00:00એટવી ભારત મરે આપલે સાગાંચા સવાગત મુંબઈ ઇન્રનાશ્ણ ફિંસ્તિર્રે મરે આપણાવોથ આની ઇથે એક �
00:08હીંડી દકુમેનટ્રી દા ખુલી ગેલી જેજે ના હોતા વેલીકમ હોમ હરમંજે યાજ જાગાત પ્રતે કારતે ક
00:38હીંઓ એન્ય ંજાતે તીતે કારલા વાટે તીતીત કીતીંન વીલીશે તીતીડ ફીંએ જાલીજરતે વાતીતીતે
01:01to outreach so that people can speak on this subject and can do something on it.
01:08Because it's very sad.
01:10Imagine that you don't have a bed.
01:13You don't have a bed where you can take water.
01:17So, that night, the water was soaked in the rain,
01:20and the road was soaked on the road.
01:23That really moved me a lot.
01:25And that's where I thought that, you know,
01:27you cannot imagine the life which they live on the road.
01:33Because when you see them, you have seen the film, right?
01:37Then you feel how blessed you are.
01:39Everywhere I had a private screening and a screening.
01:42Most of the people told me that after watching this film,
01:45all the problems, all the grievances I had has gone.
01:48Because now we feel we are blessed.
01:49So, you can imagine their situation, how bad they are.
01:52Can you imagine? I used to research for years,
01:55and the day of shoot, they are all disappeared.
01:58Because somebody has asked them to move,
02:00or they had some problem to move,
02:02and they have no address that you can locate them.
02:04So, it was a very difficult film in a making,
02:07but it was a very important film to make.
02:10If you thought, like you said,
02:12that the homeless people are with you,
02:15you have to stay with them,
02:15and you have to spend time with them.
02:17How many years have been this film?
02:19How many years have been this film?
02:21How many years have been your experience?
02:22How many mindsets have been your experience?
02:24How many years have been your experience?
02:26I've been having nine years since this film.
02:28It's been almost nine years.
02:30And during this film,
02:32it's called a life-changing.
02:34It's been a life-changing.
02:35It's been a life-changing.
02:35I was in OCD.
02:37I was in pain,
02:38and I was in pain,
02:39and I was in pain,
02:40and I was in pain.
02:40I saw that they get a bottle of water for the day.
02:44Now, think about it.
02:45And they don't have enough,
02:46for 10 days or 15 days.
02:47They are doing me,
02:48and you are in OCD.
02:49And you are in pain.
02:50And you are not close.
02:52And you will never get close.
02:53So,
02:53the film that you have seen,
02:54you will not get the emotions.
02:57And if you will get the emotions,
02:58then you will get the emotions.
02:59You will not get the pain from the pain.
03:01So, this film has completely changed me.
03:04And I saw that,
03:07there is a woman,
03:08on the road.
03:09There are periods of her.
03:10What will she do?
03:13Do you understand?
03:14If she has to go to the bathroom,
03:16then what will she do?
03:18When I saw all of the difficulties,
03:20I saw all of the difficulties.
03:20I am very physical.
03:22I saw all of the difficulties,
03:22so, the film was changing the most.
03:23And a lot of difficulties,
03:24so, this film is completely changed.
03:24By the time,
03:24a lot of difficulties,
03:29I think you could not go to the situation.
03:31It was just for Hinduism.
03:32I've been just talking about it.
03:33And you were a different country.
03:34So,
03:36in the day of history,
03:37where the poverty,
03:39you have to go to the same place.
03:39And what kind of differences has affected everything?
03:41And what kind of differences are there?
03:44There are differences.
03:45with the differences in Hinduism.
03:46of poverty.
03:48Look, the homeless is homeless.
03:50I was in India because I worked in LA and I saw it in downtown.
03:55There are also buildings here, but there are buildings.
04:00The most common thing is that they have a wall.
04:05You saw a woman who says that I have to hold the bathroom in the evening.
04:09At night, to 8 o'clock, you can think what will happen with this.
04:15Here is the homeless.
04:17Some of the homeless are by choice.
04:20But here is not by choice.
04:23The major percentage is by default.
04:27I have seen that.
04:31But the pain is the same.
04:33The food is the same as the water is the same.
04:36If you think about this movie, it is true in this movie.
04:40If we have such a true story in the big world, what should the director do to do with the
04:45director?
04:46What do you say in the society?
04:49It is real or real.
04:51If you feel it, you will make it real.
04:55If you feel it real, you will make it real.
04:59As I was telling you, because I was a cameraman and I was a woman,
05:02during shooting a day, there was a sentence saying that my camera went down,
05:06and I didn't know the whole interview was finished.
05:09Only the audio had been used.
05:10I have used audio in some places.
05:12This is the thing to feel.
05:14If you don't feel the pain of your body, you can't feel the pain of your body.
05:18I can't even tell you how much the pain is.
05:20When you feel the pain of your body,
05:22it changes your perspective.
05:30It's all about narrative, right?
05:34If you understand, you can narrate it better.
05:37There was a question in the film making.
05:39I have told you,
05:43there are many people who are living because they have to live.
05:47When we are living there, you will understand that they don't have to live.
05:52Then you will see them.
05:54When you are a filmmaker,
05:57when you are a filmmaker,
05:58or you get to meet people,
06:00do you have any thoughts?
06:02How did you change your thoughts?
06:05How did you change your thoughts?
06:09How did you change your thoughts?
06:26How did you change your thoughts?
06:29How did you change your thoughts?
06:29When you are a filmmaker,
06:30It will become a filmmaker.
06:33If you are a filmmaker,
06:34then you will make a film.
06:35Then you can make a film.
06:37Otherwise, it is difficult to make a film.
06:40How did you change your thoughts?
06:43How did you change your thoughts?
06:43Because there are film festivals,
06:45there are some new films.
06:47If there is a real film,
06:49then the director,
06:50or the filmmaker,
06:51what should you do?
06:52If you have a pencil,
06:54then you don't buy 10 more.
06:56Because if you buy 10,
06:58there are resources limited.
06:59There are 10,
07:00which you need to go,
07:01then you will go without a pencil.
07:03That's what I want to say.
07:06You should do something.
07:09How did we do that?
07:10You should do whatever we can do,
07:10then you need to do whatever you are doing.
07:13Whatever we can do,
07:14which we can do the best.
07:18Basically,
07:21what we can do.
07:22You must do the best.
07:25You have to do all that.
07:28The picture is the best.
07:29I am the camera person.
07:30You are listening to the camera.
07:32I'm the camera.
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