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01:25We'll see you next time.
01:45We'll see you next time.
02:16We'll see you next time.
02:17We'll see you next time.
02:18We'll see you next time.
02:19We'll see you next time.
02:21We'll see you next time.
02:22We'll see you next time.
02:51We'll see you next time.
02:51We'll see you next time.
02:53We'll see you next time.
02:56We'll see you next time.
02:58We'll see you next time.
02:58We'll see you next time.
02:58We'll see you next time.
02:59We'll see you next time.
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03:00We'll see you next time.
03:00We'll see you next time.
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03:20Shabati here.
03:22We are talking to you.
03:41You always feel a baby.
03:45It seems that in the day,
03:47we are taking care of the people.
03:49Shabati here.
03:52Bola Vikram!
03:55Baya!
03:57Baya! Baya! Baya! Baya!
04:00Baya! Baya! Baya!
04:01Aapna ghar hai apna samandar.
04:03Dil tham ki matrak bola.
04:05Baya! Baya! Baya!
04:08Aapna ghar hai?
04:09I have to ask you now.
04:10Let's go.
04:11Hey, Vipalam, my brother.
04:13Hey, Dore!
04:14How are you?
04:17How are you?
04:34Bola!
04:36Bola!
04:43Bola!
05:13Bola!
05:19I have come to make a whole family of the family.
05:22But I think you have a family of the family.
05:34Good Lord, God.
05:36You have been so good.
05:39I am thinking that tomorrow I will take a family of the family.
05:44Just eat half the food.
05:46If you eat it, it will grow.
05:48There is more meat.
05:52Listen, you said that the whole kitchen has gone into the whole kitchen.
05:54There will be a new marble floor and everything will be ruined.
05:57My friends have given us two weeks for two weeks.
05:59What happened to the first day?
06:01No, I forgot all the money.
06:05If you just hit the coal, you'll get the fire in the house.
06:08Then you'll have no difference in the house.
06:10You'll have five house house.
06:11And in high class life, there is no place for your middle class problems.
06:16So, chill.
06:19Everyone, let's go.
06:35Let's go.
06:37Stop.
06:39Stop.
06:46Stop.
06:46Hey, hey, buddy.
06:47Look, you're going to take the sexist plane.
06:52Take a flight of your camera.
07:19Wecomp be walking a tent.
07:28Daddy, I'm out.
07:29Yes, baby, yes.
07:33Leave it or if you'll think it's the sunset.
07:36Leave it.
07:54ORCHESTRA PLAYS
08:15ORCHESTRA PLAYS
08:42ORCHESTRA PLAYS
08:55ORCHESTRA FIGURE
08:57I just met with Pinky Elmari.
09:02It's a very happy place.
09:06Do you smell it?
09:11So, are you stealing things from my friend?
09:15No.
09:16We used it for the first time.
09:19And you didn't say that we could use it for anything.
09:22I...
09:24I said that you understand this house.
09:26You understand yourself.
09:27That's why it's called yourself.
09:28Why do you always do this in the extreme?
09:31At the morning, he was drinking tea.
09:33And he killed the perfume.
09:34What is wrong with you?
10:08What is wrong with you?
10:12What?
10:12What is wrong with you?
10:15What is wrong with you?
10:25Chilpoor, Tanggalia, Gutenberry, Hawai.
10:28Bitch, I want to stay at home.
10:31Thank you very much.
10:32What's wrong, auntie?
10:33Relax.
10:34Look, my life is only one simple fund.
10:38Everything is mine, everything is mine.
10:40I don't need anything more than life.
10:43Yes, there is one thing.
10:46My philosophy, my hand is mine.
10:50Camera.
10:55And I want to capture it in a beautiful chair.
11:01For two hours to eat, open the air.
11:03Just enough.
11:04Just enough.
11:06Just enough.
11:06Hey, man.
11:08Oh shit.
11:13Hey, hey, hey.
11:14Nadir.
11:15Will it be done?
11:16You leave it.
11:18It's a day of work.
11:19First of all, Raita to clean it up and then clean it up.
11:25I think she can be my muse.
11:25I know.
11:29I can't see what I've been doing.
11:35I know.
11:35I know.
11:36I know.
11:41I know.
11:41I know.
11:42I know.
11:43I know.
11:44I know.
11:44I know.
11:52I know.
11:53I know.
11:53But she can be my muse.
11:58I know.
12:00And...
12:03There's a difference.
12:03Ah ha ha ha.
12:06Yes, there's a difference between champagne and dharren and dharren.
12:23super awesome
12:26Listen, what were we saying?
12:29This girl Vicky's friend is his friend.
12:33How will he stay for his face?
12:42Ameer, handsome.
12:44He's a great guy.
12:46He's also a good family.
12:48He's a married woman.
12:50Listen, I've said Vicky,
12:52he's a good man.
12:54He's a good man.
12:56Why would he eat his food?
13:00But we've never made the food, Mom.
13:03You've never made the food.
13:05I've sent a YouTube link.
13:07Let's make it.
13:08Okay.
13:17Friends, don't do this for the time.
13:19Don't do this for the time.
13:20Because you will keep the food and the food.
13:23So, you can keep the food in your hand.
13:25So, friends, we divide this in four ways.
13:28So, I've done two ways.
13:31Then we'll cut the food.
13:33Just so much.
13:34You need to cut the food.
13:35Then we'll cut the food.
13:41Maybe,
13:43cuttel…
13:44I've never cut it like that.
13:46Yes, well,
13:47you know how to cut cuttels.
13:51Very judgmental.
13:54You don't just need hot looks.
13:57There are also some qualities in there.
14:09Like I said, you are my muse.
14:33You are my muse.
15:16I will do the same thing as I do the same thing, but it's mandatory to be a life insurance
15:22for it.
15:23Try it.
15:25We will make the food.
15:27Mother said it.
15:29If you want, you can help us.
15:33Chef is not a chef.
15:36I had to stay with my own news.
15:40Who knew this before?
15:45How beautiful are you?
16:03You made the food.
16:06You made the food.
16:07You made the food that you have never made.
16:10I agree, auntie.
16:12We should be doing experiments in life.
16:14We will not try anything new.
16:16It will be boring, right?
16:18I think life should be a food like this.
16:24It's a bit boring and a bit of a good food.
16:30What kind of food?
16:33Did I say that?
16:37No.
16:38Actually, I don't like a cuttle-cuttle-cuttle.
16:41I always eat the food daily.
16:43Hey, Viplav.
16:44You haven't eaten yet until now.
16:46What happened?
16:48Actually, it's our tradition
16:49that until all the family members
16:51will not come to the table,
16:52we're not going to eat.
16:53We're going to eat food.
16:55Oh, but we're all sitting.
17:01Oh, Mrs.
17:03Oh, but this is a hot hot hot.
17:09Oh, Viplav.
17:10You should not join the family members.
17:12You should not join the family members.
17:13And that, my friend, is never out of fashion.
17:17Sit here, madam.
17:18And then our friend will be hungry.
17:20No.
17:21Feminism.
17:22It's called basic management.
17:23Please, Kekka.
17:25And that, my friend, is never out of fashion.
17:55You should not join the family members.
17:56You should not join the family members.
18:23Call us to have a Frederick Wealthorn family member.
18:24This has become an inversion reality.
18:27I agree.
18:28It's called the
18:28.
18:58.
18:59.
18:59.
18:59.
19:04.
19:04.
19:04.
19:05.
19:05.
19:06.
19:06.
19:06.
19:06Wow.
19:08The hotel is a big taste.
19:09Who has taught you to make it?
19:11I'm sure.
19:12Who has taught you to make it with love.
19:19I think we should go from here.
19:21Open.
19:22What?
19:24And what's the relationship of Rupa and Viplup?
19:26How's the relationship?
19:27We don't know that Rupa is interested in this relationship.
19:31Rupa is not a person or a person.
19:33Be calm and sit alone.
19:34Never, never, never.
19:38We don't have a ticket for the lottery.
19:44Anjali?
19:45She was your dress, right?
19:47She was probably in the washing machine.
19:48Go and see her quickly.
19:54What are you talking about Anjali?
19:56She's a small child. What will happen to her?
19:59Rupa is a girl.
20:01She has feelings and emotions.
20:03She has some little blood that we have to put her on.
20:06I...
20:11Think about how to make the relationship of Rupa and Viplup.
20:15And take your focus off from the Viplup and the Feminism.
20:18Take your marriage to your marriage.
20:24Hello?
20:42I'm closing my eyes.
20:47I'm lying to you.
20:51I'm lying to me.
20:56You should go.
21:03Now you're talking to me.
21:12But I hear myself.
21:16But I hear myself.
21:17You're kissing my neck.
21:22I'm getting close.
21:28I'm getting close.
21:35You're lying to me.
21:41You're lying to me.
21:47I'm lying to you.
21:52It's time for me, Melike.
22:21So, you're a boy.
22:23You're a boy.
22:25You're a boy.
22:25You're a boy.
22:36Brother.
22:37Take the photos and take the photos.
22:40But you need to do Photoshop.
22:42The camera doesn't get good.
22:45What do you say about your wife?
22:48Is your wife or your enemy?
22:49A little bit of respect.
22:51Oh, please.
22:53You're the problem of single people.
22:54Let yourself enjoy the life of single people.
22:57And let all the knowledge of married people.
22:59Whiplow, son.
23:00Now, let's rest a little.
23:03And yes.
23:04I've made some potatoes for you.
23:06And Rupa too.
23:08That's it.
23:10Rupa and you.
23:12You're good.
23:13You'll be fit.
23:15I mean, Rupa is my wife
23:17and I know you.
23:19Are you sure?
23:22It's a weird beer too.
23:24Have fun.
24:12You won't follow there.
24:14You're a boy.
24:14I don't like it.
24:15Do you change your lips.
24:17You're a boy.
24:17There's a boy.
24:19Listen, let me know what we're talking about.
24:24Come on.
24:28It's not our fault, Mother.
24:30We're going to the bathroom.
24:31Oh?
24:51Bigram.
24:52Your wife.
24:55How beautiful, man.
24:58Sometimes we need to love all the things.
25:01And then we don't have a long time.
25:23What, Vicky Vicky?
25:24Boring family.
25:26Has it happened to a picnic, or not?
25:29I've sent you a pic right now.
25:31You gave the necklace, it's just that.
25:34It's just that.
25:37But it's hotter than the sun you're soaking.
25:49It's hot.
25:57No, no, no, no.
26:02You're a little bit faster.
26:04You're in a zombie.
26:04It's just that you're not alone.
26:04It's hot.
26:06Bye-bye.
26:15Bye-bye.
26:42Shit, I think I forgot my phone at home.
26:44Now, I'm going to take it.
26:47I've come.
26:53Baby, thank God you've got me here.
26:56Baby, I've been talking very important to you.
26:59How much is it?
27:00I'll tell you something about it.
27:02Baby, everyone asked me how to do it and get fit.
27:07Look, it's not fit in my mind.
27:10Baby, it's really amazing.
27:12Baby, tell you how to talk about it.
27:15Don't match me with the old pranies.
27:18No, no, no, no.
27:19Baby, I just can't.
27:20Please, please, please help me.
27:21Baby, please do something.
27:23You'll do it, right?
27:24Baby, come in.
27:49Come in.
27:49The door is opened.
27:51Come in.
27:53Come in.
27:53Come in.
27:55Look, I want to talk to you with me.
28:02You can close the door.
28:05As you go.
28:15Look, we...
28:17See, we are with you.
28:19What?
28:19Something happened to us after that.
28:22What do we mean?
28:25What happened to us after that?
28:27We have made food together.
28:29And I think we will be our friend.
28:32Right?
28:33Look, we are going straight to the point.
28:36There is no interest in Rupa.
28:40But after that, she can't speak to her family.
28:43Okay, that means you talk to Vikram and finish this matter.
28:54I thought...
28:55The little of love.
28:58It's like someone had told me,
29:00I would be playing a bandit.
29:05Okay...
29:06You talk about that he had interest in Rupa.
29:08It was from interest.
29:13Please don't speak with Vikram.
29:18I think there is a lot of time in my mind.
29:21Hear it, right?
30:05You said it wasn't.
30:12This photo is so beautiful.
30:19It's so beautiful.
30:22That's why these are the most beautiful photos for me today.
30:27Listen to me.
30:33Let's call it this name.
30:36Why?
30:37This name is your name.
30:40Listen to me.
30:42Yes, but...
30:43What?
30:44It's so beautiful.
30:47It's so beautiful.
30:48When I remember living in a room,
30:51I'd be scared of my eyes.
30:53What about that?
30:55Why do I try to keep my eyes on my eyes?
30:58Why do I try to keep my eyes on my eyes?
31:00Why do I try to keep my eyes on my eyes?
31:01Why do I try to keep my eyes on my eyes?
31:03I don't have to be scared of my eyes.
31:20I don't have to be scared of my eyes.
31:32Uh...
31:59So, you gotta do my eyes on should we touch?
31:59That's the supposed love of my eyes.
32:00What are we doing?
32:00What else do you want?
32:00.
32:37You have been a happy time for a while.
32:41Now you're back.
32:45You're right.
32:46You're right.
32:48Your responsibility is only for yourself.
32:54We'll meet with you.
32:58And all the best for your life.
33:09You'll be right back.
33:10You'll be right back.
33:10Now you're back.
33:10Now you're right.
33:14Now you're right.
33:17Now you're right.
33:49What do you need to do for a perfume bottle of a bottle?
33:52She broke my wife's heart.
33:54She broke her house.
33:56She broke her house.
33:57What are you doing or not, we don't know.
34:01But today, she was a complete chance to break your house.
34:05What do you mean?
34:07We know.
34:09In your affair.
34:18And you have to finish her.
34:22And you have to realize that we are your wife's mother and Anjali's mother.
34:33And you are also a woman.
34:36Listen to me.
34:38Listen to me.
34:40Or we will see you every day.
34:42We will see you every day.
34:46Anjali's mother.
35:08And you have to try to do it again.
35:16And you will be one or two to go.
35:16Let's go.
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