Morte no Paraíso - Temporada 15 - Episódio 07
▶ Death in Paradise - Season 15 - Episode 07
Morte no Paraíso - Temporada 15 - Episódio 07. episódios completos em português. #FilmeCompleto #DramaPortuguês #SérieCompleta
#FilmeCompleto #DramaPortugues #SerieCompleta #ShortDrama #ReelShort
▶ Death in Paradise - Season 15 - Episode 07
Morte no Paraíso - Temporada 15 - Episódio 07. episódios completos em português. #FilmeCompleto #DramaPortuguês #SérieCompleta
#FilmeCompleto #DramaPortugues #SerieCompleta #ShortDrama #ReelShort
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00:00Comissão, obrigado por vir.
00:03Catra, o que uma foto, como a jovem Grace Kelly.
00:08Você exagerou, Sr. Buzet.
00:10Mereza aprecio a beleza quando eu vejo.
00:13Eu estava querendo agradecer a você.
00:16Sem o seu jornalismo, a iniciativa comunitária não teria acontecido.
00:22Obrigado, queridos.
00:25Portanto, o Guest-O-Honor.
00:28Simples, stunning, como a jovem Grace Kelly.
00:34É tudo parece maravilhoso, Anton.
00:36Só o que você merece para o seu serviço dedicado a essa isla.
00:41Um último favor, s'il vous plaît.
00:43Eu quero mudar minha última coluna para essa.
00:46É já foi para a pressa, eu tenho certeza.
00:48Oh, não se preocupe, só faça isso acontecer.
00:52Oh, come on, Bernie.
00:55Do 24 anos de marido.
00:57Não se preocupe, não se preocupe.
00:59Não se preocupe, não se preocupe.
01:15Não se preocupe.
01:15Um último favor, eu tenho certeza.
01:22Ah, você tem certeza.
01:23Você está escolhendo essa isla.
01:29A CIDADE NO BRASIL
01:55Let's see if for the first time in his life, that imbecile was true to his word.
02:18Morning, Esme. How was the party?
02:21Good item. Me at her. That's weird.
02:27Maman?
02:31Maman?
02:35Maman?
03:14Maman?
03:17Maman?
03:18Maman?
03:18Maman?
03:20Maman?
03:20Maman?
03:20Maman?
03:33Maman?
03:34Maman?
03:36Maman?
03:37Maman?
03:37Maman?
03:38Maman?
03:39Maman?
03:47Maman?
03:49Maman?
03:50Maman?
03:51É o trabalho.
03:57Ah!
03:59Então eu entendi que terapia está indo bem, então?
04:04Um...
04:04Eu me...
04:05Estar em frente de um total estranho,
04:08falando sobre os sentimentos...
04:09é simplesmente não para mim, você sabe?
04:11Mas você foi criada
04:13por seus próprios irmãos e quase quase mortos.
04:16Olha, eu estou aqui agora, não estou?
04:18A melhor coisa para mim é apenas
04:19esquecer o que vai acontecer.
04:21Parece saudável.
04:23Olha, eu estou em inglês, sim?
04:25É o que nós fazemos.
04:30A morte é a Hortense Leroux.
04:33Ela escreveu uma coluna para a local paper.
04:36Uma coluna?
04:37Uma coluna?
04:38Uma coluna de passado.
04:40Bom dia, boss.
04:42Saúde.
04:43Paramedics say Madame Leroux foi morto.
04:45Quem encontrou ela?
04:46Ela era dela, Esme,
04:48que tinha plans para ir com a walk com a mãe.
04:50E a housekeeper, Kim Woods,
04:52que estava apenas começando a shift.
04:54Isso aí.
04:56Então, a vítima.
04:58Ela tem um pequeno,
05:01um pequeno,
05:02um pequeno,
05:02um pequeno.
05:03Um pequeno,
05:15um pequeno,
05:16que é,
05:18um pequeno,
05:19um pequeno,
05:19um pequeno,
05:22E a dear Hortense, replies with,
05:25Avoiding revenge.
05:27Let sleeping dogs lie.
05:29Sir, she was retiring.
05:31This would be her last column.
05:33Tragic coincidence?
05:35Tragic, certainly.
05:37Coincidence, not so much.
05:40Does this look discoloured to you?
05:46Do you think the poison is on the paper?
05:49Possibly.
05:50Where did this come from?
05:51We'll check with the housekeeper.
06:02Egg and soldiers.
06:04In the Breakfast Hall of Fame.
06:06That's right up there.
06:07Dipping a piece of buttered toast
06:09into a gooey yellow egg.
06:11Heaven.
06:12Your point, sir?
06:26This egg's harder than Vinnie Jones.
06:28Dipping a soldier into that would be impossible.
06:37Sir, normally when you spot a detail,
06:39I think, no lad man,
06:40we will definitely come back to this.
06:42But right now,
06:44I'm kind of struggling
06:44how this could possibly be relevant.
06:49Everything's relevant, Officer Rouse.
07:02And the paper was delivered every day?
07:05By a boy called Clayton Powell.
07:07Can you get a hold of him, please?
07:10Esme.
07:13It's terrible, terrible news.
07:16Anton Bozette,
07:18editor of the San Marie News
07:19and Hortense's ex-husband.
07:21D.I. Wilson.
07:22I've heard a lot about you.
07:25So, what's the latest?
07:27Well, we're working on the theory
07:28that Miss Leroux was poisoned.
07:30What?
07:31Deliberately.
07:32How could anyone do that to her?
07:35She was truly adored.
07:37So, how did she seem recently?
07:39Anything out the ordinary?
07:41Well, she had mixed feelings
07:42about retiring, naturally.
07:45There was something at the party.
07:48I want to change my final column
07:50to this one.
07:52Do you know why?
07:53No.
07:54Can we see the original letter?
07:56The beginning of study.
07:57OK, so, um,
07:59talk me through her morning routine, please.
08:01Um, well, she was up with the lark,
08:03made breakfast.
08:05Boiled egg and soldiers, yeah?
08:07Clayton would deliver the paper,
08:08then she would like to read
08:10her column over breakfast.
08:12And the egg,
08:13how long did she cook it for?
08:15Oh, I'm not sure.
08:17Do you know, love?
08:19Dreaming it, Cecil?
08:21She liked it to be perfect.
08:23Yeah.
08:24That's who she was.
08:25Deep breaths, darling, deep breaths.
08:28Here you are, Esme.
08:29Look here, Inspector.
08:30Why the focus on eggs?
08:33Can I suggest that you concentrate
08:35on what is actually important?
08:37Finding the person who did this.
08:39I'm merely trying to establish the facts,
08:41Mr. Bousset.
08:42I mean, as a journalist,
08:43it surprises me you don't appreciate that.
08:50I'm sorry, the little man
08:52doesn't like strangers.
08:54Sensible chap.
09:01She really liked purple.
09:10So what's with the egg thing?
09:13Look,
09:14Hortense was the sort of woman
09:16who liked everything just so, right?
09:18Even down to how she set out her breakfast.
09:21People are funny, aren't they?
09:23Yes.
09:24People are.
09:25It's still bothering me
09:27why the egg was hard-boiled.
09:29Maybe she got distracted,
09:31overcooked it.
09:32She had an egg timer,
09:34which she clearly used.
09:35And even if she had overcooked it,
09:37she could have made another one.
09:40Now you say it,
09:41it is a little odd.
09:44You know,
09:44I used to think these letters were fake,
09:46but people
09:48actually write in with their problems.
09:49And according to the housekeeper,
09:52she replied to every single one.
09:54Felt like it was her duty.
09:58Whoa!
10:02Seems she kept every single letter as well.
10:05This is the letter
10:06she wanted to publish last minute.
10:09Dear Hortense,
10:10I've suffered a great betrayal by a friend.
10:13That's different.
10:14What is?
10:15Well, all these other letters
10:17are signed anonymously,
10:18but this one is signed
10:20by Sophie Martin.
10:22So Sophie Martin
10:23wanted her friend to know
10:25she'd written this letter.
10:27Why?
10:28To send a message?
10:30Or a warning?
10:35Yes, Victor.
10:38Thank you.
10:40OK, so
10:42that's Clayton
10:43and here's the tea.
10:44He picked up the papers
10:45from Mr Purdy's newsagent
10:47at 7 a.m.
10:48There are various papers
10:50in the stack,
10:51the St. Marie news
10:52only being one of them.
10:53All right.
10:53Thanks.
10:53He then cycled straight here,
10:55delivered the newspaper
10:56to Madame LaRue
10:57at 7.15 a.m.
11:00And did he actually
11:01see her pick it up?
11:02He did,
11:03just like always.
11:05And we know she came inside
11:06and sat at the dinner table
11:08to read the paper.
11:09Do we know how many
11:10St. Marie newsagent
11:11were in his stack?
11:12He said six
11:13and none of the other people
11:15who get the paper
11:16are ill.
11:17But if so,
11:19assuming it was
11:20a targeted attack,
11:21how did he get
11:21the one poison newspaper
11:23to Hortense?
11:24Maybe they intercepted
11:26Clayton on the way
11:26knowing he'd be coming
11:28to Madame LaRue's house first.
11:30Clayton swears
11:31he did not meet
11:32anyone en route.
11:33The only thing of note,
11:35his bike had a bust up
11:36with a pothole
11:37and all his papers
11:38fell out his back.
11:40But even if the killer
11:41had poisoned
11:42the first paper
11:43in the stack,
11:44they're all jumbled up
11:45now, right?
11:46Which means
11:47they couldn't guarantee
11:48that the poisoned paper
11:50would get to Madame LaRue.
11:53A one in six chance.
11:56Don't like the sound
11:57of those odds,
11:58do you?
12:07Hortense LaRue,
12:09St Marie's favourite
12:10agony aunt,
12:11poisoned apparently
12:12by her own column.
12:13So,
12:14who would want
12:15to murder her?
12:16All that meddling
12:17in people's lives
12:18would make you
12:19some enemies.
12:19I read that
12:20she moved from Paris
12:21to St Marie
12:2230 years ago
12:24with her baby daughter,
12:25Esme.
12:27Anton Busset,
12:29Esme's stepfather.
12:30They met in 1996
12:32when she started
12:33her column
12:33at the St Marie News.
12:35Then there's this.
12:37Now,
12:38why would all tens
12:38be so keen
12:39to publish it?
12:40It was posted
12:41on St Marie,
12:42so likely
12:43the author lives here.
12:44So,
12:45our priority,
12:47find
12:49Sophie
12:50Martin.
12:52Copy that, sir.
12:54There were letters
12:54at the host.
12:55Looks like
12:55she kept them all.
12:57Might be worth
12:57checking those two.
12:59Yes,
13:00where would you
13:01put that
13:01on the priority list?
13:02I'm thinking
13:03maybe three or four.
13:06We've got it,
13:07Sarge,
13:08as soon as we
13:08check through
13:08the victim's form.
13:10Can't help
13:11feeling Sophie
13:12is key to all of this.
13:14Making progress
13:14already?
13:16Oh, Commissioner,
13:16Well, you know,
13:17it's early days.
13:19Madame LaRue
13:19was highly regarded.
13:22Only last night,
13:23Catherine and I
13:24attended her retirement party.
13:26As such,
13:27the island will be
13:27watching our
13:28investigation
13:29keenly.
13:31Ah.
13:32Excellent.
13:33I'm assuming
13:34you've met
13:34Anton Bousset.
13:37We've had the pleasure.
13:38He won't miss
13:39an opportunity
13:40to put pressure
13:41on us.
13:42or rather
13:43me.
13:45Let me know
13:46when you're
13:46ready to talk.
13:49So,
13:50let's
13:50keep things
13:51as professional
13:52as we can.
13:53Of course.
13:55The I. Wilson
13:56Award.
14:04How are the
14:05counselling sessions
14:06going?
14:07Oh,
14:07um,
14:09extremely useful.
14:10Yeah,
14:11we're really getting
14:11to the heart
14:13of the matter.
14:14Is that so?
14:15Hmm.
14:16What I've heard
14:17is directly
14:18to the contrary.
14:20You haven't
14:21said a word.
14:22I thought
14:23that was confidential.
14:25Inspector,
14:26take it seriously.
14:28Look,
14:28I'm just not
14:29into the whole
14:31going over
14:32the past stuff.
14:33The effects
14:34of trauma
14:34don't just
14:35magically go away.
14:37You've got
14:37to work
14:38through it.
14:40I know
14:41because I did.
14:46You had therapy.
14:48And like you,
14:49I had dogs.
14:51Men of my age,
14:53we tend to
14:54crack on
14:55with things too.
14:57Give in to it,
14:58Inspector.
15:00Inspector,
15:00you may be surprised.
15:01Okay.
15:05But I assure you,
15:06I am
15:07completely,
15:09totally,
15:10100%
15:12fine.
15:23We've got
15:24situation.
15:25Oh!
15:28Solomon.
15:51Working overtime,
15:53Any leads?
15:55No.
15:57No.
15:58No.
15:58No.
15:58No.
15:58No.
15:59No.
15:59No.
16:29No.
16:31No.
16:35No.
16:36campers.
16:36Gather round.
16:38I have a
16:39breakthrough.
16:44Right.
16:45So,
16:46this stamp
16:47was conveniently
16:48hidden beneath
16:49this St.
16:49Marie stamp.
16:50The original
16:51stamp
16:51is from
16:51France.
16:54Hmm.
16:55So,
16:56what does that
16:56mean?
16:56that it was
16:57posted from
16:58somewhere else
16:58first?
16:59Maybe Sophie
17:00meant to
17:00post it
17:00from
17:00somewhere else
17:01but didn't
17:01for some
17:02reason,
17:02then brought
17:03it to
17:03St.
17:03Marie to
17:03post.
17:04Why?
17:04Who knows?
17:05My stamp
17:05man in
17:06Kentish town
17:06is on
17:06the case.
17:07And he's
17:07going to...
17:08And three.
17:11You all right,
17:12sir?
17:13Yeah.
17:13Why?
17:14You seem a little
17:15energetic.
17:16Oh,
17:17that's the
17:18coffee.
17:19I've had
17:19three already.
17:20That's my
17:21fourth.
17:22Bad night?
17:24Er,
17:25no.
17:25I was just
17:26up looking
17:27into this.
17:28Any update
17:29on Sophie's
17:29whereabouts?
17:30None on the
17:31island and no
17:31mention in the
17:32victim's contacts
17:33either.
17:34Postmortem's in.
17:36Hortense
17:37was poisoned,
17:39as we thought.
17:40Contact
17:40poison.
17:41Cone
17:41snail
17:42venom,
17:43in fact.
17:44Cone snail?
17:45That's new.
17:45Yeah,
17:46I mean,
17:46they live in
17:46the shallow
17:47waters around
17:47here.
17:48I mean,
17:48you're
17:48warned about
17:49them as
17:49a kid.
17:50If it's
17:50in a
17:50cone,
17:51leave it
17:52alone.
17:52The toxin
17:53paralyzes the
17:54victim first,
17:55then they die
17:56a painful
17:57death.
17:59Nice.
18:00So,
18:01whoever did
18:01this wanted
18:02or tends
18:03to suffer.
18:04It says
18:04here that the
18:05poison was
18:05only on page
18:0635 of the
18:08newspaper,
18:09which means
18:09we're looking
18:09at one hell
18:10of a gambler.
18:11Somehow,
18:11poison one
18:12page in
18:13one paper
18:14of a pack
18:15of six.
18:15Then pray
18:16to the gods
18:17of vengeance
18:17that that
18:18paper is
18:18delivered to
18:19its victim.
18:20Risky as
18:20anything.
18:21It's more
18:21than risky.
18:22It's almost
18:22impossible.
18:24Did Hortense
18:24touch anything
18:25else?
18:25Lab's still
18:26testing.
18:27They'll get
18:27back to us
18:27tomorrow.
18:28In the
18:29meantime,
18:29Officer Rose
18:30and I have
18:30been working
18:31on something.
18:31Yes,
18:32the daughter.
18:33Esme,
18:33I mean,
18:34totally
18:35bankrupt by
18:36her mommy.
18:36She's never
18:37had a job.
18:37She just
18:38gets a big
18:39juicy allowance
18:39every month
18:40and, I
18:41mean,
18:41she's living
18:42her life.
18:42Well,
18:43it seems
18:43Esme might
18:44have disagreed.
18:45She'd
18:45applied for
18:46a job
18:46at a
18:46publisher's
18:47in Barbados.
18:48Then,
18:49plot twist,
18:50we find
18:51emails
18:52from Hortense
18:54to the
18:55managing
18:55director
18:56saying
18:56Esme
18:57was not
18:57fit to
18:58work
18:58and that
18:59she would
18:59sue them
19:00if her
19:00daughter
19:00had a
19:01breakdown.
19:02They took
19:02back the
19:03job off
19:03her pretty
19:03quickly
19:04after that.
19:05So,
19:06mommy blew
19:07her chances
19:07of a promising
19:08career.
19:17Must have
19:18been a blow.
19:19She was
19:19right.
19:20I wouldn't
19:21have caught.
19:22Real life
19:23and me
19:23somehow
19:24never
19:24work,
19:24so.
19:25What made
19:26you apply
19:26for the
19:26job then?
19:27Anton
19:27encouraged
19:28me.
19:28He
19:29helps
19:29me
19:29with
19:29all
19:30sort
19:30of
19:30settings.
19:32Can't
19:32help
19:32noticing
19:33you're
19:33wearing
19:33the same
19:34clothes
19:34as
19:34yesterday.
19:36Late
19:36night,
19:36was it?
19:37My mom
19:38just died.
19:39I'm allowed
19:40to grieve.
19:41Of course
19:42you are.
19:44Look,
19:44what do you
19:44want from
19:45me?
19:45You're
19:4631,
19:47never been
19:47anywhere,
19:48everything
19:48you own,
19:48all paid
19:49for by
19:49your mother.
19:50It's
19:50unusual.
19:51Some might
19:52say a little
19:54controlling.
19:54She wasn't.
19:56She loved
19:56me.
19:57People get
19:58away with
19:58a lot
19:58under that
19:59label.
20:01Papillon,
20:02Papillon,
20:03come away
20:03from there.
20:07Needs to be
20:08careful of
20:08those cone
20:09snails.
20:09I hear
20:10they're
20:10deadly.
20:11My mom
20:12was always
20:12paranoid
20:12to get
20:13stoned.
20:14Like to
20:14keep
20:15them
20:15close.
20:16A bit
20:16like you
20:16then.
20:17Please,
20:18not least.
20:18A bright
20:18new future.
20:19Suddenly
20:20snatched,
20:21no,
20:21stolen away
20:22by your
20:22meddling
20:22mother.
20:23That'd have
20:23made me
20:24angry.
20:24But that
20:24made you
20:24angry,
20:25DS Thomas.
20:25Definitely.
20:26Maybe the
20:27anger got
20:27too much.
20:27Maybe one
20:28day you
20:28just snapped.
20:29No,
20:30that's not
20:31true.
20:36We'll be
20:37in touch.
20:42Never
20:42underestimate
20:43the
20:43quiet
20:43ones.
20:49All right,
20:49mate.
20:50What have you
20:50got?
20:52For real?
21:01Curious
21:02certain
21:02curious,
21:03as they
21:03say.
21:04Le Cloché
21:04de Saint-Azure,
21:05pardon my
21:06accent,
21:07was printed
21:07in Paris
21:0830 years
21:09ago.
21:09Does
21:09that
21:10mean
21:10that
21:10this
21:10letter
21:11is
21:11also
21:1230
21:12years
21:12old?
21:13We can
21:13only
21:13assume
21:14so.
21:14But if
21:14that's
21:15the
21:15case,
21:16why
21:16would
21:16Sophie
21:16Martin
21:17wait
21:17to
21:17send
21:17us
21:18now?
21:19Maybe
21:19she
21:20knew
21:20Hortense
21:20was
21:20retiring
21:21and
21:21this
21:22was
21:22her
21:22last
21:22chance?
21:23We'll
21:23look for
21:23any
21:23Sophie
21:24Martins
21:24who
21:24lived
21:25in
21:25Paris
21:2530
21:25years
21:26ago.
21:26Yeah,
21:26keep me
21:27posted.
21:27Any
21:28news
21:28from
21:28the
21:28lad?
21:29No
21:29poison
21:30found on
21:30anything
21:30else
21:31she
21:31could
21:31have
21:31touched.
21:32So
21:32this
21:32newspaper
21:33was
21:33definitely
21:33the
21:34murder
21:34weapon?
21:34It
21:34looks
21:35like
21:35it.
21:36Something
21:37interesting
21:37though.
21:38No
21:38fingerprints
21:39found on
21:40Hortense's
21:40glasses.
21:41Wipes
21:41clean.
21:42Hmm.
21:43What would
21:44that be?
21:46Right,
21:47until we
21:47know who
21:47Sophie
21:48Martin
21:48is,
21:48let's
21:49look for
21:49anyone
21:49with a
21:49motive,
21:50yeah?
21:50I
21:51found
21:51something
21:51on
21:51the
21:51victim's
21:52phone.
21:52In
21:53the
21:53trash.
21:54And
21:54my
21:54uncle
21:55Terrence
21:55always
21:56says,
21:56one
21:57man's
21:57trash is
21:58another
21:58man's
21:58treasure.
21:59Yes,
21:59we
21:59know.
21:59Get
21:59on
21:59with
21:59it,
22:00Officer
22:00Rose.
22:01Sir!
22:02Sorry!
22:04Go
22:05on.
22:06Some
22:06anonymous
22:06text going
22:07back three
22:07weeks ago.
22:08You'll get
22:09what's coming
22:10to you.
22:10You don't
22:11deserve to
22:11live.
22:12And
22:12then just
22:12before a
22:13retirement
22:13party,
22:14wear the
22:15amethyst
22:15earrings.
22:16They bring
22:17out your
22:17eyes.
22:18Someone
22:18was out
22:19for blood.
22:20But who?
22:21A
22:21reader with
22:22a grudge
22:22maybe?
22:23Maybe.
22:24Clearly
22:24whoever it
22:25is was
22:25watching the
22:26house the
22:26other night
22:26while Hortense
22:27was getting
22:28ready for
22:28a big
22:28bash.
22:29First
22:30thing
22:30tomorrow,
22:30talk to
22:31the neighbours.
22:31maybe
22:32they saw
22:32someone
22:32hanging
22:33around.
23:11You want to
23:12give up,
23:12don't you?
23:13I'm here
23:14when you're
23:14ready.
23:16Look,
23:16why don't you
23:17just ask me
23:18something?
23:20Just ask me
23:22a question.
23:23Please.
23:25What are your
23:25feelings about
23:26to your brother?
23:29OK.
23:31Um...
23:33Something akin
23:34to anger,
23:36I'd say.
23:38You know,
23:38every time I'm
23:39near that guy,
23:41something happens
23:41it shouldn't.
23:43And sadness.
23:45In fact,
23:46I'd say mainly
23:47sadness.
23:48I wanted it to
23:50work.
23:50Yeah?
23:51Believe me,
23:51I wanted us
23:52to work.
23:56But you
23:56know what?
24:00We just
24:00don't.
24:01I do not
24:02trust that
24:03guy.
24:04And if you
24:04can't trust
24:05family,
24:05then who
24:07can you
24:07trust?
24:07Would it be
24:08more helpful
24:08to talk to
24:09him about
24:09what happened?
24:11I don't know
24:12where I'd even
24:13start.
24:14Sometimes,
24:15if talking's
24:15difficult,
24:16writing it down
24:17can help.
24:19Write him
24:19a letter.
24:24Yeah,
24:25writing him
24:26a letter.
24:26Yeah,
24:27could work.
24:32A letter.
24:33It'd be
24:34a waste
24:34of time.
24:35Why don't
24:36you tell him
24:36what kind
24:37of brother
24:38you wanted?
24:39Because
24:40it's a
24:40fantasy.
24:42He can't
24:43be that
24:43brother.
24:46so I
24:46need to
24:47just
24:47accept it
24:48and move
24:50on.
24:51And sir,
24:52how will
24:52you do
24:53that unless
24:53you're honest
24:54with him?
24:54And even
24:55more so
24:56with yourself?
24:58Catherine,
24:59you were at
25:00Hortense's
25:01party.
25:02Yeah.
25:02Did you
25:03know her
25:03well?
25:04Not really.
25:05And the
25:06family?
25:07Esme?
25:08Anton
25:08Busset?
25:09Oh,
25:10Anton.
25:12Men like
25:13him.
25:13Hungry
25:14lions.
25:15Looking
25:15at you
25:16like your
25:16tasty
25:17steak
25:17at a
25:17buffet.
25:19Oh,
25:19have you
25:20two got
25:20history?
25:21He'd
25:22like that.
25:23Do you
25:24want another
25:24drink?
25:25Oh,
25:26no,
25:26thank you.
25:27I think
25:27I'll have
25:27an early
25:28night.
25:29Perhaps
25:29you should
25:30too,
25:30sir.
25:31Why's
25:32that?
25:33Seeing
25:33that you're
25:34having
25:34trouble
25:34sleeping.
25:35Another
25:35cold one
25:36for me,
25:36please,
25:37Catherine.
25:54I'll
25:54speak to
25:55him
25:55and you
25:56take the
25:56house over
25:57there.
25:57Then we'll
25:58get to those
25:58letters.
25:59good?
25:59Cool.
26:00See you later,
26:01alligator.
26:27What are you
26:28doing?
26:29Nothing.
26:30What's
26:30behind
26:31your
26:31back?
26:31Hi,
26:32cupboard.
26:32Don't lie
26:33to me,
26:33there's a
26:33mirror right
26:34behind you.
26:37I just
26:37promise you
26:38won't laugh,
26:38all right?
26:39I promise.
26:41Dear
26:42Hortense,
26:43there's this
26:43girl I
26:44like.
26:44If she
26:44were a
26:45chicken
26:45wing,
26:46she'd
26:46be extra
26:46hot.
26:47All
26:47summer we've
26:48chilled,
26:49but now she's
26:49gone quiet.
26:50I'm
26:50confused.
26:51She keeps
26:52watching my
26:53stories.
26:53Once she
26:54commented
26:54with a
26:54tomato
26:55emoji,
26:56what does
26:57that mean?
26:58I just
26:58want to
26:59know where
26:59I stand.
27:01You're
27:02Sebastian
27:03Rose.
27:05You know
27:05this is
27:06supposed to
27:06be a
27:06moment.
27:07I know
27:07that,
27:07no.
27:08Well,
27:08did Hortense
27:09write back?
27:09She did.
27:10She said
27:11something about
27:11allowing space
27:13for roots
27:13to grow
27:14or something.
27:15And happy?
27:17No.
27:18Because she
27:18might be
27:19waiting for
27:19you,
27:20you know.
27:21That tomato
27:21emoji couldn't
27:22mean this
27:22girl's
27:23interested.
27:23dead.
27:24You can't
27:24sit back.
27:24You've got to
27:25lean in.
27:26Yeah.
27:27It may be
27:28all right.
27:29Denise did
27:30tell me
27:30something
27:30pretty darn
27:31spicy.
27:32Yeah?
27:33Mm.
27:40What are you
27:41doing?
27:42A game of
27:43probability.
27:44Our killer
27:45somehow gets a
27:46poisoned copy of
27:47the St.
27:47Marie News
27:48into Clayton's
27:49stack of
27:49newspapers in which
27:50there happens to be
27:51five other copies of
27:52the St.
27:53Marie News and from
27:53which he pulls one
27:54copy of the St.
27:55Marie News at
27:56random and delivers
27:57it to Hortense.
27:58A one-in-six
27:59chance.
28:02Our only clue is the
28:05egg.
28:05Why was it hard
28:06boiled when Hortense
28:07likes it to be
28:08perfectly dippable?
28:10Sophie Martin is a
28:12very popular name.
28:13There were about a
28:15hundred Sophie
28:16Martins in Paris
28:17around that time.
28:18Look, for any
28:19connections with
28:20St.
28:20Marie, yeah, we
28:21have to find this
28:22woman.
28:23Will do.
28:27Sorry, it
28:28It's not you, it's
28:29me.
28:30So the beers
28:31didn't help then?
28:33Surprisingly, no.
28:38And the little?
28:41No, it's not a good
28:42idea.
28:43And that's an end
28:44of it, okay?
28:48Sergeant Fletcher?
28:50We know who's been
28:51sending those messages.
28:52The neighbour was
28:53taking out the bins
28:54on the day of the
28:55party when he overheard
28:56an argument between
28:58Kim and Hortense.
29:00Did he hear what was
29:01said?
29:02Certainly did.
29:03It's you, isn't it?
29:05You have been
29:05sending these foul
29:06messages.
29:07Who else would know
29:08those things?
29:09And guess what?
29:11Hortense said she'd
29:12report her to the
29:13police the next day.
29:20I would never do anything
29:21so stupid.
29:23So why would Hortense
29:24think it was you?
29:25No clue.
29:26Those texts contain
29:27personal details that
29:28only someone close to her
29:29would know.
29:30So how long have you
29:31worked with Miss
29:32LaRue?
29:32Oh, about six months
29:33or so.
29:34Was she a good boss?
29:36Madame was a diamond.
29:37It's a tragedy that she's
29:38gone.
29:39From what we've
29:39heard, she was more
29:40dragon than diamond.
29:42She certainly gave her
29:43daughter a hard time,
29:43didn't she?
29:44Well, she was a might
29:45overprotective.
29:46But she cared, which is
29:47more than most.
29:48But if she was like that
29:49with her own flesh and
29:50blood, it's not a stretch
29:51to imagine she'd do the
29:52same to you.
29:53Perhaps you decided to get
29:55your own back, frighten her.
29:58But then she found you
29:59out, didn't she?
30:00You'd have faced criminal
30:01charges, you'd have lost
30:03everything.
30:04So I killed her?
30:07You've got this all
30:08wrong, officers.
30:09I've been around the block
30:10more times than I care for.
30:12Life's good here, better
30:13than I hoped.
30:14Why would I risk losing
30:15that?
30:19You know what?
30:20I said to her, go ahead,
30:22report me.
30:23Any decent investigation
30:24team would discover that I
30:26didn't send those texts.
30:27Convenient.
30:28What is?
30:29Well, she never got the
30:30chance, did she?
30:31And now here you are,
30:32free as a bird.
30:41She does have a point.
30:42I don't see what she gains
30:44from scaring Hortense.
30:46Well, who else?
30:49Well, I'm not overly thrilled
30:50about talking to Anton Busset,
30:52but if it was an angry reader
30:53who sent those texts,
30:54then you're going to have
30:56to, huh?
30:57Sir, you're sure you can
31:00keep cool?
31:03As a cucumber.
31:14So, Hortense Leroux didn't
31:16mention anything to you
31:17about these text messages?
31:19Ever since the divorce,
31:21we didn't have the same
31:22intimacy, you understand.
31:24Please, sit down.
31:25No, I'm all right
31:25standing, thank you.
31:27Any hate mail sent to the
31:28office?
31:29Complaints?
31:30People calling in to talk
31:31to her?
31:32You don't give up, do you?
31:33Oh, this is deceptively heavy.
31:35Is this real gold?
31:36Can you put that down?
31:39I've already said I don't know
31:40who was sending these messages.
31:42And whoever she is
31:43won't be easily found.
31:45She?
31:46But you just said
31:47whoever she is?
31:48I misspoke.
31:50They.
31:51Unusual for a man
31:52in your line of work
31:53to misspeak.
31:54Unusual for a man
31:55in your line of work
31:56to behave like an amateur.
31:58Excuse me?
31:59Let me be crystal clear.
32:00Stop wasting time
32:02asking obtuse questions
32:04and go about doing
32:06your actual job.
32:08Let me be crystal clear.
32:09These obtuse questions
32:11are to find out
32:11who murdered your ex-wife.
32:13Sir?
32:13But the fact that you
32:14can't see that
32:14is because your head
32:15is so far up your own
32:17Well, that escalated.
32:22Look, I get it.
32:24Sir, what you went through
32:26was something
32:27no one should ever have to.
32:29But you can't keep
32:30pretending.
32:32Pretending?
32:32Yes!
32:32Pretending like you're okay.
32:34I am not.
32:34Your judgment
32:35is clearly off
32:36because you're not sleeping
32:38and you're not sleeping
32:39because you have this
32:39thing with Solomon
32:40hanging over your head.
32:42What do you suggest?
32:42I don't know.
32:44Write the letter.
32:45Whatever.
32:46Get it off your chest.
32:47We have a murder
32:48to solve.
32:49All right.
32:51Fine.
32:52I'll do it.
32:53Thank you.
32:58So, what are we going to do
32:59about Mr. Busset?
33:01He obviously suspects
33:02who's sending those texts.
33:06Well, we need a tactical rethink.
33:12I have an idea.
33:23Who knew St. Marie
33:24was so high-tech?
33:26Found it
33:27in the back
33:28of the evidence store.
33:29Don't think it's been used
33:30for a while.
33:31You surprise me.
33:33It's from 1986.
33:35Can't beat quality.
33:37Thanks for doing this,
33:38Miss Baudet.
33:39A pleasure.
33:40I feel like
33:41one of Charlie's angels.
33:43Now, remember,
33:44you're there
33:45to find out
33:45who Anton thinks
33:46is behind the text messages.
33:48But don't go
33:49straight in for the kill.
33:50Act natural.
33:50Re-in-check is your code word
33:52if anything goes wrong.
33:54You taught.
33:55Trust me.
34:04We good?
34:10The golden goose
34:12has landed.
34:18Anton!
34:19How lovely to see you.
34:21Likewise.
34:22I was surprised
34:23when you called me.
34:25Pleasantly surprised,
34:26of course.
34:28Thought a drink would help
34:29take your mind off things.
34:31Much appreciated.
34:35That clown inspector
34:37was at the office today.
34:39Poking his nose
34:41in where it's not wanted.
34:42Oh, like a dog
34:44without a bone.
34:45What is she after?
34:46Shh, wait!
34:47She knows what she's doing.
34:49Did the police
34:50have a theory today?
34:52Oh, they were bothered
34:53about what these
34:54nasty messages
34:55Hortense was receiving.
34:57Thank you.
34:59You seem like a woman
35:01of good sense
35:02and judgment.
35:03I like to think so.
35:05This stays between us.
35:07A few years ago,
35:09Hortense told me something.
35:11Esme isn't her child.
35:13She took her from Paris
35:14when she was a baby.
35:15This is big!
35:16Sadly,
35:17the father wasn't able
35:18to take care of her.
35:19A drug addict
35:20agreed.
35:21I'm assuming
35:22she agreed to this.
35:24The way Hortense
35:25told it
35:25sounded like
35:26she was too out of it
35:27to notice.
35:28Hortense
35:29couldn't have children.
35:30But the authorities,
35:33did they not realize?
35:34She came here,
35:35forged her papers.
35:37She was Esme's mother
35:38in all but flesh and blood.
35:41And Esme has no idea?
35:43No.
35:43And I wanted
35:44to stay that way.
35:46This would break her.
35:47So,
35:48you suspect
35:49it's Esme's birth mother
35:51sending those messages?
35:54Who else?
35:58enough doom
35:59and gloom.
36:00Would you do me
36:01the honor of a dance?
36:02Oh, well, um,
36:04it might be better
36:05if I rain check.
36:07No reason.
36:09I doubt that
36:10very much.
36:10Come on.
36:11Sorry, Anton.
36:12I must rain check.
36:17We've lost her.
36:18Sergeant Fletcher.
36:23Why do you keep saying
36:25rain check?
36:37Sorry, Matt.
36:38Yeah, I tried.
36:40This won't be the last
36:41you hear of me.
36:42I'll be calling
36:43your commissioner.
36:45I was saying
36:47the code well.
36:48It was a technical
36:49age.
36:49I am so sorry.
36:53We can now assume
36:54that the friend's
36:55betrayal written about
36:56in Sophie Martin's
36:57letter is referring
36:58to Hortense
36:59stealing Sophie's
37:00baby 30 years ago.
37:02Which means
37:02Sophie is
37:04Esme's real mother
37:05and finally explains
37:06why Hortense was
37:07so desperate
37:08to publish the letter.
37:09She knew
37:10it was Sophie
37:11coming for her.
37:12Her response?
37:13Back off.
37:14Esme's mine.
37:15But why wait
37:1630 years to send this?
37:18Don't know yet.
37:19But we will.
37:20And if Miss Martin
37:22is also behind
37:23the text messages
37:24as Anton suspects,
37:25you'll get what's
37:26coming to you.
37:27You don't deserve
37:27to live.
37:28She's here on this
37:29island with one
37:30hell of a motive.
37:32But where?
37:44I hope you don't
37:45mind, Angel.
37:46Oh no, not at all.
37:48Such a great loss.
37:50If you ever need
37:51someone to talk to,
37:53I'm here.
37:56You're kind.
38:15Solomon,
38:17I've been thinking
38:18about what to say
38:19for a while,
38:20but I haven't managed
38:21to find the right words.
38:23across the street
38:24across the way
38:26it flows
38:27Just like a mirror
38:32it seems
38:33to show
38:35Heaven, I'm afraid
38:38Yes, I see
38:39beaucoup.
38:42Morning.
38:43Morning, sir.
38:44That was the
38:45Paris police.
38:46My thinking was
38:47addicts are more
38:49likely to have
38:49criminal charges.
38:50And there are
38:52three Sophie
38:53Martons on file.
38:55Two for possession,
38:56one for aggravated
38:57robbery.
38:57I've asked them to
38:58send over the records.
39:00Good work.
39:00What's that, sir?
39:03Oh, um,
39:05this is it.
39:06My letter to Solomon.
39:08I've got it
39:09off my chest.
39:10Did it help?
39:13Er,
39:15yeah, it did actually.
39:17You know what
39:17I realised?
39:18I want,
39:20no,
39:21I need
39:22my space from it.
39:26I'm so sorry, sir.
39:27No, no, no,
39:27it's all good.
39:28It's for the best.
39:29I just needed
39:30a little time
39:31to accept it.
39:32That's all.
39:35Where is everyone?
39:37Following a lead.
39:38If Sophie Martin
39:40was outside
39:41Madame Rourou's
39:41house that night,
39:42it's possible
39:43she followed her
39:44to the party.
39:45So we
39:46went through
39:47the photos online
39:48and look at this one.
39:55Yes, she does
39:56look about the right
39:57age that Sophie
39:58will be.
39:58an uninvited guest.
40:01The waiter
40:01said she got
40:02into a green
40:03VW camper van
40:04and luckily
40:05Matty knows
40:06the one garage
40:07that fixes them.
40:11Yeah, talk with the devil.
40:14We think we found Sophie.
40:15So someone
40:16matching her description
40:17came into the garage
40:18last week
40:19goes by the name
40:20of Calypso.
40:21Says she normally
40:22parks up by
40:22Coral Beach.
40:24We need to get there
40:24pronto.
40:25You already here, sir?
40:27You got an eyeball.
40:32I hear you good?
40:34You think that
40:34I'm that shy girl's
40:36mother?
40:37You're mad.
40:38I don't even know
40:39this woman you're
40:39talking about.
40:42Then why did you
40:43sneak into the
40:43party that night?
40:46Just passing.
40:47Felt thirsty.
40:48It's not a crime.
40:50No.
40:51A stalkiness.
40:51See, our theory is
40:53you are Sophie Martin.
40:55You assumed a new
40:56identity to come
40:57to St. Marie
40:58and enact revenge
40:59on Hortense LaRue.
41:01Starting with those
41:02threatening text messages.
41:04Uh-uh.
41:05I just like to
41:06stay off-grid.
41:07That's all.
41:08We should be free
41:09to roam
41:09as the birds do.
41:11You know we can
41:12trace the sim
41:12to the shop
41:13you brought it in.
41:14Check their CCTV.
41:17Okay.
41:18Here's the truth.
41:20That woman you're
41:21talking about.
41:22Sophie Martin.
41:24That ain't me.
41:25But those texts?
41:30I sent her.
41:31Not for the reason
41:32you think though.
41:33Why then?
41:35Two months ago
41:36I sent dear Hortense
41:39a letter.
41:40Hortense told me
41:41to cut my mother
41:42out of my life.
41:44Toxic mothers
41:45shouldn't be allowed
41:46to act that way
41:47she said.
41:49A bit hypocritical
41:49coming from her.
41:50I did what she said.
41:52Know what?
41:54My mother died
41:56alone in her bed.
41:58If I hadn't listened
41:59to that loud-mouthed woman
42:00I would have been there.
42:02That must have
42:02made you angry.
42:03Not enough to kill her.
42:05I wanted to scare her.
42:07Make her suffer.
42:09The same way
42:09I've been suffering.
42:11Walking about this earth
42:12with a perfect life.
42:14Little care for the people
42:16whose life she ruins.
42:24Miss Jones
42:25with no disrespect
42:27but
42:28it kind of seems like
42:30you're more angry
42:31at yourself.
42:33Look, I'm no expert
42:35but
42:36it doesn't help
42:37to
42:38hold on to things.
42:53so we're still
42:54having a scooby
42:55how the killer
42:56pulled off this murder.
42:57A stack of six papers
42:58and he managed
42:59to poison one
43:00and have it delivered
43:01practically straight
43:02into Hortense LaRue's hands.
43:03And let's not forget
43:04about the egg.
43:05What happened that morning
43:07to make her ruin
43:07a perfectly good breakfast?
43:09Sir.
43:10Hold that thought.
43:11I'm late.
43:15I'll be back.
43:23How do you feel?
43:25Um,
43:27better.
43:28Definitely better.
43:30I mean,
43:31everything here
43:31is just, um,
43:34you know,
43:35gone.
43:36All I need to do
43:37now is post it.
43:39Well done.
43:40Thank you.
43:41Now,
43:42can we talk
43:43a little more
43:44about your life here?
43:45Oh,
43:45how long have you got?
43:47About half an hour.
43:49No, I meant...
43:57She timed it?
43:59Why didn't she
44:00take it out?
44:02And the egg,
44:03how long
44:03did she cook it for?
44:04Dreaming it, social?
44:06He then cycled
44:06straight here,
44:07delivered the newspaper
44:08to Madame LaRue
44:09at 7.15am.
44:11Sorry,
44:12the little man
44:12doesn't like strangers.
44:14There were no fingerprints
44:15found on her
44:16tenses' glasses.
44:17I wanted to scare her.
44:19I wanted her to suffer
44:20the same way
44:20I'd been suffering.
44:22Of course.
44:23Well,
44:23that's the reason why.
44:25Why what?
44:26The egg
44:26was hard-boiled.
44:27I can see everything
44:28clearly now.
44:30Huh.
44:33Thanks for your patience.
44:36I know who the killer is.
44:37I know how they did it.
44:39Those photos
44:39are from the Paris police.
44:40Have they come through?
44:41Just in.
44:42Right,
44:43we need a search warrant.
44:43and then we can have
44:45a little family reunion.
44:53Agony Arts
44:54are known for giving advice
44:56to help solve
44:57difficult problems.
44:58However,
45:00I doubt they've ever been asked
45:00to advise on a problem
45:02as difficult as this one.
45:04Hortense LaRue
45:05was poisoned,
45:06effectively,
45:07by her own column.
45:08but we had no idea
45:10how the killer
45:11managed to poison
45:12the newspaper
45:12and get it delivered
45:14straight to her
45:15when the paper boy
45:16took one at random
45:18from his stack.
45:20But,
45:20with the help
45:22of a hard-boiled egg...
45:23Not this again.
45:25...we finally cracked it.
45:29You, Kim.
45:31It was you
45:32who murdered Hortense.
45:33Me?
45:34No.
45:35I told you
45:36I was telling the truth.
45:37as Miss LaRue's
45:39housekeeper,
45:40you knew her morning routine,
45:41that she liked
45:42to read her column
45:43whilst having her breakfast.
45:45You also knew
45:46that Clayton
45:47drops the paper
45:48on the porch
45:49at 7.15am
45:50and Papillon
45:52barks to alert Hortense
45:54as he always does
45:55when someone's
45:56at the door.
45:57So,
45:57earlier that morning,
45:58you went to
45:59another newsagent
46:00and bought a copy
46:02of the St. Marie News.
46:04Let's call this
46:05Paper A.
46:06You then laced
46:07the problem page
46:08with cone snail poison.
46:11Something you knew about
46:12from Hortense's fear
46:13of her dog
46:13getting stung by one.
46:15My mum was always
46:16paranoid he gets stung.
46:17Then you dropped
46:19Paper A
46:19onto the porch
46:20sometime before
46:21Clayton usually arrived.
46:24Hortense
46:24must have been
46:25in the middle
46:26of preparing
46:27her breakfast.
46:28Papillon
46:29barked as normal,
46:30so she went outside
46:32to collect the newspaper
46:33she thought
46:34had just been delivered.
46:39She went back
46:40into the kitchen,
46:41eager to see
46:42if her request
46:42to change her final column
46:44had been carried out.
46:45In doing so,
46:46she came into contact
46:47with the poison
46:48and subsequently died.
46:51A painful death
46:52by all accounts.
46:56You then came
46:57into the house
46:58through the back
47:00and put on
47:01Hortense's
47:02purple gown,
47:03a wig
47:04matching her hair
47:04with a purple headband,
47:06and finally,
47:07the item
47:08that was
47:09unmistakably Hortense,
47:11her statement,
47:13purple glasses.
47:15As usual,
47:16at 7.15,
47:17Clayton delivered
47:18the newspaper,
47:20Paper B
47:20and Papillon barked.
47:23Kim,
47:23now dressed as Hortense,
47:25opened the door
47:26and waved to him.
47:27As Clayton cycled away,
47:29he wouldn't have known
47:30that it was in fact
47:31you waving at him
47:32and not Hortense.
47:34You then
47:34came back
47:35into the kitchen
47:36and returned
47:37Miss LaRue's glasses,
47:39wiping away
47:39any prints first.
47:42Now,
47:43we come to the egg
47:44and your ultimate downfall.
47:46You see,
47:47in your haste
47:48to stage the scene
47:49before Esme arrived,
47:51you almost forgot
47:52Miss LaRue's egg
47:52was still boiling away
47:53on the stove.
47:54You needed everything
47:56to look exactly
47:57as it should
47:58to fit the timeline
47:59of Hortense's
48:00making breakfast,
48:01then reading her column.
48:03So,
48:04you hurriedly took
48:05the now hard-boiled egg
48:07out of the pan
48:08and clumsily
48:09put it in the egg cup.
48:11Then you left the house
48:12through the back
48:13the same way you came,
48:15got into your car
48:16that was parked
48:17around the corner
48:17and drove around the front
48:19to time perfectly
48:21with Esme's arrival.
48:24You later
48:26disposed of
48:28Paper B
48:28and the wig
48:30at your home.
48:31We found these
48:32in the bin
48:33on your street.
48:34An audacious
48:36yet brilliant plan.
48:38But
48:39why go to such lengths?
48:43Kim Woods
48:44isn't your real name,
48:46is it?
48:47You are in fact
48:49Sophie Martin.
48:52Thirty years ago,
48:54Sophie Martin
48:55moved to Paris
48:56from the UK
48:57with her boyfriend
48:59who was escaping
49:00some trouble back home.
49:01She was living
49:02in a commune
49:03in Montmartre
49:04and it's there
49:05she met
49:06Hortense,
49:07an ambitious writer.
49:10Sophie
49:12was a drug addict
49:14with a newborn baby.
49:18You were doing
49:19your best,
49:19no doubt.
49:20But from what we now
49:22know about Miss LaRue,
49:23she had a saviour complex.
49:26Through our
49:26undercover investigation,
49:29we discovered
49:29her secret.
49:31Hortense stole
49:32your baby
49:33in the night.
49:34and went
49:35as far away
49:36as she could
49:38to St. Marie.
49:41That baby
49:42was you,
49:43Esme.
49:46You're my mother.
49:49Hortense
49:49was my friend
49:52and she offered
49:53to look after you.
49:55And yes,
49:56I was struggling
49:57but I loved you
49:58so much.
50:00And then one morning
50:02I woke up
50:02and you was gone
50:03and I didn't sleep
50:05the day
50:05searching for you.
50:08But then you found out
50:09Hortense was here,
50:11didn't you?
50:12Through her column.
50:14So all those years ago,
50:16you wrote this letter
50:18to dear Hortense.
50:20The same letter
50:22Hortense wanted to publish
50:24at the very last minute
50:26at the very last minute
50:27for her final issue.
50:28I wanted her to know
50:30I was coming for her.
50:31Then you were arrested?
50:33The guy I was going out
50:35with at the time,
50:35he told the police
50:36that I was involved
50:38in an armed robbery
50:39and someone got really
50:40badly hurt
50:41and it was all lies.
50:42I had nothing to do with it,
50:45he was not a good man
50:46and I didn't get a chance
50:48to send the letter.
50:50It put me away for years.
50:53Time after time
50:54my parole was refused
50:56and I lost all hope
50:58until one day
50:59I finally got myself together,
51:01got myself clean.
51:03that day came
51:05and I knew all I had to do
51:08I had to find you
51:10and hurt Hortense
51:11for what she'd done.
51:13I came to St. Marie,
51:16first place I went
51:17was the newsagent
51:18and I saw the ad
51:19for her housekeeper.
51:20It felt like fate.
51:22Come in.
51:24You've ided your time
51:26working out
51:27the perfect murder plan
51:28and when Hortense
51:30received your letter
51:31she must have known
51:33you were gunning for her.
51:35You read her response.
51:37She didn't regret it.
51:40Nor one bit.
51:44Esme, I don't expect
51:46you to forgive me
51:46but I would really like
51:48you to understand
51:49that what she did
51:51destroyed me.
51:54Killing her was the only way
51:56I could ever
51:57have a relationship
51:58with you.
51:59Officer Rose?
52:05I'm arresting you
52:06for the murder
52:07of Hortense, Leroux.
52:08You don't need
52:09to say anything
52:09but it may harm
52:10your defense
52:11if you do not mention
52:12when questioned
52:13something which you later
52:13rely on in court.
52:15You think you do say
52:16may be given in evidence.
52:18So my whole life
52:20been alive.
52:23Hortense's love
52:24for you
52:25for you
52:26that was real.
52:54don't know you
52:55but if you don't
53:17you know?
53:17A CIDADE NO BRASIL
53:50A CIDADE NO BRASIL
54:17A CIDADE NO BRASIL
54:24A CIDADE NO BRASIL
54:26A CIDADE NO BRASIL
54:49A CIDADE NO BRASIL
54:54A CIDADE NO BRASIL
54:57A CIDADE NO BRASIL
55:08A CIDADE NO BRASIL
55:10A CIDADE NO BRASIL
55:16A CIDADE NO BRASIL
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