00:00Miss Gay Harden, you have worked with great directors, Coen Brothers, Woody Allen, Clint Eastwood a couple of times.
00:11What are you trying to find in your roles for saying, yes, I will do it?
00:16The character has to speak to me. It has to feel like there's something I can bring to it.
00:23Sometimes I read something and I think, I can't bring anything to that.
00:26There's no reason to cast me in that role.
00:30But what are we saying about humanity?
00:34It sounds so important, but it is actually important.
00:38What are we saying? What is the character saying?
00:40Is she saying something that I want to put out in the world?
00:44Even if she's evil, bad, what is her quest?
00:48What is her human spirit? What is she making all of us recognize?
00:52I want her to be recognizable.
00:53So if she's written as too much one way, let's say too dark or too happy or too sweet, it's
01:00my job to bring what someone else would recognize, right?
01:05To bring the depth to it.
01:08So that's one thing.
01:09But sometimes if I think, oh, I think I understand it, then if I have a director who says, what
01:16about this?
01:16I go, ah.
01:17So their vision is really important to me as well to try to understand what that vision is and what
01:22that style is.
01:23So their vision is really important to me as well.
01:23So if I wish I were passing through, move on to the back of the back of the back of
01:24the back of the back of the back of the back of the back, let's say depression, uh, how are
01:24отношers.
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