00:00Next question is for Charles.
00:01Hello everybody, my name is Charles.
00:03Thank you so much for the movie.
00:05I have a question for Josh.
00:06After working on intimate dramas and period films
00:09deeply rooted in realism,
00:11you now found yourself in a major sci-fi thriller
00:15with Steven Spielberg.
00:17What excited you most about moving from
00:20highly psychological roles to a science fiction world
00:24where you are confronted with the unknown?
00:26Well, because it's Steven,
00:28the idea of the genre of sci-fi,
00:31first of all, with this film in particular,
00:33feels like a blurred line to me anyway.
00:36It's really this, you're dealing with the same thing.
00:39I mean, there's still this sort of,
00:40there's a moment in the film with Emily
00:42that was, for me, the most special thing
00:44I witnessed on set during this movie,
00:46which I won't give away,
00:48but it's after the train sequence.
00:50And there's something about,
00:52and I guess it's just Steven kind of asks these,
00:55or poses these questions to us all the time,
00:57which is these things are happening around these characters,
01:01but these characters are true and they're real.
01:03And so you're still approaching everything
01:05in the same way as you would in a period drama
01:08or in anything else.
01:10It's like, okay, so how does this sequence,
01:13how does this thought,
01:15this moment of conflict,
01:17how does that affect a person and a character?
01:20So you're sort of doing the same process.
01:22If anything, you're being challenged more
01:24because it's Steven and he's, you know,
01:26making you ask those questions all the time.
01:28Yeah, I didn't, it didn't feel,
01:30weirdly didn't feel any different.
01:32You know, the only thing, again,
01:33was that I didn't know,
01:35I've never worked on at this scale before.
01:37Again, day one on set,
01:40it suddenly felt much smaller
01:42in the sense of like, you know,
01:44Steven's there with you in every scene.
01:46He's riding it, you know,
01:48if you were ever on set
01:51and you weren't in a scene,
01:52it's my favorite thing to do
01:53is to watch Steven at the monitor
01:54who's in the scene with you.
01:56He's like right there with you
01:58and there'll be moments where he'd call cut
02:01and there'd be silence
02:02because it's almost like
02:04Steven didn't know it was done.
02:06You know, he's like, he's still in it.
02:08So yeah, maybe there was a little apprehension before,
02:13but as soon as you start,
02:14it's really, you're dealing with the same things.
02:17He also had a slightly bigger trailer
02:19than he did on his other more independent films.
02:22Yeah, yeah, better snacks.
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