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Transcript
00:00A small country called Rana 20.
00:03We don't have to do anything with this.
00:06We don't know how to compose our energy.
00:09We don't have energy.
00:12We don't have to talk about the first time.
00:16The face-off is not the face-off.
00:18The face-off is the hero, Devigaru, the rock star.
00:24The face-off is not the face-off.
00:26The face-off is not the face-off.
00:28The face-off is not the face-off.
00:30The face-off is not the face-off.
00:32The face-off is not the face-off.
00:32And here we have our rock star, Devishri Prasadgaru.
00:39Devigaru, do you want to behave a little differently?
00:41Do you want to talk a little differently?
00:42His name is Exitment.
00:48Nervousness.
00:50It is a very important thing to talk about the Theda.
00:51I've been little sick since a few days.
00:56Please forgive my coughing now and then.
00:58But that's also in the rhythm.
00:59Ahu, ahu, ahu, ahu.
01:01Ahu, ahu, ahu.
01:02So, Theda is a very important thing.
01:06What is the excitement?
01:09That Theda is an extraordinary person.
01:12We are doing that Theda.
01:14So, Theda is a very important thing.
01:15God!
01:16So, what I know is that,
01:19there are some little Theda
01:21who will be the first Theda
01:22of Kamal Hassan,
01:23Shingitan Sreenasraw and Ashini.
01:26No.
01:27Those are arily.
01:28Others also are a producer.
01:28Other actor.
01:29Other directors.
01:30Today, the reason is that,
01:34Theda is a big number of Theda.
01:36Now, the biggest, highest level of Theda
01:39and then Kamal sir was talking about one small word right that small word is the biggest and the most
01:44important thing in life for any artist and it's called passion and that's what he was mentioning
01:49about thank you so much for talking about that sir please give you a huge round of applause to these
01:54legends and in the end our passion and a welcome mate when into the discussion they want you see
02:04one link at the same time so i don't think you know any artist would be able to achieve anything
02:12without that small or the big thing called passion and Kamal sir thank you so much for speaking about
02:19what all you spoke today on the stage and for sharing your experiences all those amazing
02:26and take a milestone experiences with us and we're annaar gatha saripadu passion and
02:33that's what uh it's missing from a lot of people nowadays and adhukati and then what has
02:40this got to do with what you want to achieve that's the most important because a lot of people i
02:44see
02:44whether they're in 20s or 30s or 40s now they lose like in kewondalee life i in kewondalee life kado
02:50in kewondalee life low and they are very important in the can day that is going to take us you
02:56know and
02:56because nobody can guarantee how far this life is going to take us and how long this life is going
03:00to
03:00take us to take us let's be excited and passionate each and every day because that's going to really
03:06really really make us happy like kamal sir said success failure and again it is a definition
03:11kada wakka natchi nukko natchi natchi nukko natchi antae warik success edi failure
03:14edi failure adi success akade edi nullify payin the kabati mana ki as a true artist money if you are
03:20able to judge correct mana chase in the tappu mana chase in the right for such a legendary film
03:25manandrho chala mandhi ok techniciano elo cinema kira avada karnamai nattu vantti appuru
03:33saagudarigal and tamilu vichitra soothu la ne sinwaguranchi
03:36eburi kamal sir marta deru atu vantti cinema ni wal 20 day shoot cheseed
03:40and the people who have been in the past,
03:42they've been in the past.
03:44I've been giving you passion for life.
03:47Please give a huge round of applause to both of them.
03:52And today, we've got a excitement.
03:54I've got a lot of excitement.
03:56Because, sir, we're going to show you movies, sir.
04:00I'll tell you a question.
04:02Take Ashwini, uncle.
04:04We've got a lot of fun in 2020.
04:05I've got a lot of fun in one movie.
04:08I will just defend the political party on the stage.
04:11This is the alleine movie called Vaijanthi Movie.
04:15That's all.
04:17As you can see the film guys, we can say something like a pushback.
04:23One of the things that you would say like a pushback is one of them.
04:25There were a lot of common factors here.
04:27Like Vichyatra Saudara, Pushpak or any film like that.
04:32The best and most important element is that music has always been one of the most important ingredients of their
04:41blockbusters.
04:42So, if you want to show the extraordinary music in the cinema,
04:47If you want to show the extraordinary music in the cinema,
04:52then there will be a bigger blessing.
04:54So, thank you so much Singitham, Sir, for choosing me as your music director for this film called Singitham.
05:00Okay, sorry, just interrupting.
05:02You are saying that I am a Singitham.
05:04I am a music director.
05:08Yes, I am a music director.
05:11Sir, why don't you select a part of Singitham?
05:17I am a music director.
05:26Thank you so much, Sir.
05:27Thank you so much, Sir.
05:29Thank you so much, Sir.
05:30Be not that.
05:31I feel bigger than that.
05:35Thank you, Sir.
05:36Love you, Sir.
05:37Thank you, Sir.
05:38So, it is an extraordinary journey in Singitham.
05:41Actually, maybe more than 10-12 years back,
05:44I was working in my studio and working in a different project.
05:48So, he had told me this idea.
05:50I mean, if you have a film,
05:52you will be able to stop in the future.
05:54So, I have a chance to do that.
05:55I have a chance to do that.
05:57I have a chance to do that.
05:57I have a chance to do that for four years back, Sir.
06:19But, we all spoke and the movie started,
06:28and I was super excited for this movie and fantastic writing team.
06:38Thank you guys, thanks to all of you. Nageshvingari, team, Gautam Garu, Sreekar and everyone.
06:43I mean there are a lot of people to mention all the names.
06:45They were so lovely team and lovable team.
06:50Thank you guys.
06:51This is a very big idea and complicated idea.
06:58So it's not easy to sit and write in a format.
07:02First day, I went to Kelsin to discuss a lot of people.
07:08When we were talking about this discussion,
07:10I wanted to accept some time spent in Kelsin.
07:13I wanted to ask a schoolmaster and a principal to put a pillow.
07:16When we were talking about Gautam Garu,
07:20I was talking about coffee,
07:23I was talking about bananas,
07:25I was talking about orange.
07:27I was talking about a writer,
07:28I was talking about my mother.
07:31Thank you, ma'am.
07:32Thank you so much for all their love.
07:33I was talking about my mother, my sister, my mother,
07:36I was talking about my mother.
07:37So we had great fun while discussing.
07:40And we had a scene paper.
07:42So we all know that we need to make a musical,
07:44but there is a scene.
07:45I was talking about my mother,
07:45and I was talking about my mother.
07:48So,
07:49I was talking about the director of Shingitam sir,
07:51I was talking about my experiments.
07:54So I was talking about how we are going to live up to his attention.
08:00But the greatness of Shingitam sir is that,
08:03he never talks like a legend.
08:06He talks like a kid.
08:07I think that is the biggest quality of any legend.
08:10Thank you so much for making us all so comfortable.
08:12and,
08:13I was talking about my mother.
08:15I am talking about my mother.
08:16So when you talk about my mother,
08:17I had a family joke and talk about it.
08:21and I wanted to talk about it.
08:24So,
08:25I will show a scene paper.
08:26So,
08:26I was talking about a lot of things running.
08:28in my mind because I'm a huge lover of Broadway musicals and US travel, western musicals in
08:35London. When I saw a lot of Vegas shows, I was like, I don't want to do anything. I think
08:41God
08:42always puts, okay, I think God always puts, okay, I don't want to do anything, I don't want to do
08:47anything,
08:47I don't want to do anything, I don't want to do anything. Seriously, this has happened in my life
08:55so many times, you know, so when you believe in something, the universe just makes it happen in
09:00some of the other way. So, when I did it, I saw the script, and imagine Kamal sir and Singitham
09:07sir
09:08has been discussing this with for so long, and we all got so fortunate enough to be a small part
09:13of
09:13this film, that's a real big blessing. So, when I saw the paper, I said, sir, sir,
09:19two days time, even day. When I was a very small kid, when I was a very small kid, I
09:34had music
09:34pitched. So, I always wanted to compose some tunes, sir. I just wanted to compose because
09:39I can hum and make a tune, but who will give me the lyrics? That time, I didn't know to
09:45write lyrics.
09:46So, what I used to do, every day when newspaper comes, Dad used to read it. I used to wait
09:49till
09:49he finishes. When he puts that paper and goes to get it, I used to take the paper, and whatever
09:53news
09:53was there. Like, I used to steal lyrics. I just needed some words. And this became my regular practice over
10:12years. And then, what happened after I grew up a little, and when I was in school,
10:199th, 10th, and then I started to listen to publicism. And my second language was Hindi.
10:29I used to get a lot of poetry, sir, Kabir, K, Doheny, and they used to sound so complicated.
10:33There was a lot of poetry. But I never used to remember. But otherwise, I used to stand first in
10:40class and all that. I'm just letting it in. So, I used to keep forgetting the poetry. So, what to
10:44do?
10:44So, I got an idea. So, what all poems were there in the syllabus. So, I made a tune for
10:52each poem.
10:52So, one such poem was,
11:20I used to make a tune for all the poems.
11:23So now I know my poems as songs. It's always for kids. It's always easier to remember a song then
11:30Remember it as a written phrase or something. So
11:33Dantrata I used to start exam. This poem is a tune.
11:36Ah, the tune is a tune.
11:38So like that I got used. Then when I used to hum this in my class, my friends started loving
11:42this tune.
11:43Then they said, hey, this tune sounds so good. Why don't you make it a song? I said, okay
11:47Okay, first I wrote in Tamil. The same tune then I wrote my own lyrics because by that time I
11:55grew up to the edge where I can write lyrics
11:56I wrote this song about a girl, but I was in a boys school. That was the sad part
12:02So the song went like
12:33So this was the travel of this song and then in one culturals my friends said, hey, now this song
12:39sounds good man
12:39Why don't you sing it in a culturals and I was I think in ninth or something that time
12:43So these Annas were not letting us sing in a culturals. So Anna Anna was a opportunity Anna Anna was
12:48a opportunity Anna Anna was an opportunity
12:49Hey, but what song do you do?
12:51Hey, you can't sing a song in your category. Something said, sir, please
12:54Finally got so vexed, what song? I said my own song what he shot about in there
12:58And then one kick he gave me I fell outside
13:01But finally we pestered him and got a chance to sing on a stage. He said okay go on stage
13:06and sing and
13:07And and by the time we came like that to the stage he announced break
13:12So by the time we got there everybody was out
13:14So but our excitement why I'm talking about this is we didn't lose hope
13:18We were all so excited like Kamal sir said because we just wanted to see
13:21Is our song sounding good to our own selves and then we started singing me and I trained my
13:27Three friends with mics to sing this jingi chicki charo phrase. Oh, yeah, like three friends like this
13:32But we didn't have girls unfortunately. I was in a boys school. What to do?
13:35So all boys were there and then we started singing on stage and jingi chicki charo and what happened by
13:40the time we started singing
13:41All the people who are eating outside they're all started looking in said hey something sounds interesting
13:45And by the time I finished it for the first time
13:47The whole auditorium is filled with people just because they found our song interesting and thing that was the first
13:52step in my life
13:53That I knew that oh my song is good enough for people
13:58Why I'm mentioning about this is had the people already been there
14:01I would have thought they were there because they were already there
14:03But now I for a point knew that they were not there, but they came back because of my song
14:08and that gave me that confidence
14:09So never think you're let down in life if you had not if you had I knows after he had
14:15announced the break if I had
14:16Been heartbroken you you break in the break
14:18I'm gonna part up or on if you had left I would have lost that opportunity
14:21Never lose an opportunity that this universe is giving you I just sang my heart out and then rest followed
14:27Then I sang this song then an audio company like this song they released this song then that became it
14:31then I got a movie
14:32Then I did finally I'm in front of the one and only who like and I can come last and
14:36sir and singe them sir
14:38Doing a film that they imagined so many years back so many years back and I became a part of
14:42it
14:43Thank you so much sir. Thank you so much for teaching us that passion is the most important thing in
14:48life and
14:49Why I'm so excited about this film is this is a this one-time lifetime opportunity
14:54You know, we don't keep getting such films and again and again and the only difference between other musicals and
14:59this I want to say
15:00Even in Broadway musicals and all that you have a lot of talking part
15:03They keep talking matter to matter to matter to much know they break into a song again. They're talking but
15:07this is not like that singe them sir gave us a very very
15:11Tough job. So every pretty Mata part lage undalane the maku chalapad exam mindy and adi amate
15:24So wakka scene lo gawthi malo lage chenap budu
15:28One character
15:28Thakbooth character what is morning list this day?
15:31E'en te anta silent gaun de
15:33E'en te na maata koda patlaasundi
15:36Yeah, y'an re yame yiru
15:38Wada pere daasu a character pereu hey, nene koda eesu daasu badaas nane anti and jepi he moves and goes
15:43to next scene
15:44But I found that scene so interesting, and that character so interesting.
15:47So I asked, why can't this fellow have a song in animation?
15:53I define this in two ways.
15:55If you want to talk about it, you can talk about it.
15:57If you want to talk about it, that was a code between me and Singitham, sir.
16:05So, I think this can be a little commercial song.
16:08If you want to talk about it, you can talk about it, and you can talk about it.
16:17So, I thought, if you want to talk about it, you can talk about it.
16:20But he's alone, nobody is there next to him.
16:23So, I imagined an imaginary monkey next to him.
16:25So, that monkey will come in and ask this fellow,
16:30So, hello, boss, I'm not Mamul Dasa.
16:34I am Yesu Dasa.
16:38Hello, boss, I'm not Mamul Dasa.
16:45No, please, I am Yesu Dasa.
16:50Ah, I'm not a part of it.
16:52No, I'm not a part of it.
16:54Go ahead.
16:55I am not a part of it.
16:56I am not a part of it.
16:58And...
16:59Oh, yeah.
17:01He's a part of it.
17:02He's a part of it.
17:03In the middle of it, that's how he thought,
17:05he's stuck in the middle of it.
17:06But he's not stuck.
17:08He's in the middle of it.
17:09He's stuck in the middle of it.
17:09So, he's a part of it.
17:10So, I felt like a part of it.
17:11So, then Nagisa and Singitham, I loved it,
17:13and that's how that song came.
17:15Alla,
17:15he cinema lo chala
17:16experiments alaga.
17:17So,
17:18Pratidhani kok inspiration
17:19alaga,
17:19I would like to thank
17:20the entire writing team
17:22first for
17:22inspiring me
17:23with their writing
17:24and akkadakadika part.
17:26Allaga,
17:26I want to thank Nagi sir
17:27for
17:28saying yes to
17:29all these crazy
17:30things that he came up with
17:32and we all want to
17:33give a huge thanks and love
17:35to Sangeetam sir
17:36for letting us do
17:36add our madness to his
17:38unmatchable madness.
17:40And Sankalp,
17:42thank you so much man.
17:43you know it's
17:43my first project
17:44and the legendary director
17:46responsibility
17:47in my shoulders
17:48made me
17:48it's not an easy job
17:49and this guy did a great job.
17:51This guy did a great job.
17:53And our cinematographer
17:54Ankur, thank you.
17:55Where is he?
17:56He was there.
17:57Sir, thank you so much sir.
17:58You shot it so beautifully.
17:59And these lovely actors,
18:01all three of them,
18:02they did a great job
18:03and all the actors
18:04did a great job
18:05and
18:05this cinema ended
18:06and all the actors
18:07did a great job.
18:08You should give a huge
18:11round of applause to all of them.
18:12So,
18:13first actors
18:14chose
18:14we went
18:16and the idea was
18:17to hunt for people
18:18who can sing
18:19and that's how they chose them.
18:20But even the other
18:21character artists
18:22whom you already knew
18:23from different films
18:24but you never knew
18:25that they could sing.
18:26The director
18:27who directed them also
18:28didn't know.
18:28I mean,
18:29the executive director
18:30didn't know.
18:30I mean,
18:32the executive director
18:58didn't know.
18:58of all of them
18:59is a very good
19:00thanks.
19:01Thank you sir.
19:01Thanks to all of you.
19:02And we had a great time.
19:04And we had a great time.
19:05And we had a great time.
19:06And we had a great time.
19:08And we had a great time.
19:25And we had a great time.
20:10And we had a great time.
20:12And we had a great time.
20:14We had a great time.
20:15The ultimate goal
20:17is to become younger.
20:18We had a great time.
20:21And we had a great time.
20:22More than a negative goal.
20:24of all of the people
20:25are going up
20:28and saying it's over
20:29the world.
20:29That's the way
20:29it's over
20:31and they're gonna get
20:31a great time.
20:32And we have to wait
20:37to come and die.
20:42That's the choice.
20:42the right point
20:43yeah
20:46the director
20:48peru singita
20:50is it a market
20:51gsp sangita
20:53director peru singita
20:56is it a market gsp
20:58sangita
20:59hey
20:59yeah
21:00yeah
21:00yeah
21:01yeah
21:01yeah
21:02yeah
21:03yeah
21:05yeah
21:05yeah
21:08yeah
21:20okay just did something
21:22spontaneous and this is how we did this movie also
21:30thank you swapna thanks to each and every one of you
21:32thanks i know i spoke for a really long time but
21:38they deserve it
21:39thank you sir
21:40thank you
21:44devigaru
21:45devigaru
21:46you too
21:47you too
21:50clap first
21:51thank you
21:53and before you proceed with anything else
21:56since this is a lifetime opportunity
21:59i just want to
22:00i just want my team on stage
22:02who really really really worked so much along with me
22:04whoo
22:05abhishek
22:08and chittigaru
22:10kalyan
22:10kp
22:12vikas
22:12putty udai
22:18please give a huge round of applause to them guys
22:20whoo
22:23dina
22:24gali come
22:26dina
22:26dina
22:26dina
22:30please give them a huge round of applause
22:33chittigaru
22:37why i am introducing them is
22:39every movie they are with me i always introduce them in every stage
22:42but this movie is quite different because
22:43i was going crazy with the ideas
22:45morning day
22:46the
22:47dina
22:47the
22:54dina
22:56dina
22:59dina
23:00dina
23:01and i
23:03idea
23:03the whole thing i can hear in my head
23:07but to explain it to people
23:09you know if they don't understand you it gets so tough
23:11am i right sir
23:12so one when you have people who have been with you and who have been a part of your journey
23:16and explaining your the process in your mind to them becomes easy and your life becomes easy
23:21so i have to thank all of these people for making my life easy and so beautiful
23:26and they are the biggest part
23:27uh
23:28for my success
23:29and then they put an athony
23:30and for example
23:31i said because it was going
23:33dina
23:35dina
23:35dina
23:36dina
23:36he's a
23:39he is
23:40he
23:41and
23:41i have to
23:51walk around and then come back
23:52again imagine the movie
23:54even if they have dialogue change
23:55and i have to go to the first scene again and watch the whole thing what i did
24:00i mean listen to the whole thing
24:01So, I will do everything. I will do everything.
24:05Day and night, they really really worked.
24:07My sound engineers stepped forward.
24:09Suresh and Gali.
24:11Thank you guys. These guys are my sound engineers.
24:14I constantly record.
24:19First, I made full music for the film.
24:22They shot the entire film to the music.
24:25So, it's a reverse process.
24:26If you do music, it's a short film.
24:31So, my music was over before the movie shoot started.
24:34Of course, we were doing bits and pieces.
24:37So, we will record.
24:40For the film, you would hear the shooting.
24:42You would hear the characters.
24:44You would hear the photo and then you would hear the photo.
24:46You would get the rough voice.
24:48I want to know some voices.
24:50I want to know some voices.
24:52I want to know some people.
24:54I want to know some people.
24:56Rita and Haripriya because throughout the film I made them a part of this journey because
25:01Gowri's character and her character, I imagined that they were shooting at the party.
25:05So the actors were in the room and they were in the room.
25:10So I would like to thank those singers because they became the basement for these people
25:19to learn the songs.
25:19So we definitely need to give the credit to the unseen people or the unheard people.
25:23Still they are a part of this project.
25:25So I would be very grateful to them.
25:28And if we all have any tracks recorded, there are 50 characters and we have rough voices recorded.
25:34So we sent it to the shoot.
25:38So if 50 people can imagine at least 25 takes for each person, then real art is 25 takes for
25:44each person.
25:45Imagine how big the session is.
25:46We bought new computers because the computers stopped running.
25:50So we had to get the extra systems and all that.
25:52So that's how we did this movie.
25:55That's Kalyan, my rhythm player.
25:57Of course, this is Pugal, my assistant and driver.
26:00Why am I mentioning him also?
26:02He used to stay with us and take me.
26:05So I am going to go apart.
26:07Musical driver.
26:09That's Kalyan, rhythm player.
26:10This KP, keyboardist.
26:12Vikas, keyboardist.
26:12And both these guys were there whenever I was singing in odd times and all that and especially
26:16Vikas.
26:17And Kalyan, I think 24 hours and Abhi.
26:20He is responsible for to follow the characters, the voices.
26:24He says, don't follow the characters.
26:27Abhi.
26:28And now he will be the final recording actors.
26:30Thank you, Abhi.
26:31And Kutti Uday.
26:31Kutti Uday.
26:32You think recording is a lot of work in the world.
26:34Kutti Uday.
26:35And Suresh.
26:39And Suresh.
26:40And Suresh also the same.
26:41Kutti Uday and Suresh day and night.
26:42Matvanni record cheseru.
26:43So please give a big round of applause to them.
26:46And Uday.
26:47Uday is the man behind my sound.
26:49He has been working for me.
26:53And all the blockbusters and songs and all that you are hearing has been mixed and mastered
26:57by Uday.
26:57Thank you, Uday.
26:58He is not Uday.
26:59He is my one brother.
27:00Uday is like.
27:01And Mani.
27:02Mani, my manager.
27:03I have seen a lot of tension on the face.
27:08Thank you, Mani, for putting things together.
27:10And my assistant.
27:12Iroji.
27:12What is the shirt?
27:13What is the shirt?
27:13I am wearing a white shirt.
27:16I am wearing a shirt.
27:17I am wearing a rubber band.
27:18I am wearing a shirt.
27:19I am wearing a shirt.
27:21I am wearing a shirt.
27:21So thanks to all these guys.
27:23In the creative process, my tension is more creative and I feel like.
27:27So thanks to all of them.
27:28And he is Mr. Chittigaru.
27:30He is a legendary composer.
27:31He is a legendary conductor.
27:34Bus conductor.
27:35Music conductor.
27:37He has been with me since my first friend, Devi.
27:39But I am wearing a shirt.
27:41I am wearing a shirt.
27:43I am wearing a shirt.
27:44I am wearing a shirt.
27:45I am wearing a shirt.
27:45Thank you, sir.
27:46I am wearing a shirt.
27:47Thank you, sir.
27:48Thanks to all of you.
27:49This stage is like a temple right now because we have gods over here.
27:57So thank you, thank you, thank you, thank you.
27:59Thanks to each and every one of you.
28:00Thank you, guys.
28:01I really, really love you all.
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