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00:00:28Transcription by CastingWords
00:00:58Transcription by CastingWords
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00:02:52All I'm saying is we need to be more aggressive when it comes to investments.
00:02:56Conveyancy and litigation is your bread and butter, but focusing on those simply limits expansion.
00:03:02Just my view.
00:03:03This isn't the city, Toby.
00:03:05We have a robust financial base for expansion, but there's only so much land we can have.
00:03:09Our records indicate that we've expanded well over the last two years.
00:03:12Because if...
00:03:15Not if we're careful about how we do things.
00:03:18You brought me in for a reason, Stanley.
00:03:20I know how to move money under the radar.
00:03:22Let me do this for you.
00:03:24No, hold fire.
00:03:25I want Rowan in on this.
00:03:45The figures indicate we've expanded.
00:03:48Take it.
00:03:50You want some?
00:03:53Take it.
00:03:56Take it.
00:03:57Take it.
00:04:08Take it.
00:04:13Take it.
00:04:15Take it.
00:04:35you'll be safe here maybe for a night please avoid being seen in the village
00:04:43you have kind eyes Samron you should go
00:04:56what the fuck's that on your breath aviation fuel
00:05:00Stan filled me in on your conversation are we certain that there's no electronic trail if we
00:05:06move such large sums of money of course it's what I do Stanley I know you're on the legals but
00:05:12you
00:05:12have to trust me on this he's a stickler for details Toby you've got to be sure this village
00:05:18there's not enough hunger around no ambition those fossils at the rustle estate around the
00:05:25corner there are targets sitting around waiting to die but before they do we need their investments
00:05:33no I'm with them on this one let's compete Montague John and Partners is your creation 30 years okay
00:05:40okay let's be level-headed Lauren earlier you mentioned shell companies it seems to be the
00:05:46obvious route it's easy us it's harder to get a library card than it is to set up a shell
00:05:51is this
00:05:53strictly legitimate to find legitimate I mean half of London is cocaine money right and they can't track
00:06:00that back to the shelves small fry like us we'll just pass under the radar we're not small fry don't
00:06:06use that time again are we going to the gala every year to be upstaged by the cronies at Peters
00:06:12and
00:06:12Craig she's right they took a big chunk of your client base and called you a childish prick when you
00:06:18dare to object don't forget that bugger I'm in a meeting five minutes ago okay I'll authorize it
00:06:27prepare the paperwork will that be all mr. bass maybe
00:06:59start you
00:06:59start today
00:06:59yeah
00:07:36After this, please don't follow me again. I can't be seen with you.
00:07:40Tell me what you know, what they didn't tell the police.
00:07:43The company have so much power you would not believe.
00:07:46What's going on in the company, Claire?
00:07:49Hello, Mr. Robbins.
00:07:51Claire.
00:08:00So I'm looking to move down south, get some work in a deafling environment.
00:08:03Nothing long term, you understand.
00:08:05Oh, that city life just got the better of me.
00:08:10Sorry, I have to get back to work.
00:08:27We need to clear the meadow to build the car park.
00:08:30But the local Greens are up in arms.
00:08:33My strategy would be to cite unemployment, boost the local economy and so on.
00:08:39Absolutely.
00:08:40They'll come around.
00:08:42Money talks at the council.
00:08:43It always does.
00:08:45Anything else?
00:08:47Saw a new woman in the village earlier.
00:08:49In the tea rooms.
00:08:51Really?
00:08:52Why didn't you say before?
00:08:54Well, because I was distracted by you throwing those bloody things at me.
00:08:58God, Robbins, you are such a crushing bore.
00:09:03So, this new woman, do we have to worry about her?
00:09:07Some drifter looking for work.
00:09:09Scottish.
00:09:1030s, maybe.
00:09:12Hot, was she?
00:09:13I'd say so.
00:09:15Didn't see her legs, though.
00:09:16She's wearing trousers.
00:09:19Shame.
00:09:20Where's she staying?
00:09:22I don't know.
00:09:23She was talking to Claire.
00:09:24Must know her somehow.
00:09:26You don't know.
00:09:28OK, well, go ask Claire.
00:09:40All I'm saying is he's become a lot more manic of late.
00:09:42He's shifted money left, right and centre.
00:09:44Can we really trust him?
00:09:46Toby's lifting us up out of the mire, Stan.
00:09:48Let him do his thing.
00:09:49But I'm the one that's in charge.
00:09:51It's my head on the block, not his.
00:09:55I'll speak to him.
00:09:56Settle him down.
00:09:57He knows his stuff, but he just needs to understand to tread carefully.
00:10:02There you see my calm Stanley.
00:10:07Is Hazel going to be off to play bridge tonight?
00:10:13Let's not talk about this here.
00:10:15The car's going to take a while.
00:10:17Shall we go back to mine?
00:11:04I saw a new woman in the village yesterday.
00:11:06Tall.
00:11:07Blonde.
00:11:08God, you sound like Robbins.
00:11:09Yes, I heard.
00:11:11Scottish, apparently.
00:11:12Where did you see her?
00:11:13Oh, uh, somewhere in the village.
00:11:15Right.
00:11:17Robbins saw her with Claire yesterday, but we don't know where she's staying or anything, really.
00:11:22Just someone she bumped into, apparently.
00:11:26Send someone to check her out, will you?
00:11:29Yes, siree.
00:11:44Monty saw the new woman.
00:11:47He wants her checked out.
00:11:49Claire?
00:11:50Like I said to Mr. Robbins, I bumped into her in the village.
00:11:54She seemed lonely, so we had a coffee.
00:11:57We didn't talk for long.
00:11:58So she didn't tell you where she was staying?
00:12:00No, just that she's looking for work.
00:12:02Judging from her accent, she's...
00:12:04Scottish, yeah.
00:12:06Goodbye, Claire.
00:12:10Why do I get the feeling that sometimes people lie to me?
00:12:16You wouldn't lie to me, would you, Robbins?
00:12:19Certainly not, sir.
00:12:20I'm all about loyalty, and I will go to the ends of the earth...
00:12:23Oh, shut up, you idiot.
00:12:26Look, take the morning off.
00:12:28Go find our hot Miss Scotland.
00:12:31Monty's right.
00:12:32It's just a precaution, but we need to keep our eyes on her until she leaves the village.
00:12:37Got it?
00:12:38Leave it to me, sir.
00:12:39Only no stone unturned.
00:12:42Karen, diary.
00:12:44What am I doing today?
00:13:01Oh, shit.
00:13:04Sam, run.
00:13:14Sam, run.
00:13:16I'm round the back.
00:13:30Ah, Sam, run.
00:13:33How's the repair going with Stanley's car?
00:13:37Not too bad.
00:13:38You might need a re-spray and some re-wielding, though.
00:13:41Yeah, hell of a prang.
00:13:42And you know he hates running around in that bloody shopping car.
00:13:46Incidentally, you will keep quiet about picking it up from Miss Oak's place, won't you?
00:13:50Of course.
00:13:53Good chap.
00:13:55Moving swiftly on.
00:13:56Have you seen a new woman in the village?
00:13:58Pretty thing.
00:13:58Blonde hair.
00:13:59Where's a long coat?
00:14:04I ain't seen no new woman in the village for a while, Mr. Robbins.
00:14:11All right.
00:14:12Well, we like to keep an eye on things around here to keep the equilibrium, so you will let
00:14:16me know if she turns up, won't you?
00:14:22Good to see you, Sam.
00:14:37Good to see you, Sam.
00:14:56Hello, Mr. Robbins.
00:14:58I didn't mean to startle you.
00:15:00You didn't.
00:15:02Right.
00:15:03Well, we don't get many strangers in this village, especially young, attractive women.
00:15:08Can I ask why you're here?
00:15:10I've come here to ask some questions about my sister.
00:15:15What questions?
00:15:16What sister?
00:15:18What's your name?
00:15:19You work for Montague John and Partners, don't you?
00:15:23Hang on, you're supposed to be Scottish.
00:15:26Don't play games with me or you'll regret it.
00:15:29Oh, goodness.
00:15:30I forgot.
00:15:31I was ideaing to find us a Scot today.
00:15:33Silly old me.
00:15:35Very funny.
00:15:36Or maybe I'm from across the Bledger, from a family of call miners and, like, bee players.
00:15:44Poor boy.
00:15:46All stuffed up in that suit.
00:15:49Collar itchy, is it?
00:15:52Do you know what I'm sensing?
00:15:55You're married, but yearning for a little extra entertainment on the side.
00:16:01Am I right?
00:16:03This has gone far enough.
00:16:04You've been fantasising at night whilst your wife sleeps next to you.
00:16:09I can tell.
00:16:11You want a playful mistress, don't you, Robbins?
00:16:15What?
00:16:17Ah.
00:16:18Ah.
00:16:19Stop this.
00:16:21This is how it works.
00:16:23I'm going to be asking some questions of you and your colleagues at that company.
00:16:27Understood?
00:16:29Because my sister, Sybil, was murdered two years ago and ditched in a lake.
00:16:33And I'm here to find the fucker who did it.
00:16:48I think we're nearly here with this one, and it's all completely apart, and there's a small
00:16:51piece here and there.
00:16:53Can you have it together?
00:16:54Yeah, thank you.
00:17:02Come here.
00:17:03Bethany returns soon.
00:17:04I don't think this is a good idea.
00:17:06I said, come here.
00:17:13Do you know what interests me about you?
00:17:18All the other women at the firm, and most of them in the village, they yearn to be with
00:17:22me.
00:17:24But not you.
00:17:26You resist me.
00:17:28That's what interests me about you.
00:17:30But I haven't resisted you, have I, Toby?
00:17:34I gave myself to you.
00:17:36Then why don't you show me you want me like the others do?
00:17:42You've been with Bethany for over a year now.
00:17:45She wants to get engaged.
00:17:46She told me.
00:17:54Look at any of them.
00:17:57Look at any of them.
00:18:00Leaders, billionaires, politicians.
00:18:03We all need something more.
00:18:05Please.
00:18:06Toby, I don't want to.
00:18:09You're too rough.
00:18:10It hurts.
00:18:12Oh, don't start fucking crying.
00:18:16Take this off.
00:18:17Now.
00:18:17I need to see more of you today.
00:18:20Do you know why any of us are still here?
00:18:23Me.
00:18:25And if I want to.
00:18:26Do you appreciate the evidence from the women I employ?
00:18:29Some fucking affection.
00:18:32Oh, my goodness.
00:18:36Oh, my goodness.
00:18:38Oh, my goodness.
00:18:59Hello again, Mr. Robbins.
00:19:01Hello again, Mr. Robbins.
00:19:06Hello again, Mr. Robbins.
00:19:45Ah, Robbins.
00:19:46Excellent.
00:19:49What are you doing?
00:19:50You look like you're waiting to salute me.
00:19:53Take a seat, you idiot.
00:19:55Drink?
00:19:56No, thanks.
00:19:58You need to learn to lighten up, Robbins.
00:20:00Retirement's quite a way away yet.
00:20:04You look like you've been running.
00:20:06Oh, you're about to have a coronary.
00:20:08You find her?
00:20:10I did.
00:20:12And?
00:20:14Well, she's a bit of an odd one, sir.
00:20:17Really?
00:20:19I'd say we have a mild cause for concern.
00:20:22And how's that?
00:20:25Well, she seems interested in the case from two years ago.
00:20:35Robbins, what on earth is wrong with you?
00:20:38Nothing.
00:20:39Nothing.
00:20:40Well, pull yourself together, man.
00:20:42Monty's coming in later and, quite frankly, you seem weird, to say the least.
00:20:49So, which case?
00:20:50I was a bit sensitive, sir.
00:20:53The Ravine girl, remember?
00:20:55Apparently, this new woman is her sister.
00:20:59I see.
00:21:08Poor boy.
00:21:09Stuffed up in that suit.
00:21:13You should be a caller, Richie, isn't it?
00:21:36Robbins.
00:21:37Robbins.
00:21:41Kindly tell me what the fuck is wrong with you.
00:21:43Sorry, sir.
00:21:44It's a...
00:21:44It's a stress thing.
00:21:47Quaaludes, more likely.
00:21:50You still on those...
00:21:52Never mind.
00:21:52You said this woman is Scottish.
00:21:55Sometimes she was.
00:21:57Sometimes...
00:21:58This is bullshit.
00:22:00I'm going to have to get Pugh involved because, quite clearly, you're not firing on all fucking cylinders.
00:22:05I don't know.
00:22:06She was English.
00:22:07But then I heard Welsh.
00:22:09I swear.
00:22:10Robbins.
00:22:10Go get Pugh.
00:22:12English.
00:22:14Scottish.
00:22:15Welsh.
00:22:16Then I...
00:22:18Go get Pugh!
00:22:38Apparently, Clare was the first to see her.
00:22:41Said she's a drifter, but now we know more.
00:22:44Clare?
00:22:46Why is there a problem?
00:22:48We could, um, escort her out like we do with the others that are non-compliant.
00:22:53She's the sister of Ravanne.
00:22:56Appears to have an agenda.
00:22:58Sniffing around the case.
00:23:01Right.
00:23:02And, uh, has Robbins met this woman?
00:23:05Oh, he has.
00:23:07Talking like a blithering idiot.
00:23:08More so than usual.
00:23:10We failed to get anything concrete from him.
00:23:12My guess?
00:23:14His wife found out about his extramarital affairs.
00:23:17Well, that sent him off the rails.
00:23:19He'll bounce back, bloody fool that he is, but he's not right for this task, Pugh.
00:23:25Hence this meeting.
00:23:26Well, in my book, Robbins has always been a bit soft.
00:23:29It's all about attention to detail.
00:23:34If needs be, how much control am I permitted to use, sir?
00:23:40Get physical if you must, but avoid scars, especially on the face for now.
00:23:45If we need to go further, we'll talk.
00:23:49Right, sir.
00:23:50This woman, she's Scottish, yes?
00:23:53Do me a favour, Pugh.
00:23:54For the sake of this assignment, let's just assume she's from somewhere in the northern fucking hemisphere.
00:24:01What you are, sir?
00:24:02Oh, and Pugh.
00:24:04Two years ago, the Ravannes sister had it coming.
00:24:07But we don't want any of that resurfacing because of this new woman, do we?
00:24:12Leave it to me, sir.
00:24:17With this new venture, I want 80-20 with Toby.
00:24:20I'm the major shareholder.
00:24:21I'm in control.
00:24:22Yeah, but you've still got to be sweet on him.
00:24:24You know he's going to ask for 70-30, don't you?
00:24:27Robbins.
00:24:32Pugh.
00:24:34Busy morning, isn't it?
00:24:35Must be.
00:24:54The way you looked at me yesterday, there was something between us, wasn't there?
00:25:01Behold, he standeth before the woman whence he should kneel.
00:25:11Tell me.
00:25:13Names.
00:25:14I need names.
00:25:17In the village, in the company.
00:25:19Who was involved, Robbins?
00:25:22What am I looking for?
00:25:27I will tell you, but I've been thinking of when you kissed me.
00:25:32What that means.
00:25:33Someone in the village killed her, didn't they?
00:25:37It's not that simple.
00:25:40I don't know for sure who was involved.
00:25:42They keep me on the outside.
00:25:45So it was people within the company.
00:25:49Watch my lips carefully, Robbins.
00:25:52I want you to give me names.
00:26:02Tell me.
00:26:03You were seen.
00:26:05You know her.
00:26:08What's her name?
00:26:10What's her name?
00:26:10Where is she staying?
00:26:14Tell me, otherwise I'll break your wrist.
00:26:17I don't know her.
00:26:19I only met her once.
00:26:21Donna.
00:26:22Donna Rivan.
00:26:23And where's she staying?
00:26:26Duggers.
00:26:27Duggers Inn.
00:26:35Oh, I have so missed you.
00:26:38But I had such a blast.
00:26:40And you're going to tell me all about it.
00:26:41And I can't wait to hear all the details, especially the juicy ones.
00:26:44I will.
00:26:45Helen was a total bitch around me.
00:26:47And she got plastered.
00:26:49I so couldn't.
00:26:49Babe, Lauren has been floundering without you.
00:26:53Go and report in so that I can talk to Pew.
00:26:56Love you.
00:26:57Kiss, kiss, kiss.
00:26:58Don't be long.
00:27:04You look like an undertaker come to put me in a box.
00:27:07What's up?
00:27:08You were right, sir.
00:27:09We could have an issue with this new woman.
00:27:12Go on.
00:27:13Apparently she's staying at the inn.
00:27:15The Daggers.
00:27:17This is the very fucking situation I wanted to avoid.
00:27:21Were there others like the last time?
00:27:22Or just her?
00:27:24Just her, as far as I know.
00:27:26I'm going to have to tell Monty.
00:27:27And he'll not be happy.
00:27:29I'm not afraid to go in, sir.
00:27:32I could sort this for you.
00:27:34Don't be a moron.
00:27:35We need to think this through.
00:27:38Find her.
00:27:40Get answers.
00:27:41But be discreet, will you?
00:27:43Got it.
00:27:44Yeah.
00:27:51People are talking about you.
00:27:57You've been seen with Clear.
00:27:58And Mr. Robbins.
00:28:00The firm are worried about your motives.
00:28:03What are you here for?
00:28:06Be careful.
00:28:08They're not to be messed with.
00:28:10Everything leads back to that company.
00:28:13Nobody is saying anything.
00:28:17They won't tolerate anyone who mentions it.
00:28:20They feared what she discovered, so they killed her.
00:28:26Maybe.
00:28:27I didn't know Sybil that well, but she's just like you.
00:28:32Stubborn.
00:28:33Asking all these questions.
00:28:37She got others like your kind to help her.
00:28:41How many?
00:28:44Two.
00:28:45Or three.
00:28:46They disappeared.
00:28:49And what about you, Samoran?
00:28:50You're still here.
00:28:52They could come for you.
00:28:57As long as I'm here, I can do good in the shadows.
00:29:01You need to go.
00:29:04Leave the village.
00:29:06Save yourself before they get to you.
00:29:08And you meet the same end as your sister.
00:29:13Samoran?
00:29:17Samoran?
00:29:22Miss Oaks?
00:29:24Good to see you again.
00:29:26You never call me Lauren, though I've asked you to.
00:29:30I'm kind of formal.
00:29:32Old school, like my dad, I suppose.
00:29:35Yes, of course.
00:29:36Of course you are.
00:29:37And honest.
00:29:39And a man of faith.
00:29:42Last time I was here, there was a woman, tall, like me.
00:29:47She's been asking questions of our employees.
00:29:51I'm concerned about Stanley.
00:29:53He gets worried when the company he's built from the ground up is threatened.
00:30:00Who is she?
00:30:06I don't talk to her much, Miss Oaks.
00:30:08All she told me is that she'll be moving on in a day or so.
00:30:13What is she, a traveler?
00:30:15A tourist, perhaps?
00:30:18She needs to get around.
00:30:20She's thinking of buying a car.
00:30:23So you've only spoken to her the once?
00:30:29Just once.
00:30:33Be calm.
00:30:35We only want to talk to her.
00:30:40Promise me, won't you, that if you see her again, you'll come to me first.
00:30:43You won't be in trouble.
00:30:44I'll make sure of it, okay?
00:30:48Yes, of course.
00:30:50I will.
00:30:52And you wouldn't lie to me now, would you?
00:30:59I'll tell Stanley.
00:31:02He'll be very relieved.
00:31:03I'll give you my husband.
00:31:09Oh.
00:31:15Oh, God.
00:31:19Yes, yes, yes.
00:31:22Oh, God.
00:31:22Oh.
00:31:22Oh, God.
00:31:25Oh, God.
00:31:25Oh, God.
00:31:25Oh, Lord.
00:33:45What did you fucking tell me?
00:33:53Naughty Pugh.
00:33:55Touching the lady is not permitted.
00:34:00Oh, poor Pugh.
00:34:03You want me to kiss it better?
00:34:05Not going to happen.
00:34:07Today.
00:34:09You better watch yourself, lady.
00:34:12Tell me about the company.
00:34:14Who's in charge?
00:34:15What are they up to, Mr. Pugh?
00:34:18You are messing with the wrong people.
00:34:21Is Mr. Pugh naughty like Mr. Robbins?
00:34:28Mr. Robbins likes this sound.
00:34:32Ah, ah.
00:34:36Names.
00:34:36Give me names, Pugh, of who's in charge.
00:34:39Tell me about Sybil Ravan.
00:34:41What did she find out about the company that got her killed?
00:34:45I'm asking the questions.
00:34:49We're not getting anywhere, are we?
00:34:54Until next time, Mr. Pugh.
00:35:10Anyway, then I said to her, get your face out of that pizza and go and talk to him.
00:35:16And she did just that.
00:35:20Turns out, this random guy had just got divorced and was out, like, celebrating or something.
00:35:26A woman with balls.
00:35:29Ah, Pugh.
00:35:30Excellent.
00:35:31You look flustered.
00:35:34So what did you dig up about this new woman?
00:35:36What new woman?
00:35:37Just a tick, Beth.
00:35:39I met with her, so she didn't give much away, to be honest.
00:35:43So what did she say?
00:35:45Well, like Robin's reported, she's here to find out about the, uh, Ravan case.
00:35:50She's particularly interested in this company and, uh, who's in charge.
00:35:55So I'm guessing that you and Stanley are in her crosshairs.
00:36:00Do you mind leaving us to it?
00:36:02Maybe you can order the food and I'll just have my usual.
00:36:06Ah.
00:36:13Pugh, you're not paid to guess.
00:36:15Did you get any solid information at all?
00:36:17Well, I couldn't.
00:36:19It wasn't that simple.
00:36:21She, uh...
00:36:22What the fuck is wrong with you, Pugh?
00:36:24I send you out to discreetly deal with this woman and you've come back looking like a schoolboy who's wet
00:36:28his shorts.
00:36:30Well, I've had...
00:36:31I've had a bit of a day of it, sir.
00:36:33Yes, it seems like you have.
00:36:35And what's happened to your hand?
00:36:39I must say this is very out of character for you.
00:36:43You realise we may have to use someone else to escalate things?
00:36:50Do you want me to start proceeding, sir?
00:36:53I don't want to go down that route again, but we may have to.
00:36:57Go get Monty's take.
00:37:00Understood, sir.
00:37:25It's going to be okay.
00:37:25Okay.
00:37:30It's going to be okay.
00:37:33Well, I'm off to organise the office party.
00:37:37So, you behave and I'll see you later.
00:37:41Oh, what was that thing with Pugh, by the way?
00:37:44He seemed weirder than usual.
00:37:46Playing with his neck like that.
00:37:49I'm curious, too.
00:37:52Hmm.
00:37:54Gotta go.
00:37:55Love you.
00:37:55Love you.
00:37:56Love you.
00:37:59Love you.
00:38:00Love you.
00:38:01Okay.
00:38:16Excuse me.
00:38:18Mmm.
00:38:18I love a jammy scone in the morning.
00:38:21I should ask who you are, but I'm guessing you're the multi-accented woman who's been prowling around the village.
00:38:26Staying at the Daggers, correct?
00:38:29Correct. I'm Donna, and you're Toby Vass.
00:38:33You've done your homework. Wonderful.
00:38:35Well, now you can leave.
00:38:37And don't go thinking you can find a job and money at Stanley Montagu John
00:38:40because there are no vacancies.
00:38:43And I dare say you lack the necessary skills.
00:38:46Goodbye.
00:38:50The inn. It's so cold.
00:38:54I thought I'd come in here for some warmth and a cup of hot tea.
00:39:03I don't know what I'm going to do.
00:39:10Forgive me, Miss... Donna.
00:39:14I had no idea things were so tough for you.
00:39:21This village can be a hard place.
00:39:23To get by for outsiders.
00:39:28Maybe I can help with a little cash before you continue your journey.
00:39:45Sorry.
00:39:46Sorry.
00:39:48I just couldn't resist doing that.
00:39:51It's a bad trait of mine.
00:39:52I do apologise.
00:39:58So, you know about the Sybil Ravan case from two years ago, right?
00:40:02Well, cold case or not, I'm here to find out a little more.
00:40:07She worked for you, right?
00:40:09And that boss of yours, this Stanley Montagu John, correct?
00:40:13My dear Mr. Ravan, let me explain something to you.
00:40:19I cannot divulge any information about a case that was extensively investigated by the local and national police force
00:40:26and was lacking in any major evidence connecting to anyone in the vicinity.
00:40:32As was detailed in the report,
00:40:35the killer was likely some wayward lunatic roaming from town to town
00:40:42and who is waiting for his chance to attack again.
00:40:51It is most unfortunate that your sister was found dead at the bottom of a lake.
00:40:57But that has nothing to do with me, Montagu John, or anyone around here for that matter,
00:41:03so I suggest you take your tin pot sleuthing elsewhere.
00:41:10Her arms and legs were bound to a chair and she was thrown into the lake and left to drown
00:41:15Mr. Vass.
00:41:18So make no mistake, I'm digging around for answers until I get them.
00:41:22And get your facts right.
00:41:25Sybil wasn't found at the bottom of the lake.
00:41:28She floated to the surface.
00:41:48Sybil in attack.
00:41:49Sybil in attack.
00:41:52feitoNetwork.
00:41:56Sybil in attack.
00:41:59Sybil in attack.
00:42:05Sybil in attack.
00:42:13Tastes like watered-down apple juice.
00:42:15Can we change it?
00:42:16Robbins ordered it.
00:42:18That figures.
00:42:20Robbins seems to have lost the plot recently.
00:42:22Keep an eye on him, will you?
00:42:24Will do.
00:42:27Ah, Pew.
00:42:28Just a man.
00:42:29Just been discussing about Robbins.
00:42:31He's a bit under the weather at the moment.
00:42:33Need someone to man the helm on a few things?
00:42:36Yes, sir.
00:42:37Oh, good.
00:42:38What can I do for you?
00:42:40Well, I spoke to Mr Vass,
00:42:42and there's a sensitive matter that I need to talk to you about.
00:42:46Sensitive?
00:42:47But it's a matter that needs to be dealt with swiftly,
00:42:50and I need your approval before proceeding.
00:42:55Concerning that new woman, I'm assuming?
00:42:57Yes, it is, sir.
00:42:59Let's have a meeting, 30 minutes, boardroom.
00:43:02Right, sir.
00:43:03Pew, everything OK?
00:43:05With you, I mean?
00:43:07Yeah, yes.
00:43:08Of course.
00:43:42Donna I need to see you, been thinking about what you said.
00:43:47Maybe I can help you with some information.
00:43:50I can't come in there, please come out and see me Donna.
00:43:55Why are you ignoring me?
00:44:01What are you doing?
00:44:02I need to see her.
00:44:05Is she in there?
00:44:15She's kind of special, isn't she?
00:44:17She is.
00:44:19What's she done to us?
00:44:21To make us feel this way?
00:44:24I don't know.
00:44:25I'm not sure I can take much more of this.
00:44:27We need to go.
00:44:28Okay.
00:44:29Mm-hmm.
00:45:33Would you like a drink?
00:45:36I'm fucking certain that Peters and Craig are still poaching our clients.
00:45:41That's what happens when you do favours.
00:45:43You need to close ranks and keep them closed.
00:45:46You are so right.
00:45:48Monty's being far too lenient on them.
00:45:51I think the word is weak, isn't it?
00:45:53Steady on, Susie. Let's keep it positive, shall we?
00:46:03Do you have an invitation, madam?
00:46:05May I take your photo?
00:46:06Of course.
00:46:07With him.
00:46:08In you get, Scott.
00:46:12Fabulous.
00:46:13Thank you very much.
00:46:22All I'm saying is that he lacks the aggression needed to compete.
00:46:26And that's why I'm here.
00:46:28Oh, you know you've got something on your face.
00:46:32Are you trying to cause trouble for us?
00:46:34Who's that with Vas?
00:46:36That's Bethany.
00:46:37His girlfriend.
00:46:38Let's go sort it out.
00:46:40Oh, thank you.
00:46:43Do you know who this is?
00:46:48That is the new woman I heard you mention.
00:46:52Come on.
00:46:53Can I take your coat, please?
00:46:55She looks just like, you know, that's Tanyf Tredhauen.
00:47:01She was top dog at Peters and Craig.
00:47:03Her arrival was a Stanley.
00:47:05That's her sister.
00:47:06Her fucking sister?
00:47:08She was practically village royalty.
00:47:11Her family have lived here for generations.
00:47:13What's she doing here?
00:47:15Does she know?
00:47:17Toby said she was a weirdo.
00:47:19He called her Tee-Tee, but pronounced it Titty,
00:47:22which he thought was hilarious, but it was just cruel.
00:47:25Where is she now?
00:47:27She drowned.
00:47:27Her body was found floating in the village pond.
00:47:30When?
00:47:31About three months before Sibyl was killed.
00:47:34So, two years ago.
00:47:36Two years ago?
00:47:56I haven't seen you around here before.
00:47:58You've shown it with the competition.
00:48:00Is that for me?
00:48:05Ah, Toby, thank you so much for inviting me.
00:48:08I didn't.
00:48:09And who is this handsome gentleman?
00:48:12This is Stanley Montague-John,
00:48:13founder and CEO of Montague-John & Partners.
00:48:16Ooh, clever boy.
00:48:17I love your waistcoat, darling.
00:48:20Quite, madam.
00:48:22May I ask what brings you to Hacksonbury?
00:48:24Toby here can let you know,
00:48:25and so can Mr. Robbins and Mr. Pugh.
00:48:28Ah, here they are now.
00:48:32The devil's up with them two?
00:48:34Mm, too dry.
00:48:36Get me something else, darling.
00:48:42Pugh?
00:48:43Yes, sir?
00:48:44Everything okay?
00:48:46Absolutely so, yeah.
00:48:48Our meeting?
00:48:49Oh, I do apologise.
00:48:51I had something urgent to attend to in the village.
00:48:53Oh, naughty Pugh.
00:49:02Anyway, must mingle.
00:49:14I'm sorry, madam.
00:49:16I'm afraid this is a private party.
00:49:17That's okay, I've got this.
00:49:20Must be exciting for you to come to a new place
00:49:23with all these wealthy men.
00:49:25However, they're out of your league, Pumpkin.
00:49:27But I love digging up old fossils in the village.
00:49:29Don't you?
00:49:31I won't tolerate anyone snooping around this company,
00:49:34so I have a bit of advice for you, sweetie.
00:49:37Take that cute little derriere of yours
00:49:40and go find a 20-year-old college kid
00:49:42and blow him in the car park.
00:49:44Then leave Hacksonbury for good.
00:49:47Such fabulous advice.
00:49:50And you should take up that dried-up old vagina of yours
00:49:53and go to work on Stanley over there
00:49:55because I know you're fucking him.
00:49:59Such good advice.
00:50:02Would you like some wine?
00:50:03Yes, I certainly will.
00:50:05You know what would be fun?
00:50:07If you seek to threaten the company.
00:50:10Serving me more wine?
00:50:12Hardly a punishment.
00:50:14I was thinking this implement would be nice
00:50:16to take out your brains through your nose.
00:50:19Oh, but that would tickle.
00:50:21But you know what, Lauren, it is Lauren, isn't it?
00:50:23I could chat to you all evening,
00:50:25but I'm sensing you really don't know
00:50:27what kind of sick stuff is going on here, do you?
00:50:34Toodaloo.
00:50:46There's something I have to tell you.
00:50:51I can't prove it,
00:50:53but I think Bethany was responsible
00:50:55for the death of your sister.
00:51:00You need to tell me everything.
00:51:02Sibyl always suspected that Toby
00:51:04had something to do with the drowning
00:51:06and that Bethany lured Tanith to him at the pond.
00:51:10Bethany was crazy for him.
00:51:13She still is.
00:51:14Why did they want her dead?
00:51:16Because she was different.
00:51:18Like, Sibyl, like you.
00:51:21Tanith was a powerful woman
00:51:23in the village and in business.
00:51:26Toby thought she was the reason
00:51:27the Furn was struggling.
00:51:30You're a vision tonight, Karen.
00:51:32Excuse me, Miss Ravan,
00:51:34I'd quite like to speak
00:51:34to my secretary in private.
00:51:46What were you telling her?
00:51:48Nothing.
00:51:49And my eyebrows,
00:51:50I just can't get them right at all.
00:51:52You wouldn't lie to me, would you, Karen?
00:51:54I just told her
00:51:56how much Bethany loves you.
00:51:58Well, that I know should be true.
00:52:01Do me a favor.
00:52:03Don't talk to that woman again.
00:52:05She's trouble and can't be trusted.
00:52:07And that, dear girl,
00:52:09is an order.
00:52:18Someone is coming into this building.
00:52:20What have they spent on this?
00:52:22What have you seen
00:52:22in this building?
00:52:24What do you think?
00:52:25I don't know.
00:52:26I don't know.
00:52:26I don't know.
00:53:08Move.
00:54:58Ah!
00:55:04Ah!
00:55:05Ah!
00:55:11Ah!
00:55:15Ah!
00:55:16Ah!
00:55:17Ah!
00:55:18Ah!
00:55:19I don't know.
00:55:56I don't know.
00:56:19I don't know.
00:57:08I don't know.
00:57:27I don't know.
00:58:01I don't know.
00:58:13I don't know.
00:58:24I don't know.
00:58:57I don't know.
00:59:14I don't know.
00:59:14Bethany seems to have gone missing.
00:59:17I don't suppose you know anything?
00:59:19She doesn't always stay with me, but she'd usually let me know.
00:59:22No idea.
00:59:28That thing between you and Robbins last night.
00:59:33I'm aware that one's interest can be somewhat ambiguous as we navigate our way through life.
00:59:43Like me, Robbins was a boarding school lad and things can change at that age.
00:59:51I have no idea what you're talking about.
00:59:55I'm just trying to say I understand and that my door is always open to talk, if you need to.
01:00:02Anyway, change of subject.
01:00:05Confidentially, I don't know.
01:00:06But confidentially, I'm thinking of letting Robbins go.
01:00:08He seems to have lost his marbles and Pew is testing my patience as well.
01:00:15Keep an eye on him.
01:00:17Keep an eye on him.
01:00:17Come see me later.
01:00:23What the hell is happening to us?
01:00:44Mr. Vass, you all right?
01:00:48Just come to collect Stanley's car.
01:00:50Assume it's ready?
01:00:57Yesterday, did you see my girlfriend, Bethany?
01:01:01Or that new woman, Donna?
01:01:06I haven't seen these people, Mr. Vass.
01:01:17Tell me, do the people of Hacksonbury like me?
01:01:25I think they'll respect you, Mr. Vass.
01:01:30You wouldn't lie to me, Samron, would you?
01:01:36I wouldn't lie to you, Mr. Vass.
01:01:43I'll get the keys.
01:01:55I'm just going to do some filing.
01:01:56You know what forgiveness is, don't you?
01:02:04Someone in my position needs to take certain actions to protect against outside threats.
01:02:13You understand?
01:02:16I'm not sure what you mean.
01:02:20Donna Rivanne.
01:02:22How well do you know her?
01:02:25That woman is destroying everything we have here.
01:02:30She's in my head, meddling with my thoughts.
01:02:36You need to stop her.
01:02:38I don't know what you mean.
01:02:40I can't help you if I don't understand.
01:02:43No, you don't understand.
01:02:46You weren't there to witness it when they came to our village, joined her to destroy us.
01:02:55We had to take measures.
01:02:57Who?
01:02:58Who came?
01:03:01I'm so sorry.
01:03:04I'm so sorry.
01:03:36I'm so sorry.
01:03:37I'm sorry.
01:03:40I'm so sorry.
01:03:41This revan woman is not going to go away, is she?
01:03:45She's looking for answers.
01:03:52We need to nip this in the bud.
01:03:54Before the situation escalates.
01:03:58Do you still have contact with your man, Shock?
01:04:01Pew does.
01:04:03You give authorisation?
01:04:08I do, but don't screw it up.
01:04:12This keeps happening.
01:04:14It needs to end now.
01:04:19You can count on me.
01:04:43Well, you're always a few minutes early. Impressive.
01:04:47Sign of a man happy in his work.
01:04:50So, what are we doing?
01:04:52I assume Pew has informed you of the new woman in the village
01:04:55causing us issues.
01:04:58He did. The sister of Sybil Ravan, no less.
01:05:01Are you aware she's staying at the Daggers Inn?
01:05:03Most men go a funny collar when talking about that place.
01:05:06But I'll happily go inside if necessary.
01:05:09We need her to meet the same end as her sister within 24 hours.
01:05:13Can you oblige?
01:05:15My fee will be the same as before, plus 40%.
01:05:18Inflation, you see.
01:05:21Very well.
01:05:24I'm Mr. Vass.
01:05:26I wonder if I may have a little pleasure with this female
01:05:28before I send her on away.
01:05:31Call it a bonus.
01:05:32I'm not interested in your sexual perversions.
01:05:35Do what you have to.
01:05:37Just don't mess up.
01:05:38We're done, I believe.
01:05:40Oh.
01:05:42Answer me this.
01:05:44Why do they call you Shark?
01:05:47Well, Mr. Vass.
01:05:49Most people say it's because I can smell the blood a mile off.
01:05:53But they're wrong.
01:05:55Wanna know why?
01:05:56Please humour me.
01:05:58I can hardly bear the suspense.
01:06:00Because it's not blood I can smell.
01:06:02Well, it's fear.
01:06:05Haha.
01:06:07HA HA HA HA HA!
01:06:10Ha ha ha ha!
01:06:14HA HA HA HA HA!
01:06:42So, let's go.
01:06:50It went out. I thought I'd bring it back to life for you.
01:06:55I like watching you sleep. Peaceful.
01:07:00How long have you been in here?
01:07:01Don't worry. You won't suffer.
01:07:05Your sister, Sybil, she didn't either.
01:07:10Not for long, anyway.
01:07:14Seems you've caused quite a stir in the village, Donna.
01:07:17So much so that they called me.
01:07:20Ask me why I'm special. Go on.
01:07:26Because they fear this place.
01:07:28They fear women of your kind, who they see as evil.
01:07:33I'm special because I'm not afraid.
01:07:42Hey, I'm sorry.
01:07:43I was scared.
01:07:44I'm sorry.
01:07:52I don't have to ride this place.
01:07:54I'm sorry.
01:07:54It's already been okay.
01:07:58I'm sorry.
01:08:01I'm sorry.
01:08:01I am sorry.
01:08:02Who am I?
01:08:15Mr. Vaz.
01:08:17What the hell are you doing?
01:08:20I expressly forbade you to come here.
01:08:35Pugh, get Robins.
01:08:39Block the entrance and clear this away before anyone else arrives.
01:08:44Now.
01:09:12It's just a paper knife.
01:09:14A toy.
01:09:16What the hell was he doing?
01:09:18He screwed up.
01:09:20She's slippery.
01:09:21I said don't screw up.
01:09:23You screwed up.
01:09:24Now what?
01:09:26We have to do this ourselves.
01:09:31Maybe.
01:09:32There's no maybe about it.
01:09:33She has to die.
01:09:36You.
01:09:37It's you that has to do this.
01:09:40Leave it to me.
01:09:42I'll talk to the others.
01:10:01Hello, Monty.
01:10:04That's what they call you.
01:10:06But you don't like it, do you?
01:10:10I wonder what else they say about you.
01:10:13How did you get in here?
01:10:15You must be lonely at the top.
01:10:18Even for a big boy like you.
01:10:22Your games are becoming intolerable.
01:10:24Sibyl Ravan, you murdered her.
01:10:27Not me.
01:10:28Then you need to tell me who did.
01:10:32Think about it, Monty.
01:10:35Otherwise I will call at your house sometime.
01:10:37Maybe say hello to your wife.
01:10:41I'm sure she's sweet.
01:10:48Does she know, Lauren?
01:10:51Does she know, Lauren?
01:11:12What were you doing over at the offices?
01:11:15Oh, the token female board member.
01:11:19I repeat, what was your business there?
01:11:22Are you aware that the CEO of your competitors was found drowned in an alleged accident in the village pond
01:11:28two years ago?
01:11:30Well, that six months later, the body of my sister was discovered floating in the lake, bound by the hands
01:11:36and feet to a chair the killer never found.
01:11:39Mere coincidence, I'm sure.
01:11:41Just like any other village, we have our crimes and our accidents.
01:11:45I don't believe in coincidences.
01:11:47And I also don't believe you are that naive.
01:11:50Or are you complicit?
01:11:52Stanley's involved, whether he did the deed or not.
01:11:55Someone has to take responsibility for the murder of my sister.
01:12:01I'd be careful what you say.
01:12:03We're a law firm, don't forget.
01:12:06Not for long.
01:12:07If Stanley goes down.
01:12:09No Stanley.
01:12:09No law firm.
01:12:11No job.
01:12:22Get in, Robbins.
01:12:23Close the door.
01:12:27This woman has caused the problems of the past to return to the village.
01:12:31She has to go, and we have to do it.
01:12:35Toby Vass has become unreliable.
01:12:38Irrational.
01:12:41Does she, uh, does she have to die?
01:12:46Maybe there's another way?
01:12:49No.
01:12:51Yes, she could live.
01:12:53No.
01:12:54Why am I saying this?
01:12:59She sent you here with that notion, didn't she?
01:13:03No, she did not.
01:13:06But I, uh, I could go and see her again.
01:13:10I'll go.
01:13:11She likes to see me.
01:13:15If I might suggest, she wants the person directly responsible, sir.
01:13:24Shark has gone.
01:13:25So?
01:13:27She wants Toby.
01:13:29Well, Toby is the genesis of all this, so we need to move in that direction, sir.
01:13:33Otherwise, the problem won't be solved.
01:13:35We killed Donna, but we don't kill the problem.
01:13:40First, there was Tanith Trethawen.
01:13:42Then Sybil Ravan.
01:13:45Donna Ravan.
01:13:47Who's next?
01:13:49More of their kind will follow, seeking the truth.
01:13:52I'm sure of that.
01:13:55I need to figure this one out.
01:13:58Leave it with me.
01:14:00I'll call you.
01:14:17Lauren.
01:14:18Surprise.
01:14:20What brings you here?
01:14:22I was looking for you.
01:14:24Thought you'd be here?
01:14:27Look.
01:14:29I see a real threat to the company.
01:14:31To Stanley.
01:14:32To all of us.
01:14:33My priority is what we...
01:14:37What you've created in the village.
01:14:40A threat?
01:14:43From one woman?
01:14:45How's that even fucking possible?
01:14:47She's got to go.
01:14:48And we've devised a way to make that happen.
01:14:51No mistakes.
01:14:53Want another drink?
01:14:56I could use one.
01:15:04I think this Donna has something to do with Beth.
01:15:07Well, you haven't seen her.
01:15:08I haven't seen her.
01:15:09She's just vanished.
01:15:11Poof.
01:15:12Into thin air.
01:15:17If that bitch has something to do with it, I'll make her suffer.
01:15:22I promise you.
01:15:49I heard about your associate shark.
01:15:52I'm guessing he had a similar idea to make her pay.
01:15:56Shark got lazy.
01:15:58She's a cobra and he let her strike.
01:16:01I won't make that mistake.
01:16:02What do you think she gets her?
01:16:05Who's going to kill me?
01:16:10I don't want someone to kill me.
01:16:18Ah!
01:16:28See you next time.
01:18:03We're good?
01:19:01Don't leave.
01:19:04I have to go.
01:19:06You should leave too.
01:19:07Get away from this place.
01:19:11Where would I go?
01:19:13My only option is the city.
01:19:17Then go to the city.
01:19:23I have enemies there.
01:19:26I can work here.
01:19:29Plus, things will be better now that you've rid the village of evil.
01:19:36For now, maybe, it will rise again.
01:19:44Oh no.
01:19:52I had all.
01:20:07I may be able to walk away from this place.
01:20:09I may be able to walk away from the temple.
01:20:16I'm taking a more prominent role in the company, particularly in investments and finances.
01:20:21We had to let Toby go, and with Bethany to the wind, you'll be reporting to me.
01:20:26As you may know, I have certain standards and ways of doing things.
01:21:17I'm going to let Toby go, and I'm going to let Toby go.
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