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🔥🔥🔥[Hot 2026] Bad Relations🧡🍏 🔥FULL HD#FULL MOVIE
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#Short_Drama
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Short filmTranscript
00:00:25I missed you.
00:00:27I missed you, too.
00:00:34You okay?
00:00:37Yeah, why?
00:00:39The hell?
00:00:49Good night.
00:00:54I'm sleeping now.
00:00:56I'm awake.
00:01:27Mm-mm.
00:01:27The ultimate connection is captured forever in pain.
00:01:33Oh, boy.
00:01:34Hey, we done here.
00:01:36Diana, we're not doing personal questions.
00:01:39Seems like the personal is a process.
00:01:41Oh.
00:01:43Shit's pointed.
00:01:46Look, Brooke, he's brilliant.
00:01:48But as your friend I'm calling it, the other critics will tear this apart.
00:01:54Did you keep your day job at Sotheby's?
00:01:58Picasso, Klimt, Lucy, and Freud, they were all called pornographers.
00:02:02Look, I know what I believe in.
00:02:03And if the critics don't understand us, then they're wrong.
00:02:12Oh, my God.
00:02:13Hi, can I look at a few?
00:02:14Awesome.
00:02:14This is still for the cover, right?
00:02:17So, um, you're the husband.
00:02:21Yeah, hi, Owen Short.
00:02:22Welcome.
00:02:23Yeah, she's badass, right?
00:02:25I like that.
00:02:27Yeah, I like the tiger shots as well.
00:02:28Can you go back to the titles?
00:02:30Honey, we don't want to be late.
00:02:33Oh, see, when women get absorbed in me, we can talk to them.
00:02:49To Brooke's amazing new gallery and a successful opening.
00:02:52Cheers, cheers.
00:02:53Oh, and to me, getting to retire early and fulfill my life's purpose as a trophy as well.
00:02:58Hmm, let's not jinx it.
00:02:59Hey, if that's what you want, then you should do a new story on it.
00:03:01Feel-good holiday feast days before Christmas.
00:03:04It's local news.
00:03:05No, no, no, no, no.
00:03:05Owen has already done so much.
00:03:07Oh, come on.
00:03:07Isn't going broke and bedding the farm what all good husbands did?
00:03:10Hey, Brooke is living her dream, and dreams are at the risk.
00:03:13Okay, when's our next vacation?
00:03:15That's my dream.
00:03:16Oh, yeah.
00:03:16I was thinking Paris.
00:03:17But just me and Brooke, so sorry, guys.
00:03:20Paris in the winter?
00:03:21Texas pictures.
00:03:22If your thumbs don't freeze off.
00:03:24You know, I've always wanted to do Christmas in Paris.
00:03:26Hello?
00:03:27I can't even think of a vacation until this gallery opens Friday.
00:03:30Well, I mean, we should plan it soon before things get too complicated.
00:03:35What does that mean?
00:03:37Just, you know, whatever.
00:03:39Life.
00:03:40Owen.
00:03:41Complicated.
00:03:42Are you guys pregnant?
00:03:42No!
00:03:43Because that would be like a shitty way to tell us.
00:03:45No.
00:03:46The doctor says that we could take the pressure off.
00:03:48It may happen naturally.
00:03:50What?
00:03:51We don't have to talk about this.
00:03:58Is that the rooting hunk?
00:04:00Can't be.
00:04:00I left my phone at home.
00:04:01No, it's Brooke's new Irish artist, Hottie McHotterson.
00:04:05Okay, his name is Ansgar Doyle.
00:04:07He was a street artist in Dublin until a few years ago.
00:04:10But it hasn't broken here yet.
00:04:12Wait until you see the art.
00:04:14Hot.
00:04:15Nice.
00:04:19This guy, he's always texting at 3am with a crisis.
00:04:22What's the crisis?
00:04:22He can't find his paintbrush?
00:04:23No, he's just an artist.
00:04:25They don't sleep.
00:04:26Actually, I learned from his interview that this is an artist who's not sleeping in a lot of married women's
00:04:31beds.
00:04:31That's not what he was saying.
00:04:33Actually, that's kind of exactly what he was saying.
00:04:35Well, as the two divorce attorneys at the table, I would just like to say that men like Ansgar are
00:04:40very good for our business.
00:04:40Absolutely, core to our business.
00:04:42When you've been doing what we've been doing for long enough, you just conclude that everybody cheats.
00:04:46The wives are just better at not getting caught.
00:04:48Yeah, I mean, I've been hiring so many private investigators, I could teach a course if you wanna go.
00:04:52I'll be right back.
00:05:12Where'd this come from?
00:05:15I-
00:05:17Mmm.
00:05:18They're from you.
00:05:21Mmm.
00:05:23They're beautiful.
00:05:27Hey, I'm gonna make it up to you.
00:05:29Oh, I'm so sorry.
00:05:31I've been so busy and so bitchy.
00:05:34You've been so great.
00:05:38okay listen i wasn't kidding about what i said at dinner about paris
00:05:42if you play your cards right you open the gallery on friday
00:05:45then we drink champagne all night to celebrate we get in the air
00:05:48on saturday on our way to paris france where we spend christmas next week
00:05:55french kissing little menage a dou
00:06:01now wait now how about this place to let it happen naturally no right
00:06:10it sounds heavily but i can't go then we don't even have any christmas plans to break
00:06:17and look around we haven't even had time to decorate i know but i have so much to do after
00:06:22friday night i mean that's when the real selling starts and i've got more press lined up for anscar
00:06:27too and you know i can't leave him alone he needs me
00:06:32you know what i mean let me earn the vacation with sales that way we can relax and we can
00:06:37enjoy it
00:06:46sorry yeah yeah you're right
00:06:51okay i'm gonna go take the trash out real quick
00:06:53all right
00:07:02you
00:07:10you
00:07:12you
00:08:02I love my phone up here.
00:08:04Yeah.
00:08:05You, uh, don't want to miss any text messages from Sarah.
00:08:09Is that one of the new producers?
00:08:12Yeah.
00:08:13Thanks.
00:08:19My opening is in four days and these light fixtures were custom ordered three months
00:08:23ago.
00:08:32I gotta replace the pipe that goes down to the basement.
00:08:36It's gonna cost about three grand.
00:08:37What?
00:08:38Hang on.
00:08:39Just tell him to bring me the lights himself.
00:08:42Why were you talking to Amanda Geisler?
00:08:44I was just thanking her for lunch and interested me.
00:08:47Okay.
00:08:47Well, she has a gallery full of artists who showed potential ten years ago.
00:08:49She should be taking them out to lunch.
00:08:51Wow.
00:08:52I think we're jealous.
00:08:53I think we have a contract.
00:08:55Giaco, there's no more money.
00:08:56Figure it out.
00:08:58You'll be able to pay him soon enough.
00:09:00Told you.
00:09:00I have news.
00:09:08You may fall in love with me when I tell you.
00:09:10That good, huh?
00:09:12I have him.
00:09:13You have who?
00:09:15The customer.
00:09:17The big one we need.
00:09:20Damien Light.
00:09:23Damien Light is here?
00:09:25No, he's in Paris.
00:09:26He's shooting his next movie there.
00:09:27But he saw one of my pieces in the Marais and he likes it.
00:09:30He wants to see more.
00:09:31People want us to be there for dinner the day after tomorrow.
00:09:34Wait, where?
00:09:35The hotel in the Marais.
00:09:37Oh, the Marais in Paris?
00:09:40Yeah.
00:09:41Look, we can leave tomorrow.
00:09:42Still make it back in time for the opening.
00:09:44You should really answer my texts.
00:09:47Do you see this gallery?
00:09:48I can't go.
00:09:50Oh, whoa, whoa, whoa.
00:09:51I need you there.
00:09:53I'm no good at the business.
00:09:54I hate that shite.
00:09:56If this is real, this could be huge for us.
00:10:00Oh.
00:10:02You think I'm making it up to steal away with you?
00:10:11I'm going either way.
00:10:12I'll try to make it back for my opening on Friday night.
00:10:14Oh, very funny.
00:10:16Oh.
00:10:17You need to check in with the husband first.
00:10:20Um.
00:10:21Or are you more afraid?
00:10:22To leave this mess?
00:10:24To leave your husband alone.
00:10:26What?
00:10:28You'll let me leave without you.
00:10:30Oh.
00:10:31Oh.
00:10:32Oh.
00:10:34You need to check in with the husband first.
00:10:34Oh, God.
00:10:35I know.
00:10:36I mean.
00:10:36I have to go.
00:10:37You have to go.
00:10:38It's Paris.
00:10:39It's work.
00:10:40Right.
00:10:40It's work.
00:10:42Oh, God.
00:10:43What do I tell Owen?
00:10:44In person's good.
00:10:46Um, run in, bring a coffee, and just tell him you have the business opportunity of a lifetime.
00:10:50Right.
00:10:50Right.
00:10:50Just be direct.
00:10:51Right.
00:10:52Downplay the fact that you're going to be in a Paris hotel with the world's sexiest men alive.
00:10:56Oh.
00:10:58Okay.
00:10:59Get out of here.
00:10:59Go talk to your husband before I have to represent you.
00:11:03It is.
00:11:03We're going to cut it.
00:11:04It's okay.
00:11:05I accept it.
00:11:06Don't worry about it.
00:11:07Hope I'm not interrupting.
00:11:09Hey.
00:11:10I thought you could use this.
00:11:11Brooke.
00:11:12Hey, that's so sweet of you.
00:11:16Uh, this is, uh, Kim, one of our new producers.
00:11:19Hi.
00:11:19Hi.
00:11:21Are you Sarah?
00:11:23Natalia, new intern.
00:11:24Hi.
00:11:25Hi.
00:11:25What are you doing here?
00:11:27Well, you know.
00:11:30What's going on?
00:11:31Everybody okay?
00:11:32Uh, well, I, uh, I have a situation with Anscar.
00:11:36What now?
00:11:37It's a long story.
00:11:38Um, but it's actually amazing.
00:11:40Damien Light is interested in buying a few of his paintings.
00:11:45That's big news.
00:11:46I know.
00:11:47I know.
00:11:48I know.
00:11:48And I would send him a loan tomorrow, but things could get...
00:11:50You know, he's not a people person.
00:11:51And-and making the sale could be huge for us.
00:11:53I could really make all this hard work pay off.
00:11:55This-this is amazing.
00:11:57Yeah.
00:11:57So I'll be back from Paris in like two days.
00:11:59Yay!
00:12:02What's that?
00:12:02I said, yay.
00:12:06You're going to Paris?
00:12:09Yeah.
00:12:11Damien's filming there.
00:12:13You're telling me that you want to go to Paris with Anscar.
00:12:18The myth of fidelity guy.
00:12:20Tomorrow.
00:12:21After you told me that we can't go on Saturday?
00:12:24I know.
00:12:25I know.
00:12:25But it's business.
00:12:26And I would say come with me, but it's going to be all meetings.
00:12:28And then I have to fly right back for the opening Friday and...
00:12:32Owen.
00:12:34Owen, please don't be that way.
00:12:38So does this mean I'm-I'm definitely free on Saturday since we're not going to Paris?
00:12:44Well, yeah, I-yeah.
00:12:47Hey, Kim.
00:12:48Is that shoot for the New Yorker's Christmas in Las Vegas still available for Saturday?
00:12:52I was going to give it to Jim, but it's yours if you can do it now.
00:13:01Yes, I am available. Let's book that.
00:13:05Thank you for the coffee. I gotta get back to work.
00:13:08Natalia, see if you can book Owen's flight with seats near us.
00:13:11Vegas baby.
00:13:14Shit.
00:13:19This has been Owen Shore with the news you can use.
00:13:23Have a great one, everybody.
00:13:52But...
00:14:07I don't know....
00:14:08This means I should come to see.
00:14:11It's fun.
00:14:12It's fun!
00:14:15I love this!
00:14:22I love this!
00:14:36I can see the flames rising high in the night
00:14:40Reaching their arms out to the sky
00:14:45Shadows leap and hide with the lovers tonight
00:14:49Tiny embers die as they fly
00:14:54Creeping, crawling, dancing with the flames
00:15:01Fire won't sing till only ashes remain
00:15:19The more we turn, the more we get burned
00:15:31Owen, I feel bad we keep missing each other
00:15:34I'm not sure if you're getting my texts
00:15:37My flight is tonight
00:15:40So, when you get a break, please call me
00:15:43Okay
00:15:44I feel dramatically
00:15:48I feel it, the more we look
00:15:49I'm guessing sequence
00:15:51Will someœurs think York all theminute
00:15:52Somewhere in Me
00:16:00Está.»
00:16:00Yes
00:16:05Sure
00:16:11So
00:16:12I can't see how nothing is
00:16:17Hey.
00:16:18Hey.
00:16:20That assignment was late last night.
00:16:23What was the story?
00:16:25Yeah, I didn't want to wake you.
00:16:28I'm trying to get these two new producers
00:16:30to put me on hard news stories
00:16:32instead of these dopey features.
00:16:36Kim's the one you're going to Vegas with.
00:16:50Look, I'm sorry about yesterday.
00:16:54I just wanted our first time in Paris to be together,
00:16:56and Christmas there, away from all this stress,
00:17:00it just seemed like exactly what the doctor ordered.
00:17:08I'm sorry I got so upset.
00:17:14I'm sorry, too.
00:17:16It's just such a huge break.
00:17:18I wouldn't be going otherwise.
00:17:21Come here.
00:17:23Oh.
00:17:24Mmm.
00:17:27You know, I can't help.
00:17:29I want you to be happy.
00:17:33Even if I don't trust that guy.
00:17:35Hey.
00:17:35You only have to trust me.
00:17:39And seriously, I look forward to a getaway
00:17:41of just us without the pressure of trying.
00:17:44I really, really, really do.
00:17:46Yeah.
00:17:47Well, you know, we don't have to.
00:17:49Get away.
00:17:50Start trying without trying.
00:17:53I can't.
00:17:54I have to pack.
00:17:55My car's coming in an hour.
00:18:06In case there's a gym I can work out in.
00:18:11I can't do it.
00:18:11I'll walk in, I'll walk in.
00:18:20I need you to be understanding here.
00:18:28So, no standoff sex?
00:18:29I wish I'd just let it go.
00:18:31It doesn't have to be any more worried about it.
00:18:33Come on. You guys have been together since high school.
00:18:36No way, Brooke would cheat on me.
00:18:38As long as I wonder, she'll stop being interested in me.
00:18:41Are we on the Goop podcast right now?
00:18:43Am I Gwyneth?
00:18:44Another greyhound, huh?
00:18:46Wait, no, no, no. Are you trying to get me in trouble?
00:18:48You said just one.
00:18:50I'm sorry. Cancel that, please. We gotta go.
00:18:52Fuck that needy orphan artist.
00:18:55If I want to get drunk to forget him, I'm gonna drink.
00:18:58Are you forgetting the last time you got drunk?
00:19:00You tried to find a home for every homeless guy in New York.
00:19:01I don't remember that.
00:19:02Yeah, exactly. Come on, let's go.
00:19:05But come on, there's one more.
00:19:06No, I gotta go.
00:19:08I'm pretty sure Eleanor put a tracking app on my phone.
00:19:11Hi there.
00:19:14Wait a minute. I know who you are.
00:19:18You're Owen Shore.
00:19:19It's possible.
00:19:21You're pretty good.
00:19:22You're being pretty great.
00:19:23My friend's gonna die when she gets here.
00:19:25We're studying journalism at Columbia.
00:19:28Nice.
00:19:29You said in an interview once that it's a reporter's job
00:19:32to expose without shaming.
00:19:34Wow. Good.
00:19:36I used it in a media ethics paper on microaggression.
00:19:39I'm flattered.
00:19:40I refuted it.
00:19:41Shame is a useful tool.
00:19:43Maybe you're too nice.
00:19:44I do love your reporting.
00:19:46I was actually just saying how refreshing it is
00:19:48that your stories are funny.
00:19:50They're not supposed to be funny.
00:19:52You did that one about the guy who marries dogs at a chapel.
00:19:55Ah, yes.
00:19:56That was a fine moment in broadcast journalism.
00:20:01Are you guys together?
00:20:02You mean together?
00:20:04No, but he has been hitting on me all night.
00:20:06I can't help myself.
00:20:07My wife's out of town.
00:20:09I thought he had a window.
00:20:10I know.
00:20:18I think your choices are superb.
00:20:20And if you want the smaller one,
00:20:21the owner number three to give us a Christmas gift as well.
00:20:24Right.
00:20:25So that is five paintings in all and, um...
00:20:28$152,000.
00:20:30Perfect.
00:20:32Plus, we have your permission to use Damien's name confidentially
00:20:35with the list of collectors that you've approved.
00:20:36To Damien Light.
00:20:38To Damien Light.
00:20:40Please tell him how grateful we are for his patronage.
00:20:42Well, on behalf of Mr. Light,
00:20:44we are proud to be the first
00:20:45to champion the work of Ansgar Doyle.
00:20:49Santé.
00:20:56Enjoy the moment.
00:20:58Paris is a wonderful place to celebrate this time of year.
00:21:02Oui, well.
00:21:04Santé.
00:21:07You're not leaving, are you?
00:21:08My friend has to meet you.
00:21:10Yeah, no, I gotta get going, too.
00:21:11Well, that's a shame.
00:21:13Maybe I could get an autograph before you go?
00:21:16Yeah.
00:21:20Okay.
00:21:21To...
00:21:21Amy's fine.
00:21:23To Amy Fine.
00:21:26I guess that's better for TV and Chicago, you know?
00:21:29Wait, um, could you take a picture of us?
00:21:32Is that okay, Mr. Shore?
00:21:34Of course, yes.
00:21:42Nice to see you smile.
00:21:43Oh, my God, that's my new profile pic right there.
00:21:46Okay, uh, we gotta go.
00:21:47Uber's here.
00:21:48Nice to meet you.
00:21:49Wait.
00:21:49You can't leave.
00:21:50You have to stay and meet Brianna.
00:21:52Please?
00:21:53I don't know.
00:21:55You don't know?
00:21:58I mean, I could probably finish the calamari.
00:22:01Hmm, uh, you probably have to go because of that thing you were telling me about.
00:22:06Remember?
00:22:06Why don't you both stay?
00:22:08Sorry.
00:22:08Do you mind me asking how old you are?
00:22:10How old are you?
00:22:11Okay, I'm out.
00:22:13I'm kidding.
00:22:14I'm gonna wait for Brianna.
00:22:17I knew I had a fan club.
00:22:19No.
00:22:20Dude.
00:22:24Okay, if he brings up the forgotten homeless crisis, cut him off.
00:22:31So they have my favorite martini here.
00:22:33Have you ever had a monkey martini?
00:22:36Okay.
00:22:37One monkey while we wait for your friend, and then I gotta get home.
00:22:40I thought you said your wife was out of town.
00:22:43Yeah.
00:22:44Oh, my God.
00:22:51I'll be back.
00:22:52Ladies are over.
00:22:53Okay.
00:22:54Order us two monkeys.
00:22:56I really want to ask your advice on where to send my reel.
00:23:03Two monkey martinis, then?
00:23:08I'll show you the check and go home.
00:23:22You were amazing.
00:23:24My damn way you told my life story.
00:23:26You made it way more romantic than...
00:23:29Okay, you know, it's completely believable that you lived in the Shire.
00:23:31Oh, no.
00:23:32Hobbits aren't Irish, okay?
00:23:34What are they?
00:23:35I don't know.
00:23:36They're from Middle Earth or something.
00:23:40Oh, look.
00:23:41I hope that you know that you deserve all of this.
00:23:44And the respect even more than the money.
00:23:46They...
00:23:46They see how special you are.
00:23:50You trusted me with your work, and I love your work so much.
00:23:55Do you know what that means to me?
00:24:00God.
00:24:02Wait, I was just in auction house, a wage slave with a normal job six months ago now, I guess.
00:24:08Shh.
00:24:09Okay.
00:24:10I can hold it.
00:24:11Just be here.
00:24:15Right here.
00:24:17Yeah, Scar, we should go.
00:24:21Before we go back to our rooms, let's just have one more drink.
00:24:29He's seriously trying to reach you.
00:24:38Okay, I guess we're done here.
00:24:43I'm sorry.
00:24:44I...
00:24:44Um...
00:24:46Yeah, yeah, that was phenomenal.
00:24:50Was it?
00:24:55Look, uh...
00:24:57I love my wife.
00:25:02Okay.
00:25:20Look, I've never done this before, so I don't really know how to...
00:25:27get rid of me.
00:25:29Uh, no, I mean, like, you know, wrap this up.
00:25:32I'm pretty sure you just did.
00:25:48I hope you don't think that I'm playing games with you, okay, I'm not that kind of guy.
00:25:52Well, maybe I'm the one playing games.
00:25:57I hope not.
00:26:00I mean, I could use someone to help my real get into the right hands when I get my master's
00:26:05in June.
00:26:07You serious?
00:26:09You serious?
00:26:10You're right.
00:26:10We really can't see each other again.
00:26:13No, we can't.
00:26:15We should agree on that.
00:26:45I'm sorry you will be cutting you stay with this shirt.
00:26:48I'm sorry.
00:26:53I missed you.
00:26:55I missed you, too.
00:26:56I missed you, too.
00:26:59Thanks, man.
00:27:01So, if I have any work, I want you to hang it at the centerpiece of the show.
00:27:08I would have to rearrange this entire installation to add this.
00:27:11I worked hard to finish it today, and trust me, it's worth it.
00:27:19What's it called?
00:27:21Brooke.
00:27:24And how about Dreams in Paris?
00:27:28That's even worse.
00:27:38Can you spend some time with me?
00:27:41I'll go, what can you say?
00:27:44Okay.
00:27:45We'll take it.
00:27:46Fantastic.
00:27:47Cheers.
00:27:47Cheers.
00:27:48Cheers.
00:27:49Cheers.
00:27:50Cheers.
00:27:52Cheers.
00:28:24I heard he paints from his imagination.
00:28:27I heard he paints from his experience.
00:28:32Where is Brock?
00:28:33Let's hang her before we go.
00:28:34Uh, yeah.
00:28:35I haven't seen her in a while.
00:28:36I don't think he's very good.
00:28:38Really?
00:28:40I think they're so sensual and immediate.
00:28:42And we just bought $10,000 worth of sensual and immediate.
00:28:49There they are!
00:28:52Bravo!
00:28:54Bravo!
00:28:55What the hell?
00:28:56They're talking.
00:28:56How much did you drink?
00:28:57Please, please.
00:28:58I want to go talk to the artiste.
00:29:03Hey.
00:29:05Your beautiful art will hang on my walls.
00:29:07And every time I see it, I will think of you and your great time.
00:29:11All right.
00:29:12Well, thank you so much.
00:29:14That means, that means so much to me.
00:29:15It really does.
00:29:17What was all the whispering about?
00:29:19Ah, some things are private.
00:29:22What are they?
00:29:24We spoke to someone at New Museum.
00:29:26They love Ann Scar's work.
00:29:28And they're interested in one of the large pieces.
00:29:31Really?
00:29:32Which one?
00:29:33The new one.
00:29:34New Museum.
00:29:35Adam, go buy another one.
00:29:36Right now.
00:29:36Brooke is an expert at making things happen.
00:29:44Now, if you'll excuse me.
00:29:50Hello there.
00:29:53Hi.
00:29:54You look like you need a check.
00:30:00I have to get a check for the caterer.
00:30:03I will come with.
00:30:03I want to hear more about Paris.
00:30:16Oh my god.
00:30:18What?
00:30:18That woman.
00:30:21Who is she?
00:30:22No one.
00:30:24Why does she look so familiar?
00:30:26I have a serious problem right now.
00:30:29Is that the girl from the bar?
00:30:31Fuck.
00:30:33Why would she show up here?
00:30:35She probably just knows the artist.
00:30:36No, no.
00:30:37I think she's looking for me.
00:30:39Why?
00:30:39Because I didn't give her my number.
00:30:40Okay, look.
00:30:42Look, we have to get our story straight.
00:30:43Our story?
00:30:45What the hell happened?
00:30:46Look, you have to back me up on this.
00:30:48Oh my god.
00:30:50Are you stupid?
00:30:51You're the one who left me at a bar with a woman who was clearly coming onto me.
00:30:54That's our story?
00:30:55You know I can't get drunk anymore.
00:30:57All right, look.
00:30:58Listen to me.
00:30:59We've never seen her.
00:31:00Bad idea.
00:31:01Okay, just save me at the bar and then we should have a cap home.
00:31:03I can't.
00:31:04I can't.
00:31:04You took a fucking picture with her asshole.
00:31:06Hey!
00:31:07I'm about ready to close up.
00:31:09Yeah, let's close it up.
00:31:10Yeah.
00:31:14Who's that?
00:31:16Who?
00:31:17That woman.
00:31:19Do you know her?
00:31:20Is it possible that...
00:31:21I don't know her.
00:31:23Maybe you've met her.
00:31:25I haven't?
00:31:26Yeah, he meets a lot of people.
00:31:27I thought she looked familiar.
00:31:29We have like a bunch of new interns at the station.
00:31:31Yeah, she looks like she would be an intern.
00:31:34Let's ask her if that's how you know her.
00:31:36I've never seen her before.
00:31:38Brooke, this lovely lady was just saying how much she liked my newest painting.
00:31:42The one the new museum wants.
00:31:44Would you like to buy it too?
00:31:45If only I could.
00:31:47This is your gallery, yes?
00:31:48Yes, yes.
00:31:49Hi.
00:31:50Brooke Gatwick.
00:31:50Amy, hi.
00:31:52This is my husband, Nolan.
00:31:54We've met.
00:31:55Right?
00:31:57I don't think so.
00:31:58Hi.
00:31:58Oh, um, you must look like someone.
00:32:02I must be confused.
00:32:05Gramercy's Wednesday?
00:32:06Oh.
00:32:07Uh, were you there?
00:32:09I thought so.
00:32:13Oh, probably off the television.
00:32:15I hear you're incredible with dogs.
00:32:18Dog weddings and a chapel.
00:32:20Right.
00:32:21Oh, that's why you're going to Vegas, is it?
00:32:30Well, it's late.
00:32:32Uh, should we all get going?
00:32:36Uh...
00:32:39Just us, then.
00:32:40All right.
00:32:40All right.
00:32:41I will see you.
00:32:41I will call you.
00:32:42Thank you for everything.
00:32:43Good night.
00:32:44Good night.
00:32:47I'm going to be locking up in a few minutes.
00:32:48Oh, okay.
00:32:49Um, I read your profile in Art News.
00:32:52I'm so happy to have met you.
00:32:54Oh, it is an honor, truly.
00:32:57You know, I'd like to buy art someday.
00:32:59I could use some pointers.
00:33:01Um, I'm going to get going, okay?
00:33:02No, please wait.
00:33:02I'm almost done here.
00:33:03I'll be waiting outside.
00:33:04I would love to give you some pointers.
00:33:07You know, I...
00:33:07I should really probably get going.
00:33:09No, no, no.
00:33:10You just got here.
00:33:12You want to close up?
00:33:13I can come back...
00:33:14It's okay.
00:33:15I'll give you a quick tour.
00:33:19Oh, okay.
00:33:24It would be wise to say your goodbyes to your paying customers.
00:33:28Now, I love that you're always thinking about pleasing the customers.
00:33:31Which affords me the luxury.
00:33:34Thinking about the art.
00:33:55Thanks for the ride.
00:33:58So, this way you live?
00:34:00No, I just have to drop something off.
00:34:03I need to wait, though.
00:34:04That's okay.
00:34:04I'll wait.
00:34:30Oh, what the fuck?
00:34:33What?
00:34:34Is your wife home?
00:34:38What do you want?
00:34:44Is she home?
00:34:46No.
00:34:47She's not.
00:34:48Okay, please.
00:34:49Let me in.
00:34:50I need to tell you something.
00:35:02For fuck's sake.
00:35:08I never talked to her about us.
00:35:11That's not why I went to the gallery, I promise.
00:35:13What?
00:35:14Okay, look.
00:35:16You have no idea of the whole story here.
00:35:19What are you talking about?
00:35:22You don't even understand.
00:35:24I actually met your wife a few days ago.
00:35:36Men like Ascar are very good for our business.
00:35:38Absolutely, core to our business.
00:35:40When you've been doing what we've been doing for long enough, you just conclude that everybody cheats.
00:35:44The wives are just better at not getting caught.
00:35:46Yeah, I mean, I've been hiring so many private investigators, I could teach a course at Quantico.
00:35:50I'll be right back.
00:36:02Yep.
00:36:06Are you okay?
00:36:07Owen's been giving me shit about Ascar texting all the time, but he gets up and texts in the middle
00:36:11of the night, too.
00:36:12Owen is a news guy.
00:36:13The news never sleeps.
00:36:15He's been acting weird lately.
00:36:17Do you think he's messing around?
00:36:19No.
00:36:20I think you're just letting this dress at the opening get to you.
00:36:23Put your phone away.
00:36:24Pay your man a little attention.
00:36:26It's all he wants right now.
00:36:34Right.
00:36:34Right.
00:36:34Just be direct.
00:36:35Right.
00:36:36Downplay the fact that you're going to be in a Paris hotel with the world sexies being alive.
00:36:41Okay, get out of here.
00:36:42Go talk to your husband before I have to represent you.
00:36:50What?
00:36:52Owen told me who he was texting late at night.
00:36:54He says it's one of the new producers named Sarah.
00:36:56And?
00:36:58And I stole his iPad.
00:37:00That is a complete violation of privacy and trust.
00:37:03Do you have his password?
00:37:04Yeah, you do.
00:37:05I'm just trying to figure out if I have a reason to worry.
00:37:07Okay.
00:37:08Well, this iPad is marital property, so legally I see nothing wrong with what's happening here.
00:37:10Okay, first, I want to say in my defense that I did not want to snoop, but I just saw
00:37:15his messages come in.
00:37:16And he's been acting weird.
00:37:17He's been staying all later than usual.
00:37:19And he says it's just work assignments, but I don't know where he really is or what he's really doing
00:37:22with her.
00:37:23So many men use the working lady excuse.
00:37:25You wouldn't have a child with this man.
00:37:27I know, but this is Owen we're talking about.
00:37:29So many years of nothing but good.
00:37:31I'm not worried at all.
00:37:38Honestly, I don't think he's really cheating, but it just makes me wonder if he would cheat.
00:37:43It's the sliver of doubt that's killing me.
00:37:48God, I hate this about myself.
00:37:53Okay.
00:37:54There's a few ways we can do this.
00:37:56I'm listening.
00:37:56I always tell my clients, if you want to prove that your husband's cheating, you should hire a PI to
00:38:01tail him.
00:38:02But if you want to know for sure that your husband wouldn't cheat, you hire a decoy.
00:38:09What's that?
00:38:09I use them all the time.
00:38:11A decoy's going to flirt with him, give him an opening, and see what he does.
00:38:14And if the husband takes the bait, does the decoy go all the way?
00:38:17No, no, no, no.
00:38:18They have a professional code of ethics.
00:38:19Like hitmen.
00:38:21Damn.
00:38:22That's dark.
00:38:24I don't think I need to know that badly.
00:38:25You don't.
00:38:26Owen is the sweetest guy ever, and you're lucky he puts up with you.
00:38:29I know.
00:38:32But if you do find your insecurities keeping you up at night, call this agency.
00:38:37They're open 24 hours.
00:38:38I won't call.
00:38:39You shouldn't.
00:38:40But if you do, get my volume discount.
00:38:55Okay?
00:39:01Okay.
00:39:24To The Real House, let's sit in the studio.
00:40:24I'm sorry, I couldn't take your call.
00:40:26I'm sorry, I'm sorry.
00:41:00When you get a break, please call me.
00:41:02Bye.
00:41:12Right here's fine.
00:41:25Bye.
00:41:30Bye.
00:41:32Bye.
00:41:41Bye.
00:41:46Bye.
00:41:46Bye.
00:41:54Are you Brooke?
00:41:55I am.
00:41:57Are you the one there Sunday?
00:41:59Yes, Amy.
00:42:00I'm the operative.
00:42:01Operative?
00:42:02Sounds official.
00:42:03It's just a job that's paying for grad school.
00:42:06Speaking of payments.
00:42:08Yes.
00:42:09I take half now and then the other half when I bring you the video from the video guy across
00:42:13the room and the audio from my phone.
00:42:17Okay.
00:42:19Has he been unfaithful before?
00:42:22I don't think so.
00:42:23I don't know.
00:42:24Do you have kids?
00:42:26No.
00:42:27Not yet.
00:42:29Great.
00:42:30Uh, and I'll just need to see a picture.
00:42:32They said you didn't attach one.
00:42:38I'd rather not send this.
00:42:45You know, I'm not sure you're his type.
00:42:48Um.
00:42:49Yeah, maybe.
00:42:50Um, it's hard to tell.
00:42:51I'm more attractive when I go out.
00:42:57Um, maybe there's a perfume he likes, or?
00:42:59I'm not gonna tell you what kind of perfume he likes.
00:43:01You're wearing Chanel.
00:43:02My mom has that perfume.
00:43:08Look, I know this is probably really strange for you.
00:43:11And you don't know me at all.
00:43:15But, honestly, you have nothing to worry about with me.
00:43:18I have a boyfriend who I'm very much in love with.
00:43:24This gig is just really good money.
00:43:32Uh, this is my number.
00:43:33I already have you saved into my phone as Brianna.
00:43:35And if you decide at any point that you don't want to go through with this,
00:43:38just send me the message, sorry, have to bail.
00:43:41Okay.
00:43:43And you'll respond, so I know you got it.
00:43:46Yeah.
00:43:47I'm like a normal person who texts.
00:43:50Glad to have met you.
00:43:53You know, I didn't think I'd get any more jobs left after the holidays.
00:43:57It's a slow time of year.
00:44:03Just be here.
00:44:06Right here.
00:44:08Let's go.
00:44:08We should go.
00:44:12Before we go back to our rooms, let's just have one more drink.
00:44:20Owen.
00:44:22What?
00:44:23I just have to send a message and cancel something really quick.
00:44:27Then I gotta go.
00:44:28I thought you said your wife is out of town.
00:44:35I'll be right back.
00:44:36Maybe soon.
00:44:37Okay.
00:44:38Orders two monkeys.
00:44:39I really want your advice on where I should send my deal.
00:44:47Two monkey martini, sir?
00:44:49Yeah, I should probably have a check.
00:44:50No.
00:44:50No.
00:44:51Yeah.
00:45:10I don't think I'm going for my life.
00:45:16What?
00:45:18Yeah.
00:45:19I mean, is there anything better than this?
00:45:24You're right.
00:45:26I'm all good now.
00:46:03I'm back.
00:46:06I have to go.
00:46:12Now, do you think they'll actually pay us?
00:46:14They better. Or I'll break their legs.
00:46:16Oh, is that what gallery owners do?
00:46:19That is what gallery owners do.
00:46:21That is why I got into this business, for the danger.
00:46:23Oh, wow. Okay. Back up.
00:46:28Let me ask you.
00:46:30Amanda Geisler was pursuing you heavily,
00:46:32and her gallery is established.
00:46:33So, why did you go with me?
00:46:37You were more beautiful.
00:46:40Really?
00:46:42And I didn't want to share.
00:46:44Ah, the real reason.
00:46:47Oh, you were willing to go all in on me for a solo show.
00:46:51And I appreciate that commitment to risk.
00:46:55The feeling's mutual.
00:46:59And you are more beautiful.
00:47:06Yeah.
00:47:10So, have you always loved artists?
00:47:13I love art more than I love artists.
00:47:15Come on, you like me.
00:47:16Well, you're the exception.
00:47:20So, why did you choose me?
00:47:24Your work was the most beautiful.
00:47:31You know, when I look at you, I see colors.
00:47:38Really?
00:47:40I found out there's something different about my brain.
00:47:44When I see colors, I hear music.
00:47:47And when I hear music, I see colors.
00:47:50That's called synesthesia.
00:47:52Yeah.
00:47:53I look up at the sky,
00:47:55and I see blocks of color moving,
00:47:57and I hear music.
00:48:00And everything about us...
00:48:04is color.
00:48:06The music...
00:48:09my brain.
00:48:16I love that.
00:48:25You know...
00:48:27there's something in my room I want to show you.
00:48:32Would you like to see it?
00:48:38Sorry.
00:48:41Everything okay?
00:48:43I'm just waiting on a message.
00:48:46Um...
00:48:47I don't have any bars here.
00:48:48I think I have to go find some reception.
00:48:53Look, your husband's probably working late.
00:48:56Can you just...
00:48:59be here?
00:49:00I can't.
00:49:01I might have made a huge mistake at home.
00:49:04Excuse me, I have to...
00:49:05I have to get a hold of Owen.
00:49:06I think we should just say goodnight now.
00:49:08I think. I'm sorry.
00:49:12I'm sorry.
00:49:19I'm sorry.
00:49:21I'm sorry.
00:49:21I'm sorry.
00:49:22God, come on, come on, come on, come on, come on, come on, come on, come on, come on, come
00:49:25on, come on.
00:49:49You sure you just don't want to help me with my reel to get my foot in the door?
00:49:57You want to answer that?
00:49:59I should.
00:50:00You should.
00:50:06Hi.
00:50:08Hi.
00:50:09Finally you answered.
00:50:11Yeah, everything okay?
00:50:13Yeah.
00:50:14Did I wake you?
00:50:16What time is it there?
00:50:18It's after 7am.
00:50:21I tried to text and call you last night.
00:50:24Uh, yeah, they just came through now.
00:50:26Oh, it must have been a delay.
00:50:31How'd it go?
00:50:33Great.
00:50:34We sold five paintings.
00:50:37Five.
00:50:38This is not important.
00:50:41No, it is.
00:50:44Did you, uh, end up at Gramercy Bar?
00:50:52Oh, and did you go to Gramercy last night?
00:50:57I got, yeah, I got a quick drink and then I came home.
00:51:05I'll see you tonight.
00:51:06I'm coming home early.
00:51:08Oh?
00:51:09Yeah, well, mission accomplished.
00:51:11You know, I have so much work to do, I have to get back.
00:51:16All right, well, you should probably get to bed.
00:51:19I'm sure it's late there.
00:51:21Yeah, I bet.
00:51:25Owen?
00:51:32We're okay?
00:51:36Are we?
00:51:38Yes.
00:51:40Yes.
00:51:42I love you.
00:51:45Love you too.
00:52:10Hey, sit down.
00:52:13Where are you going?
00:52:15I have to go home now.
00:52:17But our tickets are for tonight.
00:52:20You understand why I have to get back.
00:52:24No, Brooke.
00:52:26If you have feelings for me, if there are feelings here, then let's not judge it.
00:52:33Let's not resist it.
00:52:34Like, I can't stop thinking about you.
00:52:43You worked so hard to get here.
00:52:49I'm yours.
00:52:52I'm sorry.
00:52:54I have to go.
00:53:05I'll find a place for it, but you can't call it Brooke.
00:53:09And how about dreams in Paris?
00:53:13That's even worse.
00:53:24That's even worse.
00:53:26Hi there.
00:53:27Oh, hi.
00:53:29You're early.
00:53:30Um, that's okay.
00:53:34But...
00:53:45This...
00:53:46What?
00:53:49Was that the artist that just left?
00:53:52Yes.
00:54:01Okay.
00:54:03So...
00:54:03What do you have for me?
00:54:06All right.
00:54:06Uh...
00:54:07I have to tell you something.
00:54:10I let something happen that I shouldn't have.
00:54:14Okay.
00:54:19My phone died.
00:54:22Died?
00:54:23Yeah.
00:54:23I have too many apps or something.
00:54:27Um...
00:54:28I...
00:54:28I don't know what's wrong with my battery.
00:54:29It's a...
00:54:30It's a new phone.
00:54:31Too.
00:54:32So I...
00:54:33Didn't get any audio.
00:54:35What about video?
00:54:36Video guy didn't show.
00:54:38Yeah.
00:54:40I know it looks really bad.
00:54:42Um...
00:54:46Nothing happened.
00:54:47He was completely faithful to you.
00:54:49He passed.
00:54:53Can I get you coffee?
00:54:54Water?
00:54:55Yeah.
00:54:55I have to be somewhere, so...
00:54:57What?
00:54:58You must have a little time to tell me what happened.
00:55:01Please.
00:55:01Sit.
00:55:04Um...
00:55:05Okay.
00:55:08Yeah.
00:55:09I, uh...
00:55:11I got to the bar.
00:55:15So, no set-off set?
00:55:17I spotted your husband.
00:55:19Uh...
00:55:19Okay, wait, hang on.
00:55:20You're forgetting the last time you got drunk, you tried to find a house for every homeless
00:55:23guy in York City.
00:55:24I don't remember that.
00:55:25Yeah, exactly.
00:55:26Come on.
00:55:27Let's go.
00:55:27What?
00:55:28Come on.
00:55:28There's one more.
00:55:29That's when I noticed my phone was dead.
00:55:32No, I gotta go.
00:55:34I'm pretty sure Eleanor put a tracking app on my phone.
00:55:37Hi there.
00:55:39He was getting ready to leave with his friend, so I sold him by asking a question about journalism.
00:55:46Let me ask you a question.
00:55:47Okay.
00:55:48Do you and your wife have a top five list for a hall pass?
00:55:51What?
00:55:52Like a list of celebrities that you give each other permission to sleep with if the opportunity
00:55:57ever presents itself?
00:55:58Exactly.
00:55:59No.
00:56:00No.
00:56:00What?
00:56:00Brooke would never go for such a thing.
00:56:02What?
00:56:03Ever.
00:56:03Hmm.
00:56:05Why, who's on yours?
00:56:07Well, I got my boyfriend to agree to a list, but it's, um...
00:56:12It's kind of eclectic.
00:56:14No judgment.
00:56:15Hmm.
00:56:19Okay.
00:56:19Come on.
00:56:20Just tell me who's number one on the list.
00:56:23Well, it's not number one, I'm afraid to tell you.
00:56:25It's number four.
00:56:29What?
00:56:30Number four?
00:56:31Yeah.
00:56:33The suspense is killing me.
00:56:34Number four.
00:56:37I'm unsure.
00:56:41Shut up.
00:56:43There's some news you can use.
00:56:48We talked for 20 minutes.
00:56:51I gave him some openings, but he clearly was not into me at all.
00:56:59I thought maybe if I could get him to have another drink, it might up my chances, but he
00:57:05would not have one more drop.
00:57:12He was a perfect gentleman.
00:57:15Completely clear about where he stood.
00:57:19Why aren't you bothered that no one's talking about the homeless crisis anymore?
00:57:22So bothered.
00:57:25I tried to reach you.
00:57:26I texted you the code to call it off, but you never responded.
00:57:30Well, you didn't need to, because he wasn't interested.
00:57:32So you talked about work for those 20 minutes?
00:57:35Yeah, we talked about the business.
00:57:37We talked about how to get a leg up.
00:57:41Breaking in.
00:57:43Huh.
00:57:45Owen gets uncomfortable when he's approached about work.
00:57:49That wasn't my perception.
00:57:51Okay, well, right now I'm getting your perception, but what I need are the facts.
00:57:56The fact is this.
00:57:58Your husband passed the test.
00:57:59I made some clear advances and he declined.
00:58:03Amy, I have no proof that you were even there.
00:58:07I have proof.
00:58:12This is a napkin that he autographed.
00:58:17So are we good?
00:58:20I have to pay you.
00:58:24Right.
00:58:28You know what, I'm not gonna take that.
00:58:31But it's not your fault that your phone died and the video guy didn't show.
00:58:34Right?
00:58:38Please, take it.
00:58:42Thanks.
00:58:47You should come to the opening tonight.
00:58:49You can meet Ansgar.
00:58:52Will your husband be there?
00:58:53What does it matter?
00:58:55I think you'd enjoy it.
00:58:57Hmm.
00:59:02Dog weddings at a chapel.
00:59:04Right!
00:59:04Oh, that's why you're going to Vegas, is it?
00:59:12Well, it's late.
00:59:13Should we all get going?
00:59:20Just us, then.
00:59:36There you are. I need to tell you something.
00:59:37Are you fucking crazy? What are you doing? You can't be here.
00:59:41You have no idea what's going on here.
00:59:42I think I do.
00:59:43No, you actually don't.
00:59:45Hey.
00:59:45Hey.
00:59:46Found you.
00:59:47So, uh, thanks to grab my drink.
00:59:50I really should go.
00:59:53Honestly, it's early. Come with me.
01:00:02Brooke, I'm leaving. I'll see you in the morning.
01:00:06Oh, the whispering scowls in the shadows.
01:00:10Fuck off.
01:00:11Fuck off?
01:00:12Well, fuck me, newsboy.
01:00:13Yeah, fuck you.
01:00:14I'll see you.
01:00:19Help!
01:00:21Help!
01:00:22Help!
01:00:24Get...
01:00:25Get off of me!
01:00:26Get off!
01:00:26What is wrong with you?
01:00:27Are you mad so jealous he can't control himself?
01:00:30You're fucking crazy!
01:00:31Fuck you!
01:00:32You're okay?
01:00:32You're bleeding.
01:00:33I'm fine.
01:00:33Oh, my God.
01:00:34Do you need to go to the hospital?
01:00:35I'm not going to the hospital.
01:00:36I'm fine.
01:00:38She's right.
01:00:38You're a mess.
01:00:39Look, I'm bleeding.
01:00:41Do you want to grab a drink?
01:00:42Let's go.
01:00:42Okay, fine.
01:00:43Fine.
01:00:43Let's go.
01:00:44Let's go.
01:00:46Are you hurt?
01:00:48Physically.
01:00:55I'm dropping him.
01:00:57Okay, let's go home.
01:01:06Oh, and are you sure you don't know that woman?
01:01:09The one that was with Ansgar?
01:01:10I don't know her.
01:01:13So you didn't meet her at Grand Mercy Bar when I was in Paris?
01:01:16Not that I remember.
01:01:20Do you remember this?
01:01:30What?
01:01:32She gave this to you?
01:01:33When did she give this to you?
01:01:35What did she say?
01:01:36Well, I want you to tell me.
01:01:40I don't understand.
01:01:44She gave that to you?
01:01:45Yeah, she did.
01:01:50Okay, maybe I gave her an autograph.
01:01:52I don't remember.
01:01:53You know, it was crowded, and I can't...
01:01:55So you talked to her?
01:01:58I just don't understand why you couldn't say that to begin with.
01:02:05Honestly, it was all a blur.
01:02:08Okay?
01:02:09Okay, look.
01:02:11All right, I...
01:02:13Right.
01:02:15I was leaving with Adam.
01:02:16Some girl comes up.
01:02:17She asks for an autograph.
01:02:20Is this something we need to make a big deal out of?
01:02:22A girl at a bar?
01:02:24Do we need to make a big deal about it?
01:02:28What do you tell me?
01:02:31I don't know.
01:02:32She's a fan.
01:02:33She can say anything.
01:02:34Like what?
01:02:35Who knows?
01:02:36Crazy shit.
01:02:38You think she would do that?
01:02:41You never know.
01:02:43Like...
01:02:43What?
01:02:44You try to be nice.
01:02:45You give an autograph.
01:02:46You give him a picture.
01:02:49You take a picture with her, too?
01:02:49What, you took a picture with her, too?
01:02:52Yeah.
01:02:53Yeah.
01:02:55On her cell phone?
01:02:57Yeah.
01:02:59She said she was going to put it online, which I was not very happy about.
01:03:03Are you sure she used her cell phone?
01:03:05Yeah.
01:03:05Adam took the picture.
01:03:08What difference does it make?
01:03:12You're lying.
01:03:16No, I'm not.
01:03:18I want you to tell me exactly if something happened more than what you're telling me.
01:03:27Don't lie to me.
01:03:34All right.
01:03:36All right, what?
01:03:37You're right, okay?
01:03:38There's more to the story.
01:03:41There's a story?
01:03:45Look, okay, I never meant for things to get out of hand.
01:03:49What?
01:03:51You were spending a lot of time with him, and I was losing it, okay?
01:03:56What did you do?
01:03:58Oh, my God.
01:03:59Can we pull over?
01:04:00Can we just go?
01:04:02No, no, no, no, no.
01:04:03I need to get out.
01:04:04Can you let me out?
01:04:05Brooke.
01:04:05No, can you stop the car?
01:04:06Can we just stop the car?
01:04:07Stop the car right now.
01:04:08God damn it.
01:04:12Brooke.
01:04:13Brooke.
01:04:14Hey.
01:04:15Hey, just come back to the cab.
01:04:16Okay, we can go home and talk.
01:04:17Just say what you have to say.
01:04:20Oh, my God.
01:04:21You can't even say it.
01:04:29Brooke.
01:04:30Hey.
01:04:31Hey.
01:04:33I made a mistake.
01:04:34Don't touch me.
01:04:35You have to hear me.
01:04:36In all the years we've been married, I have never done anything inappropriate.
01:04:40I've never done anything to undermine our relationship.
01:04:43Owen, did you have sex with her?
01:04:50You had sex with her?
01:04:57I feel terrible, okay?
01:05:00I feel terrible, okay?
01:05:00I don't know what the...
01:05:01I'm sorry.
01:05:02Brooke, please.
01:05:03Just listen.
01:05:05Okay?
01:05:05Just listen.
01:05:06Hey.
01:05:06Get away from me!
01:05:13All those women at work that you go on trips with, your late-night outings...
01:05:17Give me your phone.
01:05:20Give me your phone.
01:05:20Please just go home.
01:05:21No!
01:05:22I want your phone to look through all your texts and everything right now.
01:05:25Oh, what's so bad now?
01:05:26I'm fine.
01:05:31All those women at work, you can see any of them.
01:05:33Who's on the way?
01:05:33Oh, oh.
01:05:37He's got to recognize a little bit of love.
01:05:38What do you think?
01:05:42Oh, well.
01:05:43Oh, well.
01:05:54I want you to be with my wife and her family.
01:05:54Hey, girl.
01:05:54I want you to come.
01:05:55I want you to be with them.
01:05:56I can never even love you at all.
01:06:02I know the truth.
01:06:06Oh, no. What did you do?
01:06:14You don't understand.
01:06:16I actually met your wife a few days ago.
01:06:19What are you talking about?
01:06:22She hired me.
01:06:26Hired you?
01:06:27Yes.
01:06:30For what? Like a job at the gallery?
01:06:32No.
01:06:33Then for what?
01:06:34She hired me as a... an operative.
01:06:38A decoy.
01:06:42What?
01:06:43I knew you'd be at Gramercy that night.
01:06:48She set me up?
01:06:50Yes.
01:06:54You were supposed to have sex with me?
01:06:57No.
01:06:58No, okay?
01:06:59That was my own fuck-up, because...
01:07:02Actually, you really are number four on my list.
01:07:18I'm sorry. I don't want to talk about it right now.
01:07:21I don't know.
01:07:30Okay.
01:07:38What is your name?
01:07:42You're welcome.
01:07:45Well, you're welcome.
01:07:47You're welcome.
01:07:48You're welcome.
01:07:49You're welcome.
01:07:49You're welcome.
01:07:50I'm sorry.
01:08:21Hey, Owen, did you just call?
01:08:22We've got lots of Senator McVein tips coming in, so keep your phone close by.
01:08:26Kim says we'll send you out on the best lead if we can confirm the address.
01:08:29Oh, I didn't want to text this because I know it's a surprise,
01:08:33but my aunt said her Paris apartment is all good for you and Brooke if you want to purchase a
01:08:37message.
01:08:37Okay? So call me. Bye.
01:09:01Oh, my God.
01:09:43What are you doing here?
01:09:45What are you doing here?
01:09:46I live here.
01:09:49Amy just went inside.
01:10:02This is the situation.
01:10:05Oh, shit.
01:10:08Did he call and tell you I wasn't here?
01:10:11Did you rush over?
01:10:12She just wanted us all to be on the same page.
01:10:14Look, I realize I crossed a line.
01:10:16Yeah, when?
01:10:18What?
01:10:18When did you decide to cross that line?
01:10:20I was enjoying our conversation.
01:10:23How about what?
01:10:23Your boyfriend that you're very much in love with?
01:10:25I had a hall pass.
01:10:27Oh, really?
01:10:29Protecting your little prostitute?
01:10:30I'm not the one who paid her to have sex with me.
01:10:32She wasn't...
01:10:33You weren't supposed to do that to me.
01:10:37I thought that you would be able to say no.
01:10:39I was banking on the proof and in comfort of knowing with 100% certainty that my husband would be
01:10:43faithful.
01:10:45I thought that, you know, even if I...
01:10:49What?
01:10:51Say it.
01:10:52Say what you did to me.
01:10:53Even if I created the circumstances.
01:10:55I have never made a move in my life that wasn't about you.
01:11:00And you're right.
01:11:01I fucked up.
01:11:03I reacted.
01:11:05And I did something wrong.
01:11:06But the ironic thing is, just for a second, I thought, yeah, I'm doing something fucked up.
01:11:16And I'm doing it for me.
01:11:17For me.
01:11:18Just for once.
01:11:20But it wasn't.
01:11:23You did this to me.
01:11:25Fuck you.
01:11:26Okay, I just really have to say, for the record, that I have always been completely professional.
01:11:32And I have never had an incident like this before.
01:11:36You really have no shame.
01:11:40That might be true.
01:11:43But you know what?
01:11:46I'm not the one who dangled a chick in front of my husband to see if he'd fuck her.
01:11:52I don't know why you'd mess all this up.
01:11:57We have a really nice apartment.
01:12:10Hey.
01:12:13Hey, what?
01:12:16You want to talk about it?
01:12:45I need a note, Brooke.
01:12:50Did anything happen in Paris?
01:12:56No.
01:12:58In full honesty, all cards are on the table.
01:13:03No, I'm not going to answer that question.
01:13:08Well, would you please fucking answer that question?
01:13:13Were you unfaithful to me?
01:13:17And what if I was?
01:13:20Meaning?
01:13:23I may have made a huge mistake at home.
01:13:25We should just think at night.
01:13:27No, I think.
01:13:27I'm sorry.
01:13:58Oh, it's cheating on me.
01:14:01I know it.
01:14:02I can feel it.
01:14:07Cheating.
01:14:08Cheating as in fucking someone who's not me.
01:14:14That's all my fault.
01:14:23Hey.
01:14:27Can I show you some more?
01:14:37Hey, come on.
01:14:39I want to change your mind.
01:14:46I bring you in.
01:14:49You're close to me.
01:14:53I want to change your mind.
01:14:59I bring you in.
01:15:05I want to change your mind.
01:15:12I bring you in.
01:15:15Close to me.
01:15:18Now, can you see that corner there?
01:15:21Two years ago, I was sleeping there.
01:15:25That sidewalk.
01:15:28Yeah, no one.
01:15:30I was drawing pictures on the walls with chalk.
01:15:35Some people help me.
01:15:38Are you most of all?
01:15:42And now I'm here.
01:15:46And you're here.
01:15:52Look.
01:15:54If I went away somewhere, then that's good news.
01:16:01It means you're free to do whatever you like.
01:16:07No rules.
01:16:23I live for each moment.
01:16:29When do you think it matters to the universe?
01:16:33If you kiss me.
01:16:36I know.
01:16:41I want to change your mind.
01:16:48And bring you in.
01:16:51Close to me.
01:16:54I want to change your mind.
01:17:01And bring you in.
01:17:06Be totally with me.
01:17:10Totally with me.
01:17:16In this sad moment.
01:17:23All cards on the table?
01:17:26As they say in Vegas, baby, when you tie, it's a push.
01:17:31Meaning what?
01:17:34Meaning you hiring Amy makes us even?
01:17:37Meaning what?
01:17:48Meaning what?
01:17:56Meaning I don't have to tell you.
01:17:59And that's what makes us even.
01:18:09I don't have to tell you.
01:18:12I don't have to tell you.
01:18:13I don't have to tell you.
01:18:14I don't have to tell you.
01:18:15I don't have to tell you.
01:18:16I don't have to tell you.
01:18:16I don't have to tell you.
01:18:16I don't have to tell you.
01:18:17I don't have to tell you.
01:18:18I don't have to tell you.
01:18:21I don't have to tell you.
01:18:25I don't have to tell you.
01:18:29I don't have to tell you.
01:18:49I don't know.
01:19:14Wait.
01:19:18Are you coming back for Christmas?
01:19:28Is this it?
01:19:35No.
01:19:48My Vegas ticket?
01:19:53No.
01:20:03It's in three hours from JFK.
01:20:06It departs in three hours from JFK.
01:20:10Christmas in Paris.
01:20:13Two tickets.
01:20:42Two tickets.
01:20:54At least she wants to wait till morning to open a lot of prayers.
01:20:59Should we make some hot cocoa?
01:21:11Can I get my money back?
01:21:25If you do not leave at any point, there will be a lot of time.
01:21:31So, if you are going to continue to help me, I will be able to wait till now.
01:21:34I will not let you in tomorrow and then, we will be back to the weekend.
01:21:35So that I will be able to get you in your seat.
01:21:37Thank you very much for inviting me.
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