head with foolish snows
00:22:54Are you implying that I
00:22:56No, no, no, Dilly
00:22:58He means the theater
00:23:00Well, what's foolish about the theater?
00:23:02The theater, uh, well, that's only for show-offs and brazen women
00:23:06And no decent place for any self-respected man or woman
00:23:09Oh, I'm of the theater now
00:23:11Ah, but, but you're an exception
00:23:15But I still say
00:23:16Oh, you say
00:23:18You say
00:23:19And I suppose it's better for the self-respect
00:23:21To sit around a fire station all day
00:23:23Just waiting for an alarm to ring
00:23:24Just sitting there hoping that somebody's house
00:23:26Will be burned down
00:23:27And then vicking your chops
00:23:28And somebody's going to be toasted
00:23:29Rare, medium, or well done
00:23:31Hang it, man
00:23:32I save lives
00:23:33And we in the theater save souls
00:23:36Boy, boy, boy
00:23:37Don't spoil your appetite
00:23:38Well, the food is coming
00:23:39And for you, Matt, darling
00:23:40Corned beef and cabbage
00:23:42Corned beef and
00:23:43Oh, my dear
00:23:44Oh, my word
00:23:45What an awful combination
00:23:46Oh, Dilly, darling
00:23:47Try it just once
00:23:48I wouldn't mind trying it once
00:23:49But it keeps repeating itself
00:23:54Bye, boy
00:23:59Well, how do you like New York?
00:24:00Not as much as Boston
00:24:02How is that so?
00:24:03Well, you have no Statue of Liberty
00:24:05No, but we have the Cradle of Liberty
00:24:06Manuel Hall
00:24:08Ah, you have no Palisades
00:24:09Bunker Hill
00:24:10Trinity Church
00:24:11Old North Church
00:24:14Grant, too
00:24:14Paul Revere
00:24:16You win
00:24:17You forgot the one natural beauty
00:24:19That makes Boston a wilderness
00:24:21And New York a shining city
00:24:22What's that?
00:24:24You
00:24:27New York is a nice place to visit
00:24:30Yes, it has quite a future, they say
00:24:33It's got Fifth Avenue
00:24:35Mr. Chauncey de Pugh
00:24:37And the street that is known as Broadway
00:24:40New York has a glamour
00:24:42What is it
00:24:43That makes every stranger so gay?
00:24:46New York is a nice place to visit
00:24:49But it's also a nice place to stay
00:24:52New York has its own only factors
00:24:55Where actors and Vanderbilt call
00:24:58It's got Diamond and Brady
00:25:01And Roseville Brady
00:25:02It's even the Anony Hall
00:25:05It's cloudy and cloudy and cloudy
00:25:08And people from Brooklyn may stay
00:25:11New York is a nice place to visit
00:25:14But we say it's a nice place to stay
00:25:18New York is a nice place to visit
00:25:20But we say it's a nice place to stay
00:25:25Oh, Charlie
00:25:26I want you to meet Mr. Dillingsworth
00:25:28Dilly, this is the young man I was telling you about
00:25:30The one Professor Garibaldi sent down from Boston
00:25:32Mr. Bennet
00:25:33Mr. Dillingsworth
00:25:34Glad to know you, Mr. Bennet
00:25:35Glad to know you, sir
00:25:36He's a composer, Charles
00:25:38A pupil of Garibaldi's and very promising
00:25:40I want you to listen to his tunes
00:25:41Young man, it was nice knowing you
00:25:44Good night
00:25:44Oh, he'll listen to your tunes, Johnny
00:25:46Really, little?
00:25:48Tunes, darling
00:25:49Tunes
00:25:49What's wrong with tunes?
00:25:51They give me dyspepsia
00:25:53Babes in Toyland didn't give you dyspepsia
00:25:55Oh, but that was Victor Herbert
00:25:57His music is immortal
00:25:58And profitable
00:25:59Mr. Dillingsworth
00:26:00Young man
00:26:01Young man, I give you some advice
00:26:03Free
00:26:03Yes, sir
00:26:04Stop writing tunes
00:26:06Go back to your first love
00:26:08Driving a beer wagon
00:26:09Or a bank curtain
00:26:10Or whatever it was
00:26:10And live out your life happily
00:26:12And if I don't
00:26:14Then poor Dilly will just have to listen to your tunes
00:26:16Very well, Mr. Bennet
00:26:17When you have a score
00:26:18A complete score
00:26:19I'll do you the honor of listening to it
00:26:21And I'll try and give you the pleasure of hearing it, sir
00:26:33Now that I've had a sample
00:26:34How about each and every dance?
00:26:36Do you always sample everything first?
00:26:38I'd like to sample Crape Suzette's
00:26:39With you alone and Maxine
00:26:41You'll be too busy painting
00:26:42Well, every artist has to have his inspiration
00:26:45Da Vinci had his Mona Lisa
00:26:46Goya his Duchess
00:26:48And this guy his mother
00:26:50Seriously, Pat
00:26:51You're just the model I want
00:26:52The moment I saw you dancing on the roof
00:26:54I knew I had to paint you
00:26:55Uh, you haven't met my father
00:26:57I don't want him to pose
00:26:59No, and he doesn't want me to pose
00:27:00If he heard you asking
00:27:01He's off your block off
00:27:05Listen, Pat
00:27:05Eddie tells me that his calendar company
00:27:07Is having a contest
00:27:08A calendar contest
00:27:09Calendar?
00:27:10Sure, they want something new
00:27:11Something fresh
00:27:12Something different
00:27:13And there's a $500 prize for the best picture
00:27:15Five hundred smackers
00:27:17Pose for me
00:27:18And if I win, it's all yours
00:27:19Five hundred
00:27:21Gee
00:27:22I could get past that feeling
00:27:23Silver speaking trumpet
00:27:24He's wanted so long
00:27:25Then you'll do it
00:27:26Uh-huh
00:27:27But mum is the word
00:27:30Byron
00:27:31Mm-hmm
00:27:31If you don't hold me closer
00:27:33I'll get horse shouting
00:27:34All the way over there to you
00:27:35Oh, I can hear you fine
00:27:37Byron, you're so cold
00:27:38I am
00:27:41Hold me tighter
00:27:45Like this
00:27:46Please
00:27:46Not, not in public
00:27:48Easy
00:27:55Everybody here got their tickets for the jamboree
00:27:58No, what jamboree?
00:27:59You mean you haven't heard about the fireman's benefit jamboree
00:28:03At the Swiss garden tonight of June the 30th?
00:28:05No
00:28:06Beer
00:28:06That's lunch
00:28:08Maybe a moonlight stroll with your best girl
00:28:10Or somebody else's
00:28:11I'll take two
00:28:12Two girls?
00:28:14No, two tickets
00:28:14How much are you?
00:28:15Uh, a buck each
00:28:16Oh, I'm a little short
00:28:17I'll take one now
00:28:18And pick the other one up later
00:28:19Sure, sure
00:28:21Shall we dance, my dear?
00:28:26I'm warning you
00:28:26Keep that silly dilly away from me, darling
00:28:28Do you want her to be an ignorant Irishman like yourself?
00:28:32Well, that's better than being no Irishman at all
00:28:35Oh, Matt, she needs grooming
00:28:36You can't grow her up to be a fire chief
00:28:39Matt
00:28:40He's here
00:28:41Who's here?
00:28:42Old Smuggish brought himself
00:28:43Fordham and Olsen
00:28:44What?
00:28:55Good evening, Mr. O'Neill
00:28:57I just dropped by to wish you...
00:28:59Wish me bad sex
00:29:01Well, the same to you
00:29:02And if you're as good at fighting fires
00:29:04As you are at passing insults
00:29:06You'd be the battalion chief by now
00:29:08Now, now, O'Neill
00:29:10Just don't get a stroke
00:29:11Man, your age shouldn't get so excited
00:29:14You know I cannot be battalion chief
00:29:16Until my engine company number 18
00:29:18Win the efficiency trophy
00:29:19Oh, get out of here
00:29:21And stop spying on better engine companies
00:29:23Than your own pitiful crew of astronauts
00:29:25As a matter of fact
00:29:27If you're scorned me, O'Neill
00:29:29You and I may be tied on our efficiency record
00:29:33So, I thought if it happened
00:29:35We might just settle the issue with the Yamboree
00:29:38With a contest
00:29:39Contest?
00:29:40Why, I'll wrestle you
00:29:42I'll fight you
00:29:43I'll drink you under the table
00:29:44Or anything else you'd like to name
00:29:47A tug of war, maybe?
00:29:49Tug of war, is it?
00:29:51Well, how can you tug of war at the Yamboree?
00:29:53Why not?
00:29:54But, what do you mean on the dance floor of the Swiss Gardens?
00:29:57We used to wear regulation sneakers
00:29:59Oh, sneakers, is it?
00:30:01How did you hear that, man?
00:30:03A tug of war, he says
00:30:04Agreed, Olsen?
00:30:05Agreed
00:30:06And we'll pull your scrawny little team clean over into the East River
00:30:09It's a bargain
00:30:11Ha, ha, ha, ha
00:30:12Tug of war
00:30:13An engine company, 24, the champions of the city
00:30:16Well, it's crazy
00:30:18I smell a rat, Matthew
00:30:20You do that
00:30:21But he's not a very smart one
00:30:22Ha, ha, ha, ha
00:30:37Ha, ha, ha, ha
00:30:38See ya
00:30:40I'm involved with a calendar girl
00:30:47Every day of every
00:30:52Every day of every month
00:30:54Of every year
00:31:05If you want to buy your dad that silver trumpet, you'd better sit still
00:31:08Da-da-da-da-dee-dee-dee-dee-dee
00:31:14I love you
00:31:19Have I told you lately
00:31:23I love you
00:31:28Beautiful
00:31:29Yeah, that'll work
00:31:52Let's have some pretzels and beer
00:31:56Let's have some pretzels and beer
00:32:00Let's have some pretzels and beer
00:32:04Spank up the song and good cheer
00:32:07When the glasses are clinkin'
00:32:11What rhymes with clinkin'?
00:32:14Blink, uh...
00:32:16Winkin'
00:32:17Winkin'
00:32:18When the starlight is winkin' and clinkin' and blinkin'
00:32:22Ha, ha, ha
00:32:24There
00:32:24What do you think of it?
00:32:26I think it's just beautiful, Steve
00:32:28Boy, if it's pretty faces they want in their calendars
00:32:30That's it
00:32:32That's great, Steve
00:32:33It's great
00:32:33If I had more time, I'd rave about it
00:32:34But I got to the point with Mr. Charles Dillingworth to play my score
00:32:38For the love of my barn, where's the wall?
00:32:40Don't need your arms
00:32:41Don't be so nervous
00:32:42If we've got to hurry or we'll never make it
00:32:47Oh, Pat
00:32:48Yes, Johnny?
00:32:49Aren't you going to wish me good luck?
00:32:51You bet I am
00:32:52Oh, I got to get my hat on
00:32:53I'll meet you outside
00:32:54This is better than wishing you good luck, Johnny
00:32:57It's my place to see you now
00:33:02Thanks, Pat
00:33:03I can't lose now
00:33:05Johnny, Johnny
00:33:06Go on, go on
00:33:07You're late now
00:33:09Goodbye, Pat
00:33:09Bye, Johnny
00:33:11And now
00:33:13What are you going to give me for good luck?
00:33:15Golly, Steve, I don't know
00:33:16I'll tell you what
00:33:17What?
00:33:18Celebrate the finishing of the picture with me
00:33:19When?
00:33:20Tonight
00:33:20Rising Weber
00:33:22Champagne, caviar, lobster
00:33:23And you and me
00:33:24But tonight's the fireman's tambourine at the Swiss Garden
00:33:27Anybody taking you?
00:33:29Well, not exactly
00:33:29I think Johnny said
00:33:30Then you're going with me
00:33:31Patrice
00:33:33Coming, Lulu
00:33:35Your father's lunch is ready
00:33:37Oh, my gosh
00:33:38Pop's lunch
00:33:39I almost forgot
00:33:39He'll be fit to be tied
00:33:40Goodbye, Steve
00:33:41See you tonight
00:33:43Hello, Eddie
00:33:44Did you finish the horse?
00:33:49You're in a rut, kid
00:33:52Come on
00:33:52Tell me what you think of mine
00:33:55There you are
00:33:58Don't like my masterpiece, eh?
00:34:01Old stuff, eh?
00:34:02Nothing unusual
00:34:03Nothing different
00:34:04To tell you the truth, Eddie, old boy
00:34:05I haven't quite finished this little job as yet
00:34:07I still have, uh, shall we say
00:34:11Some unusual touches to put into him
00:34:13You know what the calendar people said
00:34:15Something different
00:34:17Something daring
00:34:18Something that makes the people's eyes pop
00:34:26Hi, kid
00:34:27Did you see Billy?
00:34:28Yeah, after a five-hour wait
00:34:29How'd it go?
00:34:30I don't know
00:34:30Just kept swallowing pills
00:34:31Didn't say
00:34:32How about you?
00:34:33Oh, the calendar's been submitted
00:34:34It's gone in
00:34:36What are you all dressed up for?
00:34:38I, my boy, am going out
00:34:39Where?
00:34:40On the town
00:34:41An hour at the Swiss Gardens
00:34:42Then Claridge's
00:34:44Churchill's
00:34:45San Susi
00:34:45I'm going to show her all of them
00:34:47Olivia, you mean
00:34:48Olivia, I don't mean
00:34:49I'm presenting Miss Patricia O'Neill
00:34:51To New York
00:34:52In a champagne night
00:34:53To celebrate the finishing of my picture
00:34:55Who knows what wonderful things may happen
00:34:57To pad it in a picture
00:34:58Both
00:34:59Love to have you along, John Boy
00:35:01But you know the old adage
00:35:03Two's company
00:35:03And three isn't even a quartet
00:35:06Wait a second
00:35:07What?
00:35:08Steve, I don't like this
00:35:09Write a letter to the Times
00:35:10Oh, that's not funny
00:35:11That's a nice girl
00:35:12A very nice girl
00:35:13To put it mildly
00:35:14She's a dish
00:35:15But she needs to be told about life
00:35:17She needs to be told about Olivia
00:35:19You'd better keep your nose out of my business
00:35:21Yeah, but that is my business
00:35:22And I don't like you going out with her
00:35:23When you're engaged to Olivia
00:35:24Johnny, how could you think?
00:35:26Look, a fella could change his mind
00:35:28It would be better if you made up your mind
00:35:29You wouldn't be jealous, would you?
00:35:31You'll bet I would
00:35:32Too bad, too bad
00:35:33Isn't it a shame that Pat prefers me?
00:35:36You know, I'd make any sacrifice for you
00:35:38But c'est la vie, c'est la guerre
00:35:39And now if you'll excuse me
00:35:41I'll be wafting along
00:35:42Hello
00:35:42Oh, may I go with you, Steve?
00:35:44Ah, Olivia
00:35:45I'm glad to see you
00:35:46Hello, Johnny
00:35:47You seem to be happier to see me than Steve
00:35:49I was never so glad to see anybody in my life
00:35:51Ah, thank you
00:35:52I hope I haven't interrupted any important plans, Charlie
00:35:55Who, me?
00:35:56I'm delighted you came, darling
00:35:57Here I was going out all alone
00:35:59And you arrived
00:36:01Won't you join us, Johnny?
00:36:02I'd love to
00:36:02Oh, no, no
00:36:03He can't
00:36:04I mean, he has a date
00:36:06You're going out with Pat, aren't you, Johnny?
00:36:08Huh?
00:36:09You're going out with Pat to the, uh, to the jamboree
00:36:12Oh, oh, Pat
00:36:12Oh, yeah, we have a date
00:36:14Uh, we're supposed to go to
00:36:15I mean, we'll probably go to the
00:36:16Isn't it the, uh, the, uh, Swiss Gardens?
00:36:18Uh, yeah, uh, I think that's what she said
00:36:21Oh, I almost forgot to give you the, uh, the five dollars I owe you
00:36:25Well, I'm, uh, sure Pat's waiting for you, isn't she, Johnny?
00:36:28Oh, oh, sure, yeah
00:36:29I'm sure she's waiting
00:36:30You'll excuse me, Olivia
00:36:31Oh, yes, Johnny
00:36:32Have a good time
00:36:33We always have a good time
00:36:34Goodbye, Johnny
00:36:34Shall we go, Steve?
00:36:35I have my aunt's carriage
00:36:36Oh, that's wonderful
00:36:37Simply wonderful, darling
00:36:38So good to see you again
00:36:39And, and what a surprise
00:36:41Why didn't you let me know you were coming?
00:36:43I prefer to steal up on my prey and catch the critter dead to right
00:36:46What do you mean, Olivia?
00:36:48I think you know what I mean
00:36:50Where are you taking me?
00:36:51Uh, Delmonico's
00:36:53I want to be Bohemian
00:36:55Let's go to the place where Johnny's going
00:36:56Oh, no
00:36:57Johnny might be embarrassed
00:36:59Johnny, or you?
00:37:00Well, what have I got to do with her?
00:37:02Who is this girl Pat?
00:37:04Patricia O'Neill
00:37:04What's she like?
00:37:06Well, she, well, she's not your type, naturally
00:37:09She's just a, uh
00:37:10An ordinary girl?
00:37:12Well, yes, she's, uh
00:37:14The quiet type?
00:37:15Not exactly, but, uh
00:37:17Beautiful?
00:37:18Oh, not exactly, but, uh
00:37:20Talented, perhaps
00:37:20Not exactly, but, uh
00:37:22What does she do?
00:37:23Well, she, she's just a girl
00:37:26An artist model, maybe
00:37:27She has been posing lately
00:37:29Not for you, by any chance
00:37:31Well, yes
00:37:32Oh, I'm most anxious to meet her
00:37:34I don't remember where Johnny went
00:37:36There are a hundred beer gardens in New York
00:37:37Oh, I do, the Swiss Gardens
00:37:41Pretzels and beers
00:37:43And a boner's beer
00:37:45When my glasses are clinking
00:37:48And spotlight is winking
00:37:49She'll whispers, we twerk in your ear
00:37:52When I run over the boat
00:37:56Suddenly we're bloody and small
00:37:59She'll out with the girlie
00:38:01She won't be home early
00:38:03If you buy her pretzels and beer
00:38:05When I run over the boat
00:38:09I'll make my home in the bay
00:38:12For I smell like a brewery
00:38:14I can't go a brewery
00:38:16I've got one full of the rain
00:38:19Let's take some glory to show
00:38:22Somebody throw the guy out
00:38:26Time to party
00:38:27Yeah, sure
00:38:28Everybody having good time
00:38:32Quezodeo
00:38:33To come on and have a free lunch
00:38:36On sickle
00:38:37And then burger
00:38:38And cheese
00:38:39Oh, if you're with a chicken
00:38:41And time you are clinking
00:38:42Come fire
00:38:43On you
00:38:44How it is
00:38:45If you want for her
00:38:47Do it
00:38:47Come fire
00:38:48To do it
00:39:01Just better go easy on that beer, O'Neil
00:39:03Go away, you little pipsqueak
00:39:05Or I'll tell you this time
00:39:07And do it
00:39:07Oh, good luck
00:39:11He's right about that beer mask
00:39:13You may have a tug of war tonight
00:39:15I can drink a barrel of beer
00:39:17And still pull the little square head
00:39:19And the whole of his company
00:39:19Right off their legs
00:39:20With one hand
00:39:23But, Johnny
00:39:24I still don't understand
00:39:25What happened to Steve
00:39:26In a minute
00:39:26You're going to hurt my feelings
00:39:27Well, that would be very silly of you
00:39:29I can't think of anyone
00:39:30I'd rather be with than you
00:39:31But I still don't see why he doesn't
00:39:33Oh, well, I'm a lucky guy, Pat
00:39:34You see, a friend blew in from Boston
00:39:35And Steve had to
00:39:36Well, you know
00:39:37Well, it was very nice of you
00:39:39To take me to that town
00:39:40Oh, I didn't want to
00:39:41I fought against the whole thing
00:39:42Steve, I said
00:39:43Now, why should I take out
00:39:44The most beautiful
00:39:45The most wonderful girl in New York
00:39:46When I come alone in the attic
00:39:47And play dominoes
00:39:48But I finally gave in
00:39:52Waiter
00:39:52Pat
00:39:53Johnny
00:39:54Christ, are you surprised?
00:39:56For the love of Mike
00:39:57Hello, everybody
00:39:58Hello
00:39:58I would get you
00:40:00There goes my tips
00:40:01Now, this is where you learned
00:40:02To rhyme beer with tips
00:40:03What are you doing here?
00:40:05Verse has gone from bad to worse
00:40:07And so you're a waiter
00:40:08Yeah
00:40:09Tessie's a pretzel girl
00:40:10Just for a couple of hours at night
00:40:11Well, I had to live, you know
00:40:12Not bad
00:40:13Hey, and tips
00:40:15Thinks Uncle Thornton once in a while
00:40:17Will it be beer?
00:40:18Yeah, I'll have the beer
00:40:19They might have ginger beer
00:40:20Okay
00:40:20But Byron
00:40:21Put it in a real beer sign, huh?
00:40:23Yeah
00:40:25Oh, don't go away
00:40:26I got a surprise for you
00:40:27Well, come on, Tessie
00:40:30What are you supposed to be up to?
00:40:32No telling
00:40:51That's one of your songs?
00:40:52Oh, Byron's not only a waiter
00:40:54He's a song plugger
00:40:55I may be blinded
00:40:59By all of your charms
00:41:03Grow absent-minded
00:41:08When you're in my arms
00:41:14Have I told you lately
00:41:19You thrill me
00:41:22Have I overlooked it
00:41:28Somehow
00:41:32Have I told you lately
00:41:37I love you
00:41:55Have I told you lately
00:42:00I love you
00:42:02Have I told you lately
00:42:06I care
00:42:09I may be blinded
00:42:13By all of your charms
00:42:16Grow absent-minded
00:42:18When you're in my arms
00:42:21Have I told you lately
00:42:25You thrill me
00:42:27Have I overlooked it
00:42:31Have I overlooked it
00:42:32Have I told you lately
00:42:37I love you
00:42:40If I haven't
00:42:43I'm telling you now
00:42:50Have I told you lately
00:42:55Have I told you lately
00:42:58I love you
00:42:59Have I told you lately
00:43:04I care
00:43:09I may be blinded
00:43:13I may be blinded
00:43:14I may be blinded
00:43:14By all of your charms
00:43:17I may be blinded
00:43:19Grow absent-minded
00:43:22When you're in my arms
00:43:26Have I told you lately
00:43:30Have I told you lately
00:43:32You thrill me
00:43:34Have I overlooked it somehow
00:43:43Have I told you lately
00:43:50I love you
00:43:54I love you
00:43:54If I haven't
00:43:57I'm telling you
00:44:00Now
00:44:06Olivia!
00:44:06For God's sake, what are you doing here?
00:44:08Please!
00:44:09Hello, Pat
00:44:09Uh, Olivia Radford
00:44:11Patricia O'Neil
00:44:11How do you do?
00:44:12Hello
00:44:13Do you mind if we join you?
00:44:14Oh, no, please do
00:44:15Yes, please do
00:44:17Thank you, Johnny
00:44:19Miss Radford is from Boston
00:44:21Oh, really?
00:44:22You're sure you don't mind our joining you?
00:44:24Oh, of course not
00:44:25We're glad to have you
00:44:26What a surprise, huh, Pat?
00:44:28Yes, I should say so
00:44:29Well, Steve, she's really beautiful
00:44:31You didn't do her justice
00:44:32My dear, you've been underestimated
00:44:34Sometimes I think men don't like women
00:44:36Maybe I'm not their type
00:44:37I'm sure you're Steve's type
00:44:39Olivia, will you have a beer?
00:44:41I'll have a beer, please
00:44:42Olivia?
00:44:42I'll have a ginger beer
00:44:43And a dance with Johnny
00:44:44I only handle the refreshment side, lady
00:44:46You'll have to make the other arrangements yourself
00:44:49Come on, Johnny, darling
00:44:50Who, me?
00:44:51Yes, I want to speak to you
00:44:52Alone
00:44:54Excuse me
00:44:59Say, what's the idea of nailing me?
00:45:01Am I that hard to take?
00:45:02Not at all
00:45:02Well, you're already taken
00:45:04What about that girl, Pat?
00:45:06Isn't she wonderful?
00:45:07That's what I'm afraid of
00:45:08Remember, Olivia used to tell me
00:45:09That someday when the right girl would come along
00:45:11I'd start sending up sky rockets
00:45:12And get absent-minded
00:45:13I remember
00:45:14Well, last night
00:45:15I put out the clock
00:45:16And wound up the cat
00:45:17Don't tell me that for once in his life
00:45:18Steve told the truth
00:45:19He said I was stuck on Pat
00:45:21He sure did
00:45:21Oh, Johnny, that's grand
00:45:23I'm so happy for you
00:45:25Oh, you don't know how happy it makes me
00:45:31Your lady friend from Boston certainly doesn't let any dust settle on her feet
00:45:34Oh, Olivia's always rather had her own way
00:45:37Is Johnny part of her own way?
00:45:39I don't know what you mean
00:45:40How long has he known him?
00:45:41Oh, they're old, old friends
00:45:43What kind of friends?
00:45:44Well, you know
00:45:46You men
00:45:48You needn't cover up for him
00:45:49Some men just like to play the field
00:45:51Oh, now, look here
00:45:51I didn't say that
00:45:52She's very beautiful, isn't she?
00:45:54Yes
00:45:56Takes after my mother's side, I'd say
00:45:58Your mother's?
00:46:00Are you related?
00:46:01Cousins
00:46:01Oh, but don't mention
00:46:02We never talk about it
00:46:04It's a tiresome idea
00:46:05But I thought
00:46:08Steve, I have a confession to make
00:46:09I thought you stood me up
00:46:11Well, I wouldn't do anything like that to you
00:46:14I just had to
00:46:16You know
00:46:17Yes, I know
00:46:19Relatives
00:46:23It's a lovely night to go dancing
00:46:24Why waste it?
00:46:26It's a lovely night for a moonlight storm
00:46:28Come on
00:46:46Well, isn't this much nicer than dancing?
00:46:48Moonlight and the girl you love
00:46:51Johnny says you go for the girls
00:46:52And the girls sure go for you
00:46:53All the girls in my life for you
00:46:55And all nights are tonight
00:46:57You kiss the blotty stuff
00:46:59But it really is a lovely night
00:47:00This was meant to be our night
00:47:02Until it got spoiled
00:47:04If only Olivia hadn't come
00:47:05Johnny was glad enough to see her
00:47:07Anyway, you and I'll have another lovely night together
00:47:09Just the two of us
00:47:11Without anyone spoiling
00:47:12And only the stars for company
00:47:14Please don't
00:47:15Pat
00:47:15This is the only moment of our union
00:47:17Don't waste it
00:47:18I give you the mayor of New York City
00:47:21Oh
00:47:22Hey, wait a second
00:47:23It's the mayor
00:47:23Why do we care about the mayor?
00:47:25But it's the duty of every civic-minded citizen
00:47:27To listen to the mayor
00:47:27And besides, there's an election coming
00:47:28But women can't vote
00:47:30To be here with you tonight
00:47:33In the intrepid company
00:47:35Steve
00:47:35Oh, hello, Libby
00:47:37I've changed my mind
00:47:38We're going to Delmonico
00:47:39Oh, but we can't just walk out
00:47:40On the mayor
00:47:41He isn't the mayor of Boston
00:47:43Good night
00:47:44Good night, Libby
00:47:46The fine records
00:47:49Of two fire companies
00:47:52There's something wrong
00:47:54I can fit it in my feet
00:47:57Number 24
00:47:59Under Foreman O'Neill
00:48:02And number 18
00:48:06Under Foreman Olsen
00:48:09Are so matched
00:48:13That we could not pick either one
00:48:17To win the efficiency trophy
00:48:20So
00:48:22We shall let Foreman O'Neill
00:48:26And Foreman Olsen
00:48:28Settle it between themselves
00:48:32By tossing a coin
00:48:37You have a coin
00:48:38Thank you
00:48:42Thank you very much
00:48:44If you gentlemen
00:48:45Will step forward, please
00:48:46Wait a second, Your Honor
00:48:48Tossing the coin
00:48:49Is not a contest
00:48:50Just luck
00:48:52We've agreed to settle it
00:48:53By tug of war, Your Honor
00:48:55Done
00:48:55Square away your teams
00:49:00Oh, yes
00:49:01That's my mistake
00:49:03Coach up, Weiss
00:49:04Good luck, Pop
00:49:05You know anybody
00:49:06Who wants to bet against you, Dad?
00:49:10He loves me
00:49:12He loves me not
00:49:15He loves me
00:49:17He loves me not
00:49:19Can't that guy make up his mind?
00:49:20That's what I want to know
00:49:23He loves me
00:49:25He loves me not
00:49:27He loves me
00:49:28Oh, Byron, it took you so long
00:49:30To make up your mind
00:49:30Hey, take it easy
00:49:32When I'm with you
00:49:33I get feeling all peculiar
00:49:34My heart starts pounding
00:49:36And my pulse runs wild
00:49:37And my blood runs hot
00:49:38And I get feverish
00:49:39Gee, you ought to see a doctor
00:49:41And then I start to tingle
00:49:42And I hear bells in my ears
00:49:43Fire bells?
00:49:44Wedding bells
00:49:45For you and for me
00:49:46Oh, Byron
00:49:47I thought you'd never ask me
00:49:48Hmm
00:49:50Hmm
00:49:52He's forgotten
00:49:53Twenty-four companies
00:49:54Never lost a tug of war
00:49:55Since I've been foreman
00:49:57Hey, look
00:50:01Come on, you fellas
00:50:02They got text in
00:50:03And I'll share our oats and schemes
00:50:04Who wants to text
00:50:05You can't back here
00:50:06Ten dollars, yes
00:50:07Ten dollars more
00:50:08You fellas
00:50:08Hey, wait a minute
00:50:10Who are these three elephants?
00:50:11You mean Jordan
00:50:12And Yardson
00:50:14And Jorgensen
00:50:14I don't care how you
00:50:15Yawn them
00:50:16They're ringers
00:50:17You must do regular
00:50:18Sign-up members of my company
00:50:19Since when?
00:50:21Since yesterday
00:50:22Commissioner, I object
00:50:23I'm sorry, O'Neil
00:50:25But they have passed all tests
00:50:27But
00:50:29Right, right
00:50:33The first team
00:50:35To pull that handkerchief
00:50:37To its own marker
00:50:39Wins
00:50:40Ya ready?
00:50:45Go!
00:51:11Go!
00:51:14Go!
00:51:15Go!
00:51:17Go!
00:51:27Go!
00:51:30Go!
00:51:31Go!
00:51:32Go!
00:51:32Go!
00:51:34Go!
00:51:35Go!
00:51:36Go!
00:51:36Go!
00:51:37Go!
00:51:38Go!
00:51:38Go!
00:51:39Go!
00:51:39Go!
00:51:40Go!
00:51:46Oh, my God.
00:52:28Oh, my God.
00:52:31Oh, my God.
00:52:32Come on.
00:52:34Come on.
00:52:35Come on.
00:52:36What do you want?
00:52:40The winner and our next battalion chief, Foreman Matt O'Neil.
00:52:52Come on.
00:52:55Come on.
00:52:59Come on.
00:53:03Come on.
00:53:04Come on.
00:53:08Come on.
00:53:08Byron.
00:53:08What happened to you?
00:53:11We're engaged.
00:53:13Oh, Buck, congratulations.
00:53:16Well, let's take leave of you now.
00:53:18Oh, but it's so cool and lovely on this, Harris.
00:53:20Let's sit a while.
00:53:20Oh, but it's past me bedtime.
00:53:24I'm beginning to think you don't like me, Matt.
00:53:27Oh, why would you be saying that?
00:53:28Well, why would you have to drag me home and away from the party so early?
00:53:31Me feet were killing me, Lulu.
00:53:33Are you saying that you're getting too old for parties?
00:53:35I never said anything of that kind.
00:53:37I just said me feet had me, that's all.
00:53:39And I was about to say goodnight to you.
00:53:41Uh-uh.
00:53:41You know, I've had such a lovely time at the party that you can kiss me goodnight.
00:53:46Me?
00:53:48Come on.
00:53:49Right here.
00:53:52Well, maybe it is just as well that we came home.
00:53:54Gave Pat a chance to get out from under your eagle eye.
00:53:57Yes.
00:53:58Goodnight.
00:54:00What did you say?
00:54:01You know, it's quite possible that one of these days, Patricia is going to get married.
00:54:06She is not.
00:54:08Matthew, you may as well get used to the fact that you may lose that.
00:54:12Loser?
00:54:13Over me dead body.
00:54:15Your dead body won't help if she's in love.
00:54:17Love?
00:54:18Oh, that's a lot of nonsense.
00:54:19I'd like to see the scallywag that would put such a silly idea into her head.
00:54:23I'd knock the stuffing out of it.
00:54:25You couldn't knock the stuffing out of love.
00:54:27Oh, don't be saying that, Lulu.
00:54:31She wouldn't do that.
00:54:32She wouldn't do that and leave her poor old father alone.
00:54:36You wouldn't have to be left alone, Matt.
00:54:38Huh?
00:54:40Oh, no you don't, you scheming female in your pitfalls.
00:54:44You're a wanton woman.
00:54:45You don't catch me falling into your clutches.
00:54:48Have you no shame?
00:54:50Well, you sprung your trap, but I'm not in it.
00:54:58Then I'll just have to set my trap again.
00:55:02Lovely night to go dancing.
00:55:06Lovely night to dance with you.
00:55:09Seems to me I hear music.
00:55:14Is it music or is it my heart that's singing?
00:55:22Time is right for romancing.
00:55:26Starry light shines above.
00:55:31Lovely night to go dancing.
00:55:36But it's a much better night to fall in love.
00:55:42You seem to be very happy.
00:55:44I am happy.
00:55:45Why not?
00:55:46Yes, why not?
00:55:49Thank you very much for a very lovely evening and good night.
00:55:52Wait a minute, why don't you hurry?
00:55:53It's getting late.
00:55:54Oh, it's only 12.30.
00:55:56I don't know about you, but I had a wonderful time.
00:56:00I could see that you did.
00:56:02Well, didn't you?
00:56:03Yes.
00:56:04Miss Radford is very charming.
00:56:05Oh, Olivia, she's wonderful.
00:56:07Salt of the earth.
00:56:08Oh.
00:56:09As a matter of fact, I don't know a finer girl in the world than Olivia.
00:56:12Except you.
00:56:13It's very nice of you to say so.
00:56:15Is something wrong, Pat?
00:56:17No, nothing's wrong.
00:56:18Nothing at all.
00:56:19Oh, good.
00:56:21Well, let's go out again tomorrow night.
00:56:23I have a previous engagement.
00:56:25Oh.
00:56:27Well, uh...
00:56:28Well, how about the next night and we'll go to the Nickelodeon?
00:56:31Well?
00:56:31Well, what?
00:56:33Well, all right, only...
00:56:35Only what?
00:56:36Wouldn't you rather take Olivia?
00:56:38Gosh, no.
00:56:39Olivia's not exactly the Nickelodeon type.
00:56:42Well, of all the nerve...
00:56:45Patricia O'Neil, if you don't stop that lolly dueling and come up to your bed,
00:56:49I'd come down there and take my fist to that young wimp.
00:56:52Oh, my gosh.
00:56:53Good night.
00:56:54Good night, Pat.
00:56:57Have I told you lately I love you?
00:57:01Hello, Lulu.
00:57:03What are you doing out here?
00:57:05Oh, I came out to watch the stars, but I see they're in your eyes.
00:57:12What'd you say?
00:57:14Oh, I was just thinking how wonderful it would be to be young again.
00:57:17And in love.
00:57:19And in trouble.
00:57:20In trouble?
00:57:21They're the same thing.
00:57:23Well, I'm not in trouble.
00:57:24But I am in love.
00:57:25Again.
00:57:27Have you asked her yet?
00:57:28Have you asked her yet?
00:57:29Oh, told her you mean.
00:57:30Well, no.
00:57:30You usually ask the young lady to marry you, Johnny.
00:57:33Marry me?
00:57:34Oh, I didn't.
00:57:35I mean, uh...
00:57:36Well, how could I?
00:57:37I'm broke.
00:57:38I couldn't afford it.
00:57:39Two can live as chiefly as one.
00:57:41If they're in love, and if they live in my house.
00:57:45Yeah, but I haven't anything to offer.
00:57:48The only thing she'd marry you for, if she's in love, is yourself.
00:57:52That's all.
00:57:53That's all that matters.
00:57:55Yeah, well, I don't know, though, Lulu.
00:57:58How are you?
00:57:58I wouldn't let any grass grow under my feet.
00:58:01Somebody might need you to it.
00:58:03Now, what if you're wrong?
00:58:04My dear boy, I may not always be right, but I'm never wrong.
00:58:11All right.
00:58:13I'll do it.
00:58:14I'll ask her at the Nickelodeon.
00:58:15Good.
00:58:17Good night, Cupid.
00:58:20Darn it.
00:58:22That bow and arrow's showing again.
00:58:37Sure, whatever you say.
00:58:39Hey.
00:58:40Hey.
00:58:41What's the matter?
00:58:42What happened?
00:58:45Gee.
00:58:46Hold the fact.
00:58:47Go tell fact.
00:58:48Hey, go.
00:58:51Come on.
00:58:53Lulu.
00:58:54Lulu.
00:58:55Lulu.
00:58:56Lulu.
00:58:57Yee-hoo.
00:58:59Gee.
00:59:00Good heaven, Earth.
00:59:02Happy New Year.
00:59:05Hey, Steve.
00:59:06Hey, Johnny.
00:59:07Hey, Byron.
00:59:09Oh, that's me.
00:59:10Somebody.
00:59:11Everybody.
00:59:13Look.
00:59:14Lee.
00:59:15Yahoo.
00:59:16I need to go build Pesci.
00:59:18Johnny.
00:59:20Johnny, I won.
00:59:21What?
00:59:21You were talking with the Da Vinci of Lulu's.
00:59:23The contest.
00:59:24Sure, I won the calendar contest.
00:59:25Look at it.
00:59:26500 simoleons.
00:59:27Congratulations, Steve.
00:59:28The rich are getting richer all the time.
00:59:30Just think of it.
00:59:30My calendar girl will be hanging all over the country.
00:59:32Did you tell Pat yet?
00:59:33Oh, I forgot.
00:59:34That's her check.
00:59:35Pat.
00:59:36Pat.
00:59:37Here I am.
00:59:39Hello, Johnny.
00:59:39Johnny.
00:59:40I just heard.
00:59:41Isn't it wonderful?
00:59:42You bet it is, and that's not all.
00:59:44I'm going to introduce New York to its new calendar girl.
00:59:46Rectors, Churchills, Pastors, Zalmonicos.
00:59:48We'll blaze a lobster trail up and down Broadly.
00:59:51I've always wanted to go to all those wonderful places.
00:59:54Oh.
00:59:55Oh.
00:59:56What's the matter?
00:59:57Oh, I'm sorry, Steve.
00:59:58I forgot.
00:59:59Johnny and I have a date tonight.
01:00:00What kind of a date?
01:00:01What were you going to do?
01:00:02Oh, it wasn't anything.
01:00:04We were just going to the Nickelodeon.
01:00:05Ah.
01:00:06Those tint-type flickers will make you dizzy.
01:00:08They'll ruin your eyes.
01:00:09Let's all go on the town together.
01:00:10Make it a threesome.
01:00:11We ought to have a celebration.
01:00:13Sure.
01:00:13How's about it, John boy?
01:00:15Well, if that would rather.
01:00:17Oh, I would.
01:00:17I would.
01:00:18Fine.
01:00:19Then we'll start at 8.
01:00:20Pot's on night duty at the station, so we can really have a whirl.
01:00:24Oh, golly.
01:00:24I've got lots to do.
01:00:25I better get ready.
01:00:27Shall I dress up?
01:00:28Of course.
01:00:28You'll be the belle of the town, Pat.
01:00:30From now on, you have something to live up to.
01:00:31You'll have your picture in every house in the land.
01:00:33Oh, and here's the check.
01:00:35It's all yours.
01:00:37A solid silver trumpet.
01:00:38Oh, gee, Pop will be thrilled.
01:00:41See you later.
01:00:49Are you ready, my friend?
01:00:51Gee, Steve.
01:00:52You look terrific.
01:00:53Always terrific, son.
01:00:55Always the epitome.
01:00:56Let's roll.
01:00:58Oh, wait a second.
01:00:59Hmm?
01:01:00I feel kinda...
01:01:01Well, maybe I'm not dressed well enough.
01:01:04That's your best suit, isn't it?
01:01:06Yeah.
01:01:07Hmm.
01:01:07That's the only suit I got.
01:01:08Well, that's all right, kid.
01:01:10Let's go.
01:01:11The carriage I ordered is probably waiting.
01:01:13I want to stop off and pick up orchids for the lady.
01:01:15Carriage?
01:01:17You got orchids?
01:01:18Nothing but the best for Patricia tonight.
01:01:21Steve, I'm not going.
01:01:23What?
01:01:23You two go ahead with our...
01:01:24Oh, come on, Johnny.
01:01:27We can squeeze you by the maitre d's.
01:01:29We can take a corner take.
01:01:31No, I'm not going.
01:01:32You and Pat go and have a fine time.
01:01:34Well, what'll I tell her?
01:01:35Well, tell her...
01:01:37Tell her I had to wait.
01:01:38That I was expecting a phone call or anything.
01:01:40A phone call?
01:01:41All right.
01:01:42I'll tell her.
01:01:45Steve.
01:01:46Yeah?
01:01:48Look, Steve, uh...
01:01:50Don't ever do anything to hurt her.
01:01:51I never hurt him, kid.
01:01:53I just done him.
01:02:48Come on.
01:02:49Oh, Lululee.
01:02:51If you were to escape...
01:02:51Johnny, are you all right?
01:02:52Sure I'm all right. What's the matter?
01:02:54Well, I was just worried about you.
01:02:56I heard you take things back and forth.
01:02:58Well, I'm sorry. I didn't mean to keep you awake.
01:03:00Well, that didn't matter.
01:03:02Were you worrying about that?
01:03:03Well, aren't you?
01:03:05No, of course not.
01:03:06You can't blame a girl her age for wanting the excitement, the glamour.
01:03:09It doesn't mean a thing.
01:03:10Well, it does to me.
01:03:12Johnny, you trust Pat, don't you?
01:03:15Of course I do.
01:03:16But I don't trust Steve.
01:03:18Go to bed and stop your fretting.
01:03:20You're acting like a little fool.
01:03:22Everything is going to be all right, Johnny.
01:03:24Believe me.
01:03:26Good night, boys.
01:03:27Good night, Lou.
01:03:28Night.
01:03:46Water, water everywhere,
01:03:48but not a drop of champagne left.
01:03:51I just love champagne.
01:03:53Don't you see?
01:03:54Don't you just love champagne?
01:03:55I just love you, Pat.
01:03:56You and champagne.
01:03:58You love me first and champagne second,
01:04:01or do you love champagne second and me first?
01:04:04That's not right.
01:04:07Listen, do you love champagne?
01:04:09You're wonderful, Pat.
01:04:11You've kissed me.
01:04:13No fair kissing a girl when she's trying to find out about me and champagne.
01:04:17I just love champagne, especially when I'm thirsty.
01:04:20You know how I feel about you?
01:04:21Do you love me first, or do you love champagne second?
01:04:25I adore you.
01:04:27That's fine.
01:04:28That settles it.
01:04:29Johnny doesn't adore me.
01:04:31Johnny only adores telephone calls from Boston.
01:04:34Let's get away from all of us.
01:04:36You've been every place, haven't you, Steve?
01:04:38You've traveled all over the place.
01:04:41Yep.
01:04:42Have you ever been to Niagara Falls?
01:04:44Why, Angel Eyes?
01:04:46I always wanted to go to Niagara Falls on my honeymoon.
01:04:52Honeymoon?
01:04:52Mm-hmm.
01:04:53What did I see?
01:04:54What's Niagara Falls like?
01:04:56As far as I'm concerned,
01:04:57it's just a lot of water going over a cliff.
01:05:01Is that so?
01:05:04I want to go home.
01:05:05Oh, that's all right,
01:05:06but let's go to the San Suzy first, huh?
01:05:09Nope.
01:05:09I said I want to go home,
01:05:11and when I say I want to go home, I go home.
01:05:14Stop pushing.
01:05:17She wants to go home.
01:05:30She wants to go home.
01:05:46Here you are, my friend.
01:05:48Thank you, sir.
01:06:00Harding is such sweet sorrow.
01:06:03Tomorrow...
01:06:03Johnny!
01:06:04Johnny, Johnny, Johnny!
01:06:05What do you mean, staying out so late?
01:06:06I ought to spank you.
01:06:08Cut it out, Steve.
01:06:09You got a lot of nerve keeping her out till this hour.
01:06:11Oh, look who's talking.
01:06:12It's none of your business.
01:06:14Your father was home,
01:06:14he'd rip the tar out of you with a razor strap.
01:06:16Wait a minute.
01:06:17You can't talk to Pat like that.
01:06:19That's right.
01:06:19You can't talk to Pat like that.
01:06:21I can't, huh?
01:06:22Well, I happen to know...
01:06:23Shut up.
01:06:24You better run along like a good boy.
01:06:25Take your hands off me, Steve.
01:06:27She's a big girl now.
01:06:28She's old enough to take care of herself.
01:06:30I said take your hands off me.
01:06:31Come on.
01:06:32Johnny.
01:06:35All right, Johnny.
01:06:36That's the way you feel?
01:06:37That's the way I feel.
01:06:39Good night, Pat.
01:06:40Wait a minute.
01:06:41Get away from me and leave me alone.
01:06:43I don't need you to help me.
01:06:44You go help your old Olivia.
01:06:46I can take care of myself, see?
01:06:47You can take care of yourself like a baby
01:06:49when it comes to guys like Steve.
01:06:50You're just jealous of Steve.
01:06:52Pat, there's something you've got to know.
01:06:53You're jealous of his painting
01:06:54and winning the prize and everything.
01:06:57Listen, you're wrong, Pat.
01:06:58I'm not jealous of anything except you.
01:07:01Don't you understand how I feel about you?
01:07:03You're it.
01:07:04You're the one.
01:07:06You're the only thing in my life
01:07:07that means more to me than even music.
01:07:10Boston's blarney.
01:07:11Go tell it to Olivia.
01:07:12Olivia?
01:07:13What do you mean?
01:07:15Olivia doesn't mean anything to me.
01:07:16Next thing you'll tell me, you don't even know her.
01:07:18Of course I know her, but only as a friend.
01:07:21It's just that, well, Steve and...
01:07:23Oh, I see.
01:07:24Now she's Steve's girl.
01:07:25Well, she is Steve's girl.
01:07:28You contemptible.
01:07:29Get away from me and leave me alone.
01:07:32Get out of here.
01:07:33Get out.
01:07:34I never want to see you again.
01:07:35All right.
01:07:36If that's the way you want it, Pat.
01:07:46Charlie?
01:07:52Charlie!
01:07:56Charlie!
01:07:57Oh, boy.
01:08:07Oh, boy.
01:08:31Hey, Johnny!
01:08:33Hiya, Butch!
01:08:34Is she the calendar girl?
01:08:35No!
01:08:41She hasn't much modesty, has she?
01:08:43Perfectly shocking.
01:08:44Some figure.
01:08:45She doesn't mind showing it.
01:08:48What do women think of next?
01:08:55Oh, that's Lynn!
01:08:59Hey, calendar girl!
01:09:02You beautiful doll.
01:09:03Mama, find me back!
01:09:05Hey, fellas, look.
01:09:06This is the calendar girl.
01:09:07By the time you want to get off that calendar, I'll tell you a real date.
01:09:11I'd go any more at home like you.
01:09:14I love my wife, but oh, you can't.
01:09:38The shameful shame of it.
01:09:40You, me own daughter, making a public spectacle of your film.
01:09:43Oh, Pop, I didn't.
01:09:44Posing like a hussy with next to no clothes on.
01:09:47I didn't.
01:09:47I didn't pose like that at all.
01:09:49Steve changed the picture after it was finished.
01:09:51Oh, it was Steve, was it?
01:09:53Oh, Pop.
01:09:54I only did it so I could win the prize money for you.
01:09:57I wanted to get you this.
01:10:03Well, well.
01:10:06Build up the presser!
01:10:10Oh, that was a sweet thing for you to do, Patsy.
01:10:13And I believe what you did was done in innocence.
01:10:16But as for that Steve fellow,
01:10:18that double-crossing, worthless young no-good,
01:10:21preying on a maiden's innocence,
01:10:23I'll beat him
01:10:24in the fresh tub within the niche of his life!
01:10:26Pop, please, Pop, don't do it!
01:10:50It's pop, he's on his way over here.
01:10:51Why?
01:10:52The calendar.
01:10:53Calendar, indeed.
01:10:54Well, how can he get excited over a calendar
01:10:55when he doesn't even know what month it is?
01:10:57He's going to beat up on Steve.
01:10:58What's why?
01:10:59It's a perfectly beautiful calendar.
01:11:00It brings out your personality charmingly,
01:11:02but most charmingly, my dear.
01:11:04That's why I'm here.
01:11:05You know what I'm going to do?
01:11:06Please, Lulu, help me.
01:11:07I will, dear.
01:11:08Come on.
01:11:10Tell Steve to hide.
01:11:11I'll try to stop your father.
01:11:12Bye.
01:11:16I must say, darling,
01:11:17I was honestly overwhelmed
01:11:18when I saw your art.
01:11:20Didn't think I could do it, eh?
01:11:21I'm the hottest thing on canvas
01:11:22in this town right now.
01:11:24Paving calendars, you mean.
01:11:25The time is up, you know, Steve.
01:11:26I expected you to return with me,
01:11:28but if you'd rather paint it up.
01:11:29Wait, Libby, I didn't say that.
01:11:31Steve.
01:11:32Hello.
01:11:33Hello.
01:11:33Steve, you've got to get out of here.
01:11:34Why?
01:11:35It's the painting, the calendar.
01:11:36My father's on his way up here to kill you.
01:11:37What?
01:11:38I couldn't help it, Steve.
01:11:39His temper is out of control.
01:11:40You've got to hide someplace.
01:11:42You ought to work things out better than that, Steve.
01:11:43You've had enough experience by now.
01:11:45This isn't funny, Olivia.
01:11:46You don't know my top.
01:11:47Steve will be lucky
01:11:47if he can crawl out of here.
01:11:51Matt?
01:11:52Matthew O'Neill,
01:11:53turn yourself right around
01:11:54and march away from my house.
01:11:55Out of my way!
01:11:56Have you seen the calendar?
01:11:58I have, and it's beautiful.
01:11:59It's a disgrace and shaper.
01:12:01Now, just a minute.
01:12:02Don't get so personal.
01:12:03Suppose it wasn't your daughter.
01:12:05That's a beautiful picture.
01:12:07You uncultured old baboon.
01:12:09You don't know art when you see it.
01:12:11It's a fine influence you've been on me, child.
01:12:13I see post-fruit in your house.
01:12:14And I'm proud of it.
01:12:16Are you just finding out
01:12:17that your daughter has legs?
01:12:18There's quite a time
01:12:19some artist did something about it.
01:12:21Women do have legs, you know,
01:12:22and they're very beautiful.
01:12:24Woman, you're deep great.
01:12:26And you're blind.
01:12:27You don't know beauty when you see it.
01:12:29Out of the way!
01:12:30I'm going to try to...
01:12:30Now, Matthew,
01:12:31will you get out of my house?
01:12:32Woman, stand aside.
01:12:34I'm going to murder her.
01:12:35I'll call the police.
01:12:36Well, call them.
01:12:37I'll call...
01:12:44Eddie, Eddie, hurry.
01:12:45Hurry, hurry, quick.
01:12:46Go down in the kitchen.
01:12:47Close the damper.
01:12:48Make a lot of smoke down there.
01:12:50Try to find something to burn in the stove.
01:12:51Yes, yes.
01:12:52Those things will be fine.
01:13:02Here he comes.
01:13:03Go back.
01:13:04But there's no place to hide in there.
01:13:05You can always hide behind my skirt.
01:13:07Go ahead.
01:13:07See if I can stop him.
01:13:10Please, Pop.
01:13:11You don't understand.
01:13:12It takes very little understanding.
01:13:13Oh, wait a minute.
01:13:14That there'll only be trouble.
01:13:15Trouble?
01:13:16There may be murder.
01:13:17Set aside.
01:13:18Listen to me.
01:13:19There's something I have to tell you.
01:13:20What is it?
01:13:21We're engaged.
01:13:26Engaged?
01:13:27You know, to be married.
01:13:29What?
01:13:30You and Steve?
01:13:32Yes.
01:13:41Me funny little Killeen.
01:13:43Why didn't you tell your old daddy?
01:13:46We didn't give me time.
01:13:48Well, well.
01:13:49What do you know, me little girlie?
01:13:52We thought you might be angry.
01:13:54Me angry?
01:13:55Now, how silly.
01:13:56Have you ever seen me lose me temper?
01:14:01Well, maybe it is, Art.
01:14:04You do kind of look like your mother a little.
01:14:07You're a talented fellow, Steve.
01:14:09And I always wanted a son.
01:14:12Well, I'll have to congratulate this respective son-in-law.
01:14:15Oh, no, Pop.
01:14:16Not now.
01:14:16Not now.
01:14:17Now, come along.
01:14:18You wouldn't have him keep with snobs just because we're from New York.
01:14:21And he's only from Boston.
01:14:22Now, come along now.
01:14:27Engaged, is it?
01:14:28Why, yes.
01:14:30This is my fiancée, Miss Radford.
01:14:32What?
01:14:33Oh, I'm afraid there must be some sort of mix-up.
01:14:36Nothing to what this going to be.
01:14:38Well.
01:14:38Making a fool of my daughter.
01:14:40Taking advantage of her ignorance.
01:14:42Tricking her into the picture.
01:14:43Cheating with her affections.
01:14:45You see now what a snake in the grass is making the grass to start out to be.
01:14:49Indeed, I do.
01:14:50Ah, teach me, young whiff.
01:15:00That's pretty far.
01:15:03I'll take care of you later.
01:15:07Don't get scared.
01:15:08He's just a trick of Lulu's.
01:15:09I want to talk to you.
01:15:23Are you a crazy man?
01:15:24Changed the smell of the smoke?
01:15:25Get out of here!
01:15:26Don't try to save the thing.
01:15:27It's too late.
01:15:29Don't you know the house is burning?
01:15:36Where's the fire?
01:15:37Down in the kitchen.
01:15:39Oh, no, no.
01:15:40Not again.
01:15:41Pulse alarm!
01:15:42Hold everything!
01:15:43Hold that whiffard.
01:15:51Let me out of here!
01:16:02Why'd you tell me she was your cousin?
01:16:04Cousin?
01:16:04Oh, really, Steve?
01:16:05Isn't that going a bit too far?
01:16:06I'm sorry, Pat.
01:16:07You're sorry?
01:16:08What have I done to Johnny?
01:16:10You better get out of here before Pop comes.
01:16:12How can we get out without his name?
01:16:13Come on, I'll show you.
01:16:19This way, hurry up.
01:16:22That's why I'll just go right through my room and downstairs,
01:16:25and I hope you'll both be very happy.
01:16:26Oh, but you feel very much, Pat.
01:16:28This way to Boston, Steve.
01:16:29Yes, Libby.
01:16:30Good seat, Jeff.
01:16:31I have wonderful news for you.
01:16:33Yes?
01:16:34No time to be crying.
01:16:35I've decided to stage a musical comedy, Calendar Girl.
01:16:39And the real Calendar Girl is going to be in it, naturally.
01:16:42And the score, Pat.
01:16:43The score is written by a brilliant young composer.
01:16:47I can hear it now.
01:16:48Opening night.
01:16:50Curtain time.
01:16:51The best people are waiting in the audience.
01:16:53Only the best people.
01:16:55The orchestra tunes up.
01:17:04The conductor mounts the podium.
01:17:07Takes out his baton.
01:17:11And after an expectant hush.
01:17:22I'm in love with a calendar girl.
01:17:27Every day of every month, every day of every month, of every year.
01:17:34I go around with my head in a word.
01:17:42Every time I see that lovely face appear.
01:17:49And to this boy, she'll never know the joy she's giving.
01:17:55I love her so much, she doesn't know I'm even living.
01:18:07I'm in love, and I'm living for her.
01:18:12And longing to be my girl on the calendar.
01:18:27Have I told you lately, I love you?
01:18:33Johnny.
01:18:34Have I told you lately, I care?
01:18:42I may be blinded by all of your time.
01:18:49For all absent-minded, when you're in my arms.
01:18:58Have I told you lately, you're through me?
01:19:08Now then, you scallywag.
01:19:12All right, Pop.
01:19:13We're in case.
01:19:15In case, is it?
01:19:16Will you make up your mind?
01:19:20If I haven't, I'm telling you now.
01:19:26If I haven't, I'm telling you now.
01:19:32If I haven't, I'm telling you now.
01:19:42I'm telling you now.
01:19:45You
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