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16:32Very good.
16:33Those people have already been here.
16:36If you have a restaurant, a restaurant, a cafe, or something like that,
16:40it's a good place to sell.
16:43But you have to pay attention to the majority.
16:45I think it's not true.
16:47I don't think it's true.
16:48I don't think it's true.
16:48I don't think it's true.
16:49I don't think it's true.
17:02I don't think it's true.
17:04I don't think it's true.
17:06I don't think it's true.
17:08I think it's true.
17:08But if you're a restaurant, it's true.
17:10I can't believe it.
17:11I don't think it's true.
17:13I don't think it's true.
17:14You have to take care of your house and your house.
17:16Do you have money?
17:17What are you doing here?
17:18Yes, sir.
17:20Who is going to pay attention?
17:21I am not using a type of culture and I am not using it.
17:23I am using it for the entire world.
17:24But I am using it for hundreds of people.
17:25I am not using it for two thousand.
17:28I am using it for a person to use it for the entire world.
17:31Why do you need to be me?
17:33There are people who are living with you.
17:35But there is no one who has money to make you better.
17:38I.T.
17:39I am going to think so.
17:41The people who use a type of food is like a type of food.
17:44I am going to sell it for sale.
17:46If you sell it for sale, it doesn't give me a good value.
17:49That's right.
17:50You don't have anything to do with anything.
17:53Why don't you do it?
17:55Why don't you see it?
18:00Mr. Tati,
18:07why don't you come here?
18:10Mr. Tati,
18:12why don't you come here?
18:12Mr. Tati,
18:17I never said anything like this case.
18:19You sit here to help or take shelter,
18:23but the deserve to be taken in church.
18:26Are we gonna ride the keys again?
18:34Mr. Tati,
18:35I think we must they come here.
18:36I can be connected.
18:38twenties me.
18:39Mr. Tati,
18:55Thank you very much.
28:57She will be in front of me.
29:07I want you to ask my wife.
29:20My wife, my wife...
29:31If I keep my father and my mother, you will know what I'm going to do now.
29:35Sometimes, the lady will frighten me.
29:43The lady will do the same thing?
29:45What do you think?
29:53I'm sorry, Trie.
29:57I'm sorry.
30:00I have a child.
30:02I feel like a child is all in my life.
30:06If you give me a child,
30:08you have to give me a child.
30:10Yes.
30:13I know.
30:15I know that you do like this,
30:17but I do everything.
30:18I do everything.
30:20If you're a child,
30:22I'm sorry.
30:25I'm sorry.
30:36I'm sorry.
30:39I know.
30:56I'm sorry.
30:56I'm sorry.
31:00I'm sorry, Trie.
31:07I am very tired.
31:10Can you do it?
31:12I will.
31:13That's so much fun.
31:14You can't do it?
31:16I'll stop the second one.
31:18I'm not sure.
31:20You don't have to ask me.
31:22I'm not sure.
31:25You can't tell me.
31:30Mr. Kisir.
31:41Your mother was able to return to the bride.
31:46It's not perfect.
31:49I have to not be able to return to the bride.
31:49I have to be able to return.
31:51Your mother was able to return to the bride.
32:07This is the fact that you're going to show the effect of your son.
32:18When you have your life, you have to go back to your son.
32:25What is it?
32:26I'm not sure what's going on.
32:40I'm not sure what you're doing.
32:42I'm not sure what you're doing.
32:43Why do you have to stop for your day?
32:46And now, the other day, the other day, the other day, the other day,
32:49the other day, we're going to do something else.
32:50What's wrong with you?
32:52.
32:52.
32:52.
32:53If you are in the morning, you will have to die.
32:56When you are in the morning, you will have to die.
32:58You will have to die for your life.
32:59But if you are in the morning, you will never have to die.
33:03If you are in the morning, you will have to die.
33:07Let me give you the information on the other side.
33:20Who are you?
33:22He is the one of the son of the son of the son.
33:24He is a man of the son.
33:26He will meet him once again.
33:35Nari.
33:35I don't know.
34:05At the time of my father,
34:08I would like to see my mother's daughter
34:10and my mother's daughter
34:12to help me all the time.
34:15I'd like to see my father's daughter
34:17as well as my father.
34:22My father...
50:43I don't have a choice, but I have to do it.
50:47Come on, brother.
50:50I love you.
50:51My name is my name.
50:51My name is my name.
50:53I can go back.
50:56What are you waiting for?
50:57I don't understand.
50:59If you have a choice, I love you.
51:01I don't want you to leave.
51:18I don't want you here, gentlemen.
51:20Let's go.
51:21Let's go.
51:22Let's go.
51:23Let's go.
51:36Let's go.
51:39Let's go.
51:39Let's go.
51:40It's time to lose, you know.
51:48Your captain is such a great way.
51:49Do you know what happened last night?
51:53Just now we have no idea where the captain can come.
52:00Why did you get out this?
52:06Don't let us do it, we will see the captain.
52:08I'm fine.
52:10I'm sorry.
52:11Do you think you're going to be a real man?
52:13What's wrong with you?
52:15Have you been doing anything?
52:17I'm fine.
52:18I'm not doing anything wrong to you at this point.
52:20I'm sorry.
52:21I'm so sorry.
52:21I'm sorry.
52:21You're in the wrong place.
52:22Get out of here.
52:28Get out of here.
52:30Come on.
52:32Come on.
52:33You're going to make a new job.
52:36It's a tough time to get out of the car.
52:40I'm going to get out of the car.
52:43Don't let me go!
52:44Get out of the car!
52:51My son!
52:57Get out of the car!
52:58Get out of here!
53:01Get out of here!
53:18Let's go.
53:41Would you like to walk?
53:42There is something in the room.
53:43I don't understand.
53:46I don't understand.
53:48I don't understand.
53:48There is something in the room.
53:49I don't understand.
53:53I'm sorry.
53:55I'm sorry.
53:58You are here.
54:20How are you doing, Mr. M.O.?
54:21I have to send you to me.
54:27Are you okay, Mr. M.O.?
54:29Who is this?
54:30M.O.
54:32Or M.O.
54:35If M.O.
54:37Why?
54:39But M.O.
54:41M.O.
54:42M.O.
54:42I don't know.
54:43I've never been to the person.
54:45I've never been to the person.
54:47I've never been to the person.
54:58What's wrong with you?
55:01I'm here to be a doctor.
55:04So, how do you find him?
55:09I'm not sure how do you find him.
55:11I'm not sure how do you find him.
55:11I've never been here to the house.
55:12Wow.
55:13I know, my name is Mr. M.O.
55:16It's a person for the person.
55:18My name is Mr. M.O.
55:19He's called Mr. M.O.
55:21The house is called Mr. M.O.
55:21The house is called Mr. M.O.
55:27Do you want to go to the house right now?
55:43If you don't want to go to the house, you're going to go to the house, right?
55:47Yes. The Geralt doesn't slam on the police to the house right?
55:53I'll do something for you right now.
55:55You're onlyfpsence to the house right now.
55:57Wait, how do you try?
55:59What's your purpose?
56:01We failed you all.
56:02If you look at the house,Career is pretty grand.
56:05Don't you agree okay to us?
56:11attacker andалистic background,
56:13I'm going to show you the same thing, but I think that I know that my mother is a child.
56:20That's good.
56:22Hey!
56:24Do you want me to do something like this?
56:26Do you want me to do something like this?
56:34Hey!
56:35Why are you doing this?
56:37Why are you doing this?
56:38Why are you doing this?
56:43There's no one.
56:44There's no one.
56:45There's no one.
56:47There's no one.
56:49Let's go.
56:51Go.
57:02The house is so good.
57:11This house is so good.
57:13I'm not.
57:15You're not.
57:16You're not.
57:17You're not.
57:17You're not.
57:18You're not.
57:19You're not.
57:20You're not.
57:24Don't come.
57:33You're not.
57:34You're not.
57:34You're not.
57:36I think that's a shame.
57:38I want to hear the person in this room.
57:39And I really want you to always.
57:41Nari!
57:44Nari, what do you think?
57:46You're all right.
57:47This is a great person.
57:49I hope that the person will be the best.
57:52I will have to bring the talent to the boss.
57:54I will bring the talent to the boss.
57:56The boss will be the boss.
57:59He will be the boss.
58:00Just two people.
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