00:00:11Yes
00:00:39I can beat your dickhead
00:00:44Hey, you know
00:00:47This is not the right approach
00:00:53We are on your side
00:00:55And the lady too
00:00:57It's a real one
00:00:59Classy woman, indeed
00:01:02What we believe
00:01:05Sincerely
00:01:05It's that these
00:01:07Negatives should be eliminated
00:01:10Not to end
00:01:12In the wrong hands
00:01:37In the wrong hands
00:01:51Where the fuck is he?
00:01:54Hi, Teddy. Where have you been?
00:01:59Oh, Teddy. It was my fault.
00:02:08I don't know why everything is so messed up.
00:02:10I was sick, I think.
00:02:17Those photos.
00:02:19Flesh, that's what you are.
00:02:24Teddy, no.
00:02:27I don't want to be.
00:02:31Tell him you won't.
00:02:33This new movie, no contract.
00:02:36From God I have to work.
00:02:39It's my life.
00:02:42Tell them you want better roles.
00:02:46More serious roles.
00:02:47Tell them you'll stop.
00:02:48Tell them your husband wants you to stop.
00:02:51Yes.
00:02:54Yes, I will.
00:02:56I'll tell him.
00:03:19You don't see how much I love you.
00:03:21You don't understand it.
00:03:22I know.
00:03:25I can't stand the fact that you're demeaning yourself like this.
00:03:30But I felt so sorry for the monster, in the end.
00:03:35How sorry is he?
00:03:37What did she want him to marry her?
00:03:40It was scary to look at.
00:03:42But deep down he wasn't bad.
00:03:45Maybe he was just looking for some affection.
00:03:47I don't know.
00:03:48To feel loved, desired, pampered.
00:03:52That's a very interesting point of view.
00:03:56Oh!
00:03:57Feel the wind from the underground.
00:03:59What a delight.
00:04:02Cool on your ankles, huh?
00:04:07Well, what are we going to do now?
00:04:10And cut!
00:04:20Feel the wind from the underground.
00:05:07Feel the wind from the underground.
00:05:23Feel the wind from the underground.
00:05:32Feel the wind from the underground.
00:05:51Thank you all
00:06:28Thank you all
00:06:43Teddy
00:06:48Teddy
00:06:49Damn I'm sorry
00:06:51Making you wait so long
00:06:54Here it is
00:06:56Are you proud of yourself?
00:06:59No
00:07:00Are you proud of yourself?
00:07:02Don't touch me
00:07:03Don't touch me
00:07:05Are you proud of yourself?
00:07:06What?
00:07:07I work tomorrow
00:07:08Do you want to show your pussy to everyone?
00:07:11Make this shit work for me
00:07:13Make it work for me
00:07:15Everyone now
00:07:17They'll know what a fucking whore you are
00:07:26My dear daughter Norma Jean
00:07:30I haven't seen your new movie
00:07:33That very vulgar title
00:07:35Advertising too
00:07:36With those giant billboards
00:07:38In which you are posing
00:07:40With the dress raised
00:07:41And your private parts on display
00:07:42They didn't make me want to see the movie
00:07:52I had hoped to meet your husband
00:07:54I've been an admirer of his for years
00:07:58I was disappointed that your marriage to such a famous athlete
00:08:02It ended with divorce and such bad publicity
00:08:08At least you don't have children to suffer the shame.
00:08:37My Magda
00:08:42My Magda
00:08:43Magda
00:08:46Magda
00:08:47Magda
00:08:49Magda
00:08:49Magda
00:08:51Magda
00:08:52Magda
00:08:55Magda
00:08:55Magda
00:08:56Magda
00:08:56Magda
00:08:57Magda
00:08:57Magda
00:08:57Magda
00:08:58Magda
00:08:59Magda
00:09:12Magda
00:09:19Thank you all.
00:09:44Marilyn Monroe? Here? Magda? She?
00:09:54When I dream of going back there, I dream of the smell of the laundry.
00:10:00The water overflows everywhere and my poetry, Magda, floats, soaked.
00:10:07I try to grab the pages before the ink smudges and the poem disappears in my hands.
00:10:13Ah, he's in love with her.
00:10:16I wrote this to her. 200 words. A sort of... prayer.
00:10:25And I wake up in Brooklyn, almost 40 years later, with my heart pounding in my chest.
00:10:31And I remember her face blushing.
00:10:34And with her beautiful eyes look up and say...
00:10:44Not my Magda.
00:10:46Thank you.
00:10:47Thank you.
00:10:50Thank you.
00:10:50Thank you.
00:10:55Thank you.
00:10:58Thank you.
00:10:59Thank you.
00:11:11Thank you.
00:11:12Thank you.
00:11:18Thank you.
00:11:19Thank you.
00:11:30Thank you.
00:11:32Thank you.
00:11:36Thank you.
00:11:40Thank you.
00:11:42Thank you.
00:11:46Thank you.
00:11:53Thank you.
00:11:54Thank you.
00:12:02Thank you.
00:12:06Thank you.
00:12:08It was my first love, never consummated, never even declared.
00:12:22If she were still alive now, she would be 55 years old.
00:12:32Beautiful Magda, middle-aged.
00:12:46I, I had some ideas for Magda, if you're interested.
00:12:56Of course I'm interested.
00:12:59It's nice that you care.
00:13:05This girl, Magda, is like Natasha in the Three Sisters, the one they laugh at because she has the wrong color dress.
00:13:14But Magda's problem, on the other hand, is how she speaks English.
00:13:20Who told you?
00:13:24What?
00:13:27Of the three sisters and my drama.
00:13:37Nobody?
00:13:38Kazan?
00:13:41That I was influenced?
00:13:44Eh, no.
00:13:48No.
00:13:49I read that work by myself.
00:13:52I've always thought...
00:13:57I always thought about playing Natasha.
00:14:07I was thinking about what Tchekov does with Natasha.
00:14:11He, he...
00:14:13He, he surprises you.
00:14:16Why Natasha turns out to be so strong and devious.
00:14:21And cruel.
00:14:23But your Magda, she never changes much.
00:14:28It's always so good.
00:14:29Yes.
00:14:32Magda is good.
00:14:34It was good, the original.
00:14:37He could never be cruel.
00:14:43Yes.
00:14:47And do you have any other thoughts on Magda's character?
00:14:56Yes.
00:15:03I was thinking about something.
00:15:06If Magda couldn't read, Isaac would give her his poem and she would pretend to read it.
00:15:17Oh my God.
00:15:21It was alphabetical, that's how it was then.
00:15:27It's clear.
00:15:32Thank you.
00:15:34Thank you.
00:15:36Thank you.
00:15:41I...
00:15:43I...
00:15:44I...
00:15:44I...
00:15:44I...
00:15:44I guess I should call you Marilyn.
00:15:46It is not true.
00:15:48It is not true.
00:15:49Or is it just a stage name?
00:15:53You could call me Norma.
00:15:55This is my real name.
00:15:58I could call you Norma.
00:16:00If you prefer.
00:16:03Oh, I...
00:16:05I...
00:16:05I could call you...
00:16:08My Magda.
00:16:13I would like.
00:16:15My secret Magda.
00:16:18Yes.
00:16:20Oh, but I might call you Marilyn in front of others.
00:16:24To avoid misunderstandings.
00:16:26In front of others it doesn't matter what you call me.
00:16:29You can whistle.
00:16:30You can also call me Eitu.
00:16:37Hey you.
00:16:42Hey you.
00:16:49Putting an end to all the gossip,
00:16:52Arthur Miller and Marilyn Monroe
00:16:53They confirmed that they will get married soon.
00:16:56Could you tell me what kind of wedding you'll be having?
00:16:58Very sober, I hope.
00:17:07Betsy, this is so wonderful!
00:17:10I don't want to leave anymore!
00:17:16But...
00:17:39I don't want to leave here anymore.
00:17:53I don't want to leave anymore.
00:18:04I don't want to leave anymore enfadlledo!
00:18:06I don't want to leave anymore.
00:18:07Help the patient of these,
00:18:08I assisted these,
00:18:08lav entsprecheni e così mercare.
00:18:08I don't want to leave anymore!
00:18:09Eitu that the consecrated,
00:18:18I love you
00:18:29We love you
00:18:55Daddy let's go
00:18:57Baby is hungry
00:18:59He wants his mommy to eat
00:19:02Already
00:19:05Potatoes
00:19:07Baby expresses his wishes
00:19:10Norma grants them
00:19:13Agree
00:19:15You'll eat all those potatoes
00:19:25I'm a good girl
00:19:28Daddy
00:19:31Yes
00:19:31You're my good girl darling
00:19:38Come here
00:19:42You are my only love
00:19:53Agree
00:19:55Agree
00:20:05Agree
00:20:08Agree
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