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The Vampire Lestat Interview with the Vampire Eng Sub Asian Series EN SUB Season 3 Episode 2 Full🧡🍏 🔥FULL ENGSUB | Reelshort Hot HD
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00:00Watch The Vampire Lestat After Dark on AMC Plus or wherever you get your podcasts.
00:30Is it true you were a stutterer as a child?
00:32His name's Raglan James.
00:34Mr. Malloy would like to stay alive, Rashid.
00:37Got me wondering what it'd be like.
00:38Ride with others, huntin' a pack.
00:41Mmm, the Tooth Team LaFang gang.
00:45I assume a privileged individual such as yourself enjoys a little dirt in their sandwich.
00:50So I serve it to you now.
00:52You're for real?
00:53How it felt then.
00:55Fledgling.
00:56Lover.
00:57Mother.
01:01You are listening to The Failures.
01:04Album 8, Side A.
01:08If you're still listening after the Eid Epiphany of the last hour, welcome back.
01:14I've been fondling my thoughts since the last album and I believe there might be value added
01:20in illuminating the why and how I became me in their light of said Eid Epiphany.
01:26You've weathered the Freudian storms.
01:28And yes, that boat is a penis.
01:31And yes, that ocean is my mother's vagina.
01:35Kiss.
01:35Grope.
01:36Aftercare.
01:37Onward.
01:40Picture Auvergne, France, 1772.
01:44Picture the dingy seat of the Liencourt family at the fag end of a thousand years of aristocratic
01:50decline.
01:51Picture my five dead siblings, Aristide, Marie, Jules, unbaptized, and Faustin, garden gnomes
01:59guarding the undulating domestic bliss of our great hall.
02:03The boy possesses an ability to envision the unseen, the holy.
02:07He would be well suited to the monastic house at Haute-Loire.
02:10And what will you get for this faggot?
02:13Hmm?
02:14A silk line cassock?
02:15Nothing, monseigneur.
02:17I see goodness in your son.
02:18Hmm.
02:19Are you a good boy, Lestat?
02:28I...
02:32Don't...
02:34Don't...
02:35Don't...
02:38No, he doesn't, no?
02:40My son, the Icarus, the next pope.
02:43We can mend his affliction.
02:45Pope?
02:45Let's befeat his rican station.
02:48Titles!
02:49One on the blood-soaked fields of France.
02:51Ni altro ni ano vinti.
02:54Tu n'en ai vinto propria.
02:57Si je compiègne, Barlov coutera!
03:01In time, he would learn to find consolation in philosophy.
03:05What is the course of studies at Haute-Loire?
03:07Aristotle.
03:09Erasmus.
03:10I...
03:10asked...
03:11the question.
03:15Aristotle.
03:16Erasmus.
03:18Aquinas.
03:20Cicero.
03:21Alberti.
03:23Bruno.
03:29The innkeeper tells me he brought these actors back to the inn.
03:35Buys them a sum of wine beyond obligation.
03:39Half the village there waiting for me to pay.
03:43Tenants asking me this.
03:45The escape was not an option for Gabriela Vecci.
03:49The Marquis had promised her preservation and delivered her ruin.
03:53On stage with alls and all masters.
03:57He wants a taste of the theatre.
03:59You tell him to bed one of them.
04:01You don't open the wagon and join up!
04:04I was, um...
04:06impressed in just...
04:09service.
04:09Please.
04:10She sacrificed her youth, squandered her intellect, and paid a midwife to nick her
04:15in the womb so we couldn't humiliate her anymore.
04:17The only elders act in the square like a beggar.
04:20Like an actor.
04:21Actor a gong farmer than an actor.
04:23Better an actor than a cabbage.
04:25Look up from your book when you speak to our father, huh?
04:29Cabbage.
04:30Cabbage.
04:31Cabbage.
04:31He was our little joke, the cabbages.
04:34The cabbage heads with cabbage brains and cabbage wives all speaking cabbage.
04:39At least there would have been some honor in it!
04:42The Lyoncourt name, covered in his shit again.
04:45Love nothing, do nothing, change nothing!
04:47Sit and suffer!
04:49Am I suffering?
04:50Je regrette?
04:51A question for the philosophers.
04:54Can a cabbage suffer?
05:03One hour on stage.
05:05An hour of not displace.
05:09It's dampness and dimness and your Pokemark the wife and Gregoire jamming his cock into
05:16servant girls like he's saucing pork.
05:19Cabbage.
05:20And the stat speaks.
05:22Cabbage.
05:23A verse with players in a wagon!
05:26Cabbage.
05:28Say cabbage one more goddamn time.
05:36Cabbage!
05:37Break his legs!
05:41You will hunt the land as we do!
05:44You will marry your work and have children who will shame you the way you have shamed me!
05:53You will marry your friends who will not scam you!
06:01You will marry your wife and have children who will brief your mind!
06:01She had a cold beauty.
06:03Like snow behind a thick, distorting wall of glass.
06:07And I grew hard by example.
06:09Give me a feast!
06:10Come werep!
06:12But now the wolves, they are taking out sheep!
06:14So bold, now they have lost their fear!
06:16Another one stole it today!
06:18A puddle of guts where sheep used to be!
06:21They will snatch a babe soon.
06:23There have been wolves in the hills since I was a boy.
06:27Magnificent!
06:27The wolves are causing trouble, brother!
06:30It's a famine now, senor, from here to Versailles.
06:34What does he want us to do about it, huh?
06:35Nothing.
06:36Sit there on your titles
06:39while you fumble to find your pricks
06:42from under the awning of your stomachs.
06:47Peace!
06:51Keep coughing, huh?
06:52Seeding the nothings you had,
06:55bearing more nothings will inherit nothing!
07:00Not funny, brother.
07:02Put the gun down, Lestat.
07:04She's with, child!
07:05Hey!
07:06Put the gun down, Lestat!
07:08The wolves will move on!
07:12We ask your protection as our senor.
07:16We would like you to share some of your bounty on your table.
07:21Hey!
07:21Go on!
07:23There's nothing more we can do here!
07:25But be men!
07:34She meant to kill me with the challenge.
07:38Better a quick end than watch me surrender another decade.
07:42Watch me join the cabbages.
07:57And what was this life?
08:02The good in me lost at the monastery.
08:04Wait.
08:06My sense of wonder abandoned in a traveling player's wagon.
08:10Go!
08:11Flush them up.
08:24I wanted the wolves to come.
08:28The wolves.
08:32Until I didn't.
08:53He refuses food, he refuses care.
08:58You killed five wolves by yourself.
09:06Eight.
09:08Not five.
09:14To robot my horse.
09:19My dog.
09:27Eight.
09:33Do the wolves look worse?
09:40There's a mob came yesterday, again tonight.
09:44They wish to worship you.
09:47Your father and your brother's bent with shame.
09:53Come down.
09:55You'll enjoy it.
09:57From room to room.
10:01Slaughtering the three of them.
10:05That's what I dreamt when I killed the wolves, mother.
10:13You know what I dream?
10:20I'm drinking wine.
10:23So drunk.
10:25I dream of my clothes and bait in the mountain.
10:29Stream.
10:36I go into the village, into the inn, and I take into bed any man that come.
10:55Crude men.
10:58Crude men.
10:59Big men.
11:00Old men.
11:02Boys.
11:03Taking them one after another.
11:07And feeling some magnificent release in it.
11:14No doubt.
11:16Of your father or your brothers.
11:23In that world.
11:27I belong.
11:28I belong.
11:31To no one.
11:34Except for me.
11:38Nope.
11:46We are all going nowhere.
11:48All the way.
11:50Am I dying.
11:53I want to survive the winter.
11:56Mother.
11:58Mother?
12:07Finish it, he has a mouth to bless.
12:14Mother!
12:18Mother!
12:22Mother!
12:26Mother!
12:46I saw them too.
12:48Social media coordinator.
12:53I'll check your contract.
12:54It says cocaine whore bucket.
12:56I know, but I saw lawyer.
12:58I saw a guy kill another guy.
13:01Vampire!
13:01Right in front of me!
13:02Vampire!
13:02What the Killjoy second guitarist may or may not have witnessed
13:05was one vampire acting in self-defense.
13:09But he signed a unilateral,
13:10which is a one-way street that I control.
13:13Suitcase bomb!
13:15Where are we?
13:16Buckeye State.
13:18Do you have the fire gift?
13:21Oh my God!
13:24Sick man?
13:25Fuck!
13:26How did I get you?
13:28Sophia.
13:28Sophia.
13:30Forgotten my name already.
13:32Oh.
13:33Hello.
13:34Sophia.
13:37I'm sorry.
13:38Are we not going to talk about last night?
13:40Are we not going to talk about the year and a half of weird bullshit
13:43that you've been putting us through for the past year and a half?
13:45On top of the fact that you can fly?
13:46And you didn't feel like that was at all important to tell us?
13:48It was on fire, but we did fine!
13:49You've been up all day and we got a shit ton list of questions man.
13:52But what whales can you do?
13:54Yeah, like where do you put the body?
13:55Don't answer that!
13:56And when was the last time you talked to our mom?
13:59I could have hung it up there too, I guess.
14:01But we sounded really good in Detroit.
14:03And there were another thousand beautifully unwell to serve in Ohio.
14:06And she had come a great distance to comfort me.
14:11And you are being very patient regarding the vampire incest factor.
14:17And I do appreciate it.
14:18Do you guys play baseball?
14:19Like the Twilight?
14:21One at a time.
14:22One at a time!
14:23One at a time, please!
14:26One at a time.
14:35I'm a little killer.
14:37I'm a lonely one.
14:39I'm a sugar gun up your spine.
14:41Telling you to run.
14:43I'm a hidden shadow.
14:45I'm a last line.
14:47I'm the best of the future.
14:49The last of the soldiers.
14:50The crew and death.
14:51Where the rock and roll is.
14:53Where the guitar is.
14:55Where the hop of me, love and the fish of the mother.
14:58Where the stupid rain.
15:00Bang, bang.
15:03Bang, bang.
15:04Bang, bang.
15:05Bang, bang.
15:06I'll fall down.
15:10Burn the ground.
15:14I'll fall down.
15:18Burn the ground.
15:20Bang, bang, bang.
15:24Bang, bang.
15:31Fabulous.
15:32Moving on.
15:36Do you kill people?
15:39I sleep.
15:40I think.
15:41I sing.
15:41I contribute to local stories.
15:43Do you kill people?
15:44I drain people.
15:45What is the difference?
15:46I don't have to kill when I drain.
15:47I do it on stage every night.
15:49The small cub.
15:50How many people do you kill a night?
15:53This is what I have Fareed for.
15:56Yeah, that's also why you have a body double.
15:58You tell them.
15:59He gets most of his blood from the farm.
16:02Most?
16:02The farm?
16:03It's like a blood bank.
16:05People donate and they're handsomely compensated.
16:07It's all highly ethical.
16:08They tap college burnouts and attic-run bingo games.
16:12Cash only, no questions.
16:14Whoa, whoa, so you're a vampire too?
16:16Three of us, nine of you.
16:19Out and proud.
16:20Three?
16:21Three.
16:22Hi, name's Daniel.
16:24I'm a Taurus on the cusp of Aries.
16:26I prefer A, B, negative.
16:28Who's your maker?
16:29Have you tried our age?
16:31No.
16:31Only 45 people on the planet possess it.
16:35Only nine active donors.
16:38Tell me all about it, babe.
16:40Hey, hey, look, hey, this isn't a goddamn joke.
16:43And only meeting!
16:45I feel the backup security promise that you're protecting those like my clients.
16:48I understand the panic.
16:50You saw something that you didn't want to acknowledge.
16:54But willful ignorance is sleep in a giant's hand.
16:57Willful ignorance.
16:58Oh, come on.
16:59Have you ever seen me in the light of day?
17:00Armand is a day walker.
17:01Did you help me hose off my Mustang at a self-service car washed in Spokane?
17:06As D-E-A-R, as any KFC night manager has a right to be.
17:10Okay, so you do kill people.
17:12Vampires have been among you your entire lives.
17:15We've been a part of the ecological landscape.
17:17How do we know you're not going to kill us?
17:18For years you've been in my band for over a year and a half.
17:20It's not your band.
17:21It's our fucking band.
17:22Jesus Christ, you're such an asshole.
17:23In fact, you've all been protected numerous times without being made aware of it.
17:27What?
17:28What we're doing, the confessional nature of the songs, performing for mortals, the insights into vampiric desires, it's all sacrilegious
17:36to vampirism.
17:38What?
17:38It's not a worry.
17:39I have the blood of Akasha in me.
17:41Sorry, what the fuck is Akasha?
17:42What is important and what we should be celebrating is what we did on stage last night.
17:46Are all your songs about this guy, Louis?
17:48We were raw, nasty, transcendent.
17:51Excuse me?
17:52Then I lost you.
17:54You know.
17:55It's Louis, not Louis, and you, you were referring to, could be one of two dozen paramours at Pompois.
18:02Who's that villain sneaking up from behind with the knife in his hand and a mouthful of life?
18:05We were beyond epic last night.
18:06I pulled the knife from my cane and I held it up to a stop's throat.
18:09And that is what we are all scared about.
18:10I want to stay in bed.
18:11Eating black licorice is not about sucking Louis' death.
18:14Black licorice is about the first kill I made after Louis and I reconciled.
18:19I'd say, I'll call the cops.
18:20Fifty-four thousand, five hundred and fifty-four days before I met Louis DuPont Dulac.
18:25You kill people.
18:26I'm people.
18:27We're people.
18:28And so was I.
18:32No vampire was born a vampire.
18:37F this.
18:38F you.
18:39We quit.
18:42Come on.
18:46Larry.
18:48They don't want to speak.
18:50But, um, being a vampire, I can tell you what they're thinking.
18:54Would you like to know what they're thinking?
18:58Fifteen hundred when we started.
19:00Twenty thousand followers now.
19:02He killed the sound technician in Denver that muddied my solos on purpose.
19:06And he is glad that I killed him.
19:09Except I didn't kill him.
19:10I merely fired him, Larry.
19:13Fate's entourage, the brooms, the tits, the dime store darlings, Bukkake Ice Helmet,
19:18and four others that are not as good but just as successful.
19:22If I don't hit it now, I'm going to marry the bum and have a baby.
19:29Finn Lizzie sucks.
19:31We'd sound better with one guitar.
19:33I don't think that.
19:34Yeah, she does.
19:36It's Alamander.
19:37Another one of Alex's vegan, straight-edge, bullshit mood swings.
19:43You'll find a meeting and be back tomorrow.
19:46Dude.
19:48And I make it a rule never to sleep with my bandmates.
19:56TC was talking about Larry, not you.
20:00You are the best pure musician we have.
20:04Other than me.
20:06So take your time, Alex.
20:08Process it, as they say.
20:10But think thrice before running to the police or sharing in one of your anonymous groups.
20:16Not if you value your life.
20:18Or your brothers.
20:23You are listening to The Failures, album 12, side B.
20:31There's a dearth of privacy on a vampire rock tour.
20:34The bus, shared hotel floors, roadies transporting coffins, etc.
20:39And as front man, you're encircled by those who invariably want something from you.
20:44Now, my mother, Gabriela Vecci, rest her soul, was a complicated hand.
20:49But my fledgling, the vampress Gabriela, was anything but.
20:54And with the bandit soundcheck and Yerda playing billiards on the other side of town,
20:58she, in a less pharmaceutically challenged me, found an evening to catch up and kill time.
21:03And there was simply no one in the garden more effortless in killing time than her.
21:09Why were you in Chicago?
21:10I wasn't.
21:12I was glamping in Vucevic.
21:15You lied.
21:16My maker called for his mama and I came.
21:21And came.
21:23And came.
21:24Yeah, about that.
21:25I know.
21:26We really shouldn't.
21:29We need to make a pact if you're going to stay.
21:31Up to you.
21:32I want you to stay.
21:34A pact then.
21:35Hmm.
21:37Companionship without the calm.
21:40We need new lie.
21:42Weave a basket and fill it with bullshit.
21:47I missed you.
21:51We met in Italy, of course.
21:54Hmm.
21:55The Ambrosian Carnival, of course.
21:57Of course.
21:58And we wore the same costume, of course.
22:01And raced across the Piazza del Duomo to see who would slap each other first.
22:08And then you unmasked me and, well, this face.
22:15I recognized myself, Hilly.
22:21Yeah.
22:22See, it comes back around again.
22:24Hmm.
22:27How long are you going to stay?
22:30Ah.
22:32I saw you two times last century.
22:35It's not an unreasonable question.
22:37Long enough?
22:40Long enough for what?
22:43Long enough to see you sing?
22:46Long enough for you to show me munchie.
22:50Wilmington.
22:52Food courts.
22:54We scuse me.
22:55I want to play cornhole.
22:59We scuse me.
22:59Rust on the rust belt.
23:01All the speed on the floor.
23:02All the moist cavities.
23:04We scuse me.
23:05I want to know this place a grasso.
23:07How it hypnotizes my son for a century.
23:11We scuse me.
23:14Can I take you to dinner, Sophia?
23:17I would love that.
23:20We thank you.
23:23In a glass corner of a glass building, a group of building glass salesmen were closing a sale
23:29of a substantial amount of glass sold to a company in yet-to-be-tariffed Germany.
23:34There was to be a ritualized Saturnalia in both countries that night, and we invited ourselves
23:40to the one closest to.
23:42A study commissioned by the Centers for Disease Control on rates of depression in mid-sized
23:48American cities ranked Toledo number two on their list.
23:51Heads are down in Toledo, which makes it a fine city to travel via the cloud gift, which
23:56was Gabriele's preferred mode of murder transport.
24:00Why take so many cars?
24:03Triumph is a dark road, Sophia, and each man must find his own exit.
24:08The worst reveal themselves through time in the groaning.
24:12Nine at the indoor golfing range, seven eating seafood towers at the chop house, five crept
24:19out at the casino, and then there were three, all tippling by the time we plummeted back down
24:26the backside of Chubbs, a bar contetta blocks off the Mome River.
24:30Our hunger propelled us inside, and we watched as the remaining items on the menu marinated
24:37themselves in the pole-ravaged sweat of sex-positive, sex-cynical, sex-stipulated dancing.
24:45They had closed their deal, and we would close ours.
24:49We watched them, watched them, watched them, and only sometime later would I understand
24:54we were being watched as well, by those who were always there, a curious tangle of hunters
25:02and hunted that warm spring night.
25:07And then it happened again.
25:12Are you a good boy, Lestat?
25:15An unamusing muse.
25:18Was this the first soldier over the wall the Oracle Jenks forewarned me about?
25:23Or the last fumes of Detroit?
25:25Oh, if you're ever homesick, there's a, uh, classy Italian place, uh, on Adam Street.
25:31Do they have spaghetti?
25:32Yeah, do, do you work here?
25:35Uh, go on, what about the, tell me more.
25:40Lover?
25:41Where are you?
25:42I'm with Sophia.
25:43I don't want to know.
25:44You have to do a sit-down with Thomas Pitt and lawyer tomorrow.
25:46That's your job, lover.
25:48I'm doing my job, motherfucker.
25:50No more.
25:50We have a pact now.
25:52What?
25:54Who's Thomas Pitt?
25:55The owner of the hotel you defiled in Detroit.
25:57His lawyer says he's a fan and would appreciate an exclusive fan experience.
26:02Do I have to fuck him?
26:03Yes.
26:04Call an Uber, go to coffin.
26:07Fine.
26:10Thank you, Carol.
26:11Uh, do you work here?
26:13Wait, did I ever ask that?
26:19You really have to understand,
26:20the vampire Gabriella when she wasn't free soloing a mountain or stirring a singing bowl
26:27in some dreary village.
26:29It was good company.
26:32Even as you're being out-monstered, out-bantered, it feels good.
26:37Like watching blood down a staircase feels good.
26:42Or finding a party invitation in your victim's pocket.
26:45Well, I mean, it doesn't happen anymore to empty invites, but...
26:49Being with Gabriella is like...
26:54Like...
26:56Like...
26:58Oh, predatory spirit.
27:02A good candidate for the great conversion.
27:08Well, Randy, last man standing,
27:13loves glass.
27:15Also knows somewhere inside that he does not love glass.
27:25I'm starving.
27:29Shall we take them both now?
27:31One each?
27:33I want to share mine with you.
27:36So we wait.
27:38We wait.
27:42Do you have a lot of sex?
27:48I'm a rock star, Mal.
27:51Of course.
27:53Do you like it?
27:56Like you do the blood.
28:00It's never like the blood.
28:07We couldn't help ourselves.
28:12We rode the edges of our pact.
28:19Hi.
28:19Hey, just leaving the job post.
28:21You okay to drive?
28:22Yeah, yeah, of course.
28:23Daddy!
28:24Hey, kiddo.
28:25What are you doing up?
28:26I can't sleep.
28:28Back to bed.
28:29Listen to your mom.
28:30I'll give you a kiss when I get home.
28:31Okay.
28:33I love you.
28:34Okay, bye.
28:36Boop, boop.
28:38You are listening to The Failures.
28:40Album 15, side B.
28:43Estimates on the structural damage are still being calculated,
28:46so the figure we've put forth was based on comps the engaged architectural firm provided.
28:51Comps? For a hotel hallway massacre?
28:53Comparable damages to comparable spaces.
28:55I'd like to add a line for cascading glass.
28:57The parking structure below had a fleet of vehicles lacerated.
29:00These cleanup numbers are made up.
29:02The cleanup numbers in this case are mostly going towards silencing witnesses.
29:04This is not my first clown rodeo, Grace Jones and Goochie.
29:07And Salt received his compliment.
29:08Anyone who won't take a couple thousand in an envelope.
29:10You guys do the mind-wipey thing so you can take that line item and hold it over your vampire
29:14bidet.
29:15We could have done the shit over the phone.
29:16According to Mr. Pitt here, your client's the one who called this meeting.
29:19He did no such thing.
29:21You stole my personal physician.
29:23You hired my biographer.
29:25You trashed my hotel.
29:26I didn't know it.
29:27The Detroit Coven trashed your hotel.
29:28I've heard the songs.
29:29The songs are not about you.
29:31It feels like a cry for help, so I flew in because I care.
29:37Oh, just as you cared in your book.
29:39We've been through all this.
29:40The fact that you insulted me page after page after page.
29:44Take it up with Malloy, who wrote it, or the Tala Mosca, who published it.
29:48Why are you employing Sam Barclay after Paris?
29:51He's paying down his debts.
29:52Oh, bottom line, Malloy.
29:54All students negotiated.
29:55Sam didn't get on a boat.
29:56We're here to litigate.
29:57Sam didn't memorize the dates.
29:59He did not direct a play and then come home canoodling with one of its victims, did he?
30:03Who did that, I wonder?
30:04Repeat the name.
30:05That would be Armand.
30:06Armand.
30:09San Diego, I could understand.
30:11At least he had a presence, but I'm happy to discuss Armand.
30:14If you think that would help you.
30:15Is it true that you had a second home in Sausalito with him?
30:19We did.
30:19Did you take turns driving across the Golden Gate Bridge who held the wheel harder?
30:23Yeah, writing numbers on each other's backs and pretending to guess them wrong.
30:27I bet.
30:28I bet!
30:30Come on.
30:30Very specific details are blocked out of thin air.
30:33What are they, folks?
30:35Are we taking minutes of this?
30:37I think we can wrap this up dispassionately.
30:39Yes, let's try and circle back to the particulars.
30:42Are you two fucking?
30:44Yes.
30:47Companion enough for yourself or you're over?
30:50He's not my companion.
30:51He's a great lay and emotionally unavailable.
30:55So, you doing her?
30:56Yes.
30:58Petite, surprising, and can perform what most metropolitan training systems can only dream
31:03of.
31:04Okay.
31:06Are you enjoying this exclusive fan experience?
31:10I have.
31:11Christine, could you please provide two tickets to Mr. Pitt here and his Esquire for tomorrow
31:16night's show?
31:16One will do.
31:17Lemuel doesn't enjoy your music.
31:19I do like your merchandise, though.
31:21Healthy margins, considering the size of your tour.
31:23That's why I own 40% of it.
31:26Of my merch?
31:2825%.
31:2845?
31:29My bad.
31:30I'll look into it.
31:32I was afraid, I was afraid, I was afraid.
31:35I was afraid, I was afraid, I was afraid, I was afraid, I was afraid, I'm afraid, I'm afraid.
31:56Sounding a little thin without Alex.
31:59Larry likes it.
32:00Everyone else is freaked.
32:04The start in his hostage squad.
32:06Get me a shot of his latest friend-o there.
32:10Copy that.
32:11Where?
32:12The cougar Milanese in the crowd.
32:15Got her.
32:16No, no, no, no, not her.
32:17The one standing in judgment of the Buckeye God.
32:21The one from the bus?
32:22Yeah.
32:24Okay, now go up from her to the balcony and get me a frame of pretty green eyes again.
32:29Okay.
32:30Got him.
32:31Who is this guy?
32:32He is the story.
32:41Mr. Dulac, what brings you to Toledo?
32:45You're looking younger, Daniel.
32:48A lot of sights in Manjaro.
32:51I'm still pissed.
32:54Want to brawl it out in the alley after the show?
32:59All right.
33:13What's going on?
33:15What the fuck can you do in here?
33:16Oh.
33:43What the fuck can you do in here?
33:47The prettiest song in the world
33:52But I got distracted
33:58All I did ends up
34:13Oh, why, why, why, why do I have to leave?
34:22The pain is too much just to leave
34:35Call comes in from some Hollywood asshole
34:38Asking me whether I want to write the movie version of the book
34:40I'm like, blow me, lose my number
34:43Calls me back a week later, what about a documentary?
34:46I'm like, Louie won't even talk to me
34:48He says, not Louie, Lestat, the white guy
34:51Old friends, talking around the small betrayal that kept them apart
34:55And I know what you're thinking, he wasn't there
34:58But this is my hour, and when tertiary figures appear in it
35:02I will be speaking for them
35:04Daniel, Mr. Dulac, anyone I feel is important towards understanding
35:09How I woke the Queen and unleashed her wrath upon the world
35:12I am everywhere
35:14And rest assured, it comes with less whining than their attempt
35:18Did it happen in a bar with a view?
35:20I say it did
35:22How are you taken to the gift?
35:24You adore him?
35:26I'm alright
35:28Vampire loneliness, I get it now
35:31I've taken up bowling
35:33And I have this weird thing that happens
35:37Where suddenly everyone around me disappears
35:40Like the raptures come
35:42And I...
35:44You know...
35:47I feel him
35:49Armand?
35:53Yeah
35:54That happened with you and Lestat?
35:57No
35:58Oh
36:01Sounds weird
36:03Look, I'm sorry
36:04Okay?
36:06I should've asked you before I published
36:08I'm sorry
36:10I would've said no
36:14I can't fly
36:15I can't start fires
36:17All I got is the low hanging balls gift
36:19I wanted something out of it
36:22I'm glad the book worked out for you
36:24Didn't do too much damage to you
36:26Or whoever you are
36:27Thomas Pitt
36:29Hotels, bars, mall, retail
36:32I sold money on the table
36:35You read it?
36:37You liked it?
36:39I didn't like me in it
36:43Passive
36:45Selfish
36:45A liar
36:47And not the lying to myself kind of fucking
36:50Liar
36:52The writing's good
36:53Hard read
36:56He didn't like the part about Claudia and him on the train
37:01Yeah, we were finding our way back again
37:03When the book dropped
37:04It hurt him
37:10I called one of my daughters
37:11The first month dead
37:14Called her again during the book tour
37:17Hung up
37:18Hung up
37:20Probably the right move
37:24I saw Claudia
37:27In New York
37:28Coming up the subway
37:29Claudia?
37:31Someone
37:31Someone who looked like her
37:33But in her 20s
37:34She'd have made it to her 20s
37:38Saw her come up
37:40I watched her turn the corner
37:42Happened to be going in the same direction
37:44Kinda
37:45Kinda
37:45Sorta
37:47I saw her walk into a diner
37:50And I couldn't help myself
37:54I go inside
37:56I grab a booze
37:59It's not her
38:00She's not there
38:02Chase the ghost, I guess
38:07So I order a donut
38:08And coffee
38:09You know, just to pass
38:12Then she comes out the back
38:14In her uniform
38:17It's not her
38:20This one's got a different walk
38:23And...
38:24Accent
38:28I'm not in this section
38:31I walked out
38:35Don't eat me for this, Louie
38:39Uh...
38:39My producers want to meet you
38:46Rashid?
38:47Rashid?
38:48Daniel Molloy
38:49Raglan
38:49James
38:50Louis
38:50DuPont
38:51Dulac
38:51We all worked together in Dubai
38:53Virgil Arab
38:55Now Haven Med Senior Care Headquarters
38:59Said I'd introduce you
39:02They got me on retainer
39:04Mm-mm
39:05Not cool, Daniel
39:09We all argued about this color
39:29What does he know about me?
39:31What did you tell him?
39:34That you died in 1794
39:36Of consumption
39:37Mercy
39:38Saved you from the peasant's revenge on our family
39:41I only ever saw the aftermath
39:43Your slit throat slow to heal
39:48Your rotting roof and bathrobe stuck to skin
39:53An aloof poetry behind the eyes
39:58Uncanny beauty
40:03Unelusiveness
40:04Come, go
40:06Yes, no
40:08I see why you gave him a daughter
40:11I see why you took her back
40:16And we were having such a good night, Sofia
40:19And now we're not
40:22Forget her, Sally
40:34Your father's tongue
40:36It's my tongue
40:37In Italy never made a Baudelaire
40:42It's been a tenor
40:45It's been a tenor
40:46A big song of a song of a song of a song of a song of a song of a
40:53song of an ice
41:06Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah.
41:16Atraver la cité, quand on dans un choclot,
41:21ils inventent, transformant les bavés en élo.
41:25Des interhôts, la soif de chaque rietteur,
41:28et partout colorant, rouge de nature,
41:34We shall head home to the tower.
41:39The night is young.
41:41We travel so fast we could be there in an hour.
41:45Where am I?
42:03I admire, for a day, the terrain that has me.
42:09The wind is the most clear and the rain is the most beautiful.
42:18I've been looking for love forever and forgotten.
42:27But love is for me like Adelaide.
42:33I'm going to give the water to the sea.
42:39But love is for me like Adelaide.
42:44I'm going to give the water to the sea.
43:05I'm going to give the water to the sea.
43:08I'm going to give the water to the sea.
43:30Noah, his wife, his three sons, and their three wives.
43:34Eight people.
43:36And now, somehow, eight billion.
43:41At some point in your privileged family tree is the thing we are discussing now.
43:47And familiar relations were not a standalone crime in the 18th century.
43:52And she was dying when she came to see me.
43:57Fuck it.
43:58It's different for vampires.
44:00That's it.
44:01Distribution of fentanyl for half of Michigan.
44:04Operation of an unsanctioned and unsanitary farm from their home.
44:08And in a surprising labor of ambition, managed to take down the miso power grid the other night.
44:15Not the pneumatic tube the upper floor wants to receive.
44:18So real Rashid is really Rashid?
44:20That's his actual name?
44:21Ah.
44:22Um, I emphasize the first syllable.
44:26Rashid.
44:27Rashid, do you have a preference?
44:29No.
44:31I have a plane waiting for me.
44:33This coven in Detroit.
44:34They were the ones responsible for the damage to your property.
44:38I'm insured.
44:39And, uh, I knew that already.
44:40They tried to decapitate your love.
44:43What's the ask, Mr. James?
44:47We would like you to take care of our problem in Detroit, Mr. Dulac.
44:54No.
44:54One, we're understaffed and overworked.
44:57The exponential growth in your numbers not helping matters.
45:01Two, the shop's protocols of engagement limit our roles in these kinds of operations.
45:07We clean up.
45:08We don't make the mess.
45:10And three, you're extremely skilled at dispatchment, Mr. Dulac.
45:16Paris, Dubai.
45:18How many in Dubai, Rashid?
45:19Thirty-one.
45:20Thirty-one?
45:21Thirty-two, if you count Agent Talbot.
45:24No great loss.
45:25None of us like too much.
45:26I only kill those who come for me first.
45:28The coven leader's name is Killer.
45:30Tell Vampire Sam I'm gonna need him in Vegas and Reno next month.
45:34Been tracking him since 1925.
45:36A coffin offloaded from a boat out of Copenhagen.
45:41I don't care.
45:42Went by a different name then.
45:44His name was Bruce.
45:46Bruce.
45:53I believe your Claudia spent a few nights with him once.
45:58Hmm?
46:12Evening then, I'm good to be here.
46:18Nicolas D'Enfant.
46:20D'Esta?
46:21What are you doing in Paris?
46:28Your mother?
46:33I want you to lie!
46:35I want you to lie enough to give it to me!
46:42How did I get here?
46:43Sophia.
46:44Sophia.
46:53Within this context of the failures, the first big failure was the failure of his family
47:00unit.
47:00Are you a good boy, Lestat?
47:06Answer your brother, Lestat.
47:07As a kid, his mother was the only person in this very hostile environment who sort of showed
47:14him any sort of affection.
47:15When they first knew each other as humans, and Gabriella was Lestat's mother 300 years
47:21ago, they lived in a situation where neither of them had any agency or power.
47:28She had a horrible relationship with her husband and was deeply unhappy and lonely.
47:34There's a lot that you learn about who Lestat is when Gabriella, his mother, shows up.
47:40Now the wolves, they are taking our sheep.
47:43They will snatch a babe soon.
47:45Go on!
47:47There's nothing more we can do here!
47:49But be men!
47:51She knows that if anybody's gonna get up at that table and try to solve this problem
47:56with the wolves, it's going to be Lestat.
47:59The killing of the wolves is connected intrinsically to Gabriella.
48:03But Gabriella is saying, go out and be something.
48:08This is Lestat's moment to be like, I'm gonna do something.
48:11I'm gonna make something of my life, and I'm gonna go out and kill them, even if I die.
48:23When Lestat kills the wolves, he's 30 years old.
48:27And in Gabriella's mind, he's been at home longer than he should have.
48:32From room to room, slaughtering the three of them.
48:36That's what I dreamt when I killed the wolves' mother.
48:39That is a shared desire between the two of them.
48:43And then that's given him enough impetus to get out and go and do something.
48:46He goes to Paris, turns into a vampire, his mom's dying, turns his mom into a vampire.
48:57Once Gabriella has turned into a vampire, they both want to go back and kill them, and now they can.
49:09She can now live the life she's always wanted to live, and vampirism liberates her.
49:15I was absolutely drawn to Gabriella's absolute love of being a vampire.
49:24For her, it is almost like a finding of herself, I think, or certainly the only time in her life
49:31that she has had autonomy and power.
49:35Do you have a lot of sex?
49:38Of course.
49:39Do you like it like you do the blood?
49:42It's never like the blood.
49:43They love each other.
49:44I mean, they're mother and son, and they're lovers.
49:46I mean, and they're fledgling and maker.
49:48I mean, they have a super complicated relationship, but they're the only people still alive that both knew each other
49:53when they were human.
49:54I think that's really important, is that you know me, who I really am, you know where I came from.
49:59You know what my fundamental drive is, and you remember me as a human being before I was this other
50:05thing.
50:06So they're deeply connected, and it's toxic, but, you know, everything's toxic in the vampire world.
50:25You stole my personal physician.
50:28You trashed my hotel.
50:29I didn't know it.
50:30The Detroit Coven trashed your hotel.
50:32I've heard the songs.
50:32The songs are not about you.
50:34It feels like a cry for help, so I flew in, because I care.
50:40I think Louie's being a complete troll in that scene.
50:43He gets off on making Lister angry, I think, to some extent.
50:47Did you take turns driving across the Golden Gate Bridge?
50:50You held the wheel harder.
50:51Writing numbers on each other's backs and pretending to guess them wrong.
50:55I bet.
50:56I bet!
50:57It's a really fun scene.
50:59It's a real attack, and he knows he's going to rile him up.
51:02It was quite strange to go from being this, like, very strong, centered vampire,
51:08to being just sort of petty.
51:12Christine, could you please provide two tickets to Mr. Pitt here and his Esquire for tomorrow night's show?
51:18One will do.
51:19Lemuel doesn't enjoy your music.
51:22As petty as he's been, I think Louie is looking forward to seeing Lister show.
51:29I was afraid, I was afraid, I was afraid of Louie!
51:38I think he's also impressed.
51:39This is what he should have always been doing.
51:41I was afraid, I was afraid, I was afraid of Louie!
51:46A lot of his songs, you don't really know who they're about.
51:49Could be about Louie, could be about Nicky, could be about Gabriella.
51:51It's very on brand for Louie to think every song is about him, and then on another level,
51:57I think there's probably like a gossipy side of Louie that's like, who's this about?
52:01When did this happen?
52:02Who is that?
52:02Who is he?
52:03Who is she?
52:04Could be about just the fact that why does he have to feel in general?
52:07Because he's a very emotive character, and he kind of gets totally riled up in his own emotions,
52:11and he'll ride them.
52:12So, I think that can be a frustrating thing.
52:15I mean, he's obviously doing a very intensely power-thrusting version of the song,
52:21and intentionally ignoring Louie until he can't anymore.
52:42Oh, I, I tried to write you the prettiest song in the world.
52:53But I got distracted.
52:57When he gets the book, and he sees that it's all scribbled and scrawled, and I think it's
53:03when the guilt really starts to creep in.
53:05This is the first time they've had a little private moment about it.
53:08Louie has that kind of effect on the start that he, you know, will get so angry that it
53:12will freeze time and fly up to him and sing in his face.
53:15Oh, why, why, why, why do I have to feel the pain?
53:26Hey, hey, hey, hey.
53:28Hey, hey, hey, hey.
53:29Hey, it's too much, it's too mean.
53:33Janet Taylor is going to be here.
53:34Hello.
53:35Hey, hey, hey, hey.
53:53Hey, hey, hey.
53:53Hey, hey, hey, hey, hey.
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