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00:06Let's plan something nice for the weekend, seeing as I am abandoning you for the week.
00:11What do you fancy? Dinner and a movie?
00:13Date night.
00:14Yeah, date night.
00:17I think if we're going to do a date night, then we should stay in.
00:21You can wear that pretty blue dress. I'll get some strawberries and cream.
00:25Are you cheap skating me?
00:27I'm happy to buy some wine too.
00:31I'll have to work with you. I love you.
00:35I love you. Miss you already. See you Saturday.
00:39Can't wait.
00:57How's it going?
01:13There you go.
01:17Little woman, ma'am.
01:21You're doing brilliantly.
01:24Woo!
01:27Woof!
01:29followed容folk.
01:31Does that feel great?
01:33Oh, medio.
01:48Romney is a looperful.
01:50Wow!
01:50Darthy is a looper.
01:50Who needs no?
01:50Wait.
01:50What do you want me to do?
01:51How do you think?
01:51I'm ready to leave.
01:52Stop using fire floor.
01:52You're killing this.
01:52We are gonna be with me.
02:10How drunk were you, Chris?
02:15Emma, show me that tattoo again.
02:39Bev Lyons.
02:47Ben and Chris, what is your story?
02:52What is your story?
02:54No.
02:58Be better.
03:00I don't know.
03:30What did melon ever do to you?
03:32Melon? Nothing. Men.
03:34Oh, I take it you had that chat with Harry B, then?
03:39Fergus, relationships are overrated.
03:41I mean, since when did fun become a dirty word?
03:45I mean, we agree that we are grown-ups.
03:47It doesn't need to be any more than it is.
03:49And then one of you wants the other one to move to Australia.
03:53And who lives in Australia, anyway?
03:54Have you seen the size of the spiders there?
03:56No, I am perfectly happy where I am.
03:59Yeah, me too, though I might just move over to this side of the table.
04:02It's a bit safer.
04:06Relax, I'm not going to hurt anybody.
04:09You get it. You miss Lola, right?
04:12What? No. I'm not even thinking about her.
04:15Look at that bloke she's seeing.
04:17Ryan. Big, big, strong Ryan.
04:20You don't even know if she's seeing him.
04:25Oh.
04:26Maybe it's a tactile guy?
04:28Oh, please.
04:29Anyway, I don't care, right?
04:31I have a plan. I'm going to move on with my life.
04:34Meet new people.
04:36Concentrate on work, right? Like this case.
04:39Yeah, well, don't get too excited.
04:41He told me barely anything on the phone.
04:43And he cuts up dead people for a living.
04:49He's probably nuts.
04:51I'm picturing a fat little man who smells of formaldehyde.
04:58Harry.
05:01Thank you so much for agreeing to meet me.
05:03Oh.
05:04Any friend of Jordan's is a friend of ours.
05:08Oh.
05:11Getson's just through here.
05:25Tattoos are pretty common though, right?
05:26I mean, fair enough, maybe not musical bars.
05:28These weren't just any musical bars.
05:30Clair de Lune.
05:32Debussy.
05:33Oh.
05:34I love that one.
05:35Here, what's that called when they do that on a piano?
05:38Trill.
05:38Trill.
05:40At the end of Clair de Lune, there are four bars of music.
05:45Those trills.
05:46Chris O'Neill is the dead man.
05:48He had the third bar tattooed on him.
05:51And the previous body you remembered?
05:54Bev Lyons, she had the second?
05:56Yes.
05:57And she died six months ago.
05:59So, two musical bars, two accidental deaths, one by drowning, another by a road accident?
06:07That's too much chance.
06:08Is it though?
06:10I mean, couldn't it be just one of those crazy quirks?
06:12Yes.
06:13I considered that until...
06:15Until you wondered about the first bar?
06:18Yes.
06:19So, I went through all the old files of my predecessor.
06:23Went over 400 until I found this.
06:26Wow.
06:27Holy shit, that's not...
06:29This post-mortem is from 18 months ago.
06:32This is the same section of Clair de Lune.
06:37The opening bar.
06:39The opening bar.
06:39No way.
06:41Her name is Jess Boylan.
06:44Operation gone wrong, another accidental death.
06:48Okay, that is weird.
06:50But it's not that easy though, to make a murder look accidental.
06:54True, but drowning's a good cover.
06:57And Chris, he was severely drunk.
07:01Enough so I could believe that he had ethanol pumped into his veins and...
07:04Jess Boylan.
07:05She died on the table.
07:06Entirely normal.
07:08But if somebody interfered with her medical device...
07:11Totally doable.
07:13It's unlikely that there were three killers.
07:15More likely, if it's true, one person behind it all.
07:20Do you know if these tattoos were done before or after death?
07:24Are you able to tell?
07:26Yeah.
07:26Not long before.
07:27In all cases.
07:30Three bars out of four.
07:32And if they were murdered...
07:33There's another one to come.
07:37That's my fear.
07:39I have no time to lose.
07:46Oh.
07:48That's a lot of tattoo shops.
08:00Rarely get to talk about Jess these days.
08:03People allow you so much time to grieve and then...
08:07Well...
08:08I'm a primary school teacher, so it's a...
08:11Big smile every day.
08:13Eighteen months or eighteen days.
08:14Loss is still loss.
08:16Jess and I met when we were teenagers.
08:19Our folks thought we were too young to settle down, but...
08:23Didn't matter to us.
08:26But, um...
08:27Why are you so interested?
08:29I work as a consultant for the State Pathologist Office.
08:31We're investigating the phenomenon of accidental deaths.
08:36Jess died during an operation, wasn't it?
08:40Routine?
08:42Not at all.
08:43She, uh...
08:45She liked to get a tummy tuck.
08:47It was insane.
08:49You'd never met a more beautiful woman, but...
08:53No matter what I said, she thought she was overweight.
08:56I wouldn't have changed a hair on her body.
08:59She scheduled the surgery in secret, and then it went wrong, and Jess bled to death.
09:05They said it was a one in a million possibility.
09:08Ironic...
09:09Given she was one in a million.
09:12She had a tattoo, didn't she?
09:15A musical signature?
09:18When did she get that tattoo done, and why?
09:21While I was away.
09:22I'm not sure why.
09:24She didn't play.
09:26Guess it was part of her changing the way she looked.
09:29Jess was into art.
09:31These are her paintings on the wall.
09:33Oh, beautiful.
09:35Do you happen to know anyone called Chris O'Neill or Bev Lyons?
09:40Mm-mm.
09:41Did Jess?
09:42I mean, could there be work colleagues, or...?
09:44Jess worked from home.
09:46She sold drawings to animation studios.
09:48I've never heard of a Chris or a Bev.
09:51Do you know where she had that tattoo done?
09:53No.
09:55Is this really all for some study?
09:58They're just weirdly specific questions.
10:00Trust me, it's all related.
10:19Not my work.
10:20Of course they're not.
10:22Look, I've been doing this years.
10:24Right.
10:25Real artists, they have a signature.
10:28And these...
10:29Well, they weren't done by the same person.
10:31Well, at least this one.
10:33This was done by one person in particular.
10:37See, tattooing is like art.
10:39You can spot an expert at work, and this one here, this is an expert.
10:44See the little flick at the end of that line?
10:47That's an A.
10:50That's Jess Boylan's tattoo.
10:52You ever heard of her?
10:54I can tell you who did her tattoo, though.
10:57Paul O'Connors.
10:59He did one of mine.
11:00Thanks, man. This is brilliant.
11:03Yeah, you have a problem, though.
11:05I do?
11:06Apollo is odd.
11:09I love what I do. It's art.
11:12Apollo, though, he thinks he's Michelangelo painting the Sistine Chapel.
11:17Better than, to be honest.
11:19Trust me, I'm used to it not being easy.
11:22Are we doing this or what's it, auntie? I'm slipping into a coma here.
11:25So impatient.
11:28Now, I'm going to make it hurt.
11:34Don't leave a message. I won't bother to reply.
11:37Hi, this is Fergus Reid. I wanted to speak to you about Jess Boylan.
11:41My number should have come up there.
11:45Okay.
11:49Hi, Harry.
11:49Fergus?
11:50Yeah, I might have found her tattoo artist. We might have a job getting to speak to him.
11:54Well, if you're to Lucy, you can visit one of the families.
11:57I've just done Jess Boylan's husband. He's never heard of Bev or Chris.
12:03All right, so no help, then?
12:05I've been completely grief-stricken and reminding me why we do this job in the first place.
12:10No help.
12:11If we can't find a link between these victims, I don't know how we'll identify a potential fourth.
12:17Okay, just, uh, send me the deeds of who I should chase up on.
12:22Details incoming.
12:24Honestly, second year, English grad.
12:28Yeah, yeah, whatever.
12:31Okay.
12:36Elliot, just looking for Sam.
12:39Cheers.
12:41Sam Robertson?
12:44You're engaged to Bev Lyons.
12:46What of it?
12:48Just need to ask a few questions.
12:49Why would I want to talk about that bitch?
12:52Okay.
12:55I really don't know if she'll be of any help to you.
12:58She's been non-communicative for some time now.
13:01She came to us when she got too bad for her son to take care of her.
13:05He was her full-time carer for a while.
13:08He gave up his job, everything to look after her, and then he died.
13:13Traffic accident.
13:15Very sad.
13:17No other family?
13:19Not that we know of.
13:20Me either.
13:26Hello.
13:27Greta, is it?
13:29I'm Harry.
13:30I'm a friend of your son's, Chris.
13:33Doctor.
13:35Doctor.
13:36Yes, Greta.
13:37I'll get him.
13:38That's all she said since she's arrived.
13:41And the doctor sees her daily.
13:43There's nothing wrong with her.
13:44Other than the dementia, obviously.
13:49Greta, I'm really sorry about what happened to your son.
13:53Doctor.
13:54Did you know he had a tattoo?
13:58Doctor.
14:00Doctor.
14:05Bev.
14:06Bev.
14:06Tattoo.
14:06Seems unlikely.
14:07Her body was a temple.
14:09All that shit.
14:10Yeah, but you'd split up with her, so you might not have known.
14:14Suppose.
14:16Why'd you break up?
14:18The line was, we weren't compatible.
14:21The truth is, Bev had everybody convinced she was lovely.
14:24But she was a self-obsessed narcissist that bled me dry for months while she was screwing somebody at work.
14:30Of course, she was always screwing somebody at work.
14:34What did she do?
14:36Barrister was her day job.
14:38Loving herself was her main job.
14:41Woman was always banging on about her health.
14:44But I couldn't believe it when she drowned.
14:46She was fitter than anybody.
14:49I'll give her that.
14:50God works in mysterious ways.
14:53Did she know either of these people?
15:01Don't know.
15:03Listen, you have to clear off.
15:04I open up soon.
15:07All right.
15:08I'm going.
15:13If you remember anything.
15:18Hey.
15:19What's all this about?
15:21Her death was an accident.
15:23Why are you asking questions?
15:24Research.
15:46Sam, do you think he knew Chris and Jess?
15:48Er, I don't know.
15:51But when he looked at their photos and claimed he didn't, there was something on his face.
15:56And then there's the Debussy music score on the piano.
15:59Interesting.
16:00Why do you keep looking over my shoulder?
16:03I'm not.
16:05Got your table set up, Ferg's.
16:07What table?
16:08It's nothing, really.
16:11Hi.
16:11One second.
16:13Gosh.
16:14You really were serious about moving on from Lola.
16:17Don't judge me, all right?
16:18I'm no judgment here.
16:22So sorry about all of this.
16:25Oh, it's lovely.
16:27That's one word for it.
16:29Young love, eh?
16:31Don't suppose there's much chance of him and Lola getting it back on then?
16:34It's a shame.
16:35Neither of them will do better.
16:37A second year English.
16:39Um, that's brilliant.
16:41Yeah, yeah, thanks.
16:42I love it.
16:43I mean, some of the techs are a bit hard.
16:44I'm doing computer science.
16:46Um, I'll work in my dad's business when I graduate.
16:49So what kind of work can you get with English?
16:52Oh, I hadn't really thought of that.
16:55Sorry, I am a partner in a private detective agency.
16:58I did mention that.
16:59But what do you want to do for a real job?
17:03I like five-year plans.
17:05Um, five years in education.
17:06Then I'll get my first job.
17:07Become manager within those five years.
17:09But also get married.
17:11I want to be married by the time I'm 26.
17:13Because, well, I'll still look good in a wedding dress.
17:16But be mature enough.
17:17Uh, 26.
17:20Wow.
17:21Wowee.
17:22I don't remember you mentioning any of that on your profile, Lottie.
17:28Well, you're clearly somebody who takes romance seriously.
17:33And I date for life.
17:35I am gonna get another drink.
17:39Oh, wait, you...
17:42You know when people tell you to be wary of dating sites?
17:45Not the love of your life, then?
17:47Don't worry.
17:48I'll set off the fire alarm.
17:50Won't be the first time I'm able to jump in for a fellow soldier.
17:53You know what?
17:54I think we should get back onto the case.
17:55Is there anything you need me to do?
17:56I'm getting back on the case.
17:58I need to speak with Pierce.
18:00And you're going to be a gentleman and finish your date.
18:04And Glenn...
18:05No fire alarms.
18:07Fair enough.
18:09I tried.
18:27Thank you for seeing me.
18:29No.
18:30No, it's me who should be thanking you for taking the case.
18:33Oh, I'm not sure you should be thanking me yet.
18:34We haven't gotten anywhere.
18:35But, uh, if you're right about there being another tattoo to come.
18:39The clock is ticking.
18:41Yeah.
18:45Um.
18:48Uh.
18:49Uh, I'm I in the way.
18:52Do you have any family due?
18:55Your partner?
18:56No.
18:58No partner.
19:07Well, we're, uh, hoping to have a lead on the tattoos.
19:11But I wanted to ask you about this piece of music that he's using.
19:14It clearly means something.
19:18Whether it's to the victims.
19:22Or the person tattooing them.
19:25Well, we're trying to find something that links them.
19:28But, uh, it's difficult without the Garda files.
19:33And normally I would ask my son.
19:36But I doubt that you want him knowing that you came to us.
19:40It's probably best.
19:53Your soul is a choice landscape in which there roam.
19:58Charming maskers and bargain maskers.
20:02Playing the lute.
20:04And dancing as if.
20:07Sat beneath their fantastical disguises.
20:13Paul Valene.
20:15That's right.
20:17Debussy based his piece on his pole, Claire de Lune.
20:21The ache of love in a calm moonlight.
20:25Debussy said in his music,
20:28You should be able to glimpse the moon through the trees.
20:35The landscape being the soul of his beloved.
20:39That's right.
20:41The piece is either sad or happy depending on how you look at it.
20:48So, um, murder because of, uh, a broken love affair?
20:54Or perhaps some type of perverted love?
20:58Maybe he was obsessed with each of them?
21:01Hmm.
21:08So, how long have you been living in Ireland?
21:12Long time.
21:14Did you move here for, uh, work or love or the glorious weather?
21:20Yeah.
21:21Um, this and that, please.
21:24What made you want to become a pathologist?
21:28You know, you like solving mysteries?
21:32Me too.
21:36And death is full of them.
21:42It's a night.
21:43I'm sorry, but, uh, I should call it a night.
21:48I've got to get a good start in the morning.
21:51Okay.
21:52Let me walk you to your car.
21:57I can see myself out.
22:15Harry?
22:16Yeah, the tattoo guy just messaged me.
22:19Yeah, I'll see you in ten.
22:21Do we need a plan?
22:22Satanta said this Apollo guy is really weird.
22:25How weird could he be?
22:29So, uh, about these tattoos.
22:33Do not move.
22:34Do not speak.
22:35Do not breathe.
22:36I have to get this just right.
22:48It's a masterpiece.
22:52Looks like the inside of a senior will kill his head.
22:54My hearing is excellent.
22:57And this, this will make me in the region of 200 grand.
23:01Oh, we're in the wrong business.
23:04The only reason you're here is that you mentioned Jess.
23:09Who are you?
23:10And why are you asking about her?
23:11She had a tattoo, and we think it's one of yours.
23:16An expert spoke with my colleague here and says he could see your signature in it.
23:21Clearly it was me, or I wouldn't have texted you.
23:25Which expert sent you to me?
23:27There's no loyalty in tattooing anymore.
23:29No honor.
23:30No integrity.
23:31Can you tell us why she had this tattoo, and why that musical bar?
23:37A tattoo is a private choice.
23:39A whispering of the soul.
23:42What are you asking?
23:43We're consulting with the state pathologist's office.
23:46Consulting about what?
23:47Accidental deaths.
23:48What can you tell us about Jess?
23:50Why would I tell you anything about her?
23:53Who are you really?
23:54We told you.
23:56Right.
23:57Leave.
23:57No, hey, excuse me.
23:58Liars.
23:59I have no time for liars.
24:01My time is precious and undervalued.
24:04Leave.
24:05Okay, okay.
24:07Look, hey, we just want to...
24:10Talk to you.
24:12But that went well.
24:14Bitter indeed.
24:15His face soft when he looked at that tattoo.
24:18I think Jess oiled and meant something to him.
24:23We're on Jess's side.
24:25This is our business card if you want to check us out.
24:35Leave.
24:37We'll leave it on the mat, just in case you change your mind.
24:41Right, we're getting nowhere.
24:43We still have no idea if or when this killer is going to strike again.
24:46Don't I know it?
24:47I'll talk to Jess's husband, see if he knows Apollo.
24:50Yeah, and I'll speak to Sam, Bev's ex, see if Apollo did her tattoo.
24:53You never know.
24:54Maybe he was having an off day.
24:55Hey, what about Chris's mother?
24:57No, the only thing we'll get from that is her request for a doctor.
25:01No, I think we'll skip that.
25:02No.
25:09Jess used to help me with the artwork I had to do for the kids.
25:12Turns out I'm rubbish at it.
25:13No, I don't know.
25:14I'm just like an abstract, isn't it?
25:16Like a car or a head or...
25:22This guy is a man I wanted to ask about.
25:26Yes, yeah, I do recognise him.
25:28Why?
25:29Ah, I'll tell you.
25:30But first, where do you know him from?
25:33This is going to sound a little weird, but I think he was stalking Jess a bit.
25:37What does a little stalking look like?
25:40I saw him outside the house and then at the funeral and then again at the grave.
25:47That's only when I spotted him.
25:48I don't know if there were other times.
25:51He's the one that did Jess's tattoo.
25:54What does that mean?
25:56I've been thinking about this since our last chat and all the questions you've been asking.
26:00Do you think something happened to Jess?
26:02Like her death was an accident, right?
26:04All the people at the hospital were really lovely and it really did seem like a freak event.
26:11Well, honestly, I don't know.
26:13But I'm going to find out.
26:17Do I need to go to the police?
26:19Well, it's up to you.
26:22But I'd live with us for now.
26:25I'll stay in touch with you.
26:32I told you.
26:33I don't know him.
26:35Just noticed you're going for tattoos yourself.
26:37I've got these in the States.
26:39I don't know that guy.
26:40And I'd no idea Bev even had a tattoo.
26:42I told you.
26:43She was into fitness and all that crack.
26:45She wouldn't even get a belly piercing, let alone a tattoo.
26:48I see you have Debussy on the piano over there.
26:50You happen to have Claire de Lune?
26:52What the hell is this about?
26:53I looked you up.
26:54You're a private detective.
26:56Why are you questioning me like I did something to Bev?
26:58Those photos I showed you, you recognised them.
27:01What photos?
27:05A man and a woman.
27:07Chris O'Neill and Jess Boylan.
27:10I don't know what you're talking about.
27:13Fine.
27:13Let's just get the guards down here to ask.
27:15Because you're right, I am a private investigator.
27:17And I'm pretty sure Bev was murdered.
27:19And those other people.
27:22Oh, by the way, how's your liquor licence?
27:24In date?
27:24Because I just happen to know the chief superintendent.
27:27What?
27:28Wait.
27:30Okay, okay.
27:31Yes?
27:32I don't know him.
27:33Like, no, no.
27:36Okay, which one?
27:38The photo you showed me last time.
27:40The man.
27:42Chris?
27:43Yeah.
27:44I never met him, but I saw him.
27:46Once.
27:47When?
27:49When he and my fiancé were going into a hotel together holding hands.
27:54What, Chris and Bev were having an affair?
27:56She said he was a client.
27:57And he was, I think.
27:59He was giving her more than casework.
28:01And you didn't confront them?
28:02I've never wanted to be a member of a club that doesn't want me.
28:05When she got home that night, I had her stuff packed.
28:07She was dead to me.
28:11I don't mean dead.
28:14Do you know why Chris was her client?
28:17No.
28:19Bev worked for herself.
28:21She had a secretary.
28:22Young guy.
28:23Vincent Castle.
28:24I think he's over in London now.
28:25I'll get you his contact details.
28:28Yeah.
28:29I'd appreciate it.
28:35Well, it's progress.
28:37To where I don't know.
28:39At least we have a link for two of them.
28:42We should find out why she was representing him.
28:45Could be for anything.
28:48Driving a fence.
28:48I don't know.
28:50Look, we should find out what Chris did before he became a full-time carer.
28:54You know, in case he sued his boss or something.
29:04Lola's been nominated for a student award.
29:06Best of the year.
29:10It's really worked out for her going to Georgetown.
29:13Hasn't it just?
29:16You should be proud of her.
29:17What?
29:18Yeah, of course I am.
29:20We're all proud of her.
29:21Well, very much so.
29:22I'm the proudest.
29:26What is it?
29:28You're doing that thing with your face.
29:30That thinking look thing.
29:32Doctor.
29:32What?
29:33Doctor, doctor.
29:35Are you having a stroke?
29:36Oh.
29:37I'm just such an idiot.
29:39What?
29:40That's why he was so able to take care of her.
29:43Look, I have no idea what you're on about.
29:45Chris O'Neill's mother, Greta.
29:47All she ever said was, doctor, doctor.
29:50Yeah, because she wanted a doctor.
29:52No.
29:53Because she was so proud of the one she already had.
29:58Already had?
30:00Her son.
30:03And Jess died on the operating table.
30:08Mark, this is Harry Wilde.
30:10Would you call me as soon as you get this?
30:13I need to ask you a little more about Jess's operation.
30:23How's it going?
30:24I've left a message for the guy who used the work of Bev.
30:27And I left multiple messages with Apollo,
30:29the angriest tattoo artist in the land.
30:32And I made inquiries into Chris O'Neill,
30:34so we'll find out soon if you were right.
30:36But it feels like you're getting somewhere.
30:38Or nowhere.
30:39I mean, if there really is another victim out there,
30:41or there's going to be one.
30:42Then we need to move faster.
30:44And if we write about Chris.
30:45I mean, why'd you come at this all wrong?
30:49Apollo.
30:52Hello, yes.
30:54Yes, we can do that.
30:56Do you know the hairy goose?
30:59We can meet you there in an hour.
31:16Sometimes I have to quiet the muses.
31:18Their voices, they get so loud.
31:21I can't imagine.
31:23Why did you want to meet us?
31:25I asked around about you two.
31:26It seems you're good at what you do,
31:28despite your absolute inability to tell the truth.
31:33We're sorry?
31:34You're very fond of Jess.
31:37Fond?
31:38In love?
31:39Is there a difference?
31:40Oh, quite a bit.
31:42Women like Jess don't come along every day.
31:44She had a softness to her.
31:48An innocence.
31:49A gentility.
31:51We were twin souls.
31:53Artistic spirits separated by the universe.
31:57He didn't deserve her.
31:59Mark?
32:01I think he was very much in love with her.
32:03Then why didn't he stop her from having that completely pointless operation?
32:08She was perfection.
32:10Love isn't about stopping people doing what they want.
32:12It's about allowing them to.
32:13You nonsense.
32:15But if you want to help, tell us why Jess chose that particular type too.
32:20That's simple.
32:21Her mother.
32:23What about her mother?
32:24Jacqueline Brody.
32:25I'm lost.
32:26She's a famous piano player.
32:29He gets it.
32:31This strange, handsome man.
32:33Who are you?
32:34I am Pierce.
32:36Dumb art.
32:38Claire de Lune was one of Jacqueline's showcases.
32:42It was Jess's favorite piece too.
32:45She had it as a lullaby.
32:47How do you not know this?
32:49Are you sure you do actually solve these cases?
32:52Mark said she didn't play.
32:54She didn't say anything about Jess and her mother being obsessed with Claire de Lune.
32:57There's no way he wouldn't know that.
32:58And I checked out Chris.
33:00He worked at Crocus Health and Beauty, which is a small hospital that specializes in plastic surgery.
33:06So if he was Jess's doctor...
33:08There's no way that Mark wouldn't know about that.
33:10What's happening?
33:10Why are you so excited?
33:12It's positively disgusting how happy you all look.
33:15We need to confirm all this.
33:16But Apollo, these other tattoos...
33:18Can you tell anything by looking at them?
33:20Yes.
33:21They're an abomination to my craft.
33:24These were done by an amateur.
33:27Thought as much.
33:28It's time to go to Charlie.
33:29Yep.
33:31You.
33:32Just stay.
33:33Stay here.
33:38I have no words.
33:40Just...
33:41None.
33:42It's from Bev Lyon's former secretary.
33:44He says she represented Chris O'Neill in a medical liability suit and she won.
33:49Someone else was named in the suit.
33:50Wait, hold up.
33:51Who sued?
33:52The husband?
33:53He sued the team that performed the operation.
33:55The doctor, Chris O'Neill, and the senior nurse in attendance, Alison Melvin.
34:01She used to be the fourth victim.
34:02So, the husband, Mark, has been what?
34:05Killing these people one by one and making it look like accidents?
34:08Why is he tattooing them?
34:09Surely he realizes that will link him to every victim.
34:12This is his revenge for Jess.
34:14He doesn't care if he gets caught.
34:16You need to warn Alison Melvin and you need to arrest Mark.
34:20He hasn't answered my calls.
34:22I just hope we're on time.
34:37No sign of him.
34:39I hope we haven't just got a search warrant for an innocent man's house.
34:42I don't think he's innocent.
34:48Is that a tattoo kit?
34:50Yep.
34:51And worryingly, the gunner's missing.
34:54I don't understand.
34:55How could he have vanished?
34:57Maybe because he realized you two were getting close.
35:00Well, if it wasn't for the two of us, you wouldn't even know two murders had taken place.
35:05Look, no one can get a hold of Alison Melvin.
35:08She left work but never arrived home.
35:09Well, you have to find her.
35:11He keeps them a while.
35:13He must do.
35:13To tattoo them.
35:15I know that, Mother.
35:17Right.
35:20We have a lead.
35:21Mark is from Mayo originally and has a holiday place there.
35:25We've alerted locals to secure it.
35:27I'll head there right now.
35:32I don't buy it.
35:34Bev and Chris were left in Dublin.
35:36He's hardly killing them in Mayo and then driving all the way back.
35:39What can we do?
35:40It's like looking for a needle in a haystack.
35:49These are paintings on the wall.
35:51They're beautiful.
35:53I've got it.
35:55Come on.
36:29Miss Jacqueline Brody, what do you know about her?
36:31Um, she was a recluse.
36:35Like a weirdo?
36:36No, not in a weird way.
36:38She just didn't want to be in the limelight anymore.
36:41So I assume she lived somewhere isolated?
36:46Like a little cottage in the mountains somewhere?
36:49How do you know that?
36:50You're right.
36:51She...
36:52She lived in Wicklow.
36:54Uh, what was it?
36:55I drove past one time and I imagined her in there playing the piano and...
37:00She moved to Loch Tay.
37:02Sorry, how are you working this out?
37:05Jess was a brilliant artist.
37:07She had multiple paintings of her mother's cottage in the house and paintings of Loch Tay.
37:12Pierce, see if you can find it on Google Maps.
37:16I can certainly give it a try.
37:19Charlie, it's going the wrong direction.
37:21Honest.
37:23Oh, hey guys.
37:24Give me some time and I'm going to come with you.
37:27Time is the one thing we don't have.
37:28But it could be dangerous.
37:31We're used to it, fella.
37:38Pierce is sending me the details now.
37:58You're awake.
38:02The drug should have lasted longer.
38:06Sorry about that.
38:08We're a bit short for time, so it looks like I'll have to do things the other way around.
38:13Kill you first.
38:14And then the tattoo.
38:26I know you.
38:31You're...
38:32Christ.
38:33You killed my wife and you can't even be bothered to remember my name?
38:36I didn't kill her.
38:39It was an accident.
38:41A horrible tragedy in the courts.
38:43The courts!
38:44You're all to blame.
38:46You're all complicit.
38:48And you have to pay for what you've done.
38:51Police are on their way.
38:53It's quite common, I believe.
38:56Nurses overdosing.
38:58Especially when they're filled with remorse for something they've done wrong.
39:09I know I'm usually the one to say we should wait, but...
39:11But if he's in there with her...
39:20Focus on it.
39:22There's nowhere to go.
39:25You have to pay for what you did.
39:36Come here.
39:37Don't even think about it.
39:38Hey, hey.
39:39He's stronger than he looks.
39:41Hey!
39:43It's easy.
39:54He's admitted to everything.
39:57You were right.
39:58He had no end game.
39:59He just wanted revenge.
40:01Figured he was going to either kill himself or end up in prison.
40:04No.
40:06Absolutely tragic.
40:07That was impressive.
40:09Finding those tattoos.
40:11Saved a woman's life.
40:14I'll get another round in.
40:18That was impressive.
40:20Saved a woman's life.
40:22Yeah, not us actually solving the case or me wrestling a killer to the ground.
40:27And I didn't even have to leave my office.
40:32I have to go.
40:34How do you start?
40:36Yeah.
40:38Thanks.
40:41I mean it.
40:43Kid.
40:44Doc.
40:52So, no date tonight?
40:54Nope.
40:55Given up on it?
40:57No.
40:57No, not at all.
40:58I've got one set up for next week.
41:00Very excited.
41:01Yeah, can't wait.
41:02This one seems sane.
41:05Well, they will seem sane.
41:07Till you spend a little time together.
41:10What about you?
41:11You giving up after Harry B?
41:14Life is for living, Fergus.
41:17You know what they say.
41:18Never wait for a bus or a man.
41:20There'll be a new one along in five minutes.
41:23Wow.
41:25Aren't you romantic.
41:26Oh, yeah.
41:45Oh, yeah.
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