Singer Sunitha Son Akash Goparaju Exclusive Interview About Kotha Malupu Movie

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Transcript

00:00Hello, Akash Garu. Welcome to our channel, Manashtar.

00:03And after a long time, we are going to talk about the cinema.

00:10If you talk about the topic of cinema, you have to talk about the world cinema.

00:15You have to talk about cinema like the world cinema.

00:18You have to talk about cinephile.

00:20But how connected you are from childhood to cinema?

00:23When you talk about it, you have to talk about the industry and influence the industry.

00:30Because of my mom and my mom.

00:35Me being personally a fan of cinema.

00:38And one of my favourite cinema stars is a lot of influence.

00:43So, I think as an artist, I am a fan of cinema.

00:47So, in this glamorous world, everyone is a fan of cinema.

00:50So, I think that's where we are connected.

00:55And then, whatever we choose in jobs in the industry, that might be different.

01:00But, our love for cinema is a good thing.

01:03So, as you said, I am very passionate about this whole cine field.

01:08You know, when you talk about cinema, you don't want to choose cinema.

01:12It's easy to judge.

01:14Because you don't want to be satisfied with the cinema.

01:17But, when he turns into an actor, then when he turns into an actor,

01:20then it turns into a small audience.

01:21So, what about this judge?

01:24The film will come to me like a film.

01:27The story is a little bit like an old film.

01:29You know, but it's not about it or you know it.

01:32So, the idea is that it's about it.

01:33It's about it.

01:34It's about it.

01:35How do you think about it as an actor?

01:37I think about it as a first time in the script.

01:41There is an artist and an audience.

01:46I think it's important to see the audience in this film in the theatre.

01:49That's a good calculation.

01:52After I think about it as an artist, I think about it as an important calculation.

01:56I think about it as a performance.

01:59I think about it as a dialogue delivery.

02:00I think about it as a screenplay.

02:04I think about it as a screenplay.

02:05I think about it as a hero and hero.

02:08I think about it as an audience.

02:14I think about it as an audience.

02:16But if you don't agree with everything in the script.

02:23But I think about it as an actor.

02:25So, as an audience, maybe I think about it as well.

02:28I think about it as an actor.

02:29Right.

02:29But as a job in that movie, I think about it as a director's vision.

02:35Right.

02:36Because we come from a different perspective.

02:40Each one has an audience.

02:42If we do this, we don't want to work out.

02:44Yes.

02:44If that's not a correct topic.

02:46If it's not a correct topic, it's not a direct topic.

02:48If it's not a direct topic, it's not a direct topic.

02:58So, if it's not a direct topic, it's a trust factor.

03:03That's a true fact.

03:03So, if we can't do something, it's very common.

03:06Yes, we can't do something to do something.

03:10That's a very common topic.

03:12I think about it as a hero.

03:14I think there's a lot of things.

03:22If you do something, then you will be able to get it.

03:23Nice, right?

03:25I hope that you will be able to do it every day.

03:29There will be a lot of performance in your performance.

03:32Moreover, if you talk about commercial cinema, you can create a content-driven cinema.

03:38You can create a character in other shows.

03:42The way you perform.

03:43I hope that the audience will already register.

03:45I hope too.

03:46Yeah, because what we heard about the performance in the cinema.

03:51So, as a matter of fact, if you push it forward, you will be able to carry it forward.

03:56So, as a role, there is a character in the same intensity.

04:00Correct.

04:01This is the role of college boys in a daily life.

04:07I want to show you a lot.

04:10I'm a little bit more.

04:12In my opinion, I had to be very intense, very introverted.

04:16If I know everyone and I think any of you would like to know where I am, the sort of

04:20advice for myself,

04:20I often say some of them.

04:21What are you doing, what are you doing, what are you doing...

04:26What are you doing?

04:27It's the first kind of character, basically.

04:28I am an advantage because it is free to perform.

04:33I have a Dolphin' to learn more about that.

04:36I have an answer at all.

04:38How can you learn more about that?

04:39I think it's a sort of approach in a city world where I want to learn more about it.

04:45That means you can easily see any character in the camera.

04:47So, if you compare it, it will be a bit breezy and light.

04:52And you can't relate to each other.

04:56Not everyone might relate to a village character.

04:59Not everyone might relate to a social issue character.

05:03This character is a good character in your life.

05:07So, this was more funny, breezy, light, simple.

05:11Okay. You came in with a lot of memories, sir.

05:16You can enjoy it with a lot of people.

05:18Yes. I was born in Renmoud, but I was born in Guntour.

05:25Okay, great.

05:26So, Guntour is a village and a town.

05:30So, there was a lot of experience there.

05:34I don't know if I was a kid or a kid or a kid or a kid or a kid

05:37or a kid or a kid.

05:38So, now, I'm going to develop that.

05:39I don't know if I was a kid or a kid.

05:41I used to give a village healing back then.

05:44Right.

05:45So, I don't know if I was a kid or a kid or a kid.

05:49I don't know if I was a kid or a kid.

05:52But I don't have touch with that.

05:55I always had some connection to that village background.

05:59I was a little bit of my relatives.

06:01I don't know if I was a kid or a kid.

06:03So, I was never detached from village backgrounds.

06:09So, I didn't even know what was happening.

06:10I didn't even know what was happening at the shooting.

06:12I didn't even know what was happening at the village.

06:15I didn't know what was happening in the village.

06:16It felt very natural.

06:17So, I was very flexible and I was also very flexible.

06:20I didn't even know what was happening in the village.

06:25So, it was very enjoyable for me.

06:29Great.

06:29But something interesting thing.

06:31You have to shoot the whole journey in the village.

06:35Something interesting about the village.

06:38The behavior of the way they love.

06:41Anything.

06:42A village vibe.

06:43What kind of thing you can remember when you shoot the whole thing?

06:46First thing.

06:49We have to learn about the first time in this location.

06:51We have to learn about the experience.

06:55Yes.

06:56There are places that come to me, and there are places that come to me, and there are places that

07:02come to me as well.

07:07Our advantage is that in the other states, there are many places in cities.

07:12There are places that come to me and there are places that come to me and talk to you.

07:15I think it's a good comedy timing for God.

07:20I think it's a lot of dialogue.

07:25He's a city character.

07:27So, he's not a city character.

07:30He's a village based character.

07:33He's a lot of comedy timing.

07:36He's a lot of interesting.

07:38So, he's a lot of interesting.

07:39He's a lot of fun and fun.

07:40And I think it's a lot of interesting books where you can explore food.

07:45You don't know if I can eat a chapel.

07:49And that's basically how it's been.

07:52And I think, he was able to do this.

07:55I think I could show you a little interesting video.

07:59So, it's a lot of interesting comedy timing.

08:03and the culture, the food, the temple. Everything is a new experience.

08:12And our director is the same.

08:15So, in my opinion, you will be able to talk a little bit.

08:20You will be able to talk a little bit.

08:23Why is it better for a hero and a character?

08:26It's better for you to be able to talk a little bit.

08:27It's better for you to be able to talk a little bit.

08:30So, the character is very important.

08:35The hero and character are different.

08:38The different roles are different.

08:41They are the core elements.

08:44So, when we play the hero and character,

08:48we play the dressing, we play the friend circle.

08:52We play the bandwagon.

08:56They are very native.

08:57Yes, right.

08:58And in that nativity, we play the hero character.

09:01We play the hero character.

09:02We play the hero character.

09:03We play the hero character.

09:04Okay?

09:04Great, sir.

09:06So, you...

09:06Normally, we have a liberty for the Telugu cinema.

09:07We also have a liberty for the British cinema.

09:09And we also have a relationship.

09:11We also have a relationship.

09:11So, we can see you as a hero character.

09:13Yes.

09:14But, what was the real?

09:15Real and real and real.

09:17You were talking about it.

09:20Yes.

09:20What is the difference between the two and the two?

09:21No, I'm not.

09:22I'm not.

09:25I'm not.

09:26You know, I'm not.

09:27I'm not.

09:28I'm not.

09:30I'm not.

09:31I'm not.

09:32I'm not.

09:33In villages towns, yes.

09:36And, the value of the bond is very common.

09:40It's very different.

09:41Okay.

09:41But, we have to deal with the cinema.

09:45We have to deal with this relationship.

09:47We have to deal with this relationship.

09:48We have to deal with the mega-star.

09:49We have to deal with the hero character.

09:51So, what we have to deal with this relationship is a very special relationship.

09:56Yes.

09:57If you don't have to deal with the city,

09:58I don't have to deal with it,

09:59I don't have to deal with it.

10:00I don't have to deal with it.

10:03So,

10:04I've seen a lot of these characters.

10:07Okay.

10:09I'm a little bit older.

10:11I'm a little bit older.

10:12I'm a hero.

10:14I'm a hero.

10:14So,

10:15that relationship is...

10:16you're talking about real vs. real.

10:19I'm only real.

10:21So,

10:22I'm not saying that real.

10:24I'm not saying that.

10:25I'm not saying that.

10:27I'm not saying that.

10:27Yes sir.

10:30Surely,

10:31you're talking about being a person to say,

10:33that you will be talking about the topic when you talk about the

10:37you are things that you feel happy.

10:39I feel like the Madam is trying to do something like that.

10:43But at the time, the Madam is like,

10:45Swinita, Madam, and Akash,

10:49the individual identity is important.

10:51But personally, everyone is very good.

10:53But after all,

10:55you have the individual identity,

10:57you can create them,

10:58and you can create them.

10:59That's what I'm going to say, sir.

11:01Let's try something to tell you.

11:04As an artist,

11:05I don't know how many films are going to tell you.

11:07Yes.

11:08If you're not a person, you're going to review it on YouTube.

11:10Right. Correct.

11:11What are people talking about this?

11:12Yes.

11:13You're going to show a movie.

11:14Then, I'm going to show a movie.

11:16Yes.

11:17So, I'm going to show you the first time.

11:19I'm going to show you some things.

11:20Some things are not going to show you.

11:22Some things are going to show you some interesting topics.

11:26So, it's going to show you a lot.

11:28Yes. Correct.

11:29But, what you have to focus on is that an artist is not a star.

11:35It's not a star. It's not a star. It's a star. It's a star. It's a star.

11:39So, I think the artist is the most important thing.

11:43Yes.

11:43That there is a value and an identity.

11:49But, it's mostly that.

11:52Yes.

11:53But, how do you think about it?

11:55What do you think about it?

11:56What do you think about it?

11:57When you work with Akash, you have a identity.

12:02You need to register your audience.

12:04Yes.

12:05One is through your performances.

12:08One is through what you do away from acting.

12:11Correct.

12:12You can connect both of these.

12:13You can handle social media and everything.

12:17Right.

12:18And, as you have a connectivity in the cinema, you have a connection.

12:21Right.

12:21So, if you're a star, these two departments are very important.

12:27So, I try 100% giving my 100% in the roles.

12:32But, I want to show myself in the role.

12:37I want to show myself in the Gopal Sarkarnopri.

12:40I want to show my life in the Gopal Sarkarnopri.

12:41Yes, correct.

12:42So, that's correct.

12:43So, in the road, I feel like step by step,

12:47I want to show you how to navigate.

12:49Or, at least, that's my method.

12:51Okay.

12:52I want to show you how to make a plan.

12:56Let's just recollect, sir.

12:58The title of the cinema is a little bit.

13:00So, if you're a singer's background,

13:04we know what you're singing with.

13:07But, from that perspective,

13:08a little bit of an actor,

13:10there are reactions in the family, outside people.

13:14That's a little bit of a real life.

13:16First of all, singing is a little bit of knowledge.

13:20Okay.

13:21So, when I started playing instruments,

13:25I started playing music,

13:26I started playing music.

13:28But, now, when you're ready,

13:31when you're ready,

13:32they can use the film.

13:34Okay.

13:35They have a job,

13:36they have a role in the film.

13:37Good videos.

13:39They focus on that.

13:41So, that's why,

13:43they have a role in the film.

13:44My family and friends.

13:46They always have a role in the film.

13:48They focus on that.

13:50But,

13:51that's why,

13:52that's why,

13:52that's why.

13:52they're doing the film.

13:53Everybody,

13:53I'm not sure,

13:55that's why,

13:56I'm not sure.

13:57I'm not sure.

13:58But,

13:58every family member,

13:59all they care about is,

14:00are you happy with the role?

14:01You are doing your work, and you are interested in your work, and you are interested in your identity.

14:13Sir, in life, we start our work, and we start our work.

14:18For example, a cinema, you are looking for a debutant,

14:21and you are looking for a beautiful appreciation for the support of our people,

14:25and you are looking for a production of Dragvinder.

14:27But, if you are looking for that, you are not a debutant for the audience.

14:31But, as an actor, you are going to be a debutant for all the cinema.

14:34For example, you are doing your work, and you are working with people.

14:37So, how do you do this?

14:38You are looking for a big bubble, and you are looking for a big bubble,

14:43and we will be looking for a big bubble.

14:45The project is treated.

14:48This project is treated as a big project.

14:51You are looking for the passion for a big company.

14:55Maybe, naturally, I will be looking for the second project.

14:58That's the passion.

14:59That's why there's a lot of excitement in the first one.

15:02That's why we don't have to carry out the rules.

15:05But as an artist, I think we should force ourselves.

15:09Every project has a lot of value and interest.

15:12Every scene.

15:13When we sit together, we have a lot of dialogue.

15:16And when we go to the stage,

15:19we have to deal with the audience.

15:22This process we turn into.

15:24The audience only wants you to give 100%.

15:26That's right.

15:27We go to the theater.

15:28We go to the theater.

15:29We go to the theater.

15:30We go to the theater.

15:33So, I feel like treating that project with value,

15:37every single time you get an opportunity.

15:40And we don't have to worry about it.

15:41When we get to the stage,

15:43we get to the stage.

15:44That's a lot of importance.

15:49And these are two different worlds.

15:52The team and the team.

15:55they're going to be a part of the stage.

15:58We're going to be a part of the stage.

15:58But in this film,

16:01it won't be a part of the stage.

16:04There's a lot of space in the stage.

16:07There's a lot of space in the stage.

16:08There's a lot of space in the stage.

16:08There's a lot of atmosphere around it.

16:10So,

16:10any project or any project,

16:12you should be like Water Hunter.

16:14Yeah.

16:14It doesn't matter how much it is and how much it is to be flexible.

16:16But it's also very important to the value of the project.

16:21Sir, when you talk to a regular 25-year-old age, you talk to a struggling stage and you talk

16:27to a lot about reality.

16:29But is it possible that this is all possible?

16:31Is it possible in your upbringing?

16:36What is it possible to say over the top?

16:43It's something that I grew up with.

16:46I've seen the same scenario in that interview.

16:53I feel like I value that a lot.

16:59I think that when I'm still in a celebrity interview, I'm like, I'm sure we're not sure if we're doing

17:05the wrong thing.

17:06We're very interested in the interview in the interview.

17:10We're very interested in that interview.

17:10In the interview, you get a line in suit and you go viral.

17:16Whatever's wrong, what's wrong.

17:18It's like a comedy thing, it's like a character.

17:21Yes, that's correct.

17:23So, if you look at that, it's important to me.

17:25Yes.

17:26So, if you look at that, it's important to be in reality.

17:31We have to be practical.

17:34Why do I do it?

17:35I can tell you what to do with the camera.

17:38But in my mind, I can tell you what to do.

17:40I can tell you what to do with the audience.

17:43So, let's check the reality.

17:45Let's talk about it.

17:47If you enjoy the cinema, you can enjoy the cinema.

17:51I can tell you what to do with the actor.

17:54For example, Charanjeevigar.

17:56If you look at the filmography, you can tell you the vegetable actor.

18:00But if you're working at that promotions timeline,

18:04you can tell you how to do it.

18:07It's like a circle.

18:09A dream come true and a circle come true in that life.

18:11So, that moment particularly, how you enjoy it.

18:14So, if you look at the actor, it's like a point.

18:18It's like a gray mind.

18:19I'm like, I'm going to play the star presence.

18:22I don't know what to do with the star presence.

18:24I don't know. I don't know. I'm going to play my job.

18:28It's an uncomfortable position.

18:30It's like a euphoria.

18:31I'm like, you're a star.

18:33And I'm like, I'm like, I'm like, I'm like, I'm like, I'm like.

18:38I'm like, I'm like, I'm like, I'm like, I'm like.

18:40I am very grateful for that moment. I am very grateful for that moment.

18:54I am very close to that moment. Especially being a fan of Shiranjivgar.

19:04I am very grateful for that moment. I am very grateful for this moment.

19:08I am very grateful for that moment. I am very grateful for that moment.

19:14I am very grateful for the audience. I am very grateful for this genre.

19:21But if you are an actor, you are ready to work with this genre.

19:25So, what are your favorites? Do's don't say.

19:28I am very excited.

19:30You are here to take an obsession.

19:31It is wonderful, right?

19:33You ask for an obsession. You have to do a lot of good things.

19:38But you can see it at the same time.

19:40That's why you will react to your audience.

19:46It will react to your audience.

19:46But if an obsession has inspired you from the world, you create your atmosphere.

19:52So as an audience, I love obsession.

19:55As an artist, I will do obsession in Telugu.

19:57So I will do many calculations.

19:58It's a lot of calculations, right?

20:00So, that's it. When I first started talking about the calculations, it's divided as an audience, as an artist.

20:09So, when I was ready, if there's a genre I really want to explore as an artist, it's a thriller

20:14challenge.

20:16Anything that can confuse you in a theatre.

20:19Next change is the script. I always wanted to explore that.

20:25And I always wanted to play a musician.

20:28When I first started talking about Ashki Dulu, music is also very close to me and my family.

20:34Music is also very close to me and my family.

20:36You can play a perfect rock star character.

20:39If you want it, you don't want it. You don't want it. You don't want it.

20:42Perfect musical backdrop.

20:44And I feel like some instruments, I think that can also add.

20:47It's natural. It's easier for the audience.

20:51It's easier for me to play a guitar character.

20:54Great, sir.

20:56So, as an actor, the audience is the biggest fan of the audience.

21:01What's your name?

21:03He's also the last one.

21:05So, in the final, there's a lot of people.

21:08There's a lot of children.

21:09But I enjoy the songs, sir.

21:11There's a lot of songs, sir.

21:12But the audience is also...

21:14I mean, every composer is the worst.

21:18Yes, correct.

21:19There's a lot of songs.

21:20Correct.

21:22There's a lot of songs.

21:24There's a lot of songs.

21:24Yes, sir.

21:24There's a lot of songs in Ramangar.

21:25In Ramangar's part, there's a Robo album.

21:28And Roja album.

21:29Right.

21:29I'm more connected to Roja.

21:31Robo.

21:33Robo is also great songs.

21:34No.

21:35Like a piece of music.

21:37Like a piece of music.

21:38weather and orchestralisation.

21:41It's only that direction.

21:42So, for the first time, there's a lot of songs.

21:46But will I compare that to OG and Rayman?

21:49No.

21:50Never.

21:50Right?

21:51Correct.

21:52So, all that is,

21:55I thought the most England fans were on the album.

21:57To be honest, and if you're not going to Ramangar's part,

21:59it's my heart.

22:00We know.

22:01We know.

22:01Yes, but I have to meditate on a few albums, but I have to meditate on a few albums.

22:10But, Chikri or Peddi album is not that intentional. It's a mass masala entertainer.

22:15So, I have to play music in the same way.

22:19And yeah, they are great songs for sure, but that is not Mahirama.

22:25So, now we are going to the stage. You are also going to play music in the low phase and

22:29sing a song in the low phase.

22:32We are going to play music in the vocals.

22:35But in your life, there is a song in your life.

22:37That's right.

22:39When you are just in low phase, you will definitely sing the song in the low phase.

22:44Usually, in low phase, you can play music in the low phase.

22:45It is not in high phase.

22:49But I'm not sure how to play music in the low phase.

22:53I can play music in the low phase.

22:55But in the low phase, I have to play music in headphones.

23:01I have to play music in the middle of a low phase.

23:04I have to play music in the middle of a low phase.

23:08I am a high phase.

23:13It's like headphones. You can get that vibe.

23:15You can relax and relax.

23:18I've always been on vacation, I've always been on a condol, a beach land set-up, and I've always been

23:22on the playlist.

23:25Sir, how do you decode the audience's mindset?

23:28How do you decode the audience's mindset?

23:29No, no.

23:31But how do you know the secrets of the audience's mindset?

23:33How do you do it?

23:34You can't even get into the audience's mindset.

23:36See, one thing is, now we have content. Everyone wants to run behind. There's content. And that's good. People want

23:49a better story, then star power, then actor's power, then padding.

23:54There's a good story. It's also a good story. It's also a good marketing story. Now, there are great content

24:04oriented movies. But there might be 5 other movies also.

24:08But it doesn't reach that 5 other movies. Backing up and production. So yes, there are content driven movies, but

24:17there are content driven movies reach out.

24:20So, at that time, there are a lot of things. There's a lot of good backing. There's a lot of

24:26good content.

24:28So, what's the difference between the audience? I feel like the audience just wants good content regardless of what genre.

24:38If we have a good comedy script and content story, then there are little ads.

24:42There's a lot of good content. There's a lot of good content. But the audience's performance was too good.

24:49But what's the content in the cinema? Same with like a genre.

24:53It's just a youth vibe like that. That's right. So, there's a lot of good work out.

24:59There's a lot of good content in court. There's a lot of good work out. But there's a lot of

25:03backing. There's a lot of push.

25:04There's a lot of good content. So, you know how to decode, what project goes front, what project needs, what

25:12backing.

25:13But, it's important. If you have a good backing, you can reach. If you reach the audience, you can reach

25:20the audience. You can choose the audience.

25:22So, it's a lot of good backing.

25:24Great, sir. Every decision, you have a choice. You have a lot of filmography.

25:28If you have a good space for the lead actor, you can choose the best. Then what about supporting important

25:36characters in big films?

25:37So, you're doing the character role in big films. Yes, big films.

25:41100%. We're up for it now.

25:44So, you can push me.

25:46You can play a role in the movie.

25:50Maybe, you can play a role in my lead role.

25:53You can play a role in that.

25:54So, there's a lot of calculations.

25:56100%.

25:56So, you can play a role in your lead actor,

25:59and you can play a role in your role.

26:02and you can play a role in your role.

26:04So, if you are doing it, you can play a role in your role.

26:10So, I would be up for it now.

26:12Even if for example,

26:15you can play a script for me.

26:17I have to play a script for you.

26:18You can play that script for me.

26:19But you can play a script for me.

26:20Maybe, when I do not play a role in your lead actor.

26:25So, if you have a client on your career,

26:27you have to focus on the story,

26:29then I feel like all the other things will run smoothly.

26:31Yes.

26:32The audience is very good.

26:34In the film, the trailer is very good.

26:36If one person is very good,

26:38then the actor is very good.

26:40They are very good.

26:43If you talk about it, the audience is very good.

26:45If you talk about it, the audience is very good.

26:46If you have time,

26:47but if you have a practical word for the reality check,

26:49you will definitely be able to get it.

26:51Thank you so much.

26:53If you have an actor and a leader actor,

26:54if you have a reality check,

26:55if you have a surroundings,

26:57if you have an audience,

26:59there is a lot of clarity.

27:00I hope it will be a little later,

27:02but it will be a big success.

27:04Thank you so much.

27:04You wish you a great success, sir.

27:05But finally, June 12th,

27:07in such a hot summer,

27:08with a cool breeze,

27:09with a little breeze,

27:10with a little breeze,

27:11with a little breeze,

27:12with a little breeze,

27:12we will be able to entertain.

27:13Yes.

27:14So the audience,

27:15finally,

27:16how you are going to experience it,

27:18will be able to entertain.

27:20So,

27:21in the company,

27:21I have been looking for the intensity role.

27:24He is a complete light breezy family entertainer.

27:27Yes.

27:28He is a fresh role.

27:29So,

27:3012th June,

27:31please come.

27:33after that,

27:34after that,

27:35you will enjoy it.

27:37That is my guarantee for you.

27:39The simplicity,

27:40the village,

27:41the environment,

27:42the environment was friendly.

27:44because of that,

27:45the most important thing,

27:46you will be able to encourage people.

27:48Because,

27:49you will reach people in the world,

27:50you will reach people in the world.

27:52Correct.

27:52But, the only way,

27:54we as an artist,

27:55the audience,

27:55you will be able to encourage people.

27:57Yes.

27:57That you will reach people in the world.

28:00That you will reach people in the world,

28:00the audience will be able to get them.

28:01So,

28:02if you want to encourage people in the world,

28:04you will be able to encourage people in the world.

28:05Thank you, sir.

28:06Thank you so much.

28:07Thank you so much.

28:08see you in June 12th,

28:09and enjoy a little bit.

28:11Thank you so much.

28:12Thank you so much.

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