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00:00MUSIC
00:23I mean, it's not fair, Sharon.
00:26If us women can't stick together, there's no hope left.
00:28I was talking to Ellie the other night.
00:30I mean, things are getting bad when someone's bloke in a local cafeteria.
00:33She's better than your own dad or Graham.
00:35You don't mean any harm. She's just a bit forgetful, that's all.
00:38Forgetful? She's my grandmother, which makes me her granddaughter.
00:41She'd have to have concussion to forget that.
00:43Yeah, well, she'll come round, you'll see.
00:45Yeah, but when? That's what I'd like to know.
00:46Look, it's your birthday tomorrow.
00:48Well, she's hardly likely to forget that.
00:50You know what you're doing, don't you? You're flapping.
00:52That's what Effa calls it, and it won't get you anywhere.
00:54Sharon, I'm not flapping, don't you, star.
00:56I mean, Ian's getting all this money for a holiday,
00:58which means he's getting something.
01:00And you think you're getting nothing?
01:01Well, at least he's going somewhere.
01:03I'm going nowhere except round and round in circles.
01:05Like I said, flapping.
01:07Well, maybe if I flap hard enough, I'll get off the ground,
01:10which would be something better than nothing.
01:12I want me bike.
01:13When I was a kid, he was grateful for what God gave you.
01:16Yeah, well, some of us believe in going for what we can get.
01:20Strategy's what you need, Chill.
01:22Strategy?
01:22Yeah, we did it at school in history.
01:24Every great general needs a plan. Strategy.
01:26Cast your bread upon the waters and it'll come back buttered,
01:29as my old gran used to say.
01:31Well, we're not talking about your old gran, are we?
01:34Now, listen, Chill.
01:35All you've got to do is remind me what you want out of life.
01:38Give her a need.
01:39Yeah, but I don't know what I want out of life.
01:40Look, that's not important.
01:41What is important is convincing her that you do know what you want.
01:44He knew what he wanted.
01:46Yeah, and he got it.
01:47Now, you've got to do the same.
01:48And go for it.
01:49Well, that's it. Strategy.
01:51Oh, Saeed, the look on their faces. You were wonderful.
01:55I thought it went OK.
01:56You OK, Saeed? Did you hear that?
01:58The Bengali bomber here said his onslaught on the town hall went OK.
02:02Well, what's this all about?
02:03Now, be careful how he answers.
02:05The last time he opened his mouth, flames came out.
02:07Oh, stop it, please.
02:09Look, I was told to speak and I got a bit carried away.
02:11He went down very well.
02:13He had no place shy.
02:15You should be proud of what you did tonight.
02:17Well, congratulations are in order by the sounds of it.
02:19No, no, I'll get these.
02:20What will you have?
02:21Home man with a golden tongue?
02:23Bursting tongue's more the truth.
02:25Could I have an orange juice, please?
02:26I'll make that to you.
02:27The usual.
02:28Whatever you're having, mate.
02:30You haven't taken the smoking big cigars and making V signs, have you?
02:33I don't smoke.
02:35No, but you gave that lot down the town all a capital V sign tonight.
02:38No mistaking.
02:39Right little Winston Churchill, ain't he?
02:42Anyway, you put those counsellors in their place tonight.
02:45Perhaps you should think about taking their place.
02:48Me?
02:48The counsellor?
02:51Battling Sporting什么 in your life遠赤?
02:57What's the matter?
02:59He?
03:00Come on.
03:01Shhh shhh shhh shhh shhh.
03:03Come on, Annie.
03:05There is others to think about.
03:07Honey, please.
03:09Not now.
03:10Come on.
03:11Come on, I don't want to eat soup, do you really?
03:28Annie, Mummy's here!
03:57Annie!
04:03Ladies and gentlemen, we proudly present Whistling Den Watson's Glistening Pint Pots.
04:08And where did you spring from? I was upstairs with Sharon.
04:11You look happy. Is it a full moon?
04:13No, I'm just a bit fed up. Look, she gave me the style council's hate for my birthday.
04:16Oh, I get it. You don't like the style council. No, it's not that I do.
04:19Well, what's up with? It's just my dad.
04:22What's he done now? Not a lot.
04:24You can't talk about your dear old dad like that. Yes, I can.
04:28Yes, I know you can, but I'm not sure that you should. Are you?
04:31Well, Denny's just been acting so stupid lately.
04:33What with one thing and another, he's just moaning all the time.
04:36He's got a face like a used cabbage.
04:39I was talking to Ali the other night.
04:41I mean, he's more like a dad to me.
04:43At least he don't groan on all night about his lost causes
04:45like some boring party political broadcast.
04:48He's smashing. He seems to understand.
04:51I'm sorry, Den. I'll go.
04:53No, that's all right. I've finished here.
04:54How do you fancy a nightcap?
04:57A snack and a chat, eh?
05:00All right.
05:04It's not exactly your medieval feast, but it'll have to do.
05:07Oh, I'm sorry. I forgot. You're not in the mood for jokes, are you?
05:10Not really. It's a bit depressed, this all.
05:13Depressed or just fed up?
05:15I don't know. Down, whatever it is.
05:17No, don't worry. I believe you.
05:21Go on.
05:24What's happened now?
05:26It's not one thing, really. It's just everything.
05:29Well, to start with, I can't stand living in that room at so-called home.
05:33Since Gran got back, I'm back sleeping in this put-you-up contraption
05:36in the downstairs front room.
05:37And it's not even mine. It's Mark's.
05:40Wish I had me own bed, me own room, me own place, really.
05:44Well, maybe someday you will.
05:45Yeah, but when? That's what I'd like to know.
05:47Wish I could just get out and leave.
05:50Wish I was older. And I'll do it, you'll see.
05:52Look, you're just at that age...
05:53Oh, don't you stop.
05:54Will you let me finish?
05:55All I was going to say was that you're at the age
05:57when you want to be more independent.
05:59That you've got your own ideas.
06:00That you're not Daddy's little girl anymore.
06:03That can cause problems.
06:04For you and him.
06:06Well, to tell you the truth, I don't care if I do give him problems.
06:09Well, maybe you should.
06:11Maybe he's got problems enough.
06:12Yeah, but he don't care, does he?
06:14He might not show that he cares because at the moment
06:16he's finding it very difficult.
06:18For a kick-off, he's out of work again.
06:21And that can knock a bloke's confidence for six.
06:24And if one part of your life lacks confidence
06:26then it affects everything else.
06:30Have you thought about telling him how you're feeling,
06:32a little bit left out?
06:33No, he wouldn't be interested.
06:35It might be a start to getting him interested
06:36if you were to tell him how you felt.
06:38What's the point?
06:39The point is that if your Dad knows,
06:40then maybe you can see what he's doing wrong.
06:43Iron out a few little problems.
06:45What's it they say?
06:46A problem shared is a problem to have.
06:48Is it?
06:49Oh, don't get me wrong, Miss.
06:52I'm not saying that she shouldn't be fed up
06:56or that Arthur's necessarily always in the right.
07:00You've just got to find the right balance.
07:04The Barneys I had with my old man when I was a kid
07:06over the most stupid things you wouldn't believe.
07:09I had a quiff once.
07:10You weren't a teddy boy, were you?
07:11Yeah, I was, yeah.
07:13My old man thought a quiff was an affront to the British Empire.
07:15We nearly kept the blows over it.
07:17Anyway, it was resolved somehow.
07:19Oh, yeah.
07:19They got some barber in Stamford Hill to chop it off.
07:22Schnip.
07:23And that was that.
07:24The war was over.
07:25Well, one of the battles anyway.
07:28What, all over a quiff?
07:29That's daft.
07:30Exactly.
07:31And it's daft on both sides.
07:32But as I get older, I can see what my old man was on about.
07:35Because every time some moe can walk through that door,
07:38I have to count to ten.
07:39So I know more about my old man now than I ever did before.
07:43And you'll know more about Arthur if you give it a little time.
07:45Oh, I don't know about that.
07:47I don't know if I want to give him time.
07:48Well, maybe he's picking it up that you're browned off with him.
07:51Maybe he's scared to approach you in case you bite his head off.
07:54Denny's a man. He shouldn't be scared.
07:55Oh, don't kid yourself.
07:57Even I get scared.
07:58Every rough, tough wire boy at Warford gets scared sometimes.
08:02And Arthur's entitled to be scared.
08:03The way the world's been going.
08:04Not least his little corner of it.
08:07It doesn't make him any less of a man.
08:09Or of a father, does it?
08:10Some fathers give their daughters so much.
08:13I mean, what does he give me?
08:15What do you give him?
08:16What can I give him?
08:18You could give him some of that understanding that you want him to show you.
08:21I know, Den.
08:22But you see, I want...
08:22Yeah, I want, I want.
08:24Half the problems of the world are down to what I want.
08:26If I was to sit down and think of all the things that I wanted that I couldn't have, I'd
08:29go bananas.
08:31For a start, I want a roller.
08:33I want a private income and I want a vineyard.
08:37Yeah, I want a vineyard in Spain, forget the pub.
08:39Sounds all right to me.
08:41I'm never ever going to get one, am I?
08:42Unless I win the pools.
08:44You've got more chance of getting run down in this country than you ever win in the pools.
08:47And with my luck, I'll get knocked down by a roller whilst I'm posting a poxy coupon.
08:50So you've got to accept your life as it is.
08:53Take the rough with the smooth.
08:55And if half as half the bloke I think is, he ain't going to be down long.
08:58And I'd like to think that you won't be down either.
09:01So accept your limitations.
09:04Be positive.
09:05It's funny.
09:06Your Shane was saying something like that.
09:08About knowing what you're going for.
09:10Having a sort of plan.
09:11Well, as long as no-one gets hurt, why not?
09:13But just be careful of not wanting too much for this world for yourself or you're dead.
09:17Now go on, bugger off home.
09:20Because it is your home.
09:22Oh yeah, by the way.
09:24Happy birthday.
09:33Thought I'd forgotten all about you, mate, didn't you?
09:35Go on, have you go.
09:46I'm at you.
09:49Yeah.
09:58Why not?
10:00Oh, no.
10:01Oh, boy.
10:01I'm at you.
10:01I'm at my notes for you.
10:01Then, I added it to this one.
10:11I like to make the toilet.
10:12Then, I'll be in the house.
10:20I'll be in the house now.
10:21I'll be the big deal.
10:46Now, darling, I'm...
10:48It's then.
10:50What do you mean?
10:52It is.
10:55Yeah, I'm glad I called too.
10:59Look, I know it's late.
11:02Yeah, yeah, of course I do.
11:05I wouldn't have phoned you otherwise, would I?
11:11Hey, Andy, what are you trying to do?
11:13It's a new form of yoga, Kelvin.
11:16I run out the door with my head and I see God and everything.
11:18We're locked out, is what he's trying to say.
11:20Yeah.
11:21We went jogging and he left the keys behind.
11:23Right, there we are here.
11:26Here, Andy.
11:27It's no use knocking there, mate.
11:29Oh, yeah, what is that?
11:30Well, you're not in, are you?
11:31Look, are we you two going to boil your head, eh?
11:33Oh, and who did get up the wrong side of the door this morning?
11:36Here, Andy, why don't you try using your keys?
11:39If I could find my keys now, I'd lay a bet that you would end up them in your teeth,
11:43mate.
11:43Look, I think the top window's unlatched.
11:45Now, you could probably get in there.
11:46Oh, yeah?
11:47We could only get to it.
11:48My dad's got a letter.
11:50Do you think we could borrow it?
11:52Oh, come on, Ian.
11:53Anything to help a damsel in distress?
11:55Okay, Sir Galahad.
11:57It's all right, mate.
11:57I'll go.
11:58No, no, no, no, no.
11:59Always leave a dirty work to the peasants.
12:00That's what I always say.
12:02Right, I'll go to the cafe and then the bank tell them I'm going to be late.
12:10I thought you'd need some extra sleep after last night.
12:13Well, at least I know I wasn't dreaming.
12:14Was I?
12:15No, you weren't.
12:16Oh, Neymar, come here.
12:18Uh-uh.
12:18No, no, you know how one thing can lead to another.
12:21Even I've got to come and get you.
12:23You know, we've got a business to run, and everyone will be wondering where we are.
12:28The day starts here.
12:30More bills.
12:33Look, why does reality always have to dress in a brown envelope?
12:39I'm going to go and run a bath.
12:41Okay.
12:58Happy birthday to you.
13:01Happy birthday to you.
13:03Happy birthday, dear Michelle.
13:05Happy birthday to you.
13:07Oh, I thought you'd forgotten.
13:08Forget we wouldn't forget our little girl.
13:10Here, here's a card, love.
13:11She's not so little now, Arthur.
13:1616 going on 21.
13:18Yeah, I suppose I am.
13:20Here, here's a little something from your dad and me.
13:25It's that top you wanted to float.
13:27Go with your new trousers, a treat.
13:29Oh, it's lovely.
13:31And here's a little something from your mum and me.
13:34Thank you for you to keep.
13:38Perhaps it'll bring us all a bit of luck.
13:40I know this fellow who sells wholesale jewellery down in Attenham Garden.
13:43He says you can change it if you want to.
13:44Oh, no, it's beautiful.
13:47Good care.
13:47Oh, lovely.
13:49Oh, is there a card from Mark?
13:50Um, no, love, there isn't.
13:52I've already checked.
13:53I just couldn't resist.
13:55I hope you don't mind.
13:56Of course I don't mind.
13:58Wish he was here.
14:00Yes, so do we, but he isn't.
14:03Yes, as soon as I can.
14:05OK, bye-bye.
14:08Thanks, Sue.
14:12Are you trying to get this cafe closed down or something?
14:17You'd better get a move on
14:18or you're going to have the health inspector clamping down on you.
14:21And it mightn't be a bad thing.
14:24You've really got to pull yourself together.
14:27Just look at the place.
14:30It's a mess.
14:33Sue.
14:35Are you listening to me?
14:38Oh.
14:44Oh, well, I mean, I'll see you like me.
14:47Put it on the plate.
14:48OK, I'll see you like me.
14:49Hello, Deb's training for the marathon, then.
14:51No, I'm...
14:51Well, you must have broken the pain barrier bar now, girl.
14:54Shouldn't you be at work?
14:55Angie, look, I'm sorry to bother you.
14:56It's just...
14:57Well, we've locked ourselves out, Angie and I.
15:00And, oh, look, I'm in a terrible state.
15:01I'm late for work.
15:03But the thing is, I can't get to my clothes, you see.
15:05I mean, I can't go to work looking like this.
15:08Is there any possibility that I could borrow something of yours?
15:11Well, I don't know.
15:12You'd better come inside.
15:12I'll see what I can do for you.
15:13Oh, Angie, bless you.
15:15Save my life.
15:16I know, my kind-hearted old soul, ain't I?
15:19Well, I might need a favour for you one day, mightn't I?
15:21Come on, let's see what we can do for you.
15:22I'll have to fit you in one of the Sherry's.
15:24Roley!
15:25Come on.
15:26I thought something was wrong when Arthur said the shop wasn't open on time.
15:30I'm sorry we were late.
15:31There's nothing to be sorry about.
15:33You look really shaken.
15:35Sit down and make some tea.
15:36Now, please don't bother, Pauline.
15:38It's this.
15:39I wanted to talk to you.
15:41I feel really sick.
15:42Yeah, I know the feeling.
15:44Right, let's have a look and see.
15:49Naima, are you aware that your self-righteous husband pays regular visits to an house of sin and signed a
16:00Christian well-wisher?
16:04I don't believe it.
16:05You don't believe it.
16:07Can you imagine how I feel?
16:08It's against the law, this sort of thing.
16:10You should prosecute.
16:11Sue them.
16:12It's slander.
16:13No, a libel.
16:14I wonder if I could.
16:15How can I when I don't know who it is?
16:18They didn't have the nerve to sign it, did they?
16:20No.
16:21People who write letters like this, they never sign them.
16:23They just write and post them and then crawl back under the nearest stone.
16:26Who would want to do something like that?
16:29So he doesn't mix with women like that.
16:32He's never been to any house of sin.
16:36It's just filthy.
16:38Oh, Naima.
16:40Don't worry, love.
16:41We'll get to the bottom of it somehow.
16:43I mean, people who write letters like this, they do it because they're twisted and mean.
16:49Who would want to do something like that?
16:51Oh.
16:52You all right?
16:53Yes.
16:54It's all right, love.
16:54I'll live.
16:55Just a touch of indigestion, that's all.
16:57Oh.
16:58Listen, I'm really sorry, Naima.
17:00I wouldn't know what to do if I got a letter like this.
17:04Mind you, I can't imagine.
17:05I can't imagine, my Arthur.
17:07It's a hoax.
17:08A nasty, vicious hoax.
17:10Is it?
17:12Well, of course your side wouldn't.
17:14Well, of course he wouldn't.
17:16Trouble is, something like this does put the thought into your mind, doesn't it?
17:19Yes, well, you pick it straight out again.
17:21You don't believe that, do you?
17:23You're going to show him that.
17:25Do you think I should?
17:27Well, if you want the advice of someone who's an old hand at the marriage lark, no, I wouldn't.
17:31I'd tear it up into pieces and throw it away in the bin with the rest of the rubbish
17:35where it belongs.
17:38Oh, I said you'd go to the top of the ladder, mate.
17:41Here, Andy, we're trying to climb Mount Everest, are we?
17:43Well, that's not the Everest, Ian.
17:45That's the Andes.
17:47I could sell you something to polish that move while you're up there.
17:50Here, Andy, why don't you not get done for breaking an entry?
17:52When you finish those, Andy, mine need doing.
17:55Ha, ha.
17:56When I woke up this morning, little did I know, I'd end up being a street entertainer.
18:00Look, I should be charging you lot for this.
18:02Would anyone like to, you know, add some music to it?
18:04Oh, I'll get me ghetto blaster.
18:07Thank you and goodbye.
18:08Now, don't expect an encore.
18:10I shall now make my exit.
18:14I mean, my entrance.
18:20Mum, this is never-ending.
18:22What a way to spend a birthday, eh?
18:24You know, I've had people's smalls on the brain all day.
18:27There was a time when I'd go to bed
18:28and I'd see Bobby Ewing pass in front of me eyes.
18:32Now all I see is people's wife-runs and dirty socks.
18:35You know, I feel like one of those blokes at the circus
18:38who try and spend as many plates as they can
18:40on those metal poles without breaking any.
18:42I'd like to bring your hand, love, but I think I...
18:44Mum, why don't you come back later, eh?
18:45Look, I might stop dancing by then.
18:47I've got so much to do.
18:48Hi, Pauline.
18:48Hey, Debbie.
18:49Ah, Debbie, the very person.
18:51You got locked out, are you?
18:52Yes, I don't know where Andy is.
18:54I've got to go to work.
18:55Look, I just wanted to ask you
18:56how I would go about getting a bank loan.
18:58Tony, make an appointment with your bank manager.
19:00He'll sort it out.
19:01I must go.
19:02Well, thanks for the ladder.
19:03By the...
19:03Oh, Pauline, if you see Andy,
19:05will you tell him I've gone
19:06and I'll get a sal from bank?
19:07Thanks for the time.
19:08Tony, I think I might just go...
19:09Well, hi, Pauline.
19:10See you.
19:15Do you think that's me?
19:17Well, it's more you than me, eh?
19:20This is nice, look.
19:23Oh, everything looks nice on you, eh?
19:26Well, I've...
19:26I've got to make myself look good, haven't I?
19:29What a game!
19:30Well, I mean, it's nice to have a change, isn't it?
19:33Mind you, I was thinking
19:35this morning.
19:36What a shame they changed
19:38the Walford Empire.
19:40Well, it used to be
19:42Palace of Clowns,
19:43now it's all ours down.
19:45Oh, I like the big game.
19:47Yes, but it's still a shame.
19:49Things are always changing it.
19:53Yes, but...
19:54They took away all the knobbly bits.
19:56What?
19:57Well...
19:58Them towers on top
19:59was like an Arabian palace up there
20:02and they took them all away.
20:04Well, I think I'll have this.
20:07Well, I don't know.
20:09I really can't decide.
20:11What do you think, dear?
20:13Well, look,
20:14I'll tell you what.
20:16If you're buying one of them,
20:18why don't you take both of them home,
20:21try them on,
20:21and bring back the one you don't want?
20:23Oh!
20:24They'll work, ma'am, will you?
20:25Oh!
20:27You know, the wool's going to cost
20:28a lot more than we thought.
20:29And if we're going into this thrill,
20:30we'll have to go to Bradford.
20:31At Bradford?
20:32Yeah, that's where they stock up.
20:34There's loads of places there.
20:35Now, we have to buy wool at the mills.
20:36It's going to cost at least 150 quid.
20:39It could cost you 30 quid
20:40to hire the van.
20:42What's that?
20:43The knitting pattern we're going to use.
20:45Let me see.
20:47Is that it?
20:49Yeah, why?
20:50Well, it's not exactly Leonardo da Vinci, is it?
20:53I don't think Leonardo was remembered
20:54for his stunning jumpers.
20:56Ah, come on.
20:57You know what I mean.
20:58I could do better than that.
20:59I bet you could.
21:00I could.
21:01I bet I could.
21:03Right.
21:06What's this?
21:07The materials and the makings
21:08of a great artist, we hope.
21:10And if he's as good as he says he is,
21:12his making should lead to takings.
21:16Right.
21:17I'll do it.
21:19It's going to be more of an outlay
21:20than you thought.
21:21I know.
21:21We'll beg, borrow, or steal.
21:23No stealing, thank you.
21:25I don't want you going the way
21:26of Nick Cotton.
21:27Yeah.
21:27The old man says Nick's got a way of it.
21:29Insufficient evidence or something.
21:31You mean he could be out and about soon?
21:32He's out and about now.
21:33He's on probation.
21:35Cross the street if you see Nick Cotton.
21:37In fact, don't be seen
21:38in the same street as him.
21:40Old Nick.
21:41That's what they should call him.
21:42That girl works so hard these days,
21:44I'm lucky to get a glimpse of her.
21:46Well, at least you see her.
21:48I ain't seen my Nick for ages.
21:50He's coming home soon, isn't he?
21:53Well, I think he's a bit ashamed,
21:55you know, after one thing and another.
21:57Not that he hasn't got a home
21:58to come back to if he wants it.
22:00Yeah, like my mark.
22:02Well, I'm resuming to forgive divine,
22:06as the good book says.
22:07And anyway, I know that deep down,
22:10my Nick's a smashing boy.
22:12He's got a very charming manner
22:14about him sometimes.
22:15Yeah.
22:16He had notice.
22:17Yeah.
22:18Well, now if he'd just set himself down
22:20to come to a nice, steady job,
22:22that'd be a start.
22:24There's not enough work
22:25for kids these days.
22:27That's why Nick nearly went off the rails.
22:29And as you know,
22:31the devil finds work for idle hands.
22:33Yeah.
22:34Nick does like to keep himself busy,
22:36doesn't he?
22:39Well, if you'll excuse me,
22:41I'm busy myself.
22:44That's it, Doc.
22:45No rest for the wicked.
22:47There I was,
22:48lost in the library,
22:49just sitting here,
22:50surrounded by all these books.
22:52And I was thinking
22:53how much I prefer
22:55to be sitting in the country,
22:57surrounded by trees and flowers,
23:00with a glass of beer in me hand,
23:03and no worries.
23:04Yeah, that'd be the life.
23:05Still, there's no country
23:06within ten miles of here, is there?
23:08No.
23:09Funnily enough,
23:10there are city farms here in London, you know.
23:12Yeah, and the rest.
23:13No, no, no, straight up.
23:14There's one in that, Nick.
23:15They got pigs, cows,
23:18horses and geese.
23:20I read about it in the local paper.
23:22Sounds handsome.
23:23It'd be great for the kids, wouldn't it?
23:24We should have a day out down there.
23:26Yeah.
23:27What could be better
23:27than being out in the open air?
23:29Exercising.
23:30Working on the land
23:32and reaping the benefits of your labour.
23:34Yeah, all right,
23:35don't get carried away.
23:36The only plot we're gonna get
23:37is six foot under
23:38with daisies on top of it
23:39if we're lucky, aren't we?
23:41It's a pity they don't give it to us now.
23:43Yeah, I mean the land
23:44where they're taking the plotters.
23:45Yeah, well, you'd grow cabbages on it,
23:46couldn't we?
23:50An allotment.
23:52That's it.
23:53You feeling all right, Paulie?
23:55You look a bit peaky.
23:56Have you eaten?
23:57Well, actually, Mum,
23:59look, have you seen Arthur anywhere?
24:00No, I ain't seen him all day.
24:03I hope I'm not disturbing you.
24:04Oh, you look disturbed enough
24:05without worrying about disturbing us, Ellie.
24:08What is it?
24:08Look, I don't know what to do.
24:09I'm so busy
24:10and the cafe's going to the dogs.
24:12It's so, isn't it?
24:13Debbie told me about it.
24:15Yeah, look, please, Luke,
24:16please, can you come and help?
24:17No one can get through to her.
24:19Mum, I need...
24:19Paulie, we'll talk later.
24:20I'd better get moving.
24:22But, Mum...
24:22Grant, you do know what day it is today,
24:24don't you?
24:25Yes, and your old gran
24:26hasn't forgotten you.
24:28Yeah, I believe you wanted
24:30a motorbike, didn't you?
24:31Well, later I'll be giving you
24:33the deposit for it.
24:34You know, I'll give you
24:35the same as what I'll give Ian.
24:36And you don't think your old gran
24:39would let you down
24:39and do your happy birthday.
24:41Thanks, Gran.
24:42There'll be conditions, mind.
24:44Proper helmet, proper training.
24:47You know, I saw a programme
24:48about motorbikes on the telly.
24:50I want it all done proper.
24:51Yeah, come on, Ellie.
24:52Happy birthday, Michelle.
24:54Thanks.
24:55Oh, Mum, isn't it great?
24:57That's smashing, Michelle.
24:58But listen, I think I...
24:58Mum, can't it wait till later, please?
24:59I've got to go and tell Shona
25:00about the bike.
25:01Yeah.
25:02Yeah.
25:10Sue, I wanted to have
25:12a private word with you.
25:14Not that it isn't something
25:15that we all know about.
25:18I really don't mind
25:19if I stay standing.
25:21It's just that I wouldn't want
25:22to get wet sitting on
25:23all this cold tea
25:24you've so carefully spilt
25:25on all the chairs in here.
25:28It's a good thing
25:28I'm not a public health inspector,
25:30isn't it?
25:31Sue, you've got to try.
25:34You've got to do something
25:35about this place.
25:36Look at it.
25:37It's filthy.
25:38You've got to do something
25:40about yourself.
25:41You can't let it all go, Sue.
25:45You've got to help yourself.
25:46Sue, come out of this.
25:53Sue, what can I say
25:55that hasn't already been said?
25:57I know how you feel.
26:01Sue, do you know
26:03what's happening to you?
26:05You're losing yourself, Sue.
26:07You're getting lazy.
26:08Lazy and self-centred.
26:14Oh, God.
26:17We're losing you, aren't we, Sue?
26:20Please, don't let us
26:21lose you, Sue.
26:28No.
26:28No.
26:29It's been enough, Dios.
27:01Oh, God.
27:14Taxi!
27:26Taxi!
27:27Take me to get George's six, please.
27:29All right, no, don't worry.
27:30Quick, yeah?
27:32Get yourself covered, don't worry.
27:34I'll be there in a flash, all right?
27:50A T-N-I-N-A-C-O-Y-H-I-N-C-I-D-O.
28:05Take me to the people of the world who want to go.
28:06I'm Dr. Wolf and I.
28:06Are you ready?
28:06I'm ready.
28:08I'm ready.
28:11I have a poppy machine.
28:11Yes, I'm ready.
28:12I'm ready.