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Twin Surprise For My Ex-husband englishsub fullmovie🧲🍿
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00:00:01Today is the second anniversary of my marriage to my husband, but he is so drunk in the bar.
00:00:07The VIP door is joined. Just as I'm about to open the door, my hand freezes on the handle.
00:00:13Corrine's flight lands tomorrow.
00:00:16I hear the voices of Sean Cooper, my husband, the president of Cooper Group. Corrine is his ex.
00:00:23Layla hasn't conceived in two years because I never wanted her to bear a Cooper child.
00:00:28I drop my champagne. I bought it for the anniversary, his favorite.
00:00:37I leave the bar in panic and suddenly my phone rings. It is the hospital's message.
00:00:43Mrs. Cooper, congratulations. You are pregnant.
00:00:48I'm crouched by the curb vomiting. My phone lights up, a breaking entertainment alert.
00:00:53The photo is from four years ago, with Sean down on one knee, proposing to Corrine in grand fashion.
00:00:59The next day, the doorbell rings.
00:01:02I open the door. It is Corrine.
00:01:05Sean left his watch at my apartment last night. I thought I'd drop it off.
00:01:09I take the watch engraved on the back as L.S., the wedding gift I gave him.
00:01:15I see her out calmly. The moment the door closes, my nails dig into my palms and silent tears fall.
00:01:24That night, Sean comes home and slides divorce papers across the table.
00:01:33I pick up the pen and sign without reading a single line.
00:01:46I don't respond. I book a flight, delete all my contacts. I leave Fladina with the baby he never wanted.
00:01:54Four years later, Fladina International Airport.
00:01:57I wear a khaki Trent coat, holding Amila's hand in one hand and Andres' in the other, walking out of
00:02:04arrivals.
00:02:05Corrine is back! Sean is picking her up! What a perfect match!
00:02:10Mommy! That man looks just like me!
00:02:13Amelia pulls free from my grip and points at the VIP corridor. I look up.
00:02:18Sean is walking out of the corridor, his arm around Corrine.
00:02:21His gaze sweeps the crowd and collides with mine.
00:02:24His steps falter. Corrine follows his gazes toward me.
00:02:28Mommy, who is that man?
00:02:30No one. Let's go.
00:02:31Four years. I think I'm over him.
00:02:33I drag the kids out of the airport, but my heart is clenched so hard I can barely breathe.
00:02:39Back at the apartment, I lock myself in the bathroom and turn the fossa on full blast to drown out
00:02:46my crying.
00:02:47When I come out, Andres is sitting on the living room floor.
00:02:51My old laptop is open in front of him.
00:02:53Mommy, this is Daddy, isn't he?
00:02:56On the screen are a photo of Sean and me on our wedding day and the divorce papers from four
00:03:00years ago.
00:03:02Andres.
00:03:03Amelia wants to meet him. I'll protect her.
00:03:07The next day, I think they've gone to kindergarten.
00:03:09Then, the teacher calls.
00:03:11They never showed up.
00:03:12At Cooper Group headquarters, Amelia is brought into the CEO's office by Sean's secretary.
00:03:21Daddy.
00:03:23She throws herself into Sean's arms.
00:03:26Sean freezes, looking down at the little girl whose eyes look so much like his.
00:03:31Who are you?
00:03:32Where's your mom?
00:03:33My name is Amelia Carter.
00:03:36My mommy is Layla Carter.
00:03:39Sean's eyes change instantly.
00:03:41Sean had his secretary contact me, but Amelia clung to him and said she was hungry.
00:03:48So he took the children to the downstairs restaurant.
00:03:51Hungry.
00:03:52Sean takes the kids to a revolving restaurant.
00:03:55Daddy, this strawberry cake is so yummy.
00:03:58Try it.
00:03:59Sean pauses, then eats the piece she offers.
00:04:03He reaches out and wipes the cream from her cheek.
00:04:07Clumsy but gentle.
00:04:08Andres stays silent the whole time.
00:04:10But when Sean goes to the restroom, he secretly snaps a photo of his back and sends it to me.
00:04:16Mommy, he seems not as awful as he looks on TV.
00:04:21When I got the secretary's call, my hands were shaking.
00:04:27Josh happened to be nearby, so he drove me straight to the restaurant.
00:04:34He was my childhood friend, and he had helped me take care of the kids all these years.
00:04:39Sean looks at the two of us standing side by side.
00:04:42Something flickers in his eyes like he's been stung.
00:04:45Sean, thank you for taking care of them.
00:04:48So for the past four years, he's been by your side with the children?
00:04:52It's not what you think.
00:04:53I see.
00:04:56He turns and walks away without looking back.
00:04:59I want to run after him to explain, but my feet are rooted to the ground.
00:05:03Sean returns to his office and hurls his suit jacket onto the sofa.
00:05:08He yanks off his tie and dials Theo.
00:05:12Look into someone for me.
00:05:14Layla Carter.
00:05:16Everything from the last four years.
00:05:19Especially the man she's with.
00:05:21Hanging up, he opens a drawer and takes out the wedding ring I left behind four years ago.
00:05:26His thumb traces the engraving inside.
00:05:28He doesn't put it down for a long time.
00:05:32Sean, what's so interesting?
00:05:36Nothing.
00:05:36Sean quickly puts the ring back in the drawer, but she's already seen it.
00:05:42After leaving Sean's office, Corrine's eyes are cold as ice.
00:05:46She dials a number.
00:05:48Layla Carter.
00:05:49I want to know everything about her from the last four years.
00:05:53Josh asks to meet at a cafe.
00:05:55He says it's important.
00:05:56Sean's people are investigating you.
00:05:59I grip my cup, knuckles whitening.
00:06:01And there's another group digging into you too.
00:06:03I haven't figured it out, but not Sean's people.
00:06:06I knew it.
00:06:07Nothing good ever happens when he is involved.
00:06:10Layla.
00:06:11Call me if anything happens.
00:06:15That same night, two investigative reports land on Sean's desk.
00:06:20One is about me.
00:06:21Left Flay Dana four years ago.
00:06:23Gave birth to twins.
00:06:25Raised them alone.
00:06:26The other is about Josh.
00:06:28Owner of a tourism company, my childhood friend.
00:06:33Sean places the two reports side by side and stares at the twins' photo for a long time.
00:06:39They have my eyes.
00:06:41In the bedroom, the three of us are sitting on the bed.
00:06:43Amalia looks up at me, her big eyes full of confusion.
00:06:46Mommy, why doesn't Daddy live with us?
00:06:49All the kids at school have daddies to pick them up.
00:06:52I don't know how to answer.
00:06:54Amalia wanted to know, so I helped her find out.
00:06:57He's holding a crumpled piece of paper, a photo of Sean, downloaded and printed from the internet.
00:07:03I wrap my arms around both of them, tears falling.
00:07:09At the same time, Corrine receives her own report.
00:07:12She opens to the first page and sees the twins' birth dates and blood types.
00:07:16Her fingers begin to tremble.
00:07:19It's four years ago.
00:07:23She makes a call.
00:07:25Father, I need to deal with someone.
00:07:28I'll make it clean.
00:07:30The next day, Sean suddenly appears downstairs at my building.
00:07:33He leans against his car, the streetlight stretching his shadow long.
00:07:38Those two children, are they mine?
00:07:42I clench my fists and say nothing.
00:07:45You were already pregnant when you left Flaidana.
00:07:47Just then, Josh's car pulls up beside us.
00:07:51He's here to take me to see a real estate agent.
00:07:54Sean looks at Josh, then back on me.
00:07:56He unclenches his fist and steps back.
00:07:59Forget it.
00:08:00He gets in his car and roars away.
00:08:04That weekend, I take the kids to Central Plaza.
00:08:08The kids run off to play, their laughter echoing in the open space.
00:08:12I watch them from a distance, a contented smile on my face.
00:08:16Balloon!
00:08:17Mommy, it's Balloon!
00:08:19Amelia chases a balloon vendor out of my sight.
00:08:22Andres follows her.
00:08:24Amelia!
00:08:25When I catch up, for they're gone.
00:08:30I dial Sean's number like a madwoman, my fingers trembling so hard I can barely hit the buttons.
00:08:37The children are gone!
00:08:40Sean, please help me!
00:08:42On the other end, he bursts out of the meeting room.
00:08:47Theo, pull up the plaza surveillance footage.
00:08:50On screen, a large hand covers Amalia's mouth and drags her into a gray van.
00:08:55Andres lunges forward and bites that hand, but he's yanked in two.
00:09:03I kneel on the ground, clutching that little shoe.
00:09:11It's all my fault!
00:09:13At the same moment, Coren's phone lights up.
00:09:15It's an encrypted message.
00:09:17It says, secured.
00:09:23Sean's men seal off the entire plaza.
00:09:31That's Amalia's favorite shoe.
00:09:33She wears it just the first time.
00:09:35I'm collapsed on the ground.
00:09:37Clutching Amalia's pink shoe.
00:09:39She must be so scared.
00:09:41Andres is only four.
00:09:42What can he do?
00:09:44My hands keep shaking until Sean takes them.
00:09:53Layla, look at me.
00:09:56I will get them back.
00:09:57Do you hear me?
00:10:01Sean!
00:10:03Surveillance tracked them.
00:10:04The van's heading into the abandoned industrial district.
00:10:08Get the car and take me there.
00:10:17I'm going with you!
00:10:21He doesn't refuse and takes my hands again.
00:10:24His hand is so warm.
00:10:26Headlights cut through the night like knives through my heart.
00:10:31Inside an abandoned factory, my son is holding his crying sister tight with his tiny hands.
00:10:36Andres, I'm scared.
00:10:38I want mommy.
00:10:41Don't cry.
00:10:43I'll get you out.
00:10:45His eyes scan everywhere calmly.
00:10:54Yeah, both brats are here.
00:10:57More money, or I'll slit their throats.
00:11:07Now.
00:11:21Amelia squeezes through first.
00:11:24Then him.
00:11:28Two small figures vanish into the night.
00:11:38As the kidnapper returns, he sees nothing but an empty room.
00:11:43Damn it!
00:11:45The brats escaped!
00:11:47And at the same time, Corinne's phone lights up.
00:11:55Escaped?
00:11:57Useless idiots.
00:11:58When Sean and I reach the industrial district, the kidnappers are gone.
00:12:05The warehouse is empty.
00:12:09Amalia.
00:12:10Andrus.
00:12:12Mommy's too late.
00:12:14Wait.
00:12:15Wait.
00:12:15Look at the floor.
00:12:16He points at a trail of small footprints leading toward the wasteland behind the hair house.
00:12:21They escaped.
00:12:22Layla, they're alive.
00:12:24Come with me.
00:12:27I run after him like a madwoman.
00:12:33Andres!
00:12:34Amelia!
00:12:36I scream their names as I run, my voice so hoarse it barely makes a sound.
00:12:42Andres!
00:12:47I rush towards the sound.
00:12:49Amelia is huddled in Andres' arms.
00:12:52And my son has a long, bloody gash on his arm.
00:12:56His entire sleeve is soaked red.
00:13:04Mommy, I told you.
00:13:07I'd protect her.
00:13:11Mom, I'm so tired.
00:13:13I'm so tired.
00:13:15I'm so tired.
00:13:15I'm so tired.
00:13:16Mom, I'm so tired.
00:13:16I'm so tired.
00:13:16I'm so tired.
00:13:17I'm so tired.
00:13:17In the hospital corridor, I rush Andres into the ER.
00:13:22His arm was sliced open by wire during the escape.
00:13:26He needs seven stitches.
00:13:31He doesn't cry once.
00:13:37After the doctor finishes, Sean finally walks in
00:13:42and sits by Andres' bed.
00:13:45He wants to touch but pulls back his hand.
00:13:50You protected your sister.
00:13:53You're a hero.
00:13:55My son looks directly into his eyes with great seriousness.
00:14:00You're my father.
00:14:02You should have protected us.
00:14:05Andres calls him father for the very first time.
00:14:08The word father shatters something in Sean's eyes.
00:14:22Sean looks at me.
00:14:24Asks for an answer.
00:14:29I turn away in silence.
00:14:32Sean looks at Andres,
00:14:33makes a solemn, determined promise in a deep voice.
00:14:37I will.
00:14:38From today on, I won't let anyone hurt you again.
00:14:43Andres doesn't answer.
00:14:44He turns his face to me.
00:14:46Mommy, it hurts.
00:14:49I hold him tight and my tears won't stop.
00:14:54On the day we're discharged, Sean comes to pick us up himself.
00:15:05Get in.
00:15:07Where?
00:15:08He doesn't answer.
00:15:10He drives straight to his mansion.
00:15:12The very cage I lived in for two years and fled from four years ago.
00:15:17You're staying here.
00:15:18At least until we find out who's behind the kidnapping.
00:15:22It's not a suggestion.
00:15:23It's an order.
00:15:37The first night in the villa, the kids sleep deeply.
00:15:42I sit by the bed and watch them, my heart a tangled mess.
00:15:47Sean asks me to go to the study.
00:15:51He places a stack of documents in front of me.
00:15:54DNA test results, birth certificates, and our old marriage certificate.
00:16:00Andres and Amelia are my children.
00:16:02Josh is not the father.
00:16:09I close my eyes.
00:16:10Don't want to look at their documents.
00:16:13Layla.
00:16:15You hid them from me for four years.
00:16:20Yes.
00:16:22But you and Corrine.
00:16:26I won't come between you two.
00:16:29I turn and walk away.
00:16:31I hear him murmur to himself.
00:16:43Lila, was I wrong four years ago?
00:16:46Sean starts coming home on time.
00:16:49He builds blocks with Amelia, plays chess with Andres, even learns to braid his daughter's hair.
00:16:57Daddy!
00:16:59Bows!
00:16:59I want more bows!
00:17:01Amelia surrenders quickly, but Andres keeps his distance.
00:17:07He never initiates calling him dad, and whenever Sean touches him, he instinctively flinches.
00:17:13It doesn't matter.
00:17:15Sean seems unconcerned, but there is sadness in his eyes.
00:17:20I've enrolled the kids in the best kindergarten in Flodina.
00:17:24I know he's trying to be a good father.
00:17:26He wants to make up for those four empty years.
00:17:30I'll go check out the school tomorrow.
00:17:32The next day, I run into Corrine at the school gate.
00:17:39She stands across the street, smiling at me.
00:17:51Corrine asks me to meet her at a cafe near the school.
00:18:00Layla, long time no see.
00:18:03Your kids are adorable.
00:18:05I heard they were kidnapped?
00:18:07Not easy to come back alive.
00:18:09Her voice is as soft as if we're discussing the weather.
00:18:12But every word sends ice down my spine.
00:18:14My fingers tighten convulsively.
00:18:16How does she know about the kidnapping?
00:18:18It was never made public.
00:18:19I don't know what you mean by kidnapping.
00:18:22She smiles and takes a sip of the coffee.
00:18:28Relax.
00:18:29I'm just warning you.
00:18:31Being near Sean is dangerous.
00:18:34His parents were murdered.
00:18:36I stare into her eyes.
00:18:39Do you want the same thing to happen to your kids?
00:18:45I have to stay calm.
00:18:46I can't let her see I'm terrified.
00:18:50How do you know about his parents?
00:18:52Her smile vanishes instantly.
00:18:56Corrine doesn't answer.
00:18:58She stands up and grabs her purse.
00:19:00Stay away from Sean.
00:19:02For your children's sake.
00:19:04She leaves.
00:19:06I sit there, fingers frozen.
00:19:11When I get home, Sean looks up at me, frowning.
00:19:15What's wrong?
00:19:17Nothing.
00:19:20I can't tell him.
00:19:21Not yet.
00:19:23That night, after tucking the kids in, I open my laptop.
00:19:27With trembling fingers, I type,
00:19:30Cooper car crash.
00:19:32An old report pops up.
00:19:34Cooper couple killed in crash.
00:19:36Only son Sean Cooper ends entire estate.
00:19:38I read out the book.
00:19:40I read out the title, staring at the photo that shows a teenage Sean at the funeral.
00:19:43His eyes are hollow.
00:19:45I had no idea about this at all.
00:19:47I send the files to Josh.
00:19:49I need to know the truth.
00:19:51No matter how cruel it is.
00:20:00Three days later, he asks to meet.
00:20:02His expression is more serious than I've ever seen.
00:20:06Layla, I can only trace the crash to a transnational crime syndicate called Sigma.
00:20:13His expression is more serious than I've ever seen.
00:20:16It's too dangerous for the kids' safety.
00:20:18You need to leave Sean as soon as possible.
00:20:23I return home in a daze.
00:20:31I push open the door, and see Sean is sitting on the living room floor, teaching Andres chess.
00:20:38Andres makes a move, then he looks up at Sean.
00:20:42Checkmate, Dad.
00:20:45Andres calls him Dad.
00:20:47For the first time, he initiates it.
00:20:50Layla, he called me Dad.
00:20:55Sean scoops Andres up and buries his face in the child's small shoulder.
00:21:05Watching this, my heart is torn in two.
00:21:10What on earth am I supposed to do?
00:21:15That night, Sean knocks on my door.
00:21:20Layla, tomorrow, come with me to Cooper Manor.
00:21:24Grandpa wants to meet you and the children.
00:21:26Garrett Cooper.
00:21:27The old man who arranged our marriage and never once blamed me after the divorce.
00:21:32I'm terrified.
00:21:34After four years.
00:21:35How do I face him?
00:21:40But the moment Garrett sees Amelia and Andres, tears well up in his cloudy old eyes.
00:21:47Then he looks at me and asks me to follow him to the study alone.
00:21:53My palms are soaked.
00:21:57Layla, my child, please sit down.
00:22:01Is he going to talk about the kids?
00:22:03Or demand to know why I hid them for four years?
00:22:06He pulls a document from his drawer and slides it across the desk towards me.
00:22:10Sign it.
00:22:12Property transfer?
00:22:14And five percent of Cooper Group shares?
00:22:18I can't. This is too much.
00:22:21This is what I owe you.
00:22:22Take it.
00:22:23Garrett holds my hand, eyes reddening.
00:22:26It's not for you.
00:22:27It's so this old man can go in peace.
00:22:30That boy, Sean, owes you far too much.
00:22:33I leave the study.
00:22:37Amelia waits for me in the hallway.
00:22:40She pulls me into a room.
00:22:43Mommy, Daddy smiled so happily when he was little.
00:22:47Amelia points at a family portrait on the wall.
00:22:50A young Sean standing between a couple, smiling without a care in the world.
00:22:54Mommy, why doesn't he smile like that now?
00:22:58What I remember is another photo.
00:23:00The one from that old news article I found online.
00:23:04The teenage boy in black at the funeral.
00:23:09How did he survive all these years, all alone?
00:23:13A crazy thought takes hold of me.
00:23:21While Sean is out, I enter his study.
00:23:31In the bottom drawer, I find a locked iron box.
00:23:34I try the kids' birthdays.
00:23:37Amalina's.
00:23:38Andre's.
00:23:38None of them work.
00:23:44Andre stand at the door of the study, looking at me calmly.
00:23:48The password is Dad's birthday.
00:23:50I already tried it.
00:23:58I open the box, hands trembling.
00:24:05These are...
00:24:06Inside are thick investigation files, crime scene photos from the crash, and a yellowed note.
00:24:12It bears a name, Steph Griffiths, and next to it, two words, Sigma Group.
00:24:19I flip the note over.
00:24:22On the back is another name.
00:24:24A name I know all too well.
00:24:27Corinne Evans.
00:24:29I put the box back, my fingers ice cold, my whole body trembling.
00:24:36Corinne.
00:24:40Was she behind the kidnapping of Amelia and Andres?
00:24:47You've known all along that something was wrong with Corinne?
00:24:52Yes.
00:24:54I can't tell you these things because the less you know, the safer it will be for you.
00:25:04All these years, you and she...
00:25:07That's why I had to stay involved with her.
00:25:11Stay involved?
00:25:13My heart clenches painfully.
00:25:16That night, Sean tells me everything.
00:25:21Twelve years ago, my parents didn't die in an ordinary crash.
00:25:26It was Sigma Group.
00:25:28He pauses for a moment, his voice carrying a deep sense of sadness.
00:25:32The Cooper family was in their way, so they silenced them.
00:25:36Karenne's adoptive father, Hawk, is the one who tampered with my parents' car.
00:25:41So you pretended to still have feelings for her, so you could find the mastermind, Steph Griffiths?
00:25:47Yes.
00:25:49Then when you divorced me, was it also because...
00:25:52I thought if I pushed you away, you'd be safe.
00:25:58I thought you didn't love me.
00:26:00But to protect me, he pushed me out of his world and carried it all alone for four years.
00:26:07Sean says nothing and holds me in his arms.
00:26:21Sean tells me Corrine is the venomous snake that Hawk planted by his side.
00:26:26I make a decision.
00:26:28I'll get close to Corrine myself.
00:26:30The next day, I ask her out for coffee.
00:26:40Sean has been so distracted lately.
00:26:43Does he still have feelings for you?
00:26:46I do notice that Corrine's eyes light up for a second, then turn guardied.
00:26:53What do you mean?
00:26:54I pretend to be sad, with a few tears forming at the corners of my eyes.
00:27:01The one in his heart was never me.
00:27:03You should win him back.
00:27:05I'm only living with him because of the kids.
00:27:08She stares at me for a long time before finally smiling.
00:27:11There's a condescending satisfaction in that smile.
00:27:14Layla, you're more sensible than I expected.
00:27:20I lift my coffee cup.
00:27:23My hands are shaking, but my face is smiling.
00:27:27The fish has taken the bait.
00:27:30Andres becomes my agent.
00:27:32He doesn't know what's really happening, but he silently memorizes every stranger who comes to the house
00:27:38and sketches their faces with his astonishing drawing skills.
00:27:43Mom, this man has been here three times.
00:27:47He hands me a sketch.
00:27:50The man in the drawing has a fierce glares.
00:27:56He always comes here when Dad's not home, with that lady named Corrine.
00:28:00It's the man from the photo Theo showed me.
00:28:03Steph's right-hand man, Hawk.
00:28:05Mom, is that man a bad guy?
00:28:11Yes.
00:28:15But don't be scared.
00:28:17Mom will protect you.
00:28:19I'm not scared.
00:28:21I'll protect you and Amelia.
00:28:24I hug Andres tight, proud and terrified at once.
00:28:29My son is using his pencil to spy on my enemies for me.
00:28:34But I don't even know how to protect him.
00:28:38Corrine starts treating me like an ally.
00:28:40She invites me to a private party.
00:28:42Layla, you're so lucky.
00:28:44My father is coming today, too.
00:28:46He will definitely like you.
00:28:52I walk into the private room wearing the dress she gave me.
00:28:58A middle-aged man sits in the host's seat.
00:29:01The exact face from Andres' sketch.
00:29:05So you're Sean's ex-wife?
00:29:09He looks me up and down.
00:29:15Yes.
00:29:16Your son draws well.
00:29:18He's got talent.
00:29:25Next time he sketches me, tell him...
00:29:29Make me look more handsome.
00:29:30In that instant, my blood freezes.
00:29:34They've seen Andres' drawings.
00:29:38Moreover, they never intended to let us go.
00:29:43I burst into the house and clutch Andres tightly in my arms, trembling uncontrollably.
00:29:50Mommy, what's wrong?
00:29:51Your hands are so cold.
00:29:53Nothing, baby.
00:29:54Mommy just missed you.
00:29:57Sean pushes the door open,
00:29:58takes one look at my face,
00:30:00and rushes over.
00:30:03What happened?
00:30:04You look like you've seen a ghost.
00:30:07Hawk knows Andres drew him.
00:30:10Sean's face turns ashen.
00:30:11He punches the wall.
00:30:14They've been watching this house
00:30:15since the first day you moved in.
00:30:18That night,
00:30:19he installs alarms on every window himself,
00:30:23then presses a small pistol into my hand.
00:30:30If I'm not here, you use it.
00:30:32Aim for the chest,
00:30:33pull the trigger.
00:30:37Lila, promise me.
00:30:40I promise.
00:30:44I hold that gun all night.
00:30:48Unable to sleep.
00:30:52Theo sends word.
00:30:54Hawk will personally escort a shipment out of Fladyna Harbor in three days.
00:31:00I need you to stay at the hotel near the harbor.
00:31:03Tell me the moment you see them.
00:31:04I can do more.
00:31:06Let me help you.
00:31:08Lila,
00:31:09knowing you're there is the only way I can focus.
00:31:14Trust me.
00:31:18That night,
00:31:19I stand at the hotel window,
00:31:20staring through binoculars at the dock.
00:31:28The moment Corrine appears,
00:31:30arm in arm with Hawk,
00:31:32I press the shatter.
00:31:36Target's in sight.
00:31:45When the lights come back on,
00:31:48Hawk is pinned to the ground.
00:31:50I'm in the middle of the night.
00:31:52But Corrine,
00:31:53she's vanished.
00:31:58Sean bursts into the hotel room,
00:32:00covered in blood.
00:32:02Are you okay?
00:32:03Did she come here?
00:32:04I'm fine.
00:32:06Where's Corrine?
00:32:12She ran.
00:32:15But she won't get far.
00:32:17Corrine has vanished.
00:32:19I've never seen Sean's face so grim.
00:32:21Sean.
00:32:23Corrine knows too much and hates you too much.
00:32:25Your whole family are in danger.
00:32:28That night,
00:32:29Sean makes a decision.
00:32:30We move to Cooper Manor.
00:32:33Garrett activates every security asset on the estate.
00:32:36The gates are guarded around the clock.
00:32:41Mommy,
00:32:42why can't we go back to Daddy's house?
00:32:46I crouch down and hold Amelia in my arms.
00:32:50I don't know how to answer.
00:32:52Three days later,
00:32:53the doorbell rings.
00:32:55Corrine storms into Cooper Manor in a loose white dress,
00:32:59her belly thrust forward.
00:33:01I'm pregnant with Sean's baby.
00:33:03Here's the prenatal report.
00:33:05Let everyone see it.
00:33:07Everyone freezes.
00:33:09Garrett sits in his wheelchair,
00:33:12face ashen.
00:33:13When Corrine sees Sean walking down from upstairs,
00:33:16she bursts into tears immediately.
00:33:19Sean,
00:33:19this is your child.
00:33:20You can't do this to me.
00:33:22She clutches her belly,
00:33:24tears streaming down her face.
00:33:26Sean walks up to her
00:33:27and takes the report from her hand.
00:33:30Your forgery skills haven't improved one bit in four years.
00:33:34What did you say?
00:33:36This hospital closed three months ago.
00:33:40Corrine stands still,
00:33:41her expression frozen.
00:33:43Police swarm in and pin her to the ground.
00:33:47She looks back at me as she's dragged away.
00:33:49Leela!
00:33:50You think you've won?
00:33:51You don't know anything!
00:33:53What is she talking about?
00:33:55I stare at Sean's back,
00:33:57waiting for his answer.
00:33:59But he says nothing.
00:34:01Corrine requests to see me during interrogation.
00:34:04Only me.
00:34:07No.
00:34:08Too dangerous.
00:34:10You can't go.
00:34:14I hesitate all day.
00:34:18I hesitate.
00:34:18In the end, I go.
00:34:26She has answers I need.
00:34:33You finally came.
00:34:35I knew you would.
00:34:37Through the glass,
00:34:39she looks haggard,
00:34:40but her eyes are still sharp as knives.
00:34:45What do you want to say?
00:34:48Sean chased you for four years.
00:34:50Not for you.
00:34:51For Garrett Cooper's inheritance.
00:34:57You're lying.
00:35:01Those two children,
00:35:02you think they're precious to him?
00:35:04No.
00:35:05They're his bargaining chairs.
00:35:10You are insane.
00:35:11Am I?
00:35:13Then ask him.
00:35:15Why he had to marry,
00:35:17and have children before 35, why?
00:35:20Why he married you?
00:35:24I hang up and walk away.
00:35:35Behind me,
00:35:36her hysterical laughter echoes.
00:35:39From that day on,
00:35:40I can't sleep.
00:35:43Sean works in his study late every night.
00:35:50One night,
00:35:51I pass the study and hear him on the phone.
00:35:53Layla can't know about the will.
00:35:55Not a single word.
00:35:57I freeze in the hallway.
00:35:59I'll handle this.
00:36:00Grandpa's health is declining.
00:36:02He can't take any more stress.
00:36:07I slip back to my room.
00:36:11And don't sleep a wink all night.
00:36:14The next morning,
00:36:15Sean wipes jam from Amelia's cheek
00:36:18and plays chess with Andres as usual.
00:36:21Daddy,
00:36:22will you come home for dinner tonight?
00:36:26Of course, sweetheart.
00:36:28Watching this,
00:36:29I suddenly feel like I'm looking at a stranger.
00:36:31The cold voice on the phone
00:36:33and the gentle father in front of me.
00:36:39Which one is real?
00:36:43The Sigma group trail suddenly goes cold.
00:36:46Theo's investigation shows
00:36:47that after Hawk's arrest,
00:36:49the entire organization hit pause.
00:36:51All activities ceased.
00:36:53All communications cut.
00:36:56They're waiting.
00:36:59Waiting for what?
00:37:03Waiting for us to let our guard down.
00:37:06Then they'll strike.
00:37:07But
00:37:09he looks at me.
00:37:12I don't go any further.
00:37:14That night,
00:37:16Sean suddenly announces
00:37:17he's taking me and the kids abroad.
00:37:19There's...
00:37:20You arranged this awfully fast.
00:37:23It's been in the works.
00:37:25Flights, hotel, itinerary.
00:37:29Everything is ready.
00:37:39Sean,
00:37:40what are you hiding from me?
00:37:45The resort is beautiful.
00:37:48The kids chase waves on the beach.
00:37:51Sean relaxes under an umbrella.
00:37:53A rare sight.
00:38:04I look at Sean.
00:38:05He is just as handsome
00:38:06as he was four years ago.
00:38:10He suddenly opens his eyes
00:38:12and catches me staring.
00:38:19You're looking at me.
00:38:21No, I'm not.
00:38:27Lila?
00:38:31He reaches out
00:38:33and pulls me down beside him.
00:38:35Lila,
00:38:36when this is all over,
00:38:38can we start again?
00:38:40Start again?
00:38:42What do you mean?
00:38:45Like when we first got married.
00:38:47No secrets,
00:38:48no schemes.
00:38:49Just you and me
00:38:51and the kids.
00:38:55My heart skips a beat.
00:38:57But Karain's words flood back.
00:39:12On the third day,
00:39:14Sean gets a phone call.
00:39:15Let me take the knee
00:39:16for gonna bad.
00:39:41He walks away and talks for a long time.
00:39:44When he comes back,
00:39:45he looks like his soul
00:39:46has been drained.
00:39:48Theo found Steph's trail.
00:39:49I have to go back
00:39:50to Flodina immediately.
00:39:54We're going back with you.
00:39:56No.
00:39:57You and the kids stay here.
00:39:59It's safe.
00:40:02Safe?
00:40:03No place is safe without you.
00:40:14He looks at me for a long time,
00:40:16then finally nods.
00:40:23That night,
00:40:24we board a flight back.
00:40:26A mania falls asleep in my arms.
00:40:29Andres leans against my shoulder.
00:40:36Sean stares out the window
00:40:38the entire way,
00:40:39his hands clenched into fists.
00:40:52I don't know what he's thinking,
00:40:54but I know.
00:40:56The storm is coming.
00:40:59Third day back in Flodina,
00:41:01the kids and I walk out of the supermarket.
00:41:09The doors fly open.
00:41:11Two men charge out.
00:41:13Before I can scream,
00:41:15a hand clamps over my mouth
00:41:16and drags me into the car.
00:41:28Don't be scared, Amelia.
00:41:30Don't be scared.
00:41:32The car speeds away.
00:41:34My phone is snatched
00:41:35and thrown out the window.
00:41:43Amelia sobs in terror.
00:41:45Andres holds her tight,
00:41:46but his eyes are locked
00:41:48on the kidnappers in front.
00:41:51There are two kidnappers.
00:41:53One of the person's eyes
00:41:54has a scar at the corner.
00:41:56Mrs. Cooper,
00:41:57someone wants to see you.
00:41:59You've been waiting a long time.
00:42:03We're taken to an abandoned factory.
00:42:16The one-eyed man shoves me
00:42:18into an office alone.
00:42:19Someone is sitting inside.
00:42:23Steph Griffiths.
00:42:24I recognize him instantly.
00:42:30Layla Carter.
00:42:32Or should I call you Mrs. Cooper?
00:42:37What do you want?
00:42:40Relax.
00:42:41I just want to chat.
00:42:43About your husband.
00:42:46About the truth
00:42:47he's been chasing
00:42:48for 12 years.
00:42:50You killed his parents.
00:42:55Is that what he told you?
00:42:57He stands up
00:42:58and walks slowly to the window.
00:43:00His back to me.
00:43:01Sean thinks I killed his parents.
00:43:04He's chased me for 12 years.
00:43:06Hated me for 12 years.
00:43:08He turns to look at me.
00:43:10His eyes are still sharp as knives.
00:43:13But the truth is
00:43:15it was his own father
00:43:17who put the whole family
00:43:19on the road to death.
00:43:22Steph tells me a completely
00:43:24different story.
00:43:2812 years ago
00:43:29Sean's father wasn't just
00:43:31the head of Cooper Group.
00:43:33He was also a secret partner
00:43:35of Sigma Group.
00:43:37You think I'll believe you?
00:43:43Believe it or not
00:43:44we worked together for 10 full years.
00:43:47You're lying.
00:43:48Why would he work with you?
00:43:50Why?
00:43:51Because the Cooper family's
00:43:52first fortune was built
00:43:53with Sigma money.
00:43:54From Garrett's generation
00:43:56dirty Sigma blood
00:43:57has run through the Cooper veins.
00:43:58He lights a cigar
00:43:59smoke curling in the dim room.
00:44:0512 years ago
00:44:06your husband's father
00:44:07wanted out.
00:44:08He threatened to expose
00:44:09everything
00:44:10to drag all of Sigma
00:44:11down with him.
00:44:13So you killed him?
00:44:17He turns and looks at me
00:44:19a cruel smile
00:44:21curling on his lips.
00:44:23I had to.
00:44:24Steph's words
00:44:25pour over me
00:44:26like ice water.
00:44:27My whole body
00:44:28goes cold.
00:44:29The crash
00:44:30wasn't my doing.
00:44:32Hawk acted
00:44:33on his own.
00:44:34I only wanted
00:44:35to warn him.
00:44:37He pretends
00:44:37to be sad
00:44:38but can't hide
00:44:39the smile
00:44:39on his lips.
00:44:42Do you know
00:44:42why Sean married you?
00:44:44What are you
00:44:45trying to say?
00:44:46Garrett's will
00:44:47is crystal clear.
00:44:49Sean must marry
00:44:50and have children
00:44:51before 35
00:44:52or everything
00:44:53goes to charity.
00:44:55you're not his wife
00:44:57you're his ticket.
00:44:59My nails dig
00:45:00into my palms
00:45:01blood trickling
00:45:03through my fingers.
00:45:06Corinne said
00:45:07the exact same thing.
00:45:09Leila
00:45:10when this is all over
00:45:11can we start again?
00:45:14Leila can't know
00:45:14about the will.
00:45:15I'll handle this.
00:45:16Grandpa's health
00:45:17is declining.
00:45:18He can't take
00:45:18any more stress.
00:45:19In all of this
00:45:20what is real?
00:45:24I'm dragged back
00:45:25to the room
00:45:26where the kids
00:45:26are held.
00:45:33Andres rushes over
00:45:35and wraps his arms
00:45:36around my waist.
00:45:37Mommy
00:45:38your hand is bleeding.
00:45:42Mommy's fine.
00:45:43Don't be scared.
00:45:44I hold both kids close.
00:45:46Steph's word
00:45:47and Corinne's overlap
00:45:48my mind in chaos.
00:45:51Mom
00:45:52what did that man
00:45:53tell you?
00:45:55Nothing.
00:45:58I kiss Andres
00:45:59on the forehead.
00:46:02Mommy's here.
00:46:04Daddy will come save us.
00:46:06Whatever Sean's reasons
00:46:07were for marrying me
00:46:08his love for these kids
00:46:10is real.
00:46:11I believe in Daddy.
00:46:15I look at my son's
00:46:16determined eyes
00:46:17and my tears
00:46:18nearly fall.
00:46:20Sean and his men
00:46:22storm in late that night.
00:46:23I shield the kids
00:46:24beneath me
00:46:25huddled in the corner.
00:46:27The door is kicked open
00:46:28gunfire
00:46:29shouting
00:46:30and footsteps
00:46:31erupt all at once.
00:46:36Leila!
00:46:45Sean is covered in blood
00:46:46his eyes frantically
00:46:47searching the room
00:46:48until they land on me.
00:46:50I'm sorry.
00:46:52I'm so late.
00:46:53He reaches out
00:46:54his fingers trembling
00:46:55as they touch my face.
00:46:58I see his eyes
00:46:59turning red.
00:47:01I take his hand.
00:47:05You're here.
00:47:06That's all that matters.
00:47:08He lowers his head
00:47:09pressing his forehead
00:47:10against Amalia's hand.
00:47:11I feel it.
00:47:13His tears.
00:47:14It's the first time
00:47:15I've ever seen him cry.
00:47:19I thought I was
00:47:20gonna lose you.
00:47:21Steph escaped.
00:47:23Sean didn't chase him.
00:47:24He brought us home.
00:47:25He personally bathed
00:47:26Andres and Amalia
00:47:27changed their clothes
00:47:28and put them to bed.
00:47:30Daddy
00:47:30don't go away again
00:47:32okay?
00:47:33Okay.
00:47:33Daddy's not going
00:47:34anywhere ever again.
00:47:35This man just went
00:47:36through a gunfight
00:47:37has entreated wounds
00:47:38and he's crouching
00:47:39beside a child's bed
00:47:40tucking in his daughter.
00:47:41Amalia
00:47:42sweet dreams
00:47:43daddy's here.
00:47:44After the kids
00:47:45are asleep
00:47:46he comes out.
00:47:48I kneel down
00:47:49and pull out
00:47:49the first kit
00:47:50to treat his wounds.
00:47:59Did Steph say
00:48:00something to you?
00:48:01I lower my eyes
00:48:02and don't answer.
00:48:05Leela
00:48:06look at me.
00:48:07Whatever he said
00:48:08let me explain.
00:48:10He said
00:48:11I'm nothing
00:48:11but your ticket.
00:48:15Garrett's will?
00:48:16Did you marry me
00:48:17because of it?
00:48:23Yes.
00:48:25Sean lets go
00:48:26of my hand
00:48:26and takes a deep breath.
00:48:30The will is real.
00:48:32I had to marry
00:48:33and have children
00:48:34before 35.
00:48:37But that was
00:48:37two years ago.
00:48:39And now?
00:48:41But I stopped
00:48:42you at the airport.
00:48:43It wasn't
00:48:43because of the will.
00:48:46It was because
00:48:47I couldn't lose you again.
00:48:50It was because of you.
00:48:52When you first
00:48:53met Amelia
00:48:53and Andres
00:48:54you had no idea
00:48:56they were yours.
00:48:57I didn't know.
00:49:01But I felt
00:49:02this inexplicable
00:49:03pull towards them.
00:49:05I wanted
00:49:05to protect them.
00:49:07He presses
00:49:08my hand
00:49:08against his chest.
00:49:10I feel
00:49:10his heart beat
00:49:12strong
00:49:12and fast.
00:49:15You don't
00:49:15have to believe me
00:49:16but this
00:49:18every beat
00:49:20is for you.
00:49:22He pulls
00:49:23me into
00:49:24his arms.
00:49:31His chin
00:49:31rests
00:49:32on top
00:49:32of my head.
00:49:40Theo rushes
00:49:41to the manor
00:49:42overnight.
00:49:43His expression
00:49:44is graver
00:49:45than I've ever
00:49:45seen.
00:49:47Steph
00:49:47didn't go far.
00:49:48He's hiding
00:49:48in downtown
00:49:49Fladena
00:49:49in a luxury
00:49:50apartment
00:49:51directly across
00:49:52from Cooper Group
00:49:52headquarters.
00:49:54The most dangerous
00:49:55place
00:49:56is the safest.
00:49:59It gets worse.
00:50:06Through shell
00:50:07companies
00:50:07and offshore
00:50:08accounts
00:50:08he's secretly
00:50:09acquired 15%
00:50:10of Cooper Group
00:50:10shares
00:50:11over the past
00:50:12three years.
00:50:1415%.
00:50:14He's now
00:50:15the third
00:50:16largest shareholder
00:50:17behind only
00:50:18Sean and Garrett.
00:50:20Theo's hand
00:50:21trembles
00:50:22as he hands
00:50:23over the intel.
00:50:32Sean gets
00:50:33a phone call
00:50:33says nothing
00:50:34the entire time
00:50:35his face
00:50:36turning pale.
00:50:42Who was that?
00:50:46Steph.
00:50:48What did
00:50:48he say?
00:50:55Tomorrow
00:50:55at 10am
00:50:56emergency
00:50:57shareholder
00:50:58meeting.
00:51:01He's going
00:51:02to remove
00:51:02me.
00:51:03I watch
00:51:04as Sean
00:51:05turns on
00:51:05the TV
00:51:07Steph's face
00:51:08appears
00:51:09on the screen
00:51:10and
00:51:11his smiling
00:51:12face
00:51:12fills the screen.
00:51:14Stephen Griffiths
00:51:15a shareholder
00:51:16of the Cooper Group
00:51:16has proposed
00:51:17to remove
00:51:18the current
00:51:18CEO Sean Cooper.
00:51:20This proposal
00:51:21has received
00:51:22support
00:51:22from several
00:51:23shareholders.
00:51:24Sean's expression
00:51:25becomes serious.
00:51:29I'm going
00:51:30with you
00:51:30tomorrow.
00:51:31No.
00:51:32It's too
00:51:33dangerous.
00:51:34Sean,
00:51:34I'm not the
00:51:35kind of wife
00:51:35who hides
00:51:36in the back.
00:51:37I'm
00:51:38Leila
00:51:38Carter.
00:51:39Your woman,
00:51:41mother
00:51:41of your
00:51:41children.
00:51:46He looks
00:51:47at me
00:51:48for a long
00:51:48time,
00:51:49then finally
00:51:49nods.
00:51:51Okay.
00:51:53Tomorrow
00:51:53you stand
00:51:54by my side.
00:51:55Sean holds
00:51:56my hand.
00:51:57His palm
00:51:57is warm.
00:51:58My heart
00:51:59is pounding.
00:52:00But I'm
00:52:01not afraid
00:52:01anymore.
00:52:02The day
00:52:03of the
00:52:03shareholder
00:52:03meeting,
00:52:04I drop
00:52:05the kids
00:52:05off at
00:52:05Garrett's
00:52:06first.
00:52:07Mommy,
00:52:07I'll take
00:52:08care of
00:52:08Amelia.
00:52:09You and
00:52:09Daddy come
00:52:09back safe.
00:52:10Mommy
00:52:11promises.
00:52:12We'll
00:52:12come
00:52:12back.
00:52:13Mommy,
00:52:14will Daddy
00:52:14beat the
00:52:15bad
00:52:15guy?
00:52:16Yes.
00:52:17Daddy
00:52:17will.
00:52:18I arrive
00:52:19at Cooper
00:52:19Group.
00:52:20The moment
00:52:21I step
00:52:22into the
00:52:22lobby,
00:52:23I see
00:52:23him,
00:52:24Steph.
00:52:26Mrs.
00:52:27Cooper,
00:52:28what a
00:52:28coincidence.
00:52:29You look
00:52:30beautiful today.
00:52:31I look
00:52:31calm on the
00:52:32surface,
00:52:32but I'm
00:52:33shaking with
00:52:33fear inside.
00:52:36I knew
00:52:37you'd be
00:52:37here.
00:52:38He leans
00:52:39close to
00:52:39my ear
00:52:40and lowers
00:52:40his voice.
00:52:41Are you
00:52:42really
00:52:42comfortable
00:52:43leaving your
00:52:44two children
00:52:44with Garrett?
00:52:47What are you
00:52:48trying to
00:52:48say?
00:52:51That old
00:52:51man is
00:52:52practically
00:52:52dead
00:52:53himself.
00:52:54Who can
00:52:55he protect?
00:52:56Steph walks
00:52:56away.
00:52:58I call
00:52:59Garrett with
00:52:59shaking hands.
00:53:08Garrett,
00:53:08are the
00:53:09kids okay?
00:53:10They're
00:53:11playing in
00:53:11the garden.
00:53:12Andres is
00:53:13teaching Amalia
00:53:13the names
00:53:14of flowers.
00:53:16What's
00:53:17wrong?
00:53:18Nothing.
00:53:20Tell security
00:53:20to watch the
00:53:21gates.
00:53:21No one in
00:53:22or out.
00:53:24Already
00:53:24done.
00:53:25Don't worry.
00:53:27I hang
00:53:27up.
00:53:28Sean
00:53:29comes to
00:53:29my side.
00:53:32I tell
00:53:33him what
00:53:33Steph
00:53:33said.
00:53:37I won't
00:53:38let him
00:53:38get away.
00:53:39His voice
00:53:40sounds like
00:53:40it's squeezed
00:53:41through gritted
00:53:42teeth.
00:53:43We walk
00:53:43into the
00:53:43conference room.
00:53:45Steph
00:53:45is already
00:53:46seated.
00:53:47Palered
00:53:47suit,
00:53:48hair
00:53:48perfectly
00:53:49styled
00:53:49like a
00:53:50true
00:53:50business
00:53:51mogul.
00:53:51Seeing
00:53:52us,
00:53:52he raises
00:53:53his coffee
00:53:54cup.
00:53:55Sean
00:53:56long
00:53:57time
00:53:57no
00:53:57see.
00:53:58Steph
00:54:00after
00:54:01today
00:54:01this
00:54:02office
00:54:02won't be
00:54:03yours
00:54:03anymore.
00:54:04I've
00:54:05prepared
00:54:05cardboard
00:54:06boxes
00:54:06for you.
00:54:10Sean
00:54:11sits down
00:54:11across
00:54:12from him
00:54:12expressionless.
00:54:14Try
00:54:15me.
00:54:19Steph
00:54:20smiles
00:54:20maliciously.
00:54:21Your
00:54:22father
00:54:22was not
00:54:22as
00:54:23excellent
00:54:23as
00:54:23you
00:54:23back
00:54:24then.
00:54:25But
00:54:26I
00:54:26have
00:54:26money.
00:54:32Over
00:54:32the
00:54:32past
00:54:33five
00:54:33years,
00:54:34Sean
00:54:34Cooper
00:54:34has
00:54:35turned
00:54:35Cooper
00:54:35Group
00:54:36into
00:54:36his
00:54:36private
00:54:36army.
00:54:38The
00:54:39screen
00:54:39explodes
00:54:40with
00:54:40photos.
00:54:41Armed
00:54:41men,
00:54:42overseas
00:54:42safe
00:54:43houses,
00:54:44piles
00:54:44of
00:54:44cash.
00:54:45Mercenaries,
00:54:46brebery,
00:54:47illegal
00:54:47surveillance.
00:54:48Every
00:54:48charge is
00:54:49enough to
00:54:49put him
00:54:50behind
00:54:50bars.
00:54:50The
00:54:51rumor
00:54:51erupts.
00:54:52A
00:54:52shareholder
00:54:53stands
00:54:53up.
00:54:54Another
00:54:55slams
00:54:55their
00:54:55documents
00:54:56down.
00:54:57Steph
00:54:57leans
00:54:58back in
00:54:58his
00:54:58chair,
00:55:00taking a
00:55:00leisurely
00:55:01sip
00:55:01of coffee.
00:55:04The
00:55:05room
00:55:05falls dead
00:55:06silent.
00:55:08Sean
00:55:08confess.
00:55:10I'll
00:55:10let you
00:55:11keep some
00:55:11dignity.
00:55:12Every
00:55:12shareholder
00:55:13stares
00:55:13at
00:55:13Sean.
00:55:18Sean
00:55:19stands
00:55:19up.
00:55:21He
00:55:22doesn't
00:55:22look at
00:55:22the
00:55:22shareholders.
00:55:23He
00:55:23looks
00:55:24straight
00:55:24at
00:55:24Steph.
00:55:30Fellow
00:55:30shareholders,
00:55:31every word
00:55:32Mr.
00:55:32Steph
00:55:33Griffiths
00:55:33has said
00:55:33is true.
00:55:35The
00:55:35room
00:55:35erupts.
00:55:38I
00:55:38did
00:55:38use
00:55:39group
00:55:39resources
00:55:39to
00:55:40hunt
00:55:40Sigma
00:55:40Group
00:55:40because
00:55:41it's
00:55:42a
00:55:42transnational
00:55:42criminal
00:55:43organization
00:55:44has
00:55:44harmed
00:55:44many
00:55:45people
00:55:45and
00:55:46one
00:55:46of
00:55:46its
00:55:46founders
00:55:48is
00:55:49sitting
00:55:49right
00:55:49here
00:55:49in
00:55:49front
00:55:50of
00:55:50you.
00:55:50Steph
00:55:50gives
00:55:51a
00:55:51cold
00:55:51laugh
00:55:52and
00:55:52remains
00:55:52silent.
00:55:5312
00:55:53years
00:55:54ago,
00:55:54he
00:55:54orchestrated
00:55:55my
00:55:55parents'
00:55:56murder.
00:55:56Three
00:55:57years
00:55:57ago,
00:55:57he
00:55:57tried
00:55:58to
00:55:58infiltrate
00:55:58Cooper
00:55:59group
00:55:59and
00:55:59Corrine
00:55:59Evans.
00:56:00Last
00:56:00week,
00:56:01he
00:56:01kidnapped
00:56:01my
00:56:02wife
00:56:02and
00:56:02children.
00:56:02Where's
00:56:03your
00:56:03proof?
00:56:03You
00:56:04have
00:56:04no
00:56:04proof?
00:56:05Some
00:56:05pull
00:56:06out
00:56:06phones
00:56:06to
00:56:07take
00:56:07pictures.
00:56:08Call
00:56:08security!
00:56:10The room
00:56:11is in
00:56:11complete
00:56:11chaos.
00:56:17Sean
00:56:17turns
00:56:17and walks
00:56:18toward the
00:56:18conference
00:56:19room
00:56:19door.
00:56:23Sean,
00:56:24did your
00:56:25father also
00:56:25teach you
00:56:26to slander
00:56:26people?
00:56:27I,
00:56:27Steph,
00:56:28have
00:56:28always
00:56:28been
00:56:28upstanding.
00:56:29Everyone
00:56:29here can
00:56:30attest
00:56:30to that.
00:56:31You
00:56:31say I'm
00:56:32a criminal?
00:56:32Where's
00:56:33the proof?
00:56:33If you
00:56:34have none,
00:56:34get out
00:56:35of this
00:56:35conference
00:56:35room.
00:56:38The room
00:56:39buzzes
00:56:40with murmurs.
00:56:41Look,
00:56:41he's
00:56:42running
00:56:42away
00:56:43because
00:56:43his
00:56:43lies
00:56:44failed.
00:56:48The men
00:56:49of the
00:56:49Cooper
00:56:50family
00:56:50are
00:56:50all
00:56:51cowards.
00:56:52Sean
00:56:52says
00:56:52nothing.
00:56:53He
00:56:53keeps
00:56:54walking
00:56:54toward
00:56:54the
00:56:54door.
00:56:58Sean's
00:56:58hand
00:56:59grips
00:56:59the
00:56:59door
00:56:59handle.
00:57:00He
00:57:00glances
00:57:00back
00:57:01at
00:57:01Steph.
00:57:02You
00:57:02want
00:57:02proof?
00:57:06The
00:57:07proof I
00:57:07have
00:57:08is
00:57:08more
00:57:08than
00:57:08enough
00:57:08for
00:57:09the
00:57:09police.
00:57:10He
00:57:11yanks
00:57:11the
00:57:11door
00:57:12open.
00:57:13Steph's
00:57:14face
00:57:14goes
00:57:14white
00:57:15instantly.
00:57:16Outside,
00:57:16the
00:57:17hallway
00:57:17is
00:57:17packed
00:57:18with
00:57:18police
00:57:18officers.
00:57:22Police
00:57:22swarm
00:57:23in and
00:57:23pins
00:57:23Steph
00:57:24down
00:57:24on
00:57:24the
00:57:24conference
00:57:25table.
00:57:26His
00:57:26face
00:57:27is
00:57:27pressed
00:57:27against
00:57:28the
00:57:28cold
00:57:28surface.
00:57:32Suddenly,
00:57:33he
00:57:33starts
00:57:34laughing.
00:57:35He
00:57:35strains
00:57:36to
00:57:36turn
00:57:36his
00:57:36head
00:57:37and
00:57:37stares
00:57:38daggers
00:57:38at
00:57:38me.
00:57:39Leela
00:57:39Carter,
00:57:40do you
00:57:41know why
00:57:41Sean has
00:57:42been chasing
00:57:42the truth
00:57:42for 12
00:57:43years?
00:57:44What are
00:57:45you trying
00:57:45to say?
00:57:46It's
00:57:46not just
00:57:47for
00:57:47revenge.
00:57:48It's
00:57:49because
00:57:49Garrett
00:57:49Cooper
00:57:50made
00:57:50a
00:57:50will.
00:57:51My
00:57:52heart
00:57:52clenches
00:57:52violently.
00:57:53If
00:57:54Sean
00:57:54can't
00:57:54uncover
00:57:55the
00:57:55truth
00:57:55of
00:57:56his
00:57:56parents
00:57:56deaths
00:57:56and
00:57:57restore
00:57:57the
00:57:57family
00:57:58separation
00:57:58before
00:57:5835,
00:57:59all
00:58:00Cooper
00:58:00group
00:58:00hair
00:58:00first
00:58:01will
00:58:01automatically
00:58:01transfer
00:58:02to
00:58:02a secret
00:58:05fishery
00:58:05of
00:58:05that
00:58:05fund
00:58:06is
00:58:06Sigma
00:58:07group's
00:58:07legacy
00:58:07inheritance
00:58:08program.
00:58:09In other
00:58:10words,
00:58:11me.
00:58:16Everyone
00:58:17in the
00:58:17room
00:58:17freezes.
00:58:18Steph
00:58:19is pinned
00:58:19by the
00:58:20police
00:58:20but still
00:58:20struggling,
00:58:21words
00:58:21spilling
00:58:22from his
00:58:22mouth
00:58:22without
00:58:22stopping.
00:58:23The
00:58:24Cooper
00:58:24family
00:58:24fortune
00:58:25has
00:58:25been
00:58:25tainted
00:58:26with
00:58:26Sigma
00:58:26blood
00:58:27from
00:58:27the
00:58:27very
00:58:27beginning.
00:58:28Sean's
00:58:29father
00:58:29didn't
00:58:29want
00:58:29to
00:58:30leave
00:58:30the
00:58:30organization.
00:58:31He
00:58:31wanted
00:58:31to
00:58:32take
00:58:32it
00:58:32over
00:58:32completely.
00:58:33Garrett
00:58:33knew
00:58:33everything.
00:58:34That's
00:58:35why
00:58:35he
00:58:35forced
00:58:35Sean
00:58:36to
00:58:36marry
00:58:36you.
00:58:37His
00:58:37eyes
00:58:37are
00:58:37like
00:58:37two
00:58:37flames
00:58:38burning
00:58:38into
00:58:39me
00:58:39until
00:58:39there's
00:58:39nowhere
00:58:40to
00:58:40hide.
00:58:40To
00:58:41use
00:58:41your
00:58:41clean
00:58:41background
00:58:42to
00:58:43whitewash
00:58:43the
00:58:44Cooper
00:58:44bloodline.
00:58:45You
00:58:45think
00:58:45you're
00:58:46his
00:58:46wife?
00:58:46You're
00:58:47his
00:58:47cover-up!
00:58:47I'm
00:58:47nailed
00:58:48to the
00:58:48spot
00:58:48by
00:58:48his
00:58:49words.
00:58:50Sean's
00:58:50face
00:58:50is
00:58:50white
00:58:51as
00:58:51paper.
00:58:52He
00:58:52says
00:58:52nothing.
00:58:53The
00:58:54police
00:58:54drag
00:58:55Steph
00:58:55out.
00:58:56I
00:58:57stand
00:58:57up,
00:58:58walk
00:58:58out
00:58:58of
00:58:59the
00:58:59conference
00:58:59room,
00:59:01into
00:59:02the
00:59:02elevator,
00:59:05out
00:59:06of
00:59:06Cooper
00:59:06Group
00:59:06headquarters.
00:59:08Sean
00:59:09watches
00:59:09my
00:59:10back.
00:59:14He
00:59:15doesn't
00:59:15follow.
00:59:16I
00:59:17sit
00:59:17on a
00:59:17bench
00:59:18in
00:59:18Central
00:59:18Park
00:59:19for the
00:59:19entire
00:59:19afternoon.
00:59:21When
00:59:21Sean
00:59:22finds
00:59:22me,
00:59:23it's
00:59:23already
00:59:23dark.
00:59:28Leela,
00:59:29I
00:59:29can
00:59:29explain.
00:59:31He
00:59:32doesn't
00:59:32sit
00:59:32beside
00:59:33me.
00:59:34He
00:59:34crouches
00:59:35in
00:59:35front
00:59:35of
00:59:35me
00:59:35like
00:59:36a
00:59:36man
00:59:36awaiting
00:59:36judgment.
00:59:40I
00:59:41look
00:59:41at
00:59:41him,
00:59:42this
00:59:42man
00:59:43I've
00:59:43loved
00:59:43for
00:59:43so
00:59:44many
00:59:44years.
00:59:45His
00:59:45face
00:59:46looks
00:59:46tired
00:59:46and
00:59:47fragile
00:59:47under
00:59:47the
00:59:48street
00:59:48light.
00:59:49How
00:59:49much
00:59:49of
00:59:49what
00:59:50Steph
00:59:50said
00:59:50is
00:59:51true?
00:59:55The
00:59:55will
00:59:56is
00:59:56real,
00:59:57but
00:59:58marrying
00:59:58you?
01:00:00His
01:00:00phone
01:00:00suddenly
01:00:01rings.
01:00:02He
01:00:02answers
01:00:02it.
01:00:03His
01:00:04face
01:00:04changes
01:00:05instantly.
01:00:06Grandpa
01:00:07is
01:00:08critically
01:00:08ill.
01:00:08We
01:00:09have
01:00:09to
01:00:09go
01:00:09back
01:00:09now.
01:00:10I
01:00:11stand
01:00:11up
01:00:11and
01:00:11run
01:00:12with
01:00:12him
01:00:12to
01:00:12the
01:00:12car.
01:00:17Garrett's
01:00:18the
01:00:18only
01:00:18person
01:00:18in
01:00:19that
01:00:19family
01:00:19who
01:00:19has
01:00:19ever
01:00:20been
01:00:20truly
01:00:20kind
01:00:21to
01:00:21me.
01:00:21I
01:00:21will
01:00:21stay
01:00:22by
01:00:22his
01:00:22side.
01:00:22We
01:00:23arrive
01:00:23at
01:00:24Garrett's
01:00:24bedside.
01:00:27The
01:00:28once
01:00:28vigorous
01:00:28old
01:00:29man
01:00:29is
01:00:29now
01:00:29shrunken
01:00:30in
01:00:30bed
01:00:31like
01:00:31a
01:00:31withered
01:00:31leaf.
01:00:37Sean
01:00:37leave.
01:00:38I
01:00:39need
01:00:39to
01:00:39speak
01:00:39with
01:00:40Layla
01:00:40alone.
01:00:45Sean
01:00:45leaves
01:00:46the
01:00:46room.
01:00:50Layla,
01:00:51Sean
01:00:51marrying
01:00:52you.
01:00:52It
01:00:53was
01:00:53my
01:00:53idea.
01:00:54I
01:00:55forced
01:00:55him.
01:00:56Garrett
01:00:56pulls
01:00:57a
01:00:57letter
01:00:57from
01:00:57under
01:00:57his
01:00:57pillow
01:00:58and
01:00:58presses
01:00:58it
01:00:58into
01:00:59my
01:00:59hand.
01:00:59My
01:01:00heart
01:01:00clenches.
01:01:01After his
01:01:02parents
01:01:02died,
01:01:02he
01:01:02turned
01:01:03himself
01:01:03into
01:01:03an
01:01:03island.
01:01:04I
01:01:05thought
01:01:05if a
01:01:05kind,
01:01:06innocent
01:01:06girl
01:01:06came
01:01:06into
01:01:07his
01:01:07life,
01:01:07he
01:01:07might
01:01:07learn
01:01:08to
01:01:08love
01:01:08again.
01:01:09But
01:01:09I
01:01:09never
01:01:09expected
01:01:10him
01:01:10to
01:01:10truly
01:01:10fall
01:01:11for
01:01:11you.
01:01:11Not
01:01:12because
01:01:12of
01:01:12me,
01:01:12but
01:01:12because
01:01:13of
01:01:13you.
01:01:13My
01:01:13tears
01:01:14fall.
01:01:14I
01:01:15open
01:01:15the
01:01:15letter.
01:01:16It's
01:01:16his
01:01:16revised
01:01:16will.
01:01:17It
01:01:17says
01:01:18Leela
01:01:19and
01:01:19Sean
01:01:19shall
01:01:20jointly
01:01:21decide
01:01:21all
01:01:22matters
01:01:22of
01:01:22the
01:01:23Cooper
01:01:23family.
01:01:24Watch
01:01:24over him
01:01:25for
01:01:25me.
01:01:26I
01:01:27promise.
01:01:28That
01:01:28winter,
01:01:29Garrett's
01:01:29heart
01:01:30reaches
01:01:30its
01:01:30limit.
01:01:31Sean
01:01:32drops
01:01:32everything
01:01:33and
01:01:33moves
01:01:33us
01:01:33back
01:01:34to
01:01:34the
01:01:34manor.
01:01:35The
01:01:36two
01:01:36kids
01:01:36orbit
01:01:37around
01:01:37Garrett's
01:01:37bed
01:01:38like
01:01:38little
01:01:38sons.
01:01:41Great
01:01:41grand
01:01:41pub,
01:01:42you
01:01:42have
01:01:43to
01:01:43get
01:01:43better
01:01:43soon.
01:01:44I
01:01:44learned
01:01:45a
01:01:45new
01:01:45song.
01:01:46I
01:01:46want
01:01:46to
01:01:46sing
01:01:47it
01:01:47for
01:01:47you.
01:01:49Great
01:01:49grand
01:01:50dad
01:01:50will
01:01:50wait.
01:01:51One
01:01:51evening,
01:01:52Garrett
01:01:52takes
01:01:53Sean's
01:01:53hand.
01:01:54The
01:01:54two
01:01:54best
01:01:55things
01:01:55I
01:01:55did
01:01:55in
01:01:55my
01:01:55life.
01:01:56Letting
01:01:57your
01:01:57father
01:01:57marry
01:01:58your
01:01:58mother
01:01:58and
01:01:59letting
01:02:00Layla
01:02:00marry
01:02:00you.
01:02:01Sean
01:02:02kneels
01:02:02by
01:02:02the
01:02:02bed,
01:02:03his
01:02:03shoulders
01:02:03shaking
01:02:04violently.
01:02:07Layla,
01:02:10I
01:02:11lean
01:02:11down
01:02:11and
01:02:11hear
01:02:12his
01:02:12faint
01:02:12voice.
01:02:14Thank
01:02:15you.
01:02:16That
01:02:16night,
01:02:17he
01:02:17passes
01:02:18away
01:02:18peacefully
01:02:18in
01:02:19his
01:02:19sleep.
01:02:20Outside
01:02:21the
01:02:21window,
01:02:22the
01:02:22first
01:02:23snow
01:02:23of
01:02:23the
01:02:23season
01:02:24falls
01:02:24on
01:02:24the
01:02:24manor.
01:02:26On
01:02:27the
01:02:27day
01:02:27of
01:02:28the
01:02:28funeral,
01:02:29snow
01:02:29falls
01:02:29heavily.
01:02:31The
01:02:32Cooper
01:02:32family
01:02:32cemetery
01:02:33is
01:02:33filled
01:02:34with
01:02:34people
01:02:34dressed
01:02:35in
01:02:35black.
01:02:36Sean
01:02:37stands
01:02:37before
01:02:37the
01:02:38gravestone
01:02:38in a
01:02:38black
01:02:39coat,
01:02:39snow
01:02:40covering
01:02:40his
01:02:40hair
01:02:40and
01:02:41shoulders.
01:02:42Grandpa
01:02:43carried
01:02:43too
01:02:44much
01:02:44for
01:02:44this
01:02:44family.
01:02:46He
01:02:46carried
01:02:47my
01:02:47father's
01:02:47sins,
01:02:48carried
01:02:48my
01:02:48hatred,
01:02:50and in
01:02:50the
01:02:51end,
01:02:52handed
01:02:52his
01:02:52only
01:02:53hope
01:02:53to
01:02:54me.
01:02:59He
01:02:59finds
01:03:00me
01:03:00in
01:03:00the
01:03:00crowd
01:03:03and
01:03:05reaches
01:03:06out
01:03:06his
01:03:06hand
01:03:06to
01:03:06me.
01:03:08Leela.
01:03:13I
01:03:14walk
01:03:14over
01:03:15and
01:03:15take
01:03:16his
01:03:16hand.
01:03:18Grandpa,
01:03:19I'll
01:03:19protect
01:03:20her.
01:03:20I'll
01:03:21protect
01:03:21the
01:03:21kids.
01:03:22I'll
01:03:23protect
01:03:23the
01:03:23Cooper
01:03:23family.
01:03:25Rest
01:03:25easy.
01:03:27In
01:03:27that
01:03:28moment
01:03:28I
01:03:28know
01:03:29I
01:03:33will
01:03:33never
01:03:34let
01:03:34go
01:03:34of
01:03:34this
01:03:35hand
01:03:35again.
01:03:38After
01:03:39Garrett
01:03:39is
01:03:39gone,
01:03:40Andres
01:03:40stops
01:03:41playing
01:03:41chess.
01:03:42Amelia
01:03:43stops
01:03:43asking
01:03:43me
01:03:44for
01:03:44bedtime
01:03:44stories.
01:03:45Their
01:03:46teacher
01:03:46calls
01:03:46to
01:03:47say
01:03:47they've
01:03:47been
01:03:47spacing
01:03:48out
01:03:48at
01:03:48kindergarten,
01:03:49not
01:03:49playing
01:03:49with
01:03:50the
01:03:50other
01:03:50kids.
01:03:50Until
01:03:51one
01:03:51day
01:03:51I
01:03:52find
01:03:52a
01:03:52drawing
01:03:52in
01:03:52Amalia's
01:03:53backpack.
01:03:54Five
01:03:54people
01:03:55holding
01:03:55hands,
01:03:56me,
01:03:56Sean,
01:03:57Andres,
01:03:57Amalia,
01:03:57and
01:03:58Garrett.
01:03:59Garrett's
01:03:59face
01:03:59was
01:04:00very
01:04:00blurry.
01:04:01Beside
01:04:01it,
01:04:02crooked
01:04:02letters
01:04:02spell
01:04:02out
01:04:03a
01:04:03sentence.
01:04:03Who's
01:04:04next?
01:04:05My
01:04:05daughter,
01:04:06only
01:04:06four
01:04:07years
01:04:07old,
01:04:07is
01:04:08afraid
01:04:08of
01:04:08death.
01:04:09Sean
01:04:09sees
01:04:10the
01:04:10drawing
01:04:10and
01:04:10is
01:04:11silent
01:04:11for
01:04:11a
01:04:11long
01:04:11time.
01:04:13Then
01:04:13he
01:04:13picks
01:04:14up
01:04:14both
01:04:14kids
01:04:14and
01:04:14sits
01:04:15on
01:04:15the
01:04:15sofa.
01:04:18Amelia,
01:04:19Andres,
01:04:20listen
01:04:21to
01:04:21me.
01:04:22We
01:04:23will
01:04:23be
01:04:23together
01:04:23forever.
01:04:25No
01:04:26one
01:04:26will
01:04:26ever
01:04:27leave
01:04:27again.
01:04:28That
01:04:28night,
01:04:29he
01:04:29comes
01:04:30to
01:04:30me.
01:04:32Layla,
01:04:35let's
01:04:35have a
01:04:35wedding.
01:04:36Not
01:04:36for
01:04:37us,
01:04:38but
01:04:38to
01:04:38make
01:04:39them
01:04:39believe
01:04:39this
01:04:39family
01:04:40will
01:04:40never
01:04:40fall
01:04:40apart.
01:04:43I
01:04:44look
01:04:44at
01:04:44our
01:04:44sleeping
01:04:45children
01:04:50and
01:04:51nod.
01:04:54It's
01:04:54May.
01:04:55The
01:04:55roses
01:04:55at
01:04:56the
01:04:56manisir
01:04:56are
01:04:56in
01:04:56full
01:04:57bloom.
01:05:00The
01:05:00whole
01:05:01garden
01:05:01is
01:05:01fragrant.
01:05:05Andres
01:05:06wears
01:05:07a
01:05:07little
01:05:07suit.
01:05:08Amalia
01:05:09is
01:05:09in
01:05:09a
01:05:09white
01:05:09princess
01:05:10dress,
01:05:11carrying
01:05:11a
01:05:12small
01:05:12flower
01:05:12basket
01:05:13and
01:05:13scattering
01:05:14petals.
01:05:22josh
01:05:23josh
01:05:23flies
01:05:23back
01:05:24from
01:05:24overseas.
01:05:25He
01:05:25takes
01:05:26my
01:05:26arm
01:05:26and
01:05:26walks
01:05:27me
01:05:27towards
01:05:27sean
01:05:28who
01:05:29waits
01:05:29under
01:05:29a
01:05:29rose
01:05:30covered
01:05:30arch.
01:05:35this
01:05:36time
01:05:36neither
01:05:37of you
01:05:37is
01:05:37allowed
01:05:37to
01:05:37look
01:05:38back.
01:05:46sean
01:05:46takes
01:05:47my
01:05:47hand
01:05:48sunlight
01:05:49falling
01:05:50into
01:05:50his
01:05:50eyes.
01:05:52Layla
01:05:52Cooper
01:05:54Layla
01:05:54Cooper
01:05:56I'll
01:05:56spend
01:05:56the
01:05:57rest
01:05:57of
01:05:57my
01:05:57life
01:05:57making
01:05:58up
01:05:58for
01:05:58everything
01:05:59I
01:05:59owe
01:05:59you
01:05:59from
01:06:00the
01:06:00first
01:06:00half.
01:06:03I
01:06:03stand
01:06:03on my
01:06:04tiptoes
01:06:04and kiss
01:06:05him.
01:06:09Petals
01:06:09fall
01:06:10around
01:06:10us.
01:06:11I
01:06:12close
01:06:12my
01:06:12eyes
01:06:12and
01:06:13remember
01:06:13that
01:06:13night
01:06:13four
01:06:14years
01:06:14ago
01:06:15and
01:06:16his
01:06:16eyes
01:06:16looking
01:06:17at
01:06:17me
01:06:17when
01:06:17we
01:06:17met
01:06:18again
01:06:18at
01:06:18the
01:06:18airport.
01:06:22Fate
01:06:22arranged
01:06:23everything
01:06:24just
01:06:24right.
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