00:00What will happen with your love?
00:05What do you want to do?
00:06I'm going to die, Shah Nawaz!
00:08In my life, there is no such a girl in my life
00:11who has refused to marry me and I have given her hand.
00:14Because there was an exhibition in a young artist in the Art Council,
00:18I asked you, where are you?
00:22His name is Abheera Ali, Shah Nawaz.
00:30I want to meet with this artist.
00:48I'm going back again.
00:52Why? Why am I going so fast?
00:53Why am I going to die?
00:55The exhibition will be very calm and it's not good for my mother.
01:00What is it? What will happen to auntie?
01:05The long journey is hard.
01:08But my mother will not be able to get a son of a mother.
01:12What will happen, Asad?
01:15Why are you so serious?
01:17It doesn't look good like that.
01:20And it will be fine, auntie.
01:23Inshallah, absolutely.
01:23I will be able to die.
01:25Come on.
01:25And ask me to ask auntie,
01:27in this way.
01:40Shah Nawaz, this is something I have to say.
01:44I know what I am doing.
01:49But I am loving husband,
01:57As a loving husband,
01:58then,
01:59my loved ones will not be down in the desert.
02:01I will sleep now.
02:07Good night.
02:13I'll sleep now.
03:41This is a boy's fundamental right.
03:43What?
03:45My meaning is that if I live behind you, you will go ahead and the rest of the world will
03:51be behind.
04:13She's so cute.
05:11I guess I'm the only lucky one.
05:13I will.
06:28How did you look at your painting?
06:30I don't know.
06:32There will be some of this here.
06:34But you can see.
06:36The rest of your work is so good.
06:39You can see people's work.
06:41I am just looking at your painting.
07:15This painting looks so beautiful in the frame.
07:23Asad, where is the frame?
07:25The frame is not done.
07:27I don't know if the frame is done or not.
07:30But what is the thing about painting?
07:32I want to capture this moon bomb in my phone.
07:38For that, I will come with you too.
07:53Ladies and gentlemen, you have done a very good job.
07:59Our jury has a better painting in this painting.
08:05I am going to announce the name of the artist.
08:11Also, I would like to invite the very famous person and head of the jury, Mr. Shanwaz Murak.
08:19Thank you very much.
08:49Thank you very much.
09:04Thank you very much.
09:14Thank you very much.
09:32Thank you very much.
09:33Thank you very much.
09:36Thank you very much.
09:46Thank you very much.
10:12Thank you very much.
10:16Thank you very much.
10:21Thank you very much.
10:41Thank you very much.
10:44Thank you very much.
10:57Al.
11:12officers
11:13In this exhibition, the painting is the most good thing in my back.
11:19But you are a very special artist.
11:26I can tell you about this,
11:28that at the same time,
11:31there is no other person like this.
11:37Who is...
11:39Abira Ali?
11:43Please come forward.
11:46Hala!
12:37The art...
12:43and artist.
12:50Please.
12:51Please.
13:19Welcome to Mids.
13:54Thank you so much.
14:21You bought me.
14:51Who is this?
14:55This is Asad.
14:57My friend.
14:59He is also a class fellow.
15:27He is also a class fellow.
15:29He is also a class fellow.
15:33He is also a class fellow.
15:37He is also a class fellow.
15:40He is also a class fellow.
15:44He is also a class fellow.
15:47He is also a class fellow.
16:15He is also a class fellow.
16:17He is also a class fellow.
16:19He is also a class fellow.
16:38He is also a class fellow.
16:47He is also a class fellow.
17:08He is also a class fellow.
17:16He is also a class fellow.
17:38He is also a class fellow.
17:42He is also a class fellow.
17:43He is also a class fellow.
18:20He is also a class fellow.
18:56He is also a class fellow.
19:30He is also a class fellow.
19:57He is also a class fellow.
19:58He is also a class fellow.
20:01He is also a class fellow.
20:01He is also a class reductive.
20:04He is also a class,
20:06He is also a class hierarchy.
20:08Of course.
20:12But if you don't loveżene aren't,
20:14He is also a class Such mills.
20:16Like you are.
20:19That girl Nowill is an errand of her
20:21giving her.
20:23You give did not tell her.
20:26Without it,
20:26I'm surprised you?
20:30I'm very good at my love.
20:33My love is my love.
20:38Why do you find that man who fell?
20:42Why do you think he fell?
20:44I'm going to sleep.
20:49I'm going to sleep.
20:50File, let me.
21:12Abeera, you are super boy!
21:17Look, I told you all that this girl will be very big in life.
21:23And look, she's looking up.
21:27Abeera, you have to listen to her.
21:31She's talking, she's just talking.
21:34She's telling her that she's asleep.
21:37No, she's a jailer.
21:40In that moment, we need to write a letter to the government.
21:44She made a DC from the wrong place.
21:49Because she's not a DC district, but a jailer.
21:52Because her record is so good in keeping her prisoners.
21:57Brother, she's only in front of us.
22:00In front of her brother, there's no word in her mouth.
22:04You have to tell me everything.
22:07Okay, listen.
22:08After the celebration, you have to tell me everything.
22:12Who has said, who has said, who has said.
22:16You have to tell me everything.
22:17I couldn't even think that this award is for me.
22:21I have to tell you everything.
22:22Yeah, there's a lot of celebrations.
22:23And I have to tell you everything.
22:25What?
22:32Award for excellence in fine art.
22:40Who is this?
22:45Apeera, this is yours.
22:49Yes, sir.
22:50Yes, sir.
22:53Yes, sir.
22:59But correct me if I'm wrong.
23:02You were going to study university.
23:05Then this is the trophy of art.
23:13And you?
23:17You were going to study university.
23:20Yes, sir.
23:22You were going to study university.
23:24Very disappointed, Apeera.
23:27And if this is even a result of all,
23:29I have to tell you.
23:31And why don't you know anything?
23:34And this means,
23:36that you have told me, Apeera.
23:41It's the same for you.
23:42It's the same for you.
23:43Tell me.
23:46Tell me, brother, that, yes, brother, I've called you a mistake.
23:54And a mistake is a kind of thing.
23:57And you both know this,
24:00that I can never do a mistake.
24:06Never.
24:15Now, go.
24:18I said, go to your house.
24:22And you?
24:24You are bigger than them.
24:27I need to learn them.
24:29Go away.
24:30You are hiding their hands, hiding their hands.
24:32You don't come to my mind.
24:34Come on, Ali.
24:41This is what kind of a way to talk about your family?
24:44By the way, this is the right way.
24:50You know it.
24:51You know it.
24:51I know it.
24:52I can do everything.
24:54I can do everything.
24:58When you tell a person,
25:00he doesn't do anything wrong.
25:02He's on the right path.
25:04But then he will also get rid of it.
25:06Besides that,
25:07there's no path to it.
25:11He's the right path to it.
25:18He's the right path.
25:18your child's little happiness.
25:20What do you think?
25:22What do you think?
25:23What kind of a career has learned?
25:25What a career has learned?
25:29What you think?
25:29What do you want to make your life.
25:30But this is not the right path.
25:32You said it.
25:34The university of Abira.
25:36And now you said it.
25:38पे ही अभीर अपनी यूनिवस्टी मुकम्मल भी करेगी
25:41रेस लास समेस्टर है उसका
25:47पिटा जाओ जाकर देखो
25:49नहीं तो वो बिचारी सारी रात रूती रहेगी
26:10करें लास समेसे 답श समयर teenage ऑप जाकरि ईबादिया यूत difूर करें
26:22करें जान्क पिटादा जाद पाया थक्नरा अजान्क
26:23करें दए समर करफे द sonra
26:24करें दुआ कर तla देया जास
26:39No patience is a man!
26:39You didn't go to bed on the camera.
26:42You didn't go to bed in the studio.
26:43I didn't work at my work at the studio.
26:45I saw you here and I got here.
26:50Did you leave the smoking?
26:55Maybe. Can I say it?
26:59Maybe. I'm going to be a new one.
27:05My dear wife, this is a dream.
27:10It's a dream. It's a dream. It's not a dream.
27:16Like this, I don't hope.
27:24I don't hope.
27:31I don't want to live long.
27:33As much as my life is, it's much more.
27:39And because of this dream, it's what I have.
27:44Our love.
27:47I don't want to live long.
27:51I'm like.
28:01I'm like.
28:03I need you.
28:04It's necessary for you.
28:06And for our children.
28:08Let's leave it to me.
28:09No.
28:10I don't want to go.
28:13Don't worry, Shanawaz.
28:15When I was married with you,
28:17I didn't want to get married.
28:18You're so caring, husband.
28:21I'm actually truly blessed.
28:26Who is blessed with us?
28:28This is not even decided.
28:30No.
28:40Actually, I am blessed.
28:44Because in my life,
28:47no one will come.
28:49No.
28:50No.
28:52No.
28:53No.
28:54No.
28:55No.
28:56No.
28:57No.
28:57No.
28:58No.
28:59No.
29:00No.
29:00No.
29:00No.
29:07No.
29:09No.
29:18No.
29:25No.
29:26No.
29:27No.
29:30No.
29:31No.
29:34No.
29:36No.
29:37No.
29:45No.
29:49No.
29:51No.
29:52No.
29:52What happened to me?
29:56All of the things that changed me,
29:58I've been working very hard.
30:00Now, it's my story.
30:02My duty is left alone.
30:06What duty?
30:07I want to get married from school.
30:13I want to die in the morning.
30:16Come on, man.
30:19You've got a lot of money.
30:21Why?
30:22Abeera is a woman of Amir.
30:27I don't know.
30:31When she's got her phone,
30:32she's got her name.
30:34She's got a lot of money.
30:42She's got a lot of money.
30:43She's got a lot of money.
30:44But she's got a lot of money.
30:49She's got a lot of money.
30:51She's got a lot of money.
30:52She's a brother's family.
30:53So, the American dollar...
30:55She's got a lot of money.
30:58She's got a lot of money.
31:08You know what we are doing all the things we are doing
31:11about this, I don't want to ask Avira about it.
31:14Why are you sitting there?
31:16I don't know.
31:19Tell her about it.
31:21Come on.
31:29Come on, it's late.
31:30Go.
31:46Come on.
31:49Come on.
31:51Come on.
31:53Come on.
32:03What's going on?
32:13Where is Abilwa?
32:16He's ready to go to university.
32:19After the rest of the night, he doesn't want to come in front of you.
32:23What a problem, brother.
32:36He's gone.
32:39Our child, John.
32:43Let's pass the butter, please.
32:51Thank you, Papa John.
33:10No, no.
33:11Sit down.
33:19What a problem is that he hasn't come to the house?
33:21Or he doesn't want to be hungry?
33:30Okay.
33:37So, this means that Abilwa Madam is still angry.
33:53Look, brother.
33:56This life is a very serious place.
33:59I don't want to be afraid of any kind of Fizul Tafriyat.
34:04What a problem is that?
34:07That...
34:07Brother...
34:09I...
34:09No, no.
34:10I don't want to ask any explanation.
34:13But you know that...
34:15University from home.
34:17From home from home.
34:28You can...
34:43Sorry.
34:48I'm not a good one.
34:49I'm not a good one.
34:52I'm not a good one.
35:29Here she comes, the artist, the fine artist, Abeera Ali.
35:49Now I'll show you a trophy that Miss Abeera Ali got.
35:55Trophy is from the back.
35:57Trophy is from the back.
36:01Hmm, these are the big artists.
36:04These are the small and small trophies that they got in their back.
36:07They will keep in their home.
36:09They will keep in their home.
36:10But I have all the pictures I have.
36:14I'll show you the first two of them with cake.
36:18Lighter?
36:24See you.
36:39What will this love be?
36:41Ah...
36:53Ah...
36:56Ah...
36:57Ah..
37:00Ah...
37:01What will this love be?
37:04Oh, God
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