00:00Can you tell me how much pain is your mother and how much pain is your daughter?
00:05No, it's a lot of pain.
00:08It's not a typical mother.
00:10It's like in films,
00:11it's a bit of a pedestal.
00:15It's not the same mother.
00:16Not near-uparai style.
00:17No.
00:19It's a very different mother.
00:21It's a chaos in her life.
00:23It's a human, basically.
00:27It's a human.
00:27It's a human.
00:28We keep a lot on the pedestal.
00:31They also have feelings.
00:33They also have some relief in their life.
00:38They also have some emotions on their own.
00:42So, we don't see that.
00:46We always keep them on the pedestal.
00:49So, it's an antithesis.
00:53It's the same mother.
00:54She's not the usual mother.
00:56She's a woman.
00:58She's a woman.
01:01She's a woman.
01:03She's a woman.
01:03She's a woman.
01:04And she's a mother.
01:04What do you think the audience will be surprised?
01:07Will she see her mother in her mother?
01:09No.
01:10She'll be entertained.
01:11She'll be a lot.
01:13She's a woman.
01:14I mean, she's a woman.
01:17I mean, she's a woman.
01:19She's a woman.
01:19And when they watch her, I think that's what their reaction will be.
01:24And even when the trailer, people enjoy it.
01:29She's a woman.
01:30And when the trailer was saying,
01:32So, if your reaction came, please give us those feeling words.
01:36I am not sure about it.
01:39We were remembered.
01:42Tell us about it.
01:44It's our internal joke.
01:46It's our shoot.
01:48It's not our personal joke.
01:51We are angry.
01:52Sometimes it's like you are angry.
01:55Especially in serious situations.
01:58It's not our set.
01:59It's just that it's just that.
02:04Now you know exactly.
02:05Sir, this is true.
02:09I am sure that in the set,
02:11you didn't want to do the interview here.
02:13You wanted to do it.
02:14You wanted to do it on location.
02:15In the set, the interview is different.
02:18Another thing is,
02:20you have a debut on Netflix.
02:22You have a debut on Netflix.
02:24How is your experience with Netflix?
02:26Very good experience, sir.
02:27It's so good.
02:28They spread the film every place.
02:31And it's a good feeling.
02:35It's very good.
02:35For the first debut,
02:36it's also on Netflix.
02:37It will reach such a wide audience.
02:42So, I'm very happy.
02:45And...
02:46What's the most important thing about the mother-in-law?
02:48What's the most important thing about the mother-in-law?
02:49The most important thing about the mother-in-law is the honesty.
02:52And the real story and characters.
02:55So, in every house,
02:57there is such a relationship.
03:00The mother is our little girl.
03:02But it's very interesting to see.
03:06How are people reacting to each other?
03:07But in that, there are also many things
03:09that many people relate to their own home.
03:12So, even the honest, the real characters,
03:15the confused, the confused, the emotional characters,
03:17everything at the same time.
03:19Like we are, when there is a stressful situation in our house,
03:22someone reacts very badly,
03:24someone makes people laugh,
03:26someone's crying and someone's not doing anything.
03:28So, this happens in all of our homes. So, I think that we all relate to this,
03:33that in stressful situations, my mother reminds me of just one thing,
03:38that I want to make tea.
03:40Everyone just wants tea.
03:41So, my mother's own trait.
03:42What did you tell me, Suresh Ji?
03:43Was it real?
03:46Yes, sir, we gave a very simple brief,
03:50that just let go.
03:51Whatever you have in your own innovations,
03:53as a human being, you always stay in control of your emotions.
04:00So, sir said,
04:01here, go away.
04:02Whatever you have in mind,
04:04we have a relationship in the film,
04:07that it is so thick as a family,
04:09and a dysfunctional family.
04:12So, don't think about it before you say something.
04:15Filter.
04:15Filter.
04:16No.
04:19Filter.
04:19Don't do the same things.
04:20There's a lot of anger, so we'll get angry together.
04:25We've also had a lot of workshops for this.
04:28I think we had workshops with Pooja Ma'am a few days ago.
04:33It was a lot of fun.
04:34I think we didn't have a script reading in workshops,
04:37but we played a lot of games,
04:40a lot of fun exercises,
04:42which we could know from a very good way.
04:44When we went to the set,
04:46the scenes were a little easier for us.
04:51It didn't seem like we were acting.
04:52It seemed like we had a playground and played.
04:56It was a lot of fun.
04:57How did you make the mood in the set?
04:59How did you enjoy it?
05:01It was normal.
05:03I didn't have a lot of effort.
05:08I'm just who I am.
05:10When they said that we did workshops,
05:13I met with Tripti before,
05:16when we did Bhol Bholaiya 3.
05:19We worked a little bit.
05:21We didn't have a lot of scenes together,
05:23but there was a little bit of experience.
05:25But it didn't have a lot of experience.
05:27When we did workshops,
05:28we were just ourselves,
05:30having fun,
05:32having different situations.
05:35You have to do what you want to do.
05:36You know?
05:37So,
05:38we got to know each other.
05:42We got to know each other.
05:44It was a comfort level with each other.
05:47And it's very easy for me to make people comfortable.
05:50because there is no such thing for me,
05:54you know,
05:55I'm someone,
05:56or I'm just a normal person.
05:58So,
05:59it's always fun to work.
06:01When a group becomes good,
06:03an understanding,
06:04a chemistry becomes good,
06:06it's always fun to work.
06:08And it's always about team work.
06:09You know,
06:10films are always about team work.
06:12So,
06:14you are as good as your team.
06:16So,
06:17if your team is fantastic,
06:18all the actors around you,
06:19then your performance is also enhanced.
06:22First choice,
06:23Madhuri Ji,
06:24Tripli Ji,
06:25Dhani Ji,
06:25or was it in any other way?
06:27No.
06:28First choice,
06:28when I wrote the story of the mother-daughter,
06:30after you,
06:31because I had to do absolutely
06:34a crazy comedy type of crime comedy.
06:40I had to say,
06:41I had to say,
06:42I had to say,
06:42I had to say,
06:42a new writer came on,
06:45Pooja Thulani.
06:46They wrote screenplay and dialogue.
06:49It's been a long time,
06:49it's been 3-4 years.
06:51I asked the casting,
06:53I thought,
06:54three castes,
06:55how will it be?
06:56Who will it be?
06:56Who will it be?
06:56Who will it be?
06:57But Vikram Malhotra,
06:58who is our producer,
07:01he was very excited about it.
07:03So,
07:03after writing a script,
07:05we started to find a script.
07:08It was my first thought,
07:09that I would go to them.
07:11But,
07:11because I was doing a long time,
07:13and then,
07:15I was confused about it.
07:16It took time,
07:17in 2014,
07:18I went to them and my writer.
07:23And we narrated.
07:25If you don't believe it,
07:26they had to say yes.
07:28And my mind was working with them.
07:32I became a normal face,
07:34but I was dancing inside.
07:36Okay.
07:37After that,
07:38Touchwood,
07:38I don't do anything diplomatically.
07:40I was thinking,
07:41after that,
07:41I was thinking,
07:42I'll ask Tripti,
07:43because I didn't release the animal.
07:46Then,
07:46I went to them in October.
07:48I used it.
07:50I used it.
07:50In my film,
07:50it was a monster.
07:51What happened?
07:53Then,
07:55I used it.
07:57I used it.
07:59I used it.
07:59I used it.
08:00I used it.
08:02I used it.
08:03I used it.
08:03I used it.
08:03I used it.
08:04I used it.
08:04I used it.
08:05I used it.
08:06I used it.
08:07I used it.
08:09Then,
08:10that's how the casting happened.
08:12I'm very lucky,
08:13sir,
08:14Gitanjali Kulkarni,
08:16Manjeevi,
08:17Ravikishanji,
08:19Arunoday,
08:21Shardul.
08:21These are all very good actors.
08:24My life will be easy.
08:25That's why I shoot the film in 41 days.
08:28Then,
08:28Netflix.
08:30What happens is that you can think anything.
08:32You can think that you will make a film.
08:34But,
08:35until you get the right platform
08:37and the right bouncing board.
08:41If you don't see it,
08:42then what point is it?
08:43Then,
08:44Netflix came on board.
08:44I was very lucky.
08:46casting,
08:47I was very lucky.
08:48Thank you, sir.
08:48Thank you very much.
08:50We hope that people like this.
08:52After success,
08:53we'll see you again.
08:54What about it?
08:55So, see,
08:56Ma Behen.
08:57On 4th of June.
08:58On Netflix.
09:01Watch now.
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