- 15 hours ago
Watch online Phillipines, korean, English, Holiwood, Boliwood, Movie, Drama, Serial. Movie Secne,
Category
😹
FunTranscript
00:00:11The End
00:00:39The End
00:01:09The End
00:01:40The End
00:02:24The End
00:02:29Why are you so scared?
00:02:30Because there's a murder.
00:02:31One of these bombs could love this above the head.
00:02:33But it won't.
00:02:33It won't.
00:02:34One, two, three.
00:02:40Oh, pretty.
00:02:43Tell me how it doesn't make you horny.
00:02:45It makes me feel like getting a little.
00:02:47Maybe there are socks out there.
00:02:49Yeah, a few.
00:02:50Well, then, let's light another one.
00:02:52Hurry, Aldo.
00:02:53You're much too slow.
00:02:55All right, Stacy.
00:03:02Boom.
00:03:03Stop that.
00:03:04You're bothering Tony.
00:03:05And you're making me nervous.
00:03:07Aren't you two ever satisfied?
00:03:08Cut it out.
00:03:08So moody.
00:03:09Of course.
00:03:09You're right as usual.
00:03:10We better stop.
00:03:11I've been sick at all.
00:03:12Oh, moody.
00:03:13Oh, one more, please.
00:03:15Don't you understand?
00:03:16Now, you listen to me, Fowler.
00:03:18I said stop it now.
00:03:19Oh, don't boil it for us.
00:03:20Just one more.
00:03:21I said no.
00:03:22You'll do as I say.
00:03:24Is that clear to everyone?
00:03:25Yes.
00:03:28Hello, Tony.
00:03:30I'm sorry we bothered you.
00:03:32What do you say?
00:03:33Want to try to play the game?
00:03:39Here.
00:03:41Take it.
00:03:44It will blow up in a minute.
00:03:46Throw it.
00:03:46Please, Tony.
00:03:47Throw it.
00:03:49Take it, Tony.
00:03:50You've got to blow it.
00:03:51Hold up.
00:03:52Tony, throw it into the water.
00:03:55Pick it up and throw it.
00:03:57What are you waiting for?
00:03:58It's going to go off, Hando.
00:04:00Hando.
00:04:01Hando.
00:04:01Come on.
00:04:02Hurry.
00:04:03Hurry up now.
00:04:04Hurry.
00:04:05Oh, no, Tony.
00:04:09I should have let it go off.
00:04:10It's going to be like you.
00:04:10Oh, no, no.
00:04:14At least both of you bastards would have died.
00:04:17That would have been a consolation.
00:04:19I'm sorry.
00:04:20But I didn't think-
00:04:21You didn't think?
00:04:22What do you mean?
00:04:22A man must have brains to think.
00:04:25Aldo, put every piece of that inside the front hold
00:04:28and you're through if you ever bring it out again.
00:04:57Aldo, do you want to take away that cash?
00:04:59Yes or no?
00:05:00Aldo, get moving, you fool.
00:05:18How about a drag?
00:05:20If you look on the table, you'll find a full pack.
00:05:22Uh-huh.
00:05:23I see it and I see you.
00:05:29Want me to come to your cabin tonight?
00:05:31No, I have something else in mind.
00:05:33If I feel like it, I'll ring your bell.
00:05:36You stay here by the wheel.
00:05:38And don't fall asleep.
00:05:40Uh-huh.
00:05:42What's our position?
00:05:43Let me check it.
00:05:47We should be near La Skira.
00:05:48I wish we were aboard the big yacht.
00:05:50So Tony could provide a show for the sailors.
00:05:53But you didn't seem to mind the sailors.
00:05:55All right.
00:05:56That's none of your business.
00:05:57What's right there?
00:06:02Playing around with the closed-circuit TV, eh?
00:06:05Why Paola?
00:06:06Oh, I thought it was Tony's room.
00:06:09These monitors aren't here for your pleasure.
00:06:11I swear I thought it was on Tony.
00:06:14Then switch it back to Tony.
00:06:18Just look at that, sitting there like an idiot.
00:06:20I told you to find a girl with experience.
00:06:22But believe me, she's very talented.
00:06:24Sure, I know.
00:06:25I'm sure you laid her yourself first.
00:06:27Only in the line of duty.
00:06:29Well, how else could I be sure?
00:06:33She should be playing around with him.
00:06:34What's she waiting for?
00:06:36To get raped or what?
00:06:37She's got to make Tony.
00:06:38Yeah, but I thought you thought...
00:06:40You thought what?
00:06:41Moody, this is only an experiment.
00:06:43We don't know if it'll work.
00:06:44Well, it better work, I'll tell you that.
00:06:45But even the doctors said that getting Tony laid won't necessarily leave.
00:06:49The doctors are full of crap.
00:06:50What have they been able to do up to now?
00:06:53Oh, why should I bother to argue?
00:06:55Listen, I'm just as interested in Tony as you.
00:06:57And Paola is too, Moody.
00:06:59Both of us want to...
00:07:00Oh, shut up.
00:07:00You and Paola don't give a damn about anyone.
00:07:04But I'm not buying any love.
00:07:05What I want is service.
00:07:08Moody, we're not all of us sex machines, you know.
00:07:10That's most of us.
00:07:11Don't run us aground.
00:07:13And don't fall asleep and keep an eye on Tony.
00:07:16Sure, don't worry.
00:07:17I'm at your command.
00:07:40Secondo le informazioni pervenute ai nostri corrispondenti nelle ultime ore,
00:07:44il numero dei bambini morti di fame nella regione nord del Biantra
00:07:47è salito di altre due mila...
00:07:53doi
00:07:54doi
00:07:59doi
00:08:02or
00:08:04doi
00:08:04doi
00:08:05doi
00:08:06doi
00:08:17do
00:09:27Never mind, then.
00:09:29Let your husband have a cheap thrill.
00:09:41Moody, must you keep bitching about Aldo?
00:09:44Sure, that...
00:09:54We did it as though we had caressed each other before birth.
00:09:58As though we were placing a link.
00:10:00Her hand, sending shivers down my thigh, was mine.
00:10:04My hand, as it touched her body, was hers.
00:10:09Reflected each other like two mirrors making love.
00:10:13Her hands were so light that I could follow the curve of hers down my arm.
00:10:19The curve of mine down her arm.
00:10:22Her flesh seemed to be made of shimmering jewels.
00:10:27The air was heavy.
00:10:29Her arm resting in the mine lifted mine for a moment.
00:10:33She then replaced it and left me to my own rhythm.
00:10:39My finger became flesh of our flesh.
00:10:43The flesh was polishing my finger.
00:10:46And my finger was polishing her flesh.
00:10:50I felt the intoxication seeping deep into my inside.
00:10:54I was filled with spices and birdsong.
00:10:58Oh, is it your wife's turn now?
00:10:59The whole family works, eh?
00:11:02Sure.
00:11:02We're friends with Moody.
00:11:04I know I'm not because I get paid by the hour while you both work on a percentage.
00:11:07Don't need it.
00:11:09Moody's very angry.
00:11:10Both of us saw you on the monitor tonight, just babysitting with Tony.
00:11:13Nobody ever called me by that name before.
00:11:16That wise, will you?
00:11:17You must show a little initiative.
00:11:18Tony won't come to you.
00:11:20You must do it first.
00:11:22What if I do it to you instead?
00:11:25You see?
00:11:26It's simple, isn't it?
00:11:29I prefer men who know more.
00:11:31What do you mean?
00:11:32It frightens me.
00:11:34Well, keep thinking about the money we're going to pay you.
00:11:37You're not frightened by that?
00:11:39Come on.
00:11:40Don't you think I know that Mama's paying me?
00:11:43And so that little Tony remain a virgin, there'll be no money for Ula.
00:11:47But when he looks at me, I feel like running.
00:11:50I can't help it.
00:11:51Look here.
00:11:52To anyone who wants experiences, repulsion, desire, fear shouldn't matter.
00:11:57What are you so afraid of?
00:11:59I even left him with Paula.
00:12:00Huh?
00:12:01Then why did you need me, huh?
00:12:03Well, you're much better for the experiment.
00:12:05It's Moody's idea.
00:12:07You see, Paula and Tony don't take to each other, but the boy lets you remain in the cabin.
00:12:11He likes you.
00:12:12It's Millie, then.
00:12:13What's wrong with Tony?
00:12:14Nothing.
00:12:16He's a normal boy.
00:12:18That's the trouble.
00:12:20At his age, he should be a normal man.
00:12:23Moody's tried everything she can.
00:12:25Some of the doctors say they could operate, but Moody's afraid they might kill the boy.
00:12:30We thought maybe with a woman, such as you, he'll begin to wake up.
00:12:34Yes, but why does he look at me like that?
00:12:36So many dumb questions.
00:12:37How would I know, huh?
00:12:40Moody revolts me, too.
00:12:42Why is she always so mad?
00:12:45How much is she giving you and Paula?
00:12:48I don't know.
00:12:49Are we making love?
00:12:50Are we playing 20 stupid-ass goddamn questions?
00:12:54Let's do both.
00:13:01You rotten lousy asshole.
00:13:04Only an idiot like you could have got it stuck like this.
00:13:06You've all this time in the world to screw around.
00:13:08And you choose the moment you're behind the wheel to make that stupid little...
00:13:12How could you be so dumb?
00:13:14Some get excited, Moody.
00:13:15What did you expect the boy to do?
00:13:16See the island and stuff the injured by itself?
00:13:17Don't lose your crew like that.
00:13:19It's just a sandbar.
00:13:20There's no damage to the heart.
00:13:21I don't care.
00:13:22What makes me so damn mad is the way you did it.
00:13:24For behaving like a horny little fool.
00:13:27Well, aren't you even going to fix it?
00:13:28I've done everything I can.
00:13:29I load the small anchor.
00:13:31You've got to look below the water line.
00:13:33I'll take it.
00:13:33Hey!
00:13:34Hey!
00:13:37Hey!
00:13:38Hey!
00:13:38Hey!
00:13:39Hey!
00:13:39Hey!
00:13:40Hey!
00:13:41Hey!
00:13:41Hey!
00:13:43Hey!
00:13:46Hey!
00:14:22Hey, Izo, go downstairs.
00:14:24Tony took something from my cabin.
00:14:26I told you to keep the doors locked.
00:14:28Morning, Moody.
00:14:29Has Aldo got us out yet?
00:14:30Will you get out of the way?
00:14:35Well, are we still stuck?
00:14:36The next part you're being thrown out.
00:14:38Perfect.
00:14:38Only I get paid first.
00:14:39Tony!
00:14:41Tony, stop it!
00:14:42Don't do that.
00:14:43No.
00:14:44How many times do I have to tell you you shouldn't play with matches this time?
00:14:46It's too dangerous.
00:14:47Do you want me to send you back to Switzerland?
00:14:49Oh!
00:14:50Why do you do this, Tony?
00:14:52Why?
00:14:53Haven't I bought you enough toys to amuse yourself with?
00:14:59Please don't look like that, Tony.
00:15:01You might have harmed yourself.
00:15:03You might have burned us all.
00:15:08whew as lumberman for what you're selling.
00:15:13Hey, Mr.
00:15:19I know you're going to find your emerging.
00:15:20Oh, that vale!
00:15:20Oh, that vale!
00:15:33I know you're all.
00:15:34slams so much again. That's
00:15:37Oola.
00:15:39Be quiet.
00:15:40What?
00:15:42Don't talk.
00:15:44Just come over here.
00:15:46There's a man on that island over there.
00:15:48I think he's peaking at it.
00:15:54Take off that cloth.
00:15:55Let him see you, too.
00:15:58Start massaging me with the suntan lotion.
00:16:05Mmm, that's it.
00:16:21Let me see.
00:16:23I can't tell where he's there.
00:16:25Where is he?
00:16:27Look at that bush.
00:16:30Is he still there?
00:16:32God, I wish he'd move into the open.
00:16:34You ought to be hot by now.
00:16:40May I join?
00:16:41We can make it a threesome.
00:16:42Oh, good, Aldo.
00:16:43Come and get undressed.
00:16:45There's one down there who's looking at us.
00:16:47Where?
00:16:47There.
00:16:49Hey, come out!
00:16:50Let's see!
00:16:52Where are you?
00:16:53Come!
00:16:54Don't scare him!
00:16:56Don't escape!
00:16:56Come here!
00:16:57Stupid!
00:16:58Oh, you're a fool.
00:17:00We were enjoying it.
00:17:01He can't hurt.
00:17:02You're a fool.
00:17:03You're a fool.
00:17:03We're incagliati.
00:17:04He could help us.
00:17:05Maybe with other people from the island.
00:17:06If you left it,
00:17:07he would have come to the island to look at us.
00:17:10Aldo!
00:17:10What?
00:17:11Did you get the boat loose yet or what?
00:17:13It's stuck fast.
00:17:14The budget you need a battleship or a tugboat.
00:17:17Are you serious or are you joking?
00:17:19I'm telling you,
00:17:19we're going to need a tugboat to loosen it.
00:17:21Okay, then why didn't you call on the radio?
00:17:23Just tell somebody to bring one.
00:17:24I'm going to.
00:17:25No, stay by your horse.
00:17:26This boat is loaded with horse.
00:17:28That's what you all are.
00:17:29Horse!
00:17:33Don't hit.
00:17:34Don't touch the equipment.
00:17:39Hey, I told you not to touch anything.
00:17:41You always break it.
00:17:43Hello, hello.
00:17:44Coming number nine.
00:17:45Seagull 42.
00:17:46Emergency repair.
00:17:49Will you please leave that alone?
00:17:51Did you hear what I said?
00:17:53Outside!
00:17:55Hello?
00:17:57Hello?
00:17:57Eagle 42 calling station number nine.
00:18:00Station number nine, come in.
00:18:02L'antenna.
00:18:03È staccata l'antenna.
00:18:04E riattaccala.
00:18:05Un attimo.
00:18:06È quello che sto cercando di fare.
00:18:08Potevi pensarci prima e non farmi sgolare.
00:18:12Tony?
00:18:13Tony?
00:18:16Tony?
00:18:21Tony?
00:18:23Tony?
00:18:24Rivaldo, Paola, is Tony with you?
00:18:26Well, answer me.
00:18:27No, maybe he's fixing the ship.
00:18:29He was up here just a minute ago.
00:18:31Tony!
00:18:32Come on out, Tony!
00:18:34He could have gone to shore.
00:18:35The small boat's gone.
00:18:36Then don't just sit there.
00:18:37Go ashore and look for him.
00:18:38Hurry up.
00:18:41Ulla, why don't you come along?
00:18:43Oh, no, I don't want to.
00:18:45Look, if I tell you to come, there's a reason.
00:18:47Come on, let's go.
00:18:48Go with him, Ulla.
00:18:50My father, you two were away today.
00:18:51Come in, Demi!
00:18:55Hello?
00:18:56Hello?
00:18:57She won't be able to get anyone on that.
00:19:00Come in!
00:19:03What have you got in mind?
00:19:04You going to hit her about a piece of the oil concession?
00:19:07That's why I want to be alone, dummy.
00:19:09Now, fine, Tony.
00:19:11Good luck.
00:19:14Good luck.
00:19:14Good luck.
00:19:16Good luck.
00:19:22Good luck.
00:19:49Good luck.
00:20:19Good luck.
00:20:28Good luck.
00:20:34Good luck.
00:20:54Good luck.
00:20:55Good luck.
00:21:02Good luck.
00:21:04Good luck.
00:21:06Good luck.
00:21:07Good luck.
00:21:10Good luck.
00:21:10Good luck.
00:21:11Good luck.
00:21:11Good luck.
00:21:11Good luck.
00:21:11Good luck.
00:21:11Good luck.
00:21:12Good luck.
00:21:14Good luck.
00:21:48Make it leave.
00:21:50Get it out of here.
00:21:52What? The goats?
00:21:53But they're homeless.
00:21:54They wouldn't hurt anyone.
00:21:59Will you tell me who you are?
00:22:02Your fingers are hurt.
00:22:04Move them a little.
00:22:06I don't think they're broken.
00:22:08Let's see.
00:22:10Huh?
00:22:13It'd better be cleaned.
00:22:15Come to my house. I can wash it there for you.
00:22:17Yes. We mustn't let it get infected.
00:22:19Then you'll be sick.
00:22:21Come on, get up.
00:22:22My house is near here.
00:22:26Be careful.
00:22:28That's it.
00:22:39Watch yourself now.
00:22:40I don't want to fall again.
00:22:43Go, Charlie.
00:22:44But wait.
00:22:45Let me get down.
00:22:48Okay.
00:22:50What's your name?
00:22:52Terry.
00:22:57What a bore.
00:22:59Where are we going?
00:23:01Aldo, tell me, did Moody really force a drink of whiskey down Tony when he was very small?
00:23:05I don't know.
00:23:06I don't think so.
00:23:07I was told there was an acid party and she didn't do it on purpose.
00:23:10The kid was crying.
00:23:11It was LSD that explains everything.
00:23:13Right.
00:23:14Oh, we're never going to get there.
00:23:15You mean you want to get someplace?
00:23:17Oh, be quiet, won't you, Aldo?
00:23:19Hey, wait for me.
00:23:21Why do I have to look for Tony when you're the one who makes deals with Moody?
00:23:24Deals?
00:23:24What deals?
00:23:25What about this big oil concession with Paola?
00:23:27Oh, that.
00:23:28You know about that.
00:23:29You're not so dumb about money, are you?
00:23:31You smell like a deer like a bloodhound.
00:23:33All right.
00:23:33I'm trying to get some oil wells and what's more, I'm going to get them.
00:23:36What if she gives them to Paola?
00:23:38Same thing.
00:23:38Why should that bother you?
00:23:40Listen, you'll make out either way, so don't worry.
00:23:42Mm-hmm.
00:23:43So cool it, will you?
00:23:44Madam, after you.
00:23:46And screw Moody.
00:23:47After you screw Tommy, that is.
00:23:50Aldo, what do I get?
00:23:51I'm giving you exactly $5,000.
00:23:54You are?
00:23:55Yes, you're going to be paid even if you don't make it with time.
00:23:59After all, I'm a man of honor.
00:24:04Does that make you faint?
00:24:05No, I'm exhausted.
00:24:06Now sit down.
00:24:07I want to take some shots of you anyway.
00:24:09Hey, look at the gold.
00:24:13I'll take one of the two of you playing around.
00:24:14Call it.
00:24:15Here, baby.
00:24:17Hello, you pretty little thing.
00:24:20Come on.
00:24:21Oh, it's too weak.
00:24:22Now don't frighten him.
00:24:24Hold still.
00:24:27His tongue is rough.
00:24:30It's tickling my hand.
00:24:31Look, he's fond of me.
00:24:40Starting to lick my skin all over.
00:24:45I'll bet he keeps testing that cream you've got on.
00:24:48Unfasten your clothes very, very slowly.
00:24:49Now, easy.
00:24:50Easy now.
00:24:52Now, slowly or it'll run away.
00:24:54That's it.
00:24:54Now, look.
00:24:56Now, don't make any sudden moves now.
00:24:58You're scary.
00:24:59That's it.
00:24:59Don't be shy.
00:25:02Hey.
00:25:11Unfasten it.
00:25:12Faster.
00:25:13Try it.
00:25:14Push forward with your tip.
00:25:15That's right.
00:25:16Sadly then.
00:25:16Hold it.
00:25:21Howdy, girl.
00:25:22Howdy, girl.
00:25:22Crazy.
00:25:23Crazy.
00:25:25Go on.
00:25:25Keep it up.
00:25:26Let him at you.
00:25:27He's on.
00:25:29Look at him go.
00:25:30Oh, boy.
00:25:31He does a good thing when he sees it.
00:25:36Hey, what a screw this is going to be.
00:25:38Well, wow him in the west, baby.
00:25:41I can just see you now.
00:25:43Great girl with the clothes.
00:25:45Oh, well, little girl.
00:25:47Oh, that's sweet.
00:25:49Yeah.
00:25:50Keep it up, honey.
00:25:51You're doing great.
00:25:52Yeah, just like that.
00:25:57All I need is a title.
00:25:58Like, like, uh, Beauty and the Beast.
00:26:03Follow something.
00:26:07Listen.
00:26:08Someone's shooting.
00:26:10I know who it is.
00:26:12Who?
00:26:13The one who's always shooting.
00:26:15Her name is Paola.
00:26:18There.
00:26:19That's the force.
00:26:20Right in the eye.
00:26:21You like to kill, eh?
00:26:23You stimulate you, Paola.
00:26:24You love to do it.
00:26:26It makes you feel tough.
00:26:27It's more fun if the target drops in its tracks.
00:26:30These goats are easy prey.
00:26:31They stand still while you shoot.
00:26:33That's true.
00:26:34But then try me on an African safari.
00:26:37Not now.
00:26:39But we'll see.
00:26:42Aldo was saying.
00:26:45Ah, there's another.
00:26:55Now, that was broken.
00:26:57The bullet hit it smack between the eyes.
00:26:59Don't try to pretend you care about martyrs.
00:27:01You can make a kill.
00:27:02You don't really care how well you do it.
00:27:04Come on and try, Moody.
00:27:05Let's see you kill once.
00:27:07Hey, my goats!
00:27:08Are you crazy?
00:27:09My goats!
00:27:13Shall we make a run for it?
00:27:14Run from a man, not me.
00:27:18You murdered my goats, you scum!
00:27:20I ought to bash your head in.
00:27:22Put down that gun.
00:27:23My goats are not targets to play, will it?
00:27:25No, all of them belong to me.
00:27:26I'm going to make you...
00:27:27Hey, there's the guy we saw earlier.
00:27:28He peeked at us while we were sunbathing bearers up on the deck.
00:27:31Watch, I'll show you how to make a man serve you.
00:27:33Hey, you!
00:27:34What do you want?
00:27:36Look out.
00:27:36He really looks angry.
00:27:42What do I want?
00:27:43I'll tell you.
00:27:44I want you to pay me.
00:27:45I saw how many you murdered.
00:27:46I even counted them.
00:27:47You owe me for five.
00:27:48Give me my money.
00:27:49I'll pay for it.
00:27:50I'll give you $100 of goats.
00:27:52You'll accept that?
00:27:53One hundred?
00:27:54You heard me.
00:27:55That's enough for you to buy a herd of goats.
00:27:56Maybe even get yourself some soap.
00:27:59But you must understand, money means nothing.
00:28:02Because I love my animals.
00:28:04It's tough to raise them.
00:28:06It takes time.
00:28:07I don't want to be mean.
00:28:08But I'm sure you can appreciate that.
00:28:11What if everybody went out and started killing all of my goats?
00:28:14They're all I got.
00:28:15I'm sure you can see that.
00:28:17You can be sure I'm paying $100 for every goat she's shot.
00:28:19That's all.
00:28:20You can sue us if you don't like it.
00:28:22It's all right.
00:28:24Maybe you want to keep on.
00:28:25There's goats all over this island.
00:28:27So if you want to go on hunting with the other lady, it's really all right.
00:28:32My wife makes pets out of them.
00:28:34She spoils the creatures.
00:28:36Gets them go loose.
00:28:37They eat the lettuce in our garden.
00:28:39They're able to knock down the gates with their horns.
00:28:41In one night.
00:28:43In only one night, lady.
00:28:45They went to the lettuce, the cabbage.
00:28:47He took it all.
00:28:48You can kill him, lady.
00:28:50He'll teach you my lesson.
00:28:52There's any more I can do.
00:28:53You can help us free our boat from the sandbar.
00:28:55Yes, lady.
00:28:56I would like some fresh fish to me.
00:28:58Yes, lady.
00:28:58I adore fish.
00:28:59Yes, right, lady.
00:29:00What's your name?
00:29:01Angro.
00:29:02At your order.
00:29:02Bring the fish to the boat and I'll give you the $500.
00:29:05Yes, yes, lady.
00:29:06Okay.
00:29:06I'm going to massacre those boats now.
00:29:08Just a minute, dear.
00:29:09They belong to me.
00:29:10And you owe me $500.
00:29:13If I had it, you'd get it.
00:29:15But if you let Aldo in on that big oil concession.
00:29:18Are you kidding?
00:29:19Can you imagine your Aldo as an oil executive?
00:29:22You're forgetting something, Moody.
00:29:24He wouldn't be alone.
00:29:25Who's forgetting that?
00:29:27I might even give those oil wells to the two of you and let you and Aldo swim in oil.
00:29:32But that'll happen when I decided.
00:29:35So don't bother rupturing herself.
00:29:37Come on, we have to get back.
00:29:38They should have returned by now.
00:29:40Ma questa che è?
00:29:41La città morta.
00:29:42Vuoi vedere che sono morti di peste?
00:29:43Così magari ce la pigliamo pure noi.
00:30:00Good night.
00:30:01Why, it's a girl.
00:30:02My God, Tony looks like a real man now.
00:30:05I never saw him like that.
00:30:07That's why he never made it with me.
00:30:08He likes farm girls.
00:30:10If everything works out, we'll have made it.
00:30:13Don't you understand?
00:30:14And look at him.
00:30:15He's changed completely.
00:30:17What can I be telling her?
00:30:19This is the kind of woman we needed.
00:30:21Why didn't I realize that?
00:30:23Ulla, we must bring this woman to Moody.
00:30:25Let's go.
00:30:25Oh, don't pull me like that.
00:30:26There's no time to wait.
00:30:27All right.
00:30:33Bonjour, bonjour, bonjour.
00:30:35We apologize for the intrusion.
00:30:36Hello, Tony.
00:30:37We've been looking everywhere for you.
00:30:39Ah, beautiful place here.
00:30:40Needs a bit of repairing.
00:30:41It's still pittoresque.
00:30:42One can see you live healthier with plenty of fresh air.
00:30:45Maybe you'd like to come visit our boat.
00:30:48It's the most beautiful boat in the world, madame.
00:30:50Built by craftsmen in Liverpool.
00:30:52Ah, but perhaps you're not interested in boats, eh?
00:30:54Please, come out anyway.
00:30:55We're bored.
00:30:56The same old faces.
00:30:57We'll give you a glass of champagne.
00:30:58You don't have to worry.
00:30:59I assure you that my wife and Tony's mother will be there, so it's all right.
00:31:02Oh, that's Ulla.
00:31:03Hey, come over here.
00:31:04Now, tell me who you are.
00:31:06Uh, my name is Beba.
00:31:07Oh, Beba, short of Roberta, right, Lisbeth?
00:31:09No, just Beba.
00:31:10My father and my mother just called me there.
00:31:13Please, hold it a minute.
00:31:14I must take a picture of you.
00:31:15Can you stand in the sun over here?
00:31:17This way, please, in front of this tree.
00:31:18Ah, perfect.
00:31:19Guardi, guardi, guardi, guardi.
00:31:19Ah, davanti a quest'alberello, magnifico.
00:31:21Sembra un quadro giapponese, cioè indiano, cinese.
00:31:24Beh, tanto fa lo stesso.
00:31:25Oh, turn your head.
00:31:26Look at this.
00:31:26Hey, Gant.
00:31:27And do what you want.
00:31:28Magnificent.
00:31:29Stupendous.
00:31:30Stupenda, vero, Ulla?
00:31:32Fantastica, una modella nata.
00:31:34Lei è la donna più bella del mondo.
00:31:35I've never seen anyone like you.
00:31:37You mustn't make a bad joke.
00:31:39Me?
00:31:39Joking?
00:31:40I never talk about beauty.
00:31:42You're what's called a natural phenomenon.
00:31:44Much brighter than the sun.
00:31:45Hasn't anyone told you that?
00:31:46No.
00:31:46Ma scommetto che lei è centinaia di ammiratori.
00:31:48Tutti qui la domenica a suonare le chitarre come matti.
00:31:51Now, please, say you'll come out of the boat.
00:31:53We're on a ground.
00:31:54I know you can show us how to get out.
00:31:55You mean you're stuck?
00:31:56That's it.
00:31:57But how did you do that?
00:31:58It's not very shallow there.
00:31:59Non so, è stato stanotte.
00:32:00Ma siete molti sull'isola?
00:32:02Io, mio marito e basta.
00:32:04Gli altri sono andati via quando è finita la minura.
00:32:07Solo suo marito?
00:32:07Yes, he takes the boat out.
00:32:09I watch after the animal.
00:32:10Please, you must go.
00:32:12Even Tony will be tonight.
00:32:13Right, Tony.
00:32:18He's a bashful boy, but he's really very likable.
00:32:21Che accorre a dire a sua madre che abbiamo un ospite.
00:32:23Su, venga ad aiutarci, la prego.
00:32:50Aldo is looking for you.
00:32:59Eccoli!
00:33:06Ti avrà raccattato Aldo, il solito vizio.
00:33:13Mi pare una contadina.
00:33:15Stavolta niente ospiti. Appena arriva la butto in mare.
00:33:20Oh,呼ropa.
00:33:20This lady is a friend of Tony.
00:33:22Did he back? He took off like a shark.
00:33:24She's a great friend of your son.
00:33:26He invited her to come to the boat.pped
00:33:28on this mother Moody and my wife Paula. Come
00:33:31on, let's enter the telephone. What
00:33:33phone? No,
00:33:34come on. Welcome.
00:33:43Would you like something to drink? Take your
00:33:45boots off, be comfortable.
00:33:46Let me have your poll.
00:33:51Hey, who is she?
00:33:53This is love.
00:33:56Oh, that's better.
00:33:59Over here, this way.
00:34:03Pretty, isn't it?
00:34:04Oh, very pretty.
00:34:05Weren't we nice to bring you here?
00:34:07You weren't, yes.
00:34:08Is anything wrong?
00:34:10Well, I'd better be gone.
00:34:11Oh, no, you don't.
00:34:12You're kidding.
00:34:12You haven't seen anything yet.
00:34:14E poi la mamma di Tony ci resterebbe male.
00:34:17Now you're satisfied now, huh?
00:34:19Good work.
00:34:19I'm very pleased.
00:34:21Now we should send her down to Tony's cabin.
00:34:22Wait a moment.
00:34:23It's the first time your son has even talked to a girl.
00:34:25We must be careful.
00:34:26We might spoil it.
00:34:28Maybe she'll even refuse to do it.
00:34:29What do we do then?
00:34:30Don't worry about that.
00:34:31She won't refuse.
00:34:32For the right price, she'll do anything, you see.
00:34:34But you're wrong.
00:34:35Money won't buy her.
00:34:36You don't know this kind of girl.
00:34:38You've got to break her down with a little champagne.
00:34:40Win her over slowly.
00:34:41I'll show you how to do it, huh?
00:34:42Watch and learn, huh?
00:34:44I really should go.
00:34:45Well, Miss Beba, or may I just call you Beba, my dear?
00:34:49Is the boat what you expected?
00:34:51It's what I expected.
00:34:52More.
00:34:53No, but you're staying until you have a glass of champagne.
00:34:55Just a minute.
00:34:56You must have a little champagne.
00:34:58No argument.
00:34:59There, Beba, in this heat, there's nothing like champagne to quench your thirst.
00:35:04And drink it all down at once or it won't refresh you.
00:35:08Come on, drink up.
00:35:12Oh, you first.
00:35:14No, Beba.
00:35:16You.
00:35:17Up.
00:35:18Good.
00:35:22Let me fill it up.
00:35:23No, no, you need me to...
00:35:24We'll have just one more glass.
00:35:26Come on, all of you.
00:35:27Yes.
00:35:31Well, no, why don't you show her around the boat?
00:35:34Come on, Beba.
00:35:35We'll start over here.
00:35:38Let's keep her happy.
00:35:39Before long, she'll be in Tony's sack.
00:35:42Aldo, do you know what you're doing?
00:35:44You tell me that the boy likes her, but then why is he hiding below there?
00:35:47He's just bashful.
00:35:47Oh, you and your stupid ideas.
00:35:49Maybe you should have left them where they were.
00:35:51Maybe he could have learned to love her all on his own then.
00:35:54Sure, so could her husband.
00:35:56I don't think he'd like Tony near her.
00:35:58She's married.
00:35:59That's why I brought her to the boat.
00:36:00Tony has the strangest day.
00:36:02Imagine wanting that smelly to the flood.
00:36:05E così abbiamo fatto il giro.
00:36:07Le è piaciuta?
00:36:08Mica male, vero?
00:36:11Well, that about finishes the grand tour.
00:36:13How do you like it?
00:36:14Not bad, eh?
00:36:14Oh, I almost forgot.
00:36:16Yes, we did.
00:36:16You've run a grunt.
00:36:17Let me see.
00:36:19I think I can help you get loose.
00:36:23Will you pass me a line?
00:36:24Ah.
00:36:25The guard will help you out.
00:36:26Oh, she's getting it out.
00:36:27Well, one of you let up on your surname.
00:36:29Let me pass.
00:36:30Look out.
00:36:30Good.
00:36:31Very good, Beva.
00:36:46Beva.
00:36:47Oh, she's getting it out.
00:37:08She puts it on.
00:37:09Yes, Captain.
00:37:11Brava, bravista!
00:37:12Where are you going?
00:37:13It's difficult for you guys.
00:37:16Come on, Beba, this is good for you.
00:37:18I'm used to do it.
00:37:20No, not do it for the baby.
00:37:24Yes, it's good.
00:37:26It's good, it's good.
00:37:27Then you heat it up.
00:37:30Come on, Beba.
00:37:32Come on, Beba.
00:37:33Listen, if you don't help you with the engine, you don't come out.
00:37:36It's good, it's good.
00:37:44Come right in.
00:37:46Beba, you're soaked to the skin.
00:37:47You remind me of a sopping newborn kitten.
00:37:49They'll never dry here.
00:37:51I think I should lay them out in the sun.
00:37:53Come on, I'll help you out there.
00:37:54We'll have a drink.
00:37:57We'll drink to our new friend, Beba.
00:38:03How about the Russian toast?
00:38:05Sure.
00:38:06This way.
00:38:17Already on guard duty?
00:38:19Hmm.
00:38:20You know I brought her here.
00:38:22I don't want to harp on her, but remember it, will you?
00:38:24When Tony's okay?
00:38:25Okay.
00:38:25Will you take it easy?
00:38:26Go start up the motor.
00:38:28Jawohl.
00:38:28Hey.
00:38:31Hey.
00:38:49Come on, my child.
00:38:49Hey, hey.
00:38:49Hey.
00:38:54Hey, hey.
00:39:01Take off that wet slip
00:39:04Oh, you mustn't be mad, dear
00:39:05We do it
00:39:06Look, I'm tanned all over
00:39:08Even my eyelids are tanned
00:39:09Oh, but not me
00:39:11I never did
00:39:12You must be so unlady like Ula
00:39:13More modesty, please
00:39:15At least put on your bra now
00:39:17Huh?
00:39:21What a lovely body
00:39:26You should be proud to show it off
00:39:28Piva, we'll show you how to do it
00:39:31A little makeup first
00:39:33No, no
00:39:34Oh, it'll be all right, you'll see
00:39:35Ula some cream
00:39:36We'll begin as always with the papaya
00:39:39What's that for?
00:39:40Here, take some
00:39:41It softens your skin while it takes away that
00:39:43Please, I don't think I should
00:39:44Isn't that nice?
00:39:49Don't be worried
00:39:50I feel sick
00:39:51My head is nothing
00:39:54It's only because you're still cold
00:40:00What do you know?
00:40:01That's some pleasant hours
00:40:02She's all right, but she's too young
00:40:07As far as I'm concerned
00:40:09The younger they are, the better
00:40:23Hey
00:40:24What if we gave her a little pin?
00:40:26No, it might make her flip out
00:40:27Oh
00:40:29And now, Beba, for this instrument
00:40:30Of torture
00:40:33Ah
00:40:34There
00:40:36What if we gave her a little pin?
00:40:40No, it might make her flip out
00:40:45No, it might make her flip out
00:40:50No, it might make her flip out
00:40:56No, it might make her flip out
00:40:56No, it might make her flip out
00:40:56No, it might make her flip out
00:40:57No, it might make her flip out
00:40:59No, it might make her flip out
00:41:36They're beautiful, babe.
00:41:48You must do it.
00:42:21You must do it.
00:42:22It's all for the best, no?
00:42:24You're talking too much.
00:42:25We'll see how it ends.
00:42:28But those two, who believe they are here for them?
00:42:31They can't hold their eyes for a moment.
00:42:36Leave that girl alone.
00:42:39Don't touch her.
00:42:40Out, both of you.
00:42:42There, you're dressed.
00:42:44Wear that.
00:42:47Now, babe, it's all over.
00:42:49I'll see.
00:42:49They keep away.
00:43:16Donnie's in here.
00:43:24Let's go.
00:43:45What is it?
00:43:54Nothing.
00:44:00Mother, did you?
00:44:05No.
00:44:30What is it?
00:44:56What is it?
00:45:08You've been crying?
00:45:11No.
00:45:15I hate them.
00:45:18I hate all of them.
00:45:21But your mother's kind...
00:45:23No.
00:45:23No!
00:45:25No!
00:45:25No!
00:45:28No!
00:45:33No!
00:45:40No!
00:46:01I like it here alone.
00:46:03You want me to go?
00:46:05No.
00:46:05No.
00:46:07You can see.
00:46:17No.
00:46:22No.
00:46:33No.
00:46:37You're thinking of them.
00:46:39No.
00:46:44They marked you.
00:47:00No.
00:47:02No.
00:47:07No.
00:47:09No.
00:47:13No.
00:47:14No.
00:47:16Take it from me.
00:47:16It's going to be all right.
00:47:18Watch.
00:47:28No.
00:47:29No.
00:47:35No.
00:47:37No.
00:47:39No.
00:47:53No.
00:47:56No.
00:48:02No.
00:48:04No.
00:48:06No.
00:48:10No.
00:48:13No.
00:48:19No.
00:48:22No.
00:48:25No.
00:48:27No.
00:48:30No.
00:48:31No.
00:48:39You found out.
00:48:41It's like Mama.
00:49:39It's like an island.
00:49:41I gabbiani, quando sta per piovere, volano basso basso e gridano così.
00:50:18Sta per finito.
00:50:36Le galline.
00:50:49No!
00:50:51Be still!
00:50:55No!
00:51:03No!
00:51:03No!
00:51:05No!
00:51:09No!
00:51:14No!
00:51:15No!
00:51:16No!
00:51:17No!
00:51:21No!
00:51:23No!
00:51:24It went away.
00:51:25It went away for good.
00:51:28Because you're here.
00:51:29Now?
00:51:30No!
00:51:31I don't feel like playing with my toys again.
00:51:33What?
00:51:33The robot?
00:51:34The fire engine?
00:51:36Do you want me to go?
00:51:37No!
00:51:38No!
00:51:40No!
00:51:57It went away for a horse and a horse.
00:51:58No!
00:52:00No!
00:52:04No!
00:52:08And this is me.
00:52:35You must leave him all alone out there. If you do, he might be brown.
00:52:38You promised to pay for his gold.
00:52:40We'll take care of him.
00:52:41Hey, ladies!
00:52:42Is it $500?
00:52:44All right, I'm going for it!
00:52:46Hey, hey!
00:52:47You promised me $500!
00:52:50Hey, stop from pulling him along!
00:52:54Hey, stop him out!
00:52:56No!
00:52:59Hold it!
00:53:01We have to stop him.
00:53:02There! Now you can come up!
00:53:04You get rid of him or you're through!
00:53:06Moody, why is your first thought always to break down a door
00:53:08when it's just as easy to open it?
00:53:10Ulyas, see if you can't keep him down there for a little while.
00:53:12I've already turned this one on.
00:53:14What are you doing?
00:53:14Just a minute.
00:53:15The two of you go to the back.
00:53:17Keep him busy.
00:53:18Put him down.
00:53:19What do you want to explain?
00:53:20Stay down.
00:53:20Also you.
00:53:21Down.
00:53:22And sit down.
00:53:23Down.
00:53:24Welcome aboard!
00:53:26Oh, the beautiful fish you brought us!
00:53:29I love fish!
00:53:30Oh, pardon me!
00:53:32Oh!
00:53:32Yes, it's right!
00:53:34Get your ass down!
00:53:35What kind of idea is he came?
00:53:36Do you want to play with the Indians?
00:53:37This man is Babe's husband.
00:53:39Oh, I should have known it was too good to be through.
00:53:41Are you sure, Yvonne?
00:53:43I know.
00:53:43I know because there's only two.
00:53:44The island is deserted.
00:53:45Then what will we do with him?
00:53:46That lousy bastard should have been ditched before he ever got near it.
00:53:49That way he'd return to the island and learn she was gone.
00:53:52Then he would come back here to see if we had her.
00:53:54I promise you, he'll never even know we have her on board.
00:53:56You've got to trust me.
00:53:57I'm right, I know it.
00:53:59Don't be too sure.
00:54:02Here.
00:54:03Can you see the hat?
00:54:04No, you can't see the hat.
00:54:05It's just on your head.
00:54:06It's the same exact thing.
00:54:07While he's on the roof, he can't sit right downstairs, can he?
00:54:09Here.
00:54:10I'm not your hat rack.
00:54:11Hey, listen.
00:54:12You've really got your hands to polish.
00:54:14You've got him all worked up already.
00:54:16What is that?
00:54:16Coming from you, that's a real recommendation.
00:54:18Ah.
00:54:19If this is what you wanted, you've got it now.
00:54:21You've had it too.
00:54:22Why should I care?
00:54:23It's not the same thing, dear, because I can see off an oil well, but all he can give
00:54:27you is a goat.
00:54:30Why don't we take a closer look?
00:54:31It might be worth a laugh.
00:54:32Huh?
00:54:33Let's go.
00:54:34Be quiet.
00:54:35Okay?
00:54:51Oh, take it easy.
00:54:53Oh.
00:54:55Oh.
00:54:55Oh, look at it.
00:54:56Oh, watch your go, you mashing you.
00:55:00Oh.
00:55:03Oh, oh.
00:55:04Oh, sacking.
00:55:05Oh, oh.
00:55:08Oh, you're so strong.
00:55:38When you're all alone, in the dead of night, you can hear the spirits speaking.
00:55:43They make a noise.
00:55:45Boom.
00:55:46Boom.
00:55:47Boom.
00:55:48You mustn't do that.
00:55:50You just say the magic words.
00:55:52Because as soon as you do, then they all disappear.
00:55:56They're here.
00:56:04No.
00:56:05It's the wrong place.
00:56:06The spirits are on the island, but not at sea.
00:56:09It's something else.
00:56:19This sun shall shine now.
00:56:20The dark night is up.
00:56:21The spirits go and don't come back.
00:56:35Where are you going?
00:56:37I want to go look.
00:56:38The dark night is on the island, but not at sea.
00:56:58The dark night is on the island.
00:57:08This brand is not ours.
00:57:11Oh, he belongs to my husband, Andrew.
00:57:19Oh, he must be here.
00:57:20What if he sees I have no clothes on?
00:57:22I have to get dressed.
00:57:23I have to get dressed?
00:57:24No.
00:57:25He'll kill me.
00:57:25You can't go?
00:57:26I must get back.
00:57:27Won't you stay a little longer?
00:57:28I'll be back soon.
00:57:31Don't leave me alone.
00:57:53Andro.
00:57:58Andro.
00:58:00Andro.
00:58:01Andro, it's me.
00:58:03Are you there, Andro?
00:58:05What is it?
00:58:06Why are you calling to your husband?
00:58:07Where is Andro?
00:58:09On the island, of course.
00:58:11Now, look.
00:58:12You can't call like that.
00:58:13Let's go downstairs.
00:58:13He's here.
00:58:14I saw his boat back there.
00:58:15Shh.
00:58:16But my husband's here.
00:58:17I tell you, he's not on board.
00:58:18Let's go downstairs.
00:58:19I'll go with you.
00:58:20Let me go find Andro.
00:58:21But why won't you?
00:58:22Believe me.
00:58:23Because I saw his boat right there.
00:58:24Now, look.
00:58:25Andro.
00:58:25All right, all right.
00:58:26Andro's here.
00:58:27Stop shouting.
00:58:28But you can't see him now.
00:58:29He's talking to Moody.
00:58:30No.
00:58:31He isn't talking to Moody.
00:58:32So put a cap on your head,
00:58:33and you can't find it.
00:58:35How's the big plan going, genius?
00:58:39Andro!
00:58:41Andro!
00:58:43Andro!
00:58:44Oh, my God.
00:58:45It's me, my wife.
00:58:46Don't be silly.
00:58:47Come back.
00:58:47No, come on.
00:58:49Andro, where are you?
00:58:51Sir, get down.
00:58:54She'll find us.
00:58:57Where's Andro?
00:58:58He'll be coming.
00:58:58But first, let's play a trick on him.
00:59:00Come on.
00:59:01Lay down.
00:59:01I bet he won't recognize you in a million years.
00:59:03Is my wife here?
00:59:05My God.
00:59:07My God, what's happening?
00:59:08I have a fantastic deal to propose to you.
00:59:10Listen, you'll never regret a moment.
00:59:11Only I have to tell you now.
00:59:13Let's go.
00:59:14It's all about mining uranium.
00:59:16Why don't you let the lady get dressed,
00:59:17and we'll talk.
00:59:22Why have you removed your clothes?
00:59:24Baring your body in front of these strangers.
00:59:26I'm glad you have a sweater on, at least.
00:59:28All right, get moving.
00:59:30Wait till we get back.
00:59:32Move, sweater.
00:59:32What's that now?
00:59:34Why?
00:59:34Why did you let them do this to you?
00:59:36Have you no shame?
00:59:37I'm sorry, Andro.
00:59:38Please, don't be.
00:59:39Bitch, you are strangling you.
00:59:40Do you hear me?
00:59:41I'll kill you, you bitch.
00:59:42Even that's too kind.
00:59:43I have to take out both your eyes.
00:59:45You damn you, you little whore.
00:59:46I'll make you sorry.
00:59:47I'll kill you, you little whore.
00:59:47I'll kill you, you just listen.
00:59:48Let me explain.
00:59:49You see, Babu went over the side.
00:59:51Because we were stuck.
00:59:52She wanted to help us get loose,
00:59:53but she got all wet,
00:59:54so Paula lent one of her sweater.
00:59:56Wasn't that it, Paula?
00:59:57You bastard.
01:00:00Have it your way?
01:00:01You are a bastard.
01:00:03But you are a damn slut.
01:00:04Don't make those lousy cracks about us,
01:00:06you big stud,
01:00:06because we know exactly what you are.
01:00:08Here, you better listen.
01:00:09Oh.
01:00:10Oh.
01:00:14Oh.
01:00:18Oh.
01:00:19Oh.
01:00:20Oh, lady.
01:00:20Oh, lady.
01:00:22Oh, lady.
01:00:22Oh, lady.
01:00:22Oh, lady.
01:00:23Oh, lady.
01:00:23Oh, lady.
01:00:24Oh, lady.
01:00:28Easy.
01:00:29Oh, child.
01:00:30Oh, child.
01:00:31Oh, child.
01:00:32Oh, child.
01:00:34Oh, child.
01:00:42Di bollo.
01:00:43Di bollo.
01:00:45Di bollo.
01:00:49No.
01:00:52Hey, Frank.
01:00:53Frank.
01:00:54Hey, Frank.
01:00:55I'll kill you.
01:01:00No, she made it.
01:01:02I don't think.
01:01:03Pretty good, huh?
01:01:04Nothing.
01:01:05No.
01:01:05Believe me.
01:01:06I swear.
01:01:07I swear.
01:01:07I'll bet on her.
01:01:08She showed me herself.
01:01:10And I couldn't.
01:01:11Okay, Aldo.
01:01:12Separate the two.
01:01:13Please, I'll give you my one.
01:01:17Come on.
01:01:18Come on.
01:01:19Andro, back to now.
01:01:19Let her go.
01:01:21Come on.
01:01:21Come on.
01:01:22Be a good boy.
01:01:22I'll make you sorry.
01:01:24Be quiet.
01:01:24I'll make you sorry.
01:01:26I'll kill her.
01:01:27I will kill her.
01:01:28To the cow.
01:01:28Take it easy, Aldo.
01:01:29Get it.
01:01:30I know your wife is a bitch.
01:01:32Only you'll know how it is.
01:01:33You shouldn't get excited about this.
01:01:35Come on, darling.
01:01:36It's all right.
01:01:36You had your own good time.
01:01:38Now, come on.
01:01:38Relax.
01:01:39Listen a minute.
01:01:40Moody shouldn't have said anything.
01:01:41That's true.
01:01:42But it's over now.
01:01:43She's got to, and she'll calm her down.
01:01:45Yes.
01:01:48Let me go back.
01:01:49If I get my help on him, I'll kill him.
01:01:51Come on now.
01:01:51Let me go.
01:01:52Come in here and relax.
01:01:54There.
01:01:55Now, sit down.
01:01:56I know, men.
01:01:57Everything will be all right.
01:01:58Listen to me.
01:01:59Now, sir.
01:01:59Where are you going?
01:02:00Come back, you fool.
01:02:01Enough now.
01:02:02Sit down.
01:02:03Can you get me a knife?
01:02:04Now, listen to me and stop this talk.
01:02:07Beva, please don't go.
01:02:09You must understand.
01:02:11I need you.
01:02:12I've had enough.
01:02:12I'm going to get dressed in here.
01:02:13You can get dressed later.
01:02:14Not now.
01:02:16You've got to listen.
01:02:17It's important that you hear it.
01:02:19Andro behaved like a bastard.
01:02:21Make him pay.
01:02:22That pig, I'll kill him.
01:02:23No, no.
01:02:23You'll only bungle it.
01:02:24Let me tell you what revenge really is.
01:02:27Don't talk like a fool.
01:02:28Now, Beva, you're a smart little girl, yet you don't know about men.
01:02:32No, you don't know how to make them squirm and stop.
01:02:34I've had enough of all you people here telling me what to do.
01:02:37No, we've never talked before.
01:02:38Talk to me like a grown woman.
01:02:40Wait.
01:02:41I'll get you a drink.
01:02:42No, no more.
01:02:44They've given me too much to drink.
01:02:46I feel sick already.
01:02:48Drink this.
01:02:48No.
01:02:49It's only soda.
01:02:50It'll soothe you.
01:02:51Afterwards, we'll be able to talk.
01:02:53Keep going.
01:02:55More.
01:02:57What could I have done?
01:02:58I found her naked.
01:03:00It made me mad, that's all.
01:03:02She should have been whipped to death.
01:03:05I would have done it, too.
01:03:07But that old wish took her nose in, making me look silly.
01:03:10Keep the gorgeous.
01:03:11But she doesn't understand.
01:03:13It's different.
01:03:15It's unfaithfulness for a woman to do it.
01:03:18It doesn't count if a man does it.
01:03:21But where is she now?
01:03:22Where is she?
01:03:22She's gone for her clothes.
01:03:23Aldo.
01:03:24Aldo.
01:03:25Aldo.
01:03:30Aldo.
01:03:31Aldo.
01:03:32Have you heard?
01:03:33Are Andro's sad?
01:03:34Yes.
01:03:35What?
01:03:36With two girls like you?
01:03:38My wife's cheating.
01:03:39Sure, sure, sure, you'll know, but it's fool, my friend.
01:03:41You're thinking about important things, not her.
01:03:43But we've all guessed by now what a gold mine that island of yours is.
01:03:47Uh-huh.
01:03:47Huh?
01:03:48A big tourist resort.
01:03:50People who flock to it in hundreds know by thousands.
01:03:52They're sick of big hotels and pools.
01:03:54They want something else.
01:03:55They want to come back to the Garden of Eden.
01:03:57There's nowhere they can find it except for islands like yours who'd be rich.
01:04:01Millionaires.
01:04:01You understand that?
01:04:02There's a place on the other side.
01:04:04A cave in the mountains.
01:04:05I saw something like gold.
01:04:06I show you.
01:04:07Ah, marvelous.
01:04:08The island may even have some pearl beds.
01:04:10That's another fortune, partner.
01:04:11Where are you going?
01:04:12Don't worry.
01:04:13I'll be gone only a moment.
01:04:15Take him to the stern.
01:04:16Listen.
01:04:17I say let's go to the back of the boat for a while.
01:04:20We can be caught.
01:04:21There you go.
01:04:29When a man betrays you, and they betrayed me too, you've got to hit back.
01:04:33There's only one thing that'll quiet the anger you feel, and that's the satisfaction and power of revenge.
01:04:39Ah, but what do you know?
01:04:40You can't get advice from goats.
01:04:42That dumb Andro is like a goat, but believe me, he enjoyed betraying you.
01:04:46Listen to me, my dear.
01:04:47I'm telling you the truth.
01:04:48I assure you it's the same with every man, even the stupid ones.
01:04:52They're all alike.
01:04:53But what about us?
01:04:54Mustn't we feel emotions?
01:04:56Don't they know we send things inside?
01:04:57Do they think it's fair?
01:04:58Don't tell me that you haven't even imagined another man when your husband is taking his pleasure.
01:05:02He's not the only man who can satisfy your desires.
01:05:05It's quite natural.
01:05:05What can we do?
01:05:06We can love different kinds of men, that's all.
01:05:09And since it's natural, why not go out and try another?
01:05:11Then you will be equal with your husband, even stronger than him, because he won't know a thing.
01:05:15Why, you will know you had your revenge.
01:05:17That way you will never be his victim again.
01:05:20It's what all women should do.
01:05:22It will be good experience for you.
01:05:24You'll know your way around her, if your husband ever gets the idea that he's a thief.
01:05:56You'll know your way around her, if your husband ever gets the idea that he's a thief.
01:06:06You'll know your way around her, if your husband ever gets the idea that he's a thief.
01:06:29Bastard.
01:06:30You don't know anything, you swine.
01:06:32What could you know?
01:06:34Forgive me, Moody.
01:06:35Now, get out of here.
01:06:53Listen, Moody, I don't think we're going to make it.
01:06:54Paul and Ullipot drinks.
01:06:56I tell a lot of stories, but he still keeps talking about his wife.
01:06:59He'll only take a little.
01:07:00Just keep him drunk.
01:07:01He mustn't come up now.
01:07:02It's important to Tony.
01:07:04But how?
01:07:04What else can we do?
01:07:05He's a headstrong pig.
01:07:06Maybe you should go try it for a minute.
01:07:08He respects you, you know.
01:07:12Ah, that's better.
01:07:14I'll be there in a few minutes.
01:07:21Aldo.
01:07:22Moody.
01:07:23Aldo.
01:07:26I thought I'd find you here.
01:07:29Aldo's leaving us.
01:07:31Mo, Aldo, don't go.
01:07:32I don't talk to me.
01:07:33Baby's having a little nap, Aldo.
01:07:34Let her rest.
01:07:35It'll be all right when she gets up.
01:07:36Oh, I want to go.
01:07:38Oh, easy, Aldo.
01:07:39Easy.
01:07:39Come on now.
01:07:40Come back up.
01:07:41Oh.
01:07:42Oh.
01:07:44There's a bottle here somewhere.
01:07:45One, two, and three.
01:07:47Well, you got booze all over the place.
01:07:51You got a pound in the bathroom.
01:07:53We got one, too.
01:07:54I always take a bottle when I pierce.
01:07:55Oh, if I may say so.
01:07:57Aldo, you can do anything you want.
01:08:01You can do what you want, you mean.
01:08:03You're rich.
01:08:04That's the only way to be.
01:08:06Yeah.
01:08:07Rich people live all the time.
01:08:09They don't have any worries.
01:08:12That's why you're so beautiful.
01:08:13Have some.
01:08:16Mmm.
01:08:20Ambro, you mean you haven't eaten?
01:08:21Me, I want.
01:08:22By God, let's make the poor man some lunch.
01:08:24Let's go.
01:08:24On your feet.
01:08:26Oh, no.
01:08:30Oh, no.
01:08:31Oh, no.
01:08:31Oh, little more.
01:08:34Ma che cosa vieni a fare qui?
01:08:35Stai di là.
01:08:36Beh, mi interesso.
01:08:37E poi tanto quello sbronzo.
01:08:39Ma lì c'è la moglie.
01:08:42Vedi?
01:08:42Vedi qui?
01:08:43No, no.
01:08:44My feet.
01:08:45Give me a crown.
01:08:47No.
01:09:10Come on.
01:09:11Look at that. What are they doing?
01:09:12Let me see.
01:09:14It's an electronic device.
01:09:41This will become the island of the great vacation.
01:09:44We'll put a bottle of bottles to visit the cave of which you talked about
01:09:47and to make the tour of the island.
01:09:49And you, who are a fisherman, brave, honest and wise,
01:09:52you will be the captain.
01:09:54The director!
01:09:55Ah, very good.
01:09:57What a director?
01:09:59Of course.
01:10:00You'll be right there.
01:10:02Yes, it's not the director, the manager.
01:10:05Not even the manager. You'll be our partner.
01:10:07And you can write down to it.
01:10:08You're the man who brought the attention.
01:10:09We have to pay in return.
01:10:11Now you must wear a yellow dinner jacket,
01:10:14a collar,
01:10:15a big bow tie with a red carnage.
01:10:17You'll have two secretaries,
01:10:19one on your right and one on your left.
01:10:20Worthy enough, you obtain a ninja dog.
01:10:22You'll have an office all your own,
01:10:24lots of glass,
01:10:25plus a beautiful desk,
01:10:26plus a beautiful chair,
01:10:28and your washroom next door,
01:10:29plus a solid gold job.
01:10:32You'll have a private garden,
01:10:33full of Polynesian girls naked.
01:10:34And not only that,
01:10:35any girl you want will be there.
01:10:38We'll call the first floor Anders,
01:10:40a big restaurant.
01:10:41It's next to Grand Casino.
01:10:43Millions.
01:10:43And you'll get it all, of course.
01:10:45You see, I'm having to play three.
01:10:46We must make sure nothing will be just done.
01:10:49And let's hope this bullshit puts him to sleep soon.
01:10:54Well, what do you know?
01:10:55It looks like Tony made it.
01:11:00Nicely.
01:11:01A girl I never could have bought for him.
01:11:03But it was some job getting her from her.
01:11:08Aha.
01:11:14I couldn't watch every minute.
01:11:16Yet I know he made her.
01:11:19Are you sure of that?
01:11:20It seems as if Teddy doesn't know what to do.
01:11:22Before I saw them both under bed talking.
01:11:25Now she's much spent to talk.
01:11:28Look at that.
01:11:30See the way he looks at her.
01:11:32I'd tell you they were screwing.
01:11:49Moody.
01:11:50What's the matter with her?
01:11:58And with Tony?
01:11:59He looked funny.
01:12:04Something's wrong, Moody.
01:12:07Where's Weber?
01:12:09He's asleep.
01:12:11Aldo.
01:12:12Find out what's going on.
01:12:13Fast.
01:12:14I want Weber.
01:12:16We have to go home.
01:12:18And take care of the goat.
01:12:44It's good.
01:12:46It's beautiful.
01:12:48It's looking Islamic.
01:12:50I didn't know it.
01:12:52I did not know it...
01:12:53But you have prepared us to understand.
01:12:55But now I'm afraid.
01:12:58I'm afraid of that on his island we can't there anymore.
01:13:08Tony has murdered her
01:13:09He must have strangled her
01:13:10I saw marks on her neck
01:13:18Where did she go?
01:13:21Where is she?
01:13:23Where is she?
01:13:25Come back
01:13:25Andrew, come back and entertain us
01:13:28Over here, Andrew
01:13:28Over here, Andrew
01:13:52Over here, Andrew
01:14:02What are we going to do now?
01:14:04I don't know
01:14:05First, let's get her out of here
01:14:06Help me
01:14:07Let's pick her up
01:14:18I don't know
01:15:07It's a big problem
01:15:10What then?
01:15:13I don't know
01:15:14I don't know
01:15:18This is more fast now
01:15:20Beautiful
01:15:20Bravo
01:15:21Perfect
01:15:21Bravo
01:15:22Bravo
01:15:23Bravo
01:15:23Good
01:15:24Come here, quick
01:15:25Hello
01:15:26I don't know
01:15:26I don't know
01:15:26I don't know
01:15:27You know
01:15:54You see
01:15:56There's nothing we can do for her anymore.
01:15:59Your boy is the one to save now.
01:16:01It's your decision.
01:16:04You have to do it.
01:16:06Either we turn Tony in, or we go through with it.
01:16:15Got an idea?
01:16:17Mm-hmm.
01:16:18Sure.
01:16:20But maybe I better make things clearer, Moody.
01:16:33At last, what kind of deal did you make?
01:16:38None yet.
01:16:39But we'll get that oil concession before long.
01:16:55!'
01:16:58I want to drink them.
01:17:00Four, six.
01:17:02Six, five.
01:17:04Five, six.
01:17:22Six, five.
01:17:29Oh, no.
01:17:42Hula, over here.
01:17:45Hula, do you hear me?
01:17:47Ah!
01:17:51Out of there!
01:18:04Let me shoot that.
01:18:06Hey, I know how.
01:18:08Yeah, I shoot very good.
01:18:11Yeah, throw it to me.
01:18:12Let me have it.
01:18:13I'll show you.
01:18:16Hey, that could go off.
01:18:18Point it down to the ground.
01:18:19Hey, where are you going?
01:18:21Are you crazy?
01:18:24Oh, ma.
01:18:51Aldo!
01:19:07We must get rid of those two.
01:19:09Overboard, where else?
01:19:13Someone will find them.
01:19:14In a sack.
01:19:16A heavy box.
01:19:19Hmm, of course.
01:19:21No.
01:19:22No part of the boat.
01:19:24We must think of some other way to do it.
01:19:28Do you have another idea?
01:19:32I got it.
01:19:33It'll take care of the bodies and everything.
01:19:36Well, it's...
01:19:48No part of the boat.
01:19:49Have a nice碰 CORN, you will find the accent.
01:20:05Oh, please, would someone close their eyes?
01:20:14Would these be enough?
01:20:16Four more.
01:20:19Another eye, another eye, another eye, another eye.
01:20:25We'd better bring all the rest of the dynamite up.
01:20:27Madula might roll into the...
01:20:28Don't worry about her.
01:20:32Oh, my God.
01:20:34Oh, my God.
01:20:35Oh, my God.
01:20:41Oh, my God.
01:20:47Oh, my God.
01:20:56Here.
01:20:57It looks as if we have enough dynamite.
01:20:59Moody, start the engine.
01:21:01Now get ready to move. As soon as I light the fuse, I'll untie the boat and jump aboard.
01:21:05We'll leave it behind, and that will be that.
01:21:07Now when I say go, move out immediately.
01:21:11Ready, Paula?
01:21:20Go! Go!
01:21:21No!
01:21:26La corda, la corda!
01:21:29Ci fai certo!
01:21:30Mchio be correct!
01:21:37La corda!
01:21:43Qui c'è forta?!
01:22:00Where's the boat?
01:22:02It's going out.
01:22:11How about the concession?
01:22:16It's ours, because we've earned it now.
01:22:27We're in this together.
01:22:38I see she keeps her word.
01:22:56Paula, we've got to clean this up.
01:22:58I'll go!
01:23:22A lot of people know I went with you.
01:23:25What's that mean?
01:23:27I don't want to be murdered like her.
01:23:29My God, have you gone out of your mind?
01:23:32All right, spit it out.
01:23:33What do you want?
01:23:34I'll never tell anyone, but I want money.
01:23:36That's only fair.
01:23:37You'll get your money.
01:23:38The amount that you and Maudie agreed to.
01:23:40No!
01:23:41My full share of the deal.
01:23:42How about 25%?
01:23:44No, the same as you.
01:23:45Sure.
01:23:46Be still, Paula.
01:23:49You're frightening, poor Ula.
01:23:51Who is her partner?
01:23:53You realize that, don't you, Ula?
01:23:55That means you must come with us on the boat that Maudie are giving us.
01:23:58We'll be together then.
01:24:00We three.
01:24:01Alone.
01:24:03Because we mustn't let you go.
01:24:05Eh?
01:24:06As soon as Maudie sends the contract, we won't need her anymore.
01:24:09She won't talk.
01:24:10And you mustn't either, or you'll lose everything.
01:24:13Haven't you had a good time with us?
01:24:14We'll go on like this, and everything will be beautiful.
01:24:19We're going to have a pile of money.
01:24:21We'll have everything we want.
01:24:22What you say, yes or no?
01:24:24Yes.
01:24:25Good.
01:24:26I'm happy.
01:24:27Aren't you, Ula?
01:24:28Mm-hmm.
01:24:29Right.
01:24:30You're smart.
01:24:32Let's get back to work.
01:24:33We've got to make sure we do this right.
01:24:47I love you.
01:24:48God bless you.
01:25:10God bless you.
01:25:39God bless you.
01:25:59God bless you.
01:26:29God bless you.
01:27:14God bless you.
01:27:15God bless you.
01:27:16God bless you.
01:27:25No, no, no, no.
01:28:13Allora, non vi sentite felici?
01:28:17Quest'inverno voglio andare a Taipi.
01:28:19Non voglio perdere una giornata di sole.
01:28:30Non voglio perdere una giornata.
01:28:55Non voglio perdere una giornata.
01:29:10Non voglio perdere una giornata.
Comments