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Aik Mohabbat Aur Episode 02 (Subtitles) | Ahad Raza Mir & Maya Ali | Pakistani Top Drama


Aik Mohabbat Aur is a story of Khushbakht, a strong and determined ACP officer who has already seen the painful side of love. After a love marriage that couldn’t survive the test of time, she returns to her parents home with her young Daughter and the scars of a broken relationship. Instead of comfort, she finds herself living under constant judgment, where her presence is often seen as a burden rather than a daughter seeking support. These experiences slowly make her lose faith in love and companionship. On the other side is Haroon, A principled journalist who believes in truth and depth rather than superficial choices. Pressured by his mother to settle down, He struggles to find someone who truly connects with his heart and values. His life takes an unexpected turn when a case brings him face to face with ACP Khushbakht.While working around the same investigation, Haroon is drawn to Khushbakht’s courage, dignity and the silent strength with which she carries her past. For Haroon, it becomes love but for Khushbakht, love is a chapter she believes has already ended. Now begins Haroon’s emotional journey to break the walls around Khushbakht's heart and prove that sometimes life gives a second chance.

Written by: Faiza Iftikhaar
Directed by: Farooq Rind
Produced by: Tehreem Chaudhary
Production: Multiverse Entertainment

Cast :
Ahad Raza Mir As Haroon Malik
Maya Ali As Khushbakht Naz
Hajra Yamin As Sonia Murtuza
Noor ul Hassan As Haroon Father
Munazza Arif As Haroon Mother
Sachal Afzal As Haseeb
Hani Taha As Seema
Dodi khan As Khushbakht's Husband
Samiya Mumtaz As Khushbakht's Mother
Yousuf Bashir Qureshi As Khushbakht's Father
Fajar Sheikh As Khushbakht's Sister
Ayzil As Khushbakht's Daughter
Qudsia Ali As Maham
Abbas Ashraf As Faris
Saqib Sameer As Haroon Friend
Omair Rana As Channel Owner
Shamyl Khan As Chaudhary (Politician)
Rehan Sheikh As Commissioner Islamabad & Others...


#aikmohabbataur
#ahadrazamir
#mayaali
#pakistanidrama

Category

📺
TV
Transcript
00:00I love you, love you, love you
00:06There are a few women police stations in the world's 40% of our country
00:12Yes, viewers, you saw that the police is the same.
00:18Sir, I didn't do anything like that.
00:24How can I give so much pressure on my own?
00:26How can you give me the value of my work?
00:29How can you give me the value of my work?
00:31Is it professional or is it unprofessional?
00:32Today, you have repeated my story
00:34and repeated my story.
00:36And I have not done that.
00:39Hello?
00:41What?
00:42Did you kill me?
00:45The former government, Harun Malik.
00:49The government, the government.
00:50The government, the freedom.
00:52Harun, you really know
00:54who has done this?
00:56You tell the name of the police.
00:58Let me tell you.
00:59I don't know.
01:01Nabeel, take this.
01:03Please, let me harm you.
01:04You all know Harun.
01:06You really knew that you are going to be a crime.
01:09A crime?
01:11What happened?
01:11I'm crazy.
01:12I don't understand this.
01:13Why are you playing with your fault?
01:16Nabeel, take this.
01:18I don't know which movie he watched.
01:20One minute, one minute.
01:21P&Chap's call.
01:23They want to talk to you alone on the phone.
01:26They are saying that you don't have to go to the house.
01:28Yeah, sir.
01:29Have you got coffee?
01:31Are you sending me out?
01:33Yes.
01:35Please.
01:37Please.
01:38You take the rest of it.
01:38My brother.
01:40Please.
01:41Please.
01:47Who was that?
01:48The Commissioner.
01:50What are you doing?
01:50I wanted to talk.
01:52Just.
01:53Just.
02:00I'll tell you that...
02:02The crime is a crime.
02:04Huh?
02:05I'll tell you to press studies.
02:07Right.
02:08What?
02:09Yes.
02:13You said that...
02:14I was saying that...
02:16...it was a crime or a mobiles snature.
02:18I was saying that she killed her.
02:20I'm telling you that she is not a crime.
02:22I didn't give a report.
02:24No evidence of police.
02:24This is what I'm saying.
02:25I'm saying that...
02:26My soul...
02:27...is in their death.
02:29Just in their death.
02:32Just in their death.
02:33Huh?
02:34In their death.
02:35My brother.
02:38What is this?
02:40This is this?
02:42You are sleeping here.
02:45And my brother is sleeping in the hospital.
02:48How are they?
02:51What's the difference now?
02:54If there's no difference, why don't you ask?
02:57I was thinking about you
02:59that don't have to talk about Harun's brother.
03:02I don't have to talk about you.
03:05But no.
03:07Where are you?
03:08I don't have to talk about you.
03:11I'm telling you something about you
03:13when you knew that you had to ask me.
03:15It's the truth.
03:17When you go so late,
03:18you will tell me something about you.
03:21And if I didn't tell you,
03:23I would have to tell you.
03:25My brother,
03:26there are breaking news.
03:30Maruf Sahafi, Harun Malik,
03:32hit at the government.
03:35At the government.
03:35At the freeway of the peace of the Raya.
03:36I'm sorry.
03:47What news is happening on every news channel?
03:49Life and death. How many shots were they?
03:54And what did you tell us?
03:59Did you get the CCTV footage of that area?
04:06The necessary work is that they don't tell me.
04:09I don't know who else has the necessary work.
04:17You're scared, right?
04:20I'm fine, I'm just a gun.
04:23It's a normal situation.
04:24It's a normal situation.
04:26Sorry.
04:28I heard it myself in the news.
04:30They were telling you that you don't care.
04:32You're not doing anything on the news channel.
04:33I'm not doing anything on the news channel.
04:34Don't do anything on the news.
04:37Don't do anything on the news.
04:39There's nothing on the news channel.
04:41It's all for the news channels.
04:43Police too.
04:49Look, whatever it is,
04:51you're going to go to the hospital or you're going to go to my house.
04:54That's not the same thing.
04:55Can you get the help,
04:56the nurse is like no need to die?
04:59Excuse me,
05:00doctor told you to be safe at home.
05:03Mother's going home.
05:04Why?
05:05No, for some days,
05:07you'll have to go home.
05:08No, I don't have your house in the house.
05:10The apartment in the seven o'clock.
05:12I don't have the lift.
05:15No, I have to go too long.
05:16I have a problem with the chai.
05:18And then you, Abba?
05:20You don't drink water from the door.
05:22How do I have to come with you?
05:24You both?
05:25No, brother.
05:26I don't have to sleep on my bed.
05:29Okay.
05:31Very good.
05:32Mama, how are you good, Abba?
05:35I don't have to ignore it.
05:36Solid.
05:38Very good, man.
05:41He's telling me.
05:42He's telling me.
05:44It's okay.
05:47We're late.
05:48We have to pick from school.
05:50We'll take the pool.
05:51We'll take the pool.
05:52We'll get the signal from outside.
05:53This is also necessary.
05:55If it's not official,
05:56I'll leave you for someone.
05:59And then I'll be with you.
06:02No.
06:03Where is the official?
06:05I've never given you a pool.
06:07I'll never give you a pool.
06:09How much will it?
06:18I'll give you.
06:26A pool.
06:28I'll give you.
06:28Well, I'll give you.
06:30You'll give me the flow.
06:31I'll give a pool.
06:32You'll give me a pool.
06:34Yes, I'll give you.
06:39I'll give you one of my pool.
06:39I'm going to show you all with him.
06:42He's got a good rating.
06:44That's it.
06:46All of you are doing.
06:47You are the Maroon Nipsikwali reporter.
06:49He sent the clip that I sent late.
06:52Then he didn't check anything.
06:54And he didn't get paid.
06:56And because of that, Madam Sahib...
06:59I don't want to say that.
07:00Me?
07:00That I'm unprofessional.
07:02Now I'm going to stop everything.
07:04But I'm going to talk about work.
07:05No way.
07:09I'm quite a little.
07:27Very well with me.
07:34I just want my friend.
07:35I just want this one.
07:37But don't necessarily want to stop.
07:37Anyway...
11:22Thank you, Miss Khushnaz.
12:25Yes.
12:26Okay.
15:19I'm sure.
15:22It's very funny.
15:31I'm sure.
15:32I'm sure.
15:33I'm sure.
15:34I'm sure.
15:35I'm sure.
15:37I'm sure.
15:39I'm sure.
15:41I'm sure.
15:43I'm sure.
15:44Ah, okay.
15:45Oh, okay. You don't eat this. Don't eat it.
15:49I've also made the bread for you. You'd love it.
15:54Take a minute, take it. I don't remember.
15:59The bread for the bread for you.
16:07Did you like it?
16:09No.
16:10Why are you eating? Who are you eating?
16:14In the future, there is a need to be a lot of children.
16:18What you keep in front of you is eating.
16:23Okay?
16:25Okay, thank you.
16:27Thank you, thank you, thank you, thank you.
16:28For what?
16:29That's not a reason for marriage. Perfect.
16:32Thanks, man.
16:33My pleasure.
16:35Are you saying anything?
16:36No, no, no, no.
16:39What have you been saying?
16:41What have you been saying?
16:42What are all the reasons for marriage this year?
16:46The marriage that is created in the years, it'll be not done, right?
16:51That's the first cousins.
16:54Yes.
16:55But you and my uncle made the relationship, that's the same thing.
17:01That's why we both are two cousins.
17:03And these two cousins are both first cousins?
17:05She's my son. She's my son.
17:08She's the same way.
17:09She's the same way.
17:11Then why are you making a male-jole?
17:14Mother, no one has no choice.
17:16It's just that you and my uncle are the same thing.
17:20Our generation doesn't like this.
17:25Move on.
17:26Move on.
17:28The new English names are the same.
17:29Mother, let's say something.
17:35And you have to live your own life.
17:38Yes, but you live.
17:40It's different.
17:42It's become a big person.
17:44It's not that our relationship has ended.
17:48And today, people listen to us.
17:51This is a beautiful relationship.
17:52You know what the point is saying, it's white.
17:55Amen.
17:55Mother says that, you give them away.
17:59They give them away.
18:00What do you know?
18:01What are these stories spreading from the family?
18:04They say, its marriage,
18:05and it's with her father.
18:07The man's father's husband is still there.
18:10But it's like this.
18:12da-da!
18:56It's amazing.
19:00You're doing so well. Thank you.
19:03It's okay with the direction.
19:05This dance doesn't allow anything to do.
19:10If you listen to the dance,
19:11listen to the dance,
19:12listen to the dance,
19:12listen to the dance,
19:12listen to the dance,
19:12don't waste your talent.
19:15What? Talent?
19:16He wasted a whole person,
19:17or did you waste your talent?
19:19He said to you,
19:22what do you know?
19:23Why do you waste your talent?
19:26Ask him,
19:28don't you see yourself,
19:33I'm a poor person.
19:35I'll do another job.
19:42I didn't get angry.
19:43He didn't come to you many years.
19:47You have a very sick sense of humor.
19:50Give it to him.
19:52Give it to him.
19:53Give it to him.
19:53Give it to him as a joke.
19:55If you don't get married,
19:56you won't get married.
19:58What are you talking about?
19:59You put it on your head
20:00and you're being relaxed.
20:04In other words,
20:06there will be a little trouble
20:07in your life.
20:07a little bit.
20:10Yes.
20:11It happens.
20:12See?
20:13I don't know what to say.
20:14Listen.
20:16I didn't know Seema so well.
20:19If he knows,
20:20he doesn't get married to him.
20:23Sorry, Seema.
20:25You have to face this properly.
20:27No, no, no.
20:29You're doing that for him.
20:32Leave him.
20:34You came very well.
20:56Cool, no?
21:05Let's go, brother.
21:07One second, stop.
21:09Do you have something else to eat?
21:11Not that.
21:11I think I'll go to my ICU first.
21:13I'll drink coffee.
21:13Is this for my ICU?
21:14Yes, that's it.
21:15Hello?
21:18Yes, that's it.
21:18Yes, that's it.
21:18And this is for my ICU.
21:20Yes, that's it.
21:21Hello.
21:26Hello.
21:29Hello.
21:29You've got a little girl from the hospital.
21:31Wait.
21:35How are you?
21:36Are you happy?
21:38Happy.
21:40Uh-huh.
21:42Uh-huh.
21:44Uh-huh.
21:44Uh-huh.
21:44You were coming so fast.
21:46I'm fine.
21:47But I couldn't thank you.
21:49What about your thanks?
21:51You gave me a few times to visit me.
21:58That's a formality.
21:59Mr. Malik.
22:00And if you have to complete the formality,
22:02you can email us on our official website.
22:09Yes, that's it.
22:13Excuse me.
22:19Hello.
22:23Actually, I wanted to thank you very much.
22:25I wanted to thank you very much.
22:27I want to thank you very much.
22:30I want to thank you very much.
22:37I want to thank you very much, Mr. Malik.
22:39Uh-huh.
22:42I don't want to give up with my knowledge.
22:50He was so busy.
22:52I didn't inform anyone there.
22:55Nobody would reach out.
22:57The girl went to your head out of the house
22:59and went to your heart.
23:01No.
23:02That means,
23:03you won't accept me any other thanks to my own.
23:09I can accept the mercy of God.
23:11Okay.
23:12That's also the power of God.
23:15I don't think Mr. Malik is going to break down my mind.
23:19Do you want to ask me to ask myself?
23:22Absolutely.
23:23Actually, I want to ask myself a coffee.
23:26There is a coffee shop.
23:28You have a time.
23:29I don't have time to drink coffee.
23:31Let's drink tea.
23:33I'll give you.
23:35When you come to my office, Mr. Malik.
23:45It's gone.
23:47It's gone.
23:49It's gone.
23:50Do you want to drink coffee?
23:51Let's go.
24:01Did you feel the pain?
24:05Yes, you too.
24:08Yes, I didn't.
24:09I was waiting for you with the tea.
24:13Okay.
24:14Tea.
24:16Oh, great.
24:23Look.
24:24Malik, I've never insisted.
24:29I've never done that.
24:30I've never done that.
24:31I've never done that.
24:32I've never done that.
24:32I've never done that.
24:34You need to think about yourself.
24:41Think about your life.
24:43You need to think about your marriage.
24:49You need to think about your marriage.
24:51Give it a serious thought.
24:52Think about it.
24:54Think about it.
24:55What about it?
24:56Then?
24:59Look,
24:59Abba,
25:00my husband,
25:01marriage is a very big commitment.
25:04Now,
25:04I'm going to do my mother's own
25:07I'm trying to do my life.
25:10she's not going to do it.
25:12I'm going to do it.
25:13I'm going to have to do it.
25:14But then,
25:15I'm going to think I'm ready for it.
25:19All of these things is needed.
25:23One of the most important things
25:25Is needed?
25:27The cost of having the self.
25:30One of those.
25:37To make it a mistake.
25:39It's a mistake of taking a mistake of taking a mistake.
25:41Look at the lifestyle and profession,
25:43I have to adjust someone's attention to someone.
25:45Or I have to adjust someone's attention.
25:48I don't want that
25:50I will go to another person
25:51or I will go to another situation
25:53or I will go to another situation.
25:56Hey, married,
25:57what is the name of the adjustment
25:59and compromise?
26:02No, I don't think.
26:07Now you have
26:10after a marriage
26:11after a 13-year-old job
26:12in Kuwait.
26:15That 13-year-old
26:17I have to adjust
26:19everything.
26:24And today
26:26this is the situation
26:27like
26:27this
26:28this
26:29this
26:29this
26:29this
26:30this
26:30this
26:30this
26:30this
26:31exactly
26:35adjustment
26:35or compromise
26:36not
26:3913-year-old
26:40trauma.
26:43Now
26:44compromise
26:45or adjust
26:45is not a bad thing.
26:48But
26:49marriage
26:49should not become a trauma.
27:01Good night.
27:01This
27:03this
27:04is not a bad thing.
27:05Next
27:06is
27:06of the
27:06the
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