- 2 days ago
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00:28SILVUMEEN
00:58SILVUMEEN
01:28SILVUMEEN
01:30SILVUMEEN
01:30SILVUMEEN
01:37SILVUMEEN
01:58SILVUMEEN
02:00SILVUMEEN
02:01SILVUMEEN
02:01SILVUMEEN
02:03THER.
02:07ABDOR
02:08BLEBY
02:09SEMIN
02:11CHINS
02:12NO
02:123
02:120
02:28AS
02:29It's an artist.
02:33A artist doesn't make a painting in the air.
02:35He wants canvas, brush, paint.
02:37What do you think I'm hiding something from you, Mr. Riley?
02:40If I say that I'm sure, then...
02:41Then I'll ask you why it feels like you.
02:42I'll say that I'm just saying that I'm trying to.
02:44With clients?
02:44No, with women.
02:48I'm going to talk to you, but I'm going to go for a while.
02:52Start painting, Mr. Riley.
03:03What do you think?
03:04I think this case won't be easy.
03:07We'll shoot a lot of people.
03:11But you're right.
03:13She's hiding something.
03:14It's a beauty of women.
03:16I'm going to go to Flint's house.
03:18And until you check it out.
03:20In the Bureau of Criminal Records?
03:21Yes.
03:22We've got a lot of days,
03:23but I'm sorry.
03:29I'm going to accentuate the positive.
03:33Do you live?
03:35I need the negative, and latch on to the affirmative.
03:40Don't mess with Mr. Inbetween.
03:42You gotta spread joy up to the maximum.
03:47Bring gluten down to the minimum,
03:50and have faith,
03:52or pandemonium,
03:54liable to walk up on the scene.
04:06I'm going to find a new supplier on the docks tomorrow.
04:09I'm Canadian.
04:11You didn't tell me before?
04:13I'm telling you.
04:15I'm telling you.
04:17I'm going to get out of here.
04:19I'm going to go wherever I want.
04:21I'm going to give you a hundred dollars.
04:22One thing.
04:23You don't give me money because it's good for me.
04:26You give me money so that you can stay alive.
04:28But I think this idea is very bad.
04:30If you had a benefit from your death, you would have been killed in the years.
04:33I know my benefit from which one is and which one is not.
04:36And my benefit from living in your life.
04:39So let me give you my advice.
04:41I'm going to go to the docks first.
04:44Then you can get out of here.
04:45And you can get out of here.
04:49It's done.
04:53Its bad.
04:54It's not bad because it's a monster.
04:55It's bad things don't get out of here.
04:56The problem is that it's possible that it kills me to kill me.
04:59But it's gone after the spider gets excluded.
05:01Things are easy.
05:03Maybe someone may think someone's going to get lost.
05:06Or it's a little less.
05:08Maybe you're one of them.
05:11Maybe you are one of them.
05:12Mending that he can kill me.
05:14Even if someone might die with the fire,
05:16you might certainly get out of here.
05:17It's a bit of a problem.
05:18How could it be?
05:20How could it be?
05:21How could it be?
05:22Flint was also a part of a war.
05:24In such a moment, his death was a strange.
05:28If they were two things in the end,
05:31then go to Flint.
05:37Do you get the Jassus?
05:39Riley.
05:40Do you have him?
05:58The color's fading from the photograph.
06:00I could tell the story, but still you wouldn't know the half.
06:05This love was brought to life from shots of glass.
06:08When you kiss me, there's a shifting in the sepia tone.
06:12Can't escape the madness, baby, magnetism.
06:15Run away, but something pulls me back into it.
06:19Lately, I've been staring at a broken mirror.
06:22Needing someone to calm my own.
06:26Hey, lover, I need someone to save me now.
06:32From all the pain I suffer, and everyone that weighs me down.
06:39Cause now all of this sweet is better to taste.
06:45But you can be my saving grace.
06:49Na-na-na-na-na-na-na-na-na-na-na-na-na-na-na-na-na-na-na-na
06:58-na-na-na-na-na-na-na-na-na-na-na-na-na-na-na-na-na-na-na-na
07:02-na-na-na-na-na-na-na-na-na-na-na-na-na-na-na-na-na-na-na-na
07:03-na-na-na-na-na-na-na-na-na-na-na-na-na-na-na-na-na-na-na-na
07:05-na-na-na-na-na-na-na-na-na-na-na-na-na-na-na-na-na-na-na-na
07:08-na-na-na-na-na-na-na-na-na-na-na-na
07:17Let's go.
08:09Let's go.
08:19Let's go.
08:21Let's go.
08:21Let's go.
08:26I'll see you.
08:35French, Marco.
08:37Delivery.
08:38Delivery.
08:39Delivery hat?
08:40Oh.
08:41Oh.
08:42Oh.
08:48Oh.
08:49Oh.
08:57Oh.
08:58Oh.
09:02Oh.
09:05Oh.
09:09Oh.
09:09Oh.
09:09Oh.
09:09Oh.
09:09Oh.
09:12Oh.
09:14Oh.
09:16Oh.
09:27Oh.
09:29Oh.
09:30Oh.
09:32Oh.
09:34Oh.
09:35Oh.
09:37Oh.
09:39Oh.
09:39Oh.
09:40Oh.
09:41Oh.
09:42Oh.
09:45Oh.
09:49Oh.
09:52Oh.
09:53Oh.
09:55Oh.
09:57Oh.
09:59Oh.
10:08Oh.
10:17Oh.
10:22Oh.
10:24Oh.
10:24Oh.
10:27Oh.
10:30Oh.
10:31Oh.
10:31Oh.
10:36Oh.
10:42Oh.
10:47Oh.
10:51Oh.
11:01Oh.
11:01Oh.
11:03Oh.
11:03Oh.
11:33Oh my god, my baby has stopped eating.
11:33I got a parcel out of my house.
11:36Maybe this is yours.
11:40Oh, my baby has stopped me eating this food.
11:46Okay, if this is something...
11:47Hey, what are you doing? You're not my baby.
11:50What's your name?
11:52Flint, Marco.
11:54Okay, I'll come here too.
11:56I'll take my back to my hand.
11:57That's what I'm going to eat.
12:01What are you doing?
12:03Oh, how are you doing?
12:04How are you doing?
12:07There's a great record of his Marco.
12:10In Brooklyn, there's a poor house.
12:13There's nothing to do with it.
12:14There's nothing to do with it.
12:16Jail. Jail. Jail.
12:19Now, he works in a gang that...
12:21It's a Sulwamenka.
12:22When Winston came, I was in Flint's house.
12:25Did you see it?
12:27Yes, because there was no other place.
12:30Musar gone.
12:31Your post-inview was there, right?
12:34It was the biggest war of World War.
12:35There were thousands of young people here.
12:37One minute.
12:38Is this...
12:39Addison.
12:40They were both fighting together.
12:42Is this the cat hidden from you?
12:44I mean, he knew that he was a friend of his friend,
12:46who had a superpowers.
12:47I don't know.
12:48I don't know why he told us.
12:50Maybe he thought that you didn't find this case.
12:52He thought it was right.
12:55I don't know why he told us this one.
13:05I didn't know why he did this dress up there.
13:06You're lying behind me.
13:14And that happened to me.
13:16I just thought it was cool okay.
13:17I felt too.
13:18Because there are many people out there.
13:19So let's start to become the Wasabile.
13:20I don't want to let us come.
13:21We've got a lot of storytellers of theSAI.
13:29I've never heard about this piece of paper.
13:30I've never heard about this piece of paper.
13:31I've never heard about this piece of paper.
13:33It's an original piece of paper.
13:36Today I was at Flint's house.
13:41Do you know anything about this piece of paper?
13:43I know that she was in the army.
13:45I don't believe that she was so young.
13:47What do you know about this piece of paper?
13:51Has she ever come to Alcove?
13:54No, I've never seen this piece of paper.
13:58His name is Addison.
14:02He had put it in silver.
14:04He was dead.
14:06And the one who killed him, he was also dead.
14:08What can we do?
14:10This world is full of failures.
14:16I didn't see any effect on this piece of paper.
14:18I didn't know that I was in danger.
14:20Why don't you tell me Flint is a man of silverman?
14:22Tell me.
14:22You can take this case.
14:23I don't like the surprises.
14:24I'll remember this piece of paper for my birthday.
14:29This place is my name.
14:31But the world knows that it's the king of silverman.
14:34And Flint keeps his investment investment.
14:37So you?
14:38Yes, me.
14:40Here's what it means.
14:41It's like moving to this club.
14:42I know that people go away.
14:43And I am the most important for them here.
14:48I'm the most important to go there, Mr. Cavanae.
14:51I've tried to do something wrong with you, Mr. Chargrane.
14:52For you?
14:53I didn't understand.
14:55You, Mr. Chargrane.
15:11You are so strong, but I can show you the truth.
15:15I'm putting myself on my own.
15:18I'm working with Silver Meen.
15:20I'm working with you too, Mr. Riley.
15:22I don't have to buy anything from one another.
15:24I hope to listen to this story,
15:25you'll have to change your money.
15:28Or I'll be wrong with you.
15:30No, no, I'll work with you.
15:32That's not why I'm a Bahadur.
15:34So what's your fault?
15:35Ah, just like a singer,
15:37you need to know all the stories.
15:38Maybe for a villain,
15:40you need to know all the answers.
16:19д dulcet
16:20dev Scholz
16:20what a whys the victims
16:20sorry forOM
16:26she's calling her
16:27who knows
16:28you
16:29whys the
16:32c
16:32j
16:35Oh
16:42Yes
16:42Oh
16:45Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah
16:49Dil ko or the mark ko tanda ruckta. Yeah, you go go bhi karna
16:54Hmm to kya boulding our kuch polen neighbor or nahi. I'm a party. Yeah
17:07What's that?
17:08How much?
17:09Sorry, I didn't want to throw you so much.
17:20Let's go, let's go.
17:31Can I know why I'm here?
17:34I don't know why I'm here.
17:36Who has asked me? Why did I ask you?
17:38We don't ask questions.
17:40So it doesn't matter if you don't try to steal your boss?
17:43Ah, Donegal.
17:45I wasn't a part of his plan.
17:47But I also tried to steal your boss.
17:49I said, you don't have to talk about boss.
17:51I don't even know who has paid for your boss's house.
17:55You don't know anything, huh?
17:57I believe I'm only a man's name.
17:59And I don't know how to understand.
18:01You don't have to worry about it.
18:02Donegal, right?
18:04He's a noble man.
18:06You don't have to worry about it.
18:10I've just been worried about it.
18:11He's like a bad guy.
18:11He's a bad guy.
18:25What do you want?
18:27He's a bad guy.
18:28It's great.
18:29It's a bad guy.
18:35We will give our khalo a bit.
18:37Yes, we will not get a good job.
18:40We will be in the car.
18:42We will be in the car.
18:59And this city is not the Topeka nor the Kalamazoo.
19:03This is New York.
19:05We will all meet each other and meet these changes.
19:12Headline is a good one.
19:15Morris' words are coming from the wind.
19:18You should have 4 months in the headline.
19:20Mayor Mahathongi, Mahanagar in the Mandi.
19:22I don't have Hudson.
19:24And I can see that he will also get 10 points from Morris.
19:30I can tell you how to change your face.
19:34I can't say that Edison is far away from this story.
19:39Silver?
19:39He's got to get rid of Edison.
19:41He wants to know who he wants to kill.
19:43That's why...
19:45I'm falling.
19:45Look at me.
19:47My face doesn't look like my face.
19:49I've never seen his face before.
19:51Yes, but wearing masks and goggles,
19:53the Color of New York's favorite superhero is now.
19:57Ben Raleigh means he's wearing a mask.
19:59I'm going to call you,
19:59and I'm telling you about it.
20:02I want you to know that if I win,
20:06I'll be completely finished with a drink.
20:08Can I notIf punch in the tongue?
20:09I am trying to give the faithfulness and the sabbat.
20:11I will not.
20:14I don't know if you're going to call me.
20:16I'll just say this among the silverman.
20:18If you're the suit and the Mott,
20:19then please enter your suit and fit.
20:22I'll give you a little touch.
20:22And if you feel like this,
20:23you'll be getting a little more.
20:25Oh, man, Robbie, what are you talking about?
20:27I'll tell you what I'm going to do today.
20:28What?
20:29I'll see a handsome.
20:30And in Addison's case,
20:32I'll make a decision.
20:33And there's no choice.
20:35It's a problem.
20:38I was thinking about the Canadian.
20:41Do you want me to go?
20:43No, I'll go.
20:46I'll go, but...
20:48You go first and take the place to go.
20:55Ah.
20:57I felt very stylish.
20:59What do you think, Winston?
21:01I don't know about fashion.
21:03But I'm seeing that it's kind of...
21:06Boring.
21:07What's that, Winston?
21:09Is there any problem with it?
21:12No, it's not a problem.
21:13These things seem to me like time.
21:17What do you know about fashion and style?
21:18What do you know about fashion and style?
21:19Pack it up.
21:21Do you feel good?
21:23I'll be honest with you.
21:24Yes.
21:25Yes.
21:25Yes.
21:26Yes.
21:29Yes.
21:45It's not a problem.
21:46You've learned a lot of stuff.
21:47Yes.
21:48It's a bit of a sense.
21:49Yes.
21:49Yes.
21:50Yes.
21:52Yes.
21:53Yes.
21:54Yes.
21:54Yes.
22:00Mr. Addison?
22:33Mr. Who are you?
22:36Mr. How are you, brother?
22:40Mr. I'm not here, brother. I asked you a question.
22:43Mr. Yes, I asked.
22:45Mr. Because I can see that you are a big and angry man.
22:49Mr. So I'll answer the question.
22:51Mr. I'm looking for Vera Addison.
22:53Mr. Do you know where are you?
22:54Mr. What are you talking about?
22:55Mr. I'm a reporter.
22:58Mr. And I'm talking about James Addison's death.
23:00Mr. I'm talking about his death.
23:03Mr. Jimmy died?
23:07Mr. Oh, forgive me.
23:10Mr. You both were friends, right?
23:12Mr. How did he die?
23:14Mr. It was a mistake.
23:17Mr. In Standard Oil.
23:20Mr. Some people have left him alone.
23:21To answer the question.
23:22Mr. But who are you talking about?
23:23Mr. Don't say that he died at the wrong person.
23:26Mr.стamar utiliser.
23:35Mr. Aadison's death.
23:43Mr. Varram either.
23:45Mr. Why are you talking about it?
23:47Mr. Why are you talking about it?
23:49Mr. Why are you talking about it?
23:49Mr. Oh, you're talking to me.
23:50I was a bad man.
23:51He was a bad man.
23:51He was a bad man.
23:52And people are making a bad man.
23:55Until he was a bad man, he doesn't get out of his bad man.
23:58One minute, what does he mean?
23:59I don't know everything.
24:03But, you will tell his wife.
24:05And you know where he will get me?
24:07Go to Jeffrey Hotel.
24:09When you get a little money, he goes there.
24:11And when you get a lot of money, you go there.
24:14Go and see.
24:16Thanks.
24:18I'm going to go with him.
24:23I said no.
24:25He doesn't come to the office today.
24:27When I saw the last time he saw it, I don't remember it.
24:29Okay, maybe now he will be missing.
24:32Please, I'm saying the truth.
24:36That's the truth.
24:38We will come back.
25:09We will come back.
25:09I don't know what to do, so he will also reach me to Donagal.
25:14What does this mean?
25:16I mean, Donagal has died.
25:19Silver Amin has killed him.
25:21But don't worry about it.
25:23When Ruby died, I had to give you the time to fill my house.
25:26I wanted to know that he was out there,
25:28who was buried in your house.
25:30Five months.
25:33But everything was gone.
25:36Janet, go home.
25:38Go home, go home.
25:39It will be good.
25:40Everything will be fine.
25:41I'll tell you.
25:42Yes, I'm going home.
25:46But I won't come back now.
25:48I'm worried about you.
25:50More than anything.
25:53But I can't give you your love.
25:56Janet!
25:58Janet!
26:22Step 2
26:48Yes, sir.
26:54The house is bad. Four, four, four, water.
26:57What's happening here?
26:58There's no problem.
26:59A house is pretty good.
27:00But if you take a table with a table,
27:03you can drink tea in the evening.
27:05I was saying that.
27:06Forgive me, you've come here first.
27:08I'm from this house.
27:10Bathroom on this side.
27:30Oh, my uncle.
27:31Stay still and keep going.
27:33Listen, what's the worst?
27:37Yes, I found the problem.
27:39You have a pipe gone through and the people
27:42have got into it.
27:43I have put her in place.
28:05What are you doing to your mother?
28:09What are you doing in the house?
28:11I'm saying I'm thinking I'm not doing any wrong.
28:16Do you take my toilet?
28:34I don't think that he was a plumber.
28:47I wasn't eating it, I don't think I was a plumber.
29:03I can't buy it for the dollar.
29:06Mr. Addison?
29:36I don't know the gangster who killed him,
29:38who gave him his partner,
29:40he was here to be a slave.
29:43Lobster and designer clothes.
29:45So, I can't hear.
29:48I can hear my voice.
29:49I'll go to the hotel in the whole hotel.
30:14It's just so much.
30:15What do you mean?
30:16No one.
30:17I've told you that your husband will die.
30:20It's a way to think about it.
30:24So you know this.
30:27James was the same as the situation.
30:29It wasn't the same.
30:31That night when he came home, he understood that he will never come.
30:34When did he start doing things?
30:36Six months ago.
30:38I felt that this is a talent for him.
30:40And who has given him his job?
30:43I'm not sure.
30:44It doesn't mean that I will tell you everything.
30:46If you ask me, James has his own story.
30:50And now he's left.
31:07Why were you sitting here?
31:10I have one with him.
31:14I remember him.
31:17Jimmy Addison died.
31:19What?
31:21When?
31:22Two days ago, there was a reporter to ask him, who wanted to know about Silverman's knowledge?
31:31Did you know?
31:33If he knew, he would stop him.
31:43Flint, you don't feel good.
31:46You don't feel good.
31:48It happened again.
31:50This time, it was completely changed.
31:52It wasn't right.
31:54It wasn't completely.
31:57The doctor said, I remember.
31:59The time is our enemy.
32:03And he's coming out of his hand.
32:05We saw something wrong.
32:10This is wrong with both of us.
32:13We're here.
32:14Some days, let me stop here.
32:17At this time, our lives are better.
32:22Sir, you need to check every place.
32:25We're Canadian.
32:26Yes, because you're Canadian.
32:28You're a man.
32:29Boss doesn't trust anyone.
32:30Here's no one.
32:32So you're going to be king for the city.
32:34The money is given, boss.
32:36You can come.
32:38Okay.
32:39I'm coming.
33:06Run around.
33:13What is that?
33:21Hey! Look out! Go! Go! Go! Go! Go!
33:25There's a wall!
33:32Shoot!
33:45Go!
33:45License, hey?
34:05The Hangea!
34:13Oh!
34:15Oh!
34:17Oh!
34:22What is that?
34:26Oh!
34:27Oh!
34:29Oh!
34:32Oh!
34:33Oh!
34:34Oh!
34:36Oh!
34:38What happened? What are you seeing another's face?
34:43First of all.
34:44No, no, first of all.
34:46Let's go, get out of here!
34:56Hey, wait, let's go!
34:58Come on, come on!
35:02What's that? Do you know what you mean?
35:17What are you seeing?
35:18Where did you go?
35:19Where did you go?
35:20I took a good job, right?
35:22Where did you go?
35:23Where did you go from?
35:24Will you tell me about my Sparicus?
35:26I don't do the job for someone.
35:28I am here with Ben Raleigh.
35:30Raleigh is the Jisas?
35:31Yes, right.
35:32I was going to be able to get a good job.
35:33He was a good job.
35:34He was a good job.
35:34Sorry, I was not asking.
35:35You didn't need to make a small town.
35:36Where did he go?
35:36No, I want you to stay away from Riley and you and your friend Riley.
35:40He doesn't know who's trying to kill you.
35:42And his secretary doesn't have any advantage.
35:45So, I'll let him forget that.
35:47That's just so.
35:48Because you never left me behind.
35:51Right, right?
35:52Maybe you don't understand my story.
35:54Silverman, you're giving me the last chance.
35:57If you've done Riley or someone else's friend,
36:01then I'll kill you.
36:38Yes, sir.
36:54Riley.
36:55This is you.
36:56This is what you did, right?
36:57Who are you talking about?
36:59You stopped the car of Silverman.
37:01You know what happened?
37:02Yes, but there is a bad news.
37:04The police have been sent to Silverman for the first time.
37:07The police have been sent to the car of the car.
37:09Someone told the police about the car of the car of the car?
37:12Yes, there are also 10 people who have been arrested.
37:14The police wanted to take a look at the car.
37:17But the Silverman did not come.
37:18What do they know? Why is that?
37:21No, don't worry.
37:22The police told the person who stopped the car.
37:25They didn't tell you.
37:26You have to go to the car.
37:27You will die.
37:28You will die.
37:28You will die.
37:31We're still there.
37:32We're going to die.
37:32We're going to die.
37:36Let's go.
38:13Let's go.
38:32Now you say you're sorry
38:38For being so untrue
38:45So what?
38:47Just to cry me a river
38:50Cry me a river
38:55I cried a river over you
39:01You drove me, nearly drove me out of my head
39:10While you never shed a tear
39:16Remember
39:18I remember all you said
39:23Told me love was too lovely
39:25And told me you were through with me
39:30And now you say you love me
39:37Well, just to prove you do
39:42Go on and cry me a river
39:47I'd like to see you cry a river
39:53Cause I'm tired of crying over
40:00You
40:20I'm tired of crying over you
40:20I'm tired of crying over you
40:27You
40:46I'm tired of crying over you
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