- 7 weeks ago
Category
🎥
Short filmTranscript
00:00:28Transcribed by ESO, translated by —
00:06:27And I go to the grocery store and see the little girl from Italy and the little girl who met
00:06:35the little girl.
00:06:36I asked her how to gather.
00:06:38She said 30€.
00:06:40She said so.
00:06:41She said so.
00:06:42She said so.
00:06:42She said so.
00:06:42She said so.
00:06:43She said so.
00:06:43She said so.
00:06:45She said.
00:06:46She said so.
00:06:47She said.
00:06:47And you all?
00:06:48You could do her, please.
00:06:50And she said so.
00:06:50You should say so.
00:06:52And they looked at the gleicher.
00:06:55Now, they came here.
00:06:56Now she asked me.
00:06:57It was my 1988 year.
00:07:13Now, what did you tell us about this story?
00:07:16I wanted to get into a sense.
00:07:20What a sense?
00:07:21A sense.
00:07:24That these people can be used as an employee.
00:07:27That they buy a car, for example,
00:07:29or that they want to find a place in their own.
00:07:32We have no basis.
00:07:33We don't know, sir, the integrity of you.
00:07:36We don't know what you're hiding from your faces.
00:07:38We don't know, sir.
00:07:41Sister.
00:08:10The street is far away.
00:08:13Far away.
00:08:15There's no way there.
00:08:17What's happening there?
00:08:18There's no coffee.
00:08:20There's no coffee.
00:08:21There's no coffee.
00:08:24There's no coffee.
00:08:26There's no coffee.
00:08:28There's no coffee.
00:08:31That's...
00:08:32It's a coffee.
00:08:33Krabba?
00:08:34You don't have to be interested.
00:08:37Maybe all night...
00:08:39...the man...
00:08:40...to be a wild animal...
00:08:43...to sleep...
00:08:46...to be able to get his legs...
00:08:49Krabba?
00:08:51...to be able to get his body...
00:08:53...to be able to get his body...
00:08:54...to be able to get his body...
00:08:54...and get his body...
00:08:55...and he's not going to get his body...
00:08:58...and this is not true...
00:09:01...or a coffee...
00:09:04That's not true.
00:09:18Did you see a coffee?
00:09:21Which means-
00:09:22It's about 85%.
00:09:26Let's go.
00:09:28I'm going to tell you,
00:09:29you're a person who knows about it.
00:09:33If you know about it,
00:09:34you'll be able to get out of it.
00:09:36You'll be able to get out of it.
00:09:37You'll be able to get out of it.
00:09:39You're a person who is a social worker.
00:09:46If you want to get out of it,
00:09:48we'll get out of it for a month.
00:09:50Five?
00:09:51Eight, but there's five to do it.
00:09:53If we have it, we'll get out of it.
00:09:55We'll get out of it with a cup of tea.
00:09:57With my hands.
00:09:58Yes.
00:09:59But out of the way,
00:10:00we'll be able to find out you aール.
00:10:01These riders will put you in luxury.
00:10:04These riders and car drivers
00:10:06who are heading to a better life
00:10:09and the homeless.
00:10:11We'll be able to get out on the court for the people.
00:10:13I will say.
00:10:15That's the Greece of Greece!
00:10:16It's all right!
00:10:18Thank you!
00:10:28We are the people of need.
00:10:31We are the people of the city.
00:10:32We are the people of the city.
00:10:35We are the people of the city.
00:10:40I will speak to you.
00:10:44We are the people of the city.
00:10:47We are the people of the city.
00:10:48We are the people of the city.
00:10:52We are the people of the city.
00:11:01We will not live then.
00:11:03No one will not remember.
00:11:19We are the people of the city.
00:11:22We are the people of the city.
00:11:39We are the people of the city.
00:11:44We are the people of the city.
00:11:47We are the people of the city.
00:11:57We are the people of the city.
00:12:02We are the people of the city.
00:12:16We are the people of the city.
00:12:43We are the people of the city.
00:12:45We are the people of the city.
00:12:46We are the people of the city.
00:13:03We are the people of the city.
00:13:11She is the Sofias, but when he comes to bed, he says,
00:13:14''Ti magoirepses, Ελένη!''
00:13:16''To katharma!''
00:13:18''To first restaurant in the city and he wants to go to bed!''
00:13:21He takes his pants, he's a good guy, and I'm ready for him with water and ice cream.
00:13:28He goes through his legs and he's an asterisk.
00:13:32''Ach, Ελένη!''
00:13:33And I, as the Christouli, who took his legs out,
00:13:37I say, ''Tappeas you and love, Ελένη!''
00:13:41...like the Lord's biography of the Niptyrus.
00:13:45He's sprain his legs...
00:13:48...and he's stegs with the loudspeaker...
00:13:51...and he's gone...
00:13:53...like the Kivit, again...
00:13:56...to know what he's waiting for.
00:13:59Ah, you're you!
00:14:01What a shame!
00:14:02I'm going to put him on the bed...
00:14:04...and he's on the bed and he's on the bed...
00:14:06...and he's on the bed...
00:14:10...and I'm on the bed!
00:14:11Do you want me to do something?
00:14:12I'm a man.
00:14:14Instead of saying,
00:14:16I'm a man.
00:14:17I'm a man.
00:14:18I'm a man.
00:14:18I'm a man.
00:14:27I'm a man.
00:14:28I'm a man.
00:14:31I'm a man.
00:14:33I'm a man.
00:14:35I'm a man.
00:14:39I'm a man.
00:14:43I'm a man.
00:14:44I'm a man.
00:14:45Since you didn't know that.
00:14:50That's good, Mr. Ulrich.
00:14:56Dung.
00:14:58Dung.
00:15:06Dung.
00:15:09Food.
00:15:10Good afternoon.
00:15:10I'll just have to stop.
00:15:11I'll just have to stop.
00:15:12I'll just have to stop.
00:15:40Thank you very much.
00:16:16Thank you very much.
00:19:35I'm going to take a look at this, I'm going to take a look at this.
00:19:37I'm going to take a look at this.
00:19:39I'm going to take a look at this.
00:19:41The Daffnula, my dear Vassilis, is 90 and 100 kW.
00:19:45How do you get the baby 50 kilos with the baby?
00:19:50Elayos!
00:19:51You did it in the case?
00:19:54We?
00:19:55We have married the Misaiki Paresia.
00:19:58And we are going very well in the Kalamata.
00:20:00And we are going to take a look at this.
00:20:04Of two velvins, we have this?
00:20:06Your girl is right.
00:20:10Of course, he was fine.
00:20:13One has fellui from the living house.
00:20:15You are a prison con Buddhist,
00:20:15the mother asked him.
00:20:18So, next week he was taken.
00:20:20The whole?
00:20:21You heard me.
00:20:23We on the father, here you will take the¸ su novel.
00:20:25We must pay for the family,
00:20:27and keep around the house.
00:20:28If we don't order the victim then after the two weeks go to to battle�도 for a sweet midst.
00:20:34Cut the Todd.
00:20:35Cut in her hand.
00:20:37We will hear him the Sheikh."
00:20:39Then alternates.iggly
00:20:42says. After
00:20:42half a minute, he gets back and recalls... What
00:20:47doiterae! He
00:20:50says... ...
00:20:51without writing, others... ...so
00:20:54just will not treat you alone.
00:20:54They keep moving the bags and back with the shoes.
00:20:57All the clothes and the shoes.
00:20:58He's taking the dog and he's taking the hand.
00:21:00She's saying, don't do that.
00:21:01What do you want?
00:21:03You put the sounds of the right hand that you let it be?
00:21:05You throw it off!
00:21:07You throw it off!
00:21:08You throw it off!
00:21:09We just throw it off!
00:21:10And this is the right hand!
00:21:12And they're walking around and getting wet!
00:21:15They're doing work!
00:21:17We're going to go!
00:21:18We didn't do that!
00:21:18It's like a thousand meters from here.
00:21:23What will you do with the child?
00:21:25We've been married, Mr. Vassilis.
00:21:27She's beautiful, American. She's beautiful.
00:21:30You look at it and you don't have a little.
00:21:33She's got a little, but she's got a little.
00:21:3645-46 kilos.
00:21:38All with the good morning, all with the good morning.
00:21:42And we're talking about good morning.
00:21:46Let's go.
00:21:47Good morning, Mr. Vassilis.
00:21:50Good morning, Mr. Vassilis.
00:21:54Thank you, Mr. Vassilis.
00:22:18Thank you, Mr. Vassilis.
00:22:19Thank you, Mr. Vassilis.
00:22:49Thank you, Mr. Vassilis.
00:22:52Thank you, Mr. Vassilis.
00:22:53Hello, Mr. Vassilis.
00:23:03How did you get the place?
00:23:11Would you like a coffee?
00:23:13Did you hear the stories you heard?
00:23:17He came back to the city of Pagumas from the Americas, they said.
00:23:27Is the Pagumas Pagumas?
00:23:29Do you know?
00:23:31No.
00:23:32But they said that when the Pagumas came out,
00:23:34he came out of all the Pagumas,
00:23:37and he came out of the fire.
00:23:39But, Pagumas Pagumas didn't have any fame.
00:23:42He came out of the house.
00:23:44He was a victim.
00:23:46He was a victim.
00:23:48He was a victim.
00:23:50And he was a victim.
00:23:53Oh, God!
00:23:54This is all!
00:23:55And he came out of the Pagumas.
00:23:57And he came out of the Pagumas.
00:23:59And he died of a woman.
00:24:01And he was a woman.
00:24:04And no one didn't have to go out.
00:24:06No one?
00:24:07No one.
00:24:09From the Pagumas Pagumas.
00:24:11From the Pagumas.
00:24:12From the CO,
00:24:13Which he said?
00:24:14He visited at the village of the Sin Sinati.
00:24:17He was a victim.
00:24:19That he's a victim.
00:24:20He was a victim for...
00:24:20And he came out of the United States.
00:24:26Yes.
00:24:36He was a victim.
00:24:38And he refused to come out of the village,
00:24:42It started to smoke again.
00:24:45It felt that the whole world would smoke now.
00:24:49And in the mountains, in the mountains, in the wilds...
00:24:51...and in the wilds, in the wilds...
00:24:53...where the very reds of the stores would have been closed.
00:24:58I heard...
00:25:15To be continued...
00:25:39Yes, sir, yes.
00:25:42He came to the balcony and his eyes were in the sky.
00:25:46Did you see him in the sky?
00:25:48Did you see him in the sky?
00:25:48In the sky?
00:25:50Yes.
00:25:50He looked at his eyes.
00:25:53He looked at his eyes.
00:25:55He looked at his eyes.
00:26:00How did you tell him?
00:26:00He told him.
00:26:02He told him.
00:26:02Did you see him in the night?
00:26:05Do you want him to hold him down?
00:26:06You want him to blow his eyes?
00:26:09You were not alone, man!
00:26:12She fell down in the墓 and fell down.
00:26:14And he fell down here.
00:26:18You were too, ma'am.
00:26:24He fell down, a tree.
00:26:51Oh, my dear, my dear.
00:26:53You didn't live, ma'am?
00:26:55He was born in the city with great roads,
00:26:58mountains, parks, trees...
00:27:00and trees everywhere.
00:27:03But he didn't understand his dreams.
00:27:06If he was living, he would talk to him.
00:27:08He would be afraid not to hide the trees.
00:27:11He loved the people.
00:27:12He was a slave.
00:27:14Ah, a slave!
00:27:17Oh, Pa...
00:27:18Oh, Pa...
00:27:18Oh, Pa...
00:27:23Oh, Pa...
00:27:23Pa...
00:27:24Where are you?
00:27:25I forgot.
00:27:26You go to jail?
00:27:28When you go to jail, you will call them.
00:27:30You go to jail?
00:27:31You go to jail.
00:27:31And you go to jail.
00:27:32You go to jail?
00:27:32You go to jail.
00:27:34I'll kill you.
00:27:36I'll kill you.
00:27:36You go to jail.
00:27:38I'll kill you.
00:27:38You go to jail.
00:27:49PIANO PLAYS
00:28:38PIANO PLAYS
00:28:41PIANO PLAYS
00:28:42PIANO PLAYS
00:28:42PIANO PLAYS
00:28:43PIANO PLAYS
00:28:56Πάρε, Ένα.
00:28:57Και να το κάνω.
00:28:59Πάρε. Έχω άλλα 51.
00:29:20Let's go.
00:29:22I'll find my dad a little for me.
00:29:25What's beautiful?
00:29:26Oh, what do you like?
00:29:27I like the people.
00:29:29At school, they were able to meet the ethnic parties.
00:29:32Oh!
00:29:33The father wanted to see the teacher.
00:29:36He said to teach the kids.
00:29:37He said to teach the kids.
00:29:39But he didn't have a letter.
00:29:42Oh, sir.
00:29:44And he was with a girl from a good family.
00:29:47But one day, the girl came to buy a cigar and didn't get out.
00:29:51Oh, will she wait to get out?
00:29:53Yes, sir.
00:29:54When she was waiting for her.
00:29:57And she waited for her.
00:29:59She waited for her.
00:30:01And she waited for her.
00:30:01She jumped on the chair.
00:30:02She looked at the love of the love of her body.
00:30:06Like her father was in the morning.
00:30:11And the mother of the father was on the roof.
00:30:13And she got up here.
00:30:15And the night he got up there.
00:30:17And she was a soul.
00:30:19And he told her,
00:30:19So, father must have been able to find him in his trough.
00:30:24If he had been able to find him on top of the band...
00:30:26...with her grandmother, he said to him...
00:30:30...he was a man who has a man who had a woman...
00:30:34...and one of the few nights had to stay with his friends...
00:30:37...and she heard him say...
00:30:39...Aphrodite!
00:30:39¡Aphrodite!
00:30:40He was afraid?
00:30:42He was wondering...
00:30:43...he was able to find out his voice.
00:30:45He was a little...
00:30:46...the night is a pair.
00:30:46It's a very good thing.
00:31:16You tried to throw him out, but the father was a very hard one.
00:31:21He was a father and a friend of mine, but the fear and the pain stopped.
00:31:26He would help him alone.
00:31:28He fell into his bed, he was a scorned and he was a dead man.
00:31:33He was a dead man and was a dead man.
00:31:35He fell, he was a dead man and threw him out of his hand.
00:31:41He fell in the middle of his hand.
00:31:43And, like the blood of the dead, the sound of the body removed from the dead.
00:31:51He took his hand and put his hand on his bed.
00:31:55And he fell on his head and he fell on his head.
00:31:58And the stήthos of his life would give him life.
00:32:02And his heart would hit it again.
00:32:07And he hit it again.
00:32:08She tried to get it again.
00:32:13...and they were in the middle of the bed and were in the middle of the bed.
00:32:21The blood flowed in the body and the power of the body.
00:32:26What a dream! What a dream!
00:32:28It felt a bit of a heat to the body.
00:32:32She took the hand and took it into the air.
00:32:37The air!
00:32:37He was my friend.
00:32:38A?
00:32:40A?
00:32:42And he?
00:32:43That was?
00:32:44He?
00:32:45The man who used to kill her, say.
00:32:47He was from the sea.
00:32:49In the sea?
00:32:50He took the water, took the water.
00:32:52He took the water as a black girl, then he took the water.
00:32:56Then he took the water, took the water, took the water, and took the water.
00:33:00He took the water.
00:33:02He took the water.
00:33:02He took the water and took it.
00:33:04It's time for a few seconds, for the last time.
00:33:14Thank you for your kindness.
00:33:24Don't think so.
00:33:47Don't think so.
00:34:05Don't think so.
00:34:06I'm sorry.
00:34:06Yes.
00:34:08That's why three days later, I got out of the keramids and went to the monastery.
00:34:34We love all the time.
00:34:51We love all the time.
00:34:54I think there are two days.
00:34:56We won't be able to find out.
00:34:57I'm going to find out.
00:34:59I'm going to find out what we love.
00:34:59I'm going to find out how many people do.
00:35:02It's a very nice day.
00:35:03I don't want you to find out what they need.
00:35:04I'm going to go to school.
00:35:06I'm going to go to school.
00:35:07I'm going to go to school.
00:35:16Good morning, I'm going to go.
00:35:19I'm going to go.
00:35:26It's a good morning.
00:35:27Good morning.
00:35:28The girls are not for flirt with girls.
00:35:30They are tools.
00:35:31What is it?
00:35:32It's a different job.
00:35:34I'm going to go to school.
00:35:37I'm going to go to school.
00:35:39In the war, they are going to go to school.
00:35:41And then they are going to go to school.
00:35:44And they are going to get out.
00:36:18I'm going to go to school.
00:36:20I'm going to go to school.
00:36:22I'm going to go to school.
00:36:31Pape Oekonomo, Dikigoroz.
00:36:48Valaakis Hiamandounos.
00:36:50Valaakis?
00:36:52Βασιλάκης.
00:36:53Ακριβώς. Βασιλάκης, το βρήκατε.
00:36:55Ως επίθετο φέρει το όνομα των θετών γονέων του.
00:36:58Σιαμαντούρος.
00:36:59Σιαμαντούρος.
00:37:00Ναι, στο στρατό είχαμε έναν Ιωάννη Σιαμαντούρο.
00:37:03Πού υπηρετήσατε.
00:37:04Στις διαβεβάσεις.
00:37:05Ω, εξαιρετικός ο.
00:37:09Κύριοι,
00:37:12πέρασα από εδώ η κυρία Αφροδίτη Σακελαροπούλου.
00:37:18Δεν προσέξαμε, κύριοι.
00:37:20Κόρη του στρατηγού Σακελαρόπουλου.
00:37:23Του στρατηγού της αστυνομίας Σαράντου Σακελαρόπουλου.
00:37:26Δεν ωφελούν κύριοι επιστροφές στο παρελθόν.
00:37:28Σας διηγήθηκε τον άτυχο έρωτα του μικρού κοριτσιού για τον διαστήτη.
00:37:32Για έναν τείχο που έπεσε συζητήσαμε.
00:37:35Κύριε,
00:37:36ο ετός δεν πιάνει μίγες.
00:37:38Η κυρία Αφροδίτη Σακελαροπούλου,
00:37:40όταν παρέσκεται η πύρεια κάποιων φαρμάκων γυρνά στον λόφο
00:37:43και διηγείται τον άτυχο έρωτα του μικρού κοριτσιού σε άγνωστους ανθρώπους.
00:37:48Επιδιώκουμε να διαφυλάξουμε τη δημόσια εικόνα της κόρης του στρατηγού.
00:37:53Ο στρατηγός Σακελαρόπουλος κυνήγησε τον πατέρα μου.
00:37:56Σας είπα!
00:37:57Δεν ωφελεί η επιστροφή στο παρελθόν.
00:38:02Άλλωστε, τους ανθρώπους προστατεύουν οι καλές πράξεις που έχουν κάνει.
00:38:07Η διήγηση έφτασε μέχρι τα φώτα της πλατείας.
00:38:11Εκεί που βλέπει για τελευταία φορά το βιαστήτης.
00:38:14Αλλά μέχρι εκεί φτάνει η διήγηση.
00:38:16Στα φώτα της πλατείας.
00:38:17Σαν το ρολόι της ζωής της να σταμάτησε εκεί.
00:38:21Αλλά η ζωή δεν μένει στάσιμη.
00:38:23Το πρωί η μητέρα της τη βρήκε βουτυγμένη στο αίμα.
00:38:27Ο στρατηγός, στον κίνθυνο διασυρμού της οικογένειάς του,
00:38:31τη στέλνει για σπουδές στο Λονδίνο.
00:38:33Στην πραγματικότητα, τη στέλνει με τη μητέρα της
00:38:36στην ιδιαίτερη πατρίδα του Τιθήβα.
00:38:37Εκεί φιλασσόμενη, απέναν άξεστο εκδοροσφαγία εξάδελφό της,
00:38:42ζει φυλακισμένη.
00:38:45Τέσσερις Δεκεμβρίου.
00:38:46Με τη βοήθεια μιας γριάς Μέας,
00:38:49φέρνει στο φως τη ζωή σε ένα αγοράκι.
00:38:51Είναι προϊόν τροπής.
00:38:53Αλλά τη ευτυχία για τη μηκρή μητέρα,
00:38:55όταν αισθάνεται τα δαγκώματα,
00:38:56να βρει το στήθος της, να βυζάξει,
00:38:59να πιαστεί από τη ζωή.
00:39:00Και ύστερα χορτάτο να βυθιστεί στον ύπνο,
00:39:04παραδομένο στη μητρική εμπιστοσύνη.
00:39:11Την άνάτη ημέρα, η μητέρα παίρνει το παιδί.
00:39:15Και παρά τις παρακλήσεις,
00:39:17για το σπαραγμό της μικρής Αφροδίτης,
00:39:19το τυλίγει με χρυσοκέντη τυπάνα.
00:39:21Και με συγκινή της οδηγό,
00:39:22ανεβαίνει στον Κυθερώνα.
00:39:24Στον βουνό, αφήνει το παιδί στη λύζια νέος δέντου.
00:39:28Σηκώνει τα μάτια στον ουρανό.
00:39:30«Κύριε!» φωνάζει.
00:39:32«Το παιδί είναι ντυμένο και ταϊσμένο».
00:39:35«Το αφήνω στη φροντίδα σου».
00:39:38Την νύχτα, ένας βοσκός,
00:39:41άκουσε το κλάμα του.
00:39:43Το μεγαλώνει μαζί με τα ζωντανά του.
00:39:46Αλλά δεν ξέρει να το φροντίσει.
00:39:47Το πάει στην Κόριντσο. Σε ένα άτεκνο ζευγάρι συγγενών του.
00:39:50Οι θετοί γονείς μεγαλώνουν το παιδί.
00:39:52Με αληθινή αγάπη.
00:39:53Μα έγινε τριών χρόνων.
00:39:54Και ακόμα ένιωθε αποστροφή στη στοργή τους.
00:39:57Απόφευγε το βλέμμα τους.
00:39:58Ακατάδεκτο. Αποκομμένο
00:40:00απ' τους συμμαθητές του.
00:40:02Απομνημονεύει ιστορικά βιβλία,
00:40:04μηδιστορήματα, ποιήματα
00:40:05των μεγάλων εθνικών μας ποιητών.
00:40:09Μοναδική του συντροφιά,
00:40:11ο μικρός ουρακοτάγκος,
00:40:14που ποτέ δεν αποχωρήσετε.
00:40:16Θα βρω παπά αμαρτωλό για να με μεταλάβει.
00:40:19Υχείστε οι σάλπικες.
00:40:21Καμπάνες βροντερές.
00:40:22Δονήστε σύγκορμα τη χώρα πέρα ως πέρα.
00:40:25Βογγείστε τύμπανα πολέμου.
00:40:27Οι φοβερές σημαίες.
00:40:29Ξεδιπλωθείτε στον αέρα.
00:40:30Μπράβο, μπράβο, μπράβο παιδί μου.
00:40:33Σ' αυτό το φέρετρο ακουμπάει η Ελλάδα.
00:40:39Κύριε ο Βαλάκης,
00:40:41όταν ακούσει έμετρο λόγο απαντάει με έμετρο λόγο.
00:40:43Αλλά και πεζό λόγο να ακούσει.
00:40:45Εάν προφερθεί με ποιητικό μέτρο,
00:40:48το προσλαμβάνει για έμετρο.
00:40:49Και πάλι απαντάει.
00:40:52Πέθαναν οι θετοί γονείς του.
00:40:54Και το παιδί έμεινε απροστάτευτο.
00:40:57Σε απόσταση δύο μήνων, έφυγε
00:40:59και ταξιαρχούλα σαν Κελαροπούλου.
00:41:01Μικρή αδελφή της Αφροδίτης.
00:41:03Είχαν αποδημήσει
00:41:04ο αδελφός της και η μητέρα της
00:41:07και ο στρατηγός πατέρας.
00:41:09Και το κορίτσι έμπεινε ξερό κλαδί.
00:41:12Δεν παντρεύτηκε.
00:41:14Τα κορίτσια των μεγάλων οικογενειών κύριε
00:41:16για έναν ανεξήγητο λόγο
00:41:19μένουν ανύπαντρα.
00:41:21Κρυμμένα πίσω απ' τις βαριές
00:41:23κουρτίνες των παραθύρων τους.
00:41:25Ω, η καρδιά άδεια.
00:41:28Ο θάνατος τρομακτικός.
00:41:31Καμία έξοδος.
00:41:32Μη βαλάκι, μη.
00:41:34Μου ξέφυγε παιδί μου.
00:41:38Μετά το θάνατο των θετών γονέων του
00:41:40το πήραμε το παιδί,
00:41:42το ντύσαμε, το φροντίσαμε,
00:41:44το συνοδέψαμε στη μητρική κατοικία.
00:41:47Αλλά η μητέρα του,
00:41:49αφού το κοίταξε ώρα πολύ,
00:41:51έστρεψε και έκλεισε την πόρτα.
00:41:53Την άγια ώρα που το παιδί ψέλισε το όνομά της.
00:41:58Είπε μαμά.
00:41:59Μαμά.
00:42:01Πω ρε βαλάκι.
00:42:05Γιατί τόση απιστία στους ανθρώπους.
00:42:09Τόση υποψία.
00:42:11Πού θα μείνει η περιουσία της όταν αυτή φύγει από τη ζωή.
00:42:15Ποια ξένα χέρια θα σελγήσουν επάνω της όταν το ορφανό
00:42:19θα έχει ανάγκη την περίθαλψη και τη φροντίδα.
00:42:22Εκ του σκότου σε καλοκύριε.
00:42:25Το σπίτι που γεννήθηκα κι ας το πατούν οι ξένοι,
00:42:28στοιχιό είναι και με προσκαλεί, ψυχή και με προσμένη.
00:42:31Το σπίτι ας του νοθέψανε το σχήμα και το χρώμα
00:42:34κι ανώθευτο κι αχάλαστο και με προσμένη ακόμα.
00:42:39Κάθισε παιδί μου.
00:42:41Κάθισε.
00:42:44Μην απελπίζεσαι και λυπάσαι.
00:42:47Το ένστικτο της μητέρας σου θα ξυπνήσει
00:42:50και θα σε σφίξει στην αγκαλιά της.
00:42:53Τελευταία ελπίδα και χαρά μια ζωή στερημένης από αγάπη
00:42:57λόγω της άτεκτης αυστηρότητας του στρατηγού πατέρα της.
00:43:02Ο στρατηγός κυνήγησε τον πατέρα μου επί 20 χρόνια
00:43:06για λίγα δεντράκια που είχε βάλει
00:43:09ή για να με σπουδάσει.
00:43:11Δεν ωφελεί η επιστροφή στο παρελθόν, κύριε,
00:43:14γιατί οι μνήμες πληγώνουν.
00:43:17Έρχεστε να λεπτώσετε αυτοκίνητο.
00:43:34Παλάκι,
00:43:36θα τα οικονομήσεις μπαγάσα.
00:43:39Ο δικηγόρος σου είναι δέρα.
00:43:42Θα της τα πάρει της μάνας σου.
00:43:46Πες μου ένα ποιματάκι.
00:43:51Το βαπόρι από την Περσία πιάστηκε στην Κορινθία.
00:43:54Την είδα την Ξανθούλα.
00:43:56Την είδα ψες αργά που εμπήκε στη βαρκούλα να πάει στην Ξενιτιά.
00:44:00Εστέκονταν οι φίλοι με λύπη, με χαρά.
00:44:03Κι αυτή με το μαντήλι τους αποχαιρετά.
00:44:06Κι αφού πανή μαντήλι,
00:44:08εχάθη στο νερό,
00:44:10εδάκρυσαν οι φίλοι,
00:44:12εδάκρυσα κι εγώ.
00:44:14Εδάκρυσαν οι φίλοι,
00:44:15εδάκρυσα κι εγώ.
00:44:18Πω ρε βαλάκι.
00:44:23Τούτη μπάτσου που ήρθαν τώρα, τι γυρεύουν τέτοια ώρα.
00:44:28Τι καπετάνιωσες εσύ,
00:44:29δεν ρίχνεις δυο ντουφέκια,
00:44:31να μαζευτεί τα σκέρι σου,
00:44:32να δεις και ποιος σου λείπει.
00:44:37Σου λείπει ο Διάκος απ' τα χτες.
00:44:55Μπράβο, Βαλάκη. Μπράβο. Μπράβο, παιδί μου.
00:45:00Κύριε, ο Βαλάκη σας συμπάθησε.
00:45:03Σας απήγγειλε τετράστιχο.
00:45:04Αυτό συμβαίνει μόνο σ' όσους συμπαθεί.
00:45:07Στους υπόλοιπους ανθρώπους απαγγέλει μακροσκελή ποίηματα.
00:45:09Μάλιστα, σε κάποιον που τον πρόσβαλε,
00:45:11του απήγγειλε ολόκληρο το δωδεκάλογο του γήφτου.
00:45:15Έλα, έλα γόρι μου, πάμε.
00:45:17Έλα, πάμε.
00:45:21Αντίο, Βαλάκη.
00:45:23Πηγαίνεις στα πατήσια που πάει ο δρόμος ίσια.
00:45:34Παρακαλώσαι στα βραϊτέ.
00:45:35Για χαμηλώσω λίγο.
00:45:37Και δώσ' μου τες φτερούγες σου.
00:45:39Και πάρε με μαζί σου.
00:45:41Πάρε με πάνω στα βουνά, τι θα με φάει ο κάμπος.
00:45:44Ω.
00:45:44Αυτό, αξίζει κάθε θυσία αυτό το παιδί.
00:45:49Πού είναι τα χέρια σου, κύριε, την ώρα της αδυναμίας μας.
00:45:54Είναι κι ανάμεσα σ' όλα η αγάπη.
00:45:55Έλα, Βαλάκη. Έλα, μου ξέφυγε, αγόρι μου, πάμε.
00:45:57Στο πρωτοφίλη μας, κόρη που εντράπη.
00:45:59Ήσυχα. Ήσυχα. Ήσυχα.
00:46:01Κι όλο μακραίνουνε πύργοι παλάτια.
00:46:03Ήσυχα. Ήσυχα.
00:46:04Κλένε μου οι θύνοι σας.
00:46:05Έλα, ακόμη.
00:46:06Κλένε τα μάτια.
00:46:07Έλα, έλα.
00:46:09Έλα, έλα.
00:46:32Γιατίux.
00:46:33Όχι...
00:46:33Όχι, όχι!
00:46:35Afeer him! Afeer him!
00:46:38Afeer him! Afeer him!
00:46:41Afeer him! Afeer him!
00:46:45Afeer him! Afeer him!
00:46:47Afeer him! Afeer him!
00:46:48Afeer him! Afeer him!
00:46:49Afeer him! Afeer him!
00:46:51Oduzzéa!
00:46:53My brother, we've took him back the man!
00:46:57What will we do, the angry man?
00:47:01We will fight!
00:47:05Let's go!
00:52:03I'm sorry, I'm sorry.
00:52:03I'm sorry, I'm sorry, I'm sorry.
00:52:07I'm sorry.
00:52:12I'm sorry, I was looking for the rest of my life.
00:52:19You don't think so.
00:52:22I was looking for my eyes.
00:52:24I was looking for my eyes.
00:52:30I was looking for my eyes.
00:52:32I was looking for my eyes.
00:52:37I was looking for my eyes.
00:53:01Your eyes, without the sound of my eyes.
00:53:04I wasn't able to see my eyes.
00:53:07I was looking for my eyes.
00:53:09I was looking for my eyes.
00:53:13I was looking for my eyes.
00:53:13Because I was looking for my eyes.
00:53:14Because I didn't let you ask for my eyes.
00:53:16They wanted to walk over my body.
00:53:19They wanted to know how they were loving it.
00:53:27They wanted to forgive them.
00:53:28I loved them.
00:53:28All that's been right.
00:53:31Yes.
00:53:32For those of us, there was never a song written before.
00:53:35For those of us, there was never a song written before.
00:53:40Are you close to me?
00:53:45Yes, right here.
00:53:46Yes, right here.
00:53:47And I'm here.
00:53:48In Petrubua.
00:53:56Are you close to me?
00:53:59Yes, we are.
00:54:02I'm here to see you.
00:54:06You'll be close to me.
00:54:21Did I get it?
00:54:23Very good.
00:54:54Don't worry about it.
00:55:19If I could.
00:55:20Of summer, I'll be close to me.
00:55:28If I could.
00:55:29If I could.
00:55:29If I could.
00:55:29Of summer, I'll be close.
00:55:31If I could.
00:55:32With winter, there is no rain.
00:55:34With sunshine, spring, spring, garden.
00:55:35If I could.
00:55:40I can.
00:55:41If I could.
00:55:43Of summer, I'll be close to me.
00:55:48You know, you know what I'm saying?
00:55:50I know.
00:55:51I have to write it in a few times.
00:55:53And I'll try it in a few times.
00:55:55And we'll try it in a way.
00:55:57You know.
00:55:57What did you say?
00:55:59Because I look at them.
00:56:03From right.
00:56:05You look at them.
00:56:06I look at them.
00:56:07I say, you know, we are learning them.
00:56:10And we are trying to learn.
00:56:11What about you?
00:56:12What about you?
00:56:12I'm sorry.
00:56:13I'm sorry.
00:56:14I'm sorry.
00:56:15I'm sorry.
00:56:16I'm sorry.
00:56:20Minimum
00:56:20Minimum
00:56:25That we الع got about Performing for the year 10th anniversary
00:56:46It's a very good feeling.
00:56:49It's a very good feeling.
00:56:49But it's so good.
00:57:05Very good.
00:57:21Good evening.
00:57:23Good evening.
00:57:27Did you say something?
00:57:29Is it a bar?
00:57:40We've seen something again.
00:57:46Maybe?
00:57:46Maybe in the city?
00:57:51Maybe in the city?
00:57:53You can't go out of the city.
00:57:55You wouldn't go out of the city.
00:57:56You wouldn't go out of the city?
00:57:56You wouldn't go out of the city.
00:57:58You wouldn't go out of the city.
00:58:04Yes.
00:58:06You're right.
00:58:08With a diamond.
00:58:10That is something the diamond was put in the lady.
00:58:12To the Kyrgya Talambeku.
00:58:13To the Kyrgya Talambeku?
00:58:15Yes, to the Kyrgya Talambeku.
00:58:20The Kyrgya Baabha bought a handbag with diamonds
00:58:23and the Kyrgya Baabha found out how to destroy it.
00:58:27They don't destroy diamonds.
00:58:29The Kyrgya Baabha knew better than this.
00:58:33The diamonds are the blood and the blood of humanity.
00:58:40It's a simple feeling for the woman to wear diamonds.
00:58:45It's a sense of sensation and lack of warmth.
00:58:50But it will be worth the money.
00:58:53Why are you talking about the money?
00:58:55Where does a woman find the money?
00:58:57She will buy the money.
00:59:00She will buy diamonds. It's even smaller than the Kyrgya.
00:59:05And without the photo-sciences and the mithical colours.
00:59:08Blu-blah.
00:59:12Why should a woman come from the Kyrgya Baabha?
00:59:15She has been a gentleman.
00:59:16Because you are a woman who has a husband.
00:59:20About the revelations of the Kyrgya mighty Conrad.
00:59:22With the Kyrgya Baabhaaaaa.
00:59:26It's not a time to go.
00:59:30It's a time to sit down.
00:59:32It's a woman's face.
00:59:35It's time to come.
00:59:38To be quiet.
00:59:40To be quiet.
00:59:42To be quiet.
00:59:44To get to the central level of the sea.
00:59:48To open the door of the special world.
00:59:51Do you want to get the only one hundred million years old?
01:00:09Can you give me a little whisky?
01:00:13That's right.
01:01:21Οι αδερφές μου δεν πέρασαν ποτέ το σύνορο.
01:01:25Βέβαια, αυτές παντρεύτηκαν και ακολούθησαν τους άντρες τους.
01:01:31Οι άντρες που έρχονται στο λόφο να διασκεδάσουν είναι στερημένοι.
01:01:35Βλέπετε στα μάτια τους πόσο ανάγκη έχουν τη διασκέδαση.
01:01:40Αλλά αυτή η ανάγκη των ανδρών ίσως εκφράζει την απόγνωση που τους προκαλεί η συνέστηση ότι η ζωή τους, αυτή
01:01:50η ζώδης ανδρική ζωή, περιβάλλεται από διαπέραστα σκοτάδια.
01:02:06Ψυχή μου.
01:02:30Ψυχή μου.
01:02:37Φοβήστε με.
01:02:42Παρουσιαστείτε ξαφνικά και φωνάξτε με οποιοδήποτε κραυγή.
01:02:47Σαν κάποιον που θέλει να πάρει κάτι.
01:02:50Με την αγριότητα θηρίου.
01:02:52Με την άξη στη δύναμη του βιαστή.
01:02:56Ρλάτε, κάντε το.
01:02:58Μην διστάζετε.
01:03:00Σας παρακαλώ.
01:03:07Έλα δω φορώμα.
01:03:26Το είδατε με τα μάτια σας.
01:03:30Όταν κινδυνεύομαι, νοακίνητη.
01:03:34Μόνο ακίνητες γλιτώνεται τα φίδια.
01:03:38Μας έλεγε ο πατέρας.
01:03:55Πλησιάζουμε μεσάνυχτα.
01:03:58Ο λόφος γίνεται επικίνδυνος αυτή την ώρα.
01:04:09Μην το σκέφτεστε.
01:04:15Πρόσεχε.
01:04:28Υπότιτλοι AUTHORWAVE
01:04:57Υπότιτλοι AUTHORWAVE
01:05:16Φώναζε Ελένη, Ελένη.
01:05:18Εγώ κρύφτηκα πίσω από τους φρουρούς.
01:05:20Δεν με είδε.
01:05:22Έβαλε τη μάνα τους σε ένα ταξί και έφυγαν.
01:05:25Πέταξε και πτήσει 4002.
01:05:27Κι εγώ καθόμουν πίσω από την τσαμαρία και έβλεπα τα αεροπλάνα που ερχόντουσαν και φεύγανε σαν αποδημητικά πουλιά.
01:05:36Πόσοι άνθρωποι φεύγουν, πόσοι έρχονται, πόσες καρδιάς ανθίζουν και πόσες μαραίνονται.
01:05:44Να πιάσανε τα κλάματα και έκλαιγα πίσω από την τσαμαρία.
01:05:48Ωραία, σας έφερα σοκολάτες από τα φρή.
01:06:02Βάρχομαι να σας βλέπω.
01:06:23Ωραία, σας ευχαριστώ.
01:06:54Ωραία, σας ευχαριστώ.
01:07:04They came up there and back me and they came to pass me.
01:07:07I told them they would push me out about it.
01:07:10I told them they would like to do it.
01:07:12I told them that there was an increase in my life.
01:07:15I told them I know that I was full of money.
01:07:17They said that they didn't come, that's not the first time I came up.
01:07:20I told them that they came up.
01:07:24My eyes were all of us but I thought that they didn't have my eyes.
01:07:29I told them to get me off, I thought I was going to store it.
01:07:32Be itifols.
01:07:33And nobody knows what you have to do.
01:07:36How did he come to us...
01:07:42To get your hands off...
01:07:45To get our hands over...
01:07:45To get him den...
01:07:46To get him out...
01:07:47To get him out of the place...
01:07:47To get him out of the glass with a jerk.
01:07:59He came not.
01:08:02Since it doesn't exist, how would it be?
01:08:05The ascensor came and many had hit the 3rd and 5th.
01:08:11Don't let them go, they said.
01:08:13And she hit the 6th.
01:08:56I don't know.
01:09:03I don't know.
01:09:0760.
01:09:09There's no chance.
01:09:10There's no chance.
01:09:25There's no chance.
01:09:26Five.
01:09:28I don't know.
01:09:30I don't know.
01:09:56I'm glad.
01:10:21The End
01:10:29I forgot to hit them and start.
01:10:36Since it's a quiet, I forgot to hit them and start.
01:10:42Vala!
01:10:49I was like...
01:10:52I was like...
01:10:57I was like...
01:10:58I don't start, I don't stop.
01:11:03They are away.
01:11:04I'll come here tomorrow.
01:11:09What do you do tomorrow?
01:11:10I'll come here tomorrow.
01:11:11This will pay us for one day.
01:11:15Maybe they won't have ended.
01:11:18And we will ask something from my father-in-law.
01:11:23We will come to the hospital, of course.
01:11:28But we will kill them.
01:11:35Let's go.
01:11:37Let's go.
01:11:44Let's go.
01:11:44Women who have passed from here...
01:11:47From the old and old road.
01:11:50Please stand up to get a water.
01:11:53And we will see you again.
01:11:54We'll get a walk.
01:11:56Let's go.
01:12:05Let's pray.
01:12:06Let's pray.
01:12:13Let's go.
01:12:13Let's pray.
01:12:14Why are you here?
01:12:14Let's pray for the healed and good?
01:12:19That's the way.
01:12:20Let's pray.
01:12:20Let's pray.
01:12:21Let's pray.
01:12:22We will pray.
01:12:23Let's pray.
01:12:23Let's pray.
01:12:24Let's pray.
01:12:33ORGAN PLAYS
01:13:07ORGAN PLAYS
01:13:36ORGAN PLAYS
01:14:05ORGAN PLAYS
01:14:38ORGAN PLAYS
01:14:55ORGAN PLAYS
01:14:56ORGAN PLAYS
01:14:58ORGAN PLAYS
01:14:58ORGAN PLAYS
01:14:59ORGAN PLAYS
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