00:00What will happen with love?
00:04What are you doing? I'm going to die!
00:07In my life, there is no such a girl...
00:11...who has refused to marry me...
00:13...and I put her hand in hand.
00:15Because there was a young artist's exhibition in the Art Council...
00:18...I asked you, where are you?
00:22His name is Abhira Ali.
00:30I want to meet this artist.
00:48I'm going back.
00:51Why are you so young?
00:53Why are you going to die?
00:55It's going to die and it's going to die...
00:57...and I'm not going to die.
01:00But what will happen to auntie?
01:05It's hard to get tired...
01:08...but I'm not going to die.
01:12What will happen to auntie?
01:15Why are you serious?
01:17It doesn't look good like that.
01:19I'm not going to die.
01:20And...
01:21...it will be fine auntie.
01:23Inshallah, absolutely.
01:23I'm not going to die.
01:25Come on.
01:26And I'm going to ask auntie...
01:27...in this way too.
01:40Shanawas, this is a disease.
01:43Shh!
01:44I know what I'm doing.
01:49This is a beauty of the fact.
01:56You are a loving husband.
01:58You are a loving husband like you...
01:58...for your life is not always in your life.
02:05Go sleep.
02:07Good night.
02:31Abira, you don't know why you look like
02:33You will be the same as you will be the same
02:37You will be the same with your beauty and beauty
02:40You will be the same with your beauty
02:54What do you think?
02:57What's your story?
02:59Invitation letter
03:02Invitation letter
03:04Invitation letter
03:05Art council?
03:07Wow!
03:08What is it today?
03:10Hmm
03:11So you won't go for a long time
03:14I don't want to go for a long time
03:16What do you mean? This is a very big opportunity
03:19It's a very big opportunity
03:21But now
03:22But now
03:23As long as I have marketed it
03:25I've never done it
03:27And you're saying that you don't have a mood
03:28Now we won't have any argument
03:30If I don't do it
03:30I'll take it to this exhibition
03:33What's your problem?
03:34You've gone back
03:38Where did I go?
03:40My heart is not
03:41This is a boy's fundamental right
03:43What?
03:45My heart is
03:46If I live behind you
03:48Then you'll go all the way
03:48And the rest of the world will be behind
04:12She's so cute
04:20She's so cute
04:29Burnt tobacco smell and your perfume
04:32And your perfume will change the aroma of the room
04:36And your presence will be a red light
04:38And your presence will be a red light
04:38Have you ever felt a red light?
04:41No
04:42Well, I guess I'm only lucky
04:44Yeah
04:48You don't hold your love
04:49No
04:50No
04:51No
04:51No
04:51He's not in this business
04:54He's saying the love of love
04:56And I strongly believe in that
05:00How did the doctor say it?
05:03Everything is perfectly fine
05:06Good
05:07Very good
05:08But here's the meaning of that
05:10You're not to die
05:11You should take care of yourself
05:11Okay
05:12You have to take care of yourself
05:13I will
05:17Who's going to get so happy and get so happy?
05:25Where are you going to get so happy?
05:27Where are you going to get so happy?
05:30My colors are my colors.
05:33My colors are my colors.
05:36They're very romantic.
05:46You have to go. Later, Roja.
05:50Bye.
05:51Bye. I love you.
05:52I love you too.
06:26How's your painting?
06:30I don't know.
06:32Some will be here.
06:34See you guys.
06:36I'll see you guys.
06:36I'll see you guys.
06:36Bye.
06:37It's so good to see people's work.
06:41I'll just look at your painting.
07:15How beautiful is this painting in the frame.
07:21Where is this frame?
07:25It's not the frame.
07:27I don't know if it's the frame or not.
07:30But what is this painting?
07:33I'd like to capture this moment in my phone.
07:37It's so good to see people's work.
07:53Ladies and gentlemen.
07:56You've done a great job.
08:08I'm going to announce the name of the artist.
08:11Also, I would like to invite the very famous person and head of the jury, Mr. Shanwaz Murak.
08:19Thank you, Mr. Shanwaz Murak.
08:49Mr. Shanwaz Murak, Mr. Shanwaz Murak, Mr. Shanwaz Murak.
09:06Okay, sir.
09:07If you have any questions, please take the police force and go to the area.
09:12But I'll never do any of this.
09:16Okay, sir.
09:17I'll do it.
09:17I're jangan's looking at it in your house.
09:19Hang on, I thought I knew it was so good.
09:22but we leave the room without touching it.
09:24I want to leave the room without coming!
09:24Before we jump let the children's out coming in.
09:24Finally, by the children's calling,
09:24Now, we'll actuallyane the story,
09:25I've talked about a few.
09:33Hello close up,
09:35I know you meet my guest.
09:35And what a story wants a little bit —
09:43let's get me here to life.慢慢.
09:43Tell me
09:45this story for me. You've
10:13Allah Hafiz
10:31Painting
10:33کیا ہوتی ہے
10:38بس اپنے دل کی فیلنگز کو باہر نکال کر
10:40ایک کینوز پہ پھیلا دینا
10:43ہر شوک
10:45ہر کل
10:46صرف آپ کے احساسات کو ایکسپریس کرتا
10:50ہمیشہ سے ہمیشہ تک
10:52اظہار کا یہی طریقہ
10:58میں
10:59بیس پچیس سال سے یہی کام کر رہا ہوں
11:05ایکچلی
11:07مجھے اس کام کے لابہ اور کچھ آتا بھی نہیں ہے
11:12آپ کی اس ایگزمیشن میں مجھے
11:15جو دین پینٹنگ سب سے اچھے لگی
11:17وہ میرے پیچھے ڈسپلیڈ ہیں
11:20لیکن آپ لوگوں میں
11:21ایک بہت خاص آرٹسٹ ہے
11:26میں اس کے بارے میں یہ کہہ سکتا ہوں
11:28کہ آنے والے وقتوں میں
11:31اس جیسے دوسرا اور کوئی نہیں ہوگا
11:36who is
11:38abeerani
11:42please come forward
11:44好吧
12:38The art.
12:43The art.
12:44And artist.
12:49Please.
13:14The art.
13:14The art.
13:27The art.
13:28The art.
13:29The art.
13:29The art.
13:30The art.
13:31The art.
13:38The art.
13:51The art.
13:54The art.
14:00The art.
14:01The art.
14:02Don't call me sir.
14:03This phrase is a depiction of ghlami.
14:06Say my name.
14:08Shanawaz Murad.
14:12And the other thing.
14:13Funds or Funds or Funds.
14:15Funds or Funds.
14:18You impressed me.
14:20But impressed is a small phrase.
14:22You bought me.
14:26Sir, now you're doing me.
14:29Do you send me your painting?
14:30Do you send me a painting?
14:34I didn't have to make this for selling.
14:38Then she bought me for all my life.
14:44Sir, Abheera is very shocked.
14:47She's a very passionate artist.
14:52Who is this?
14:55This is Asad.
14:57My friend.
14:58My friend.
14:58And he's a class fellow.
15:04You can understand that this is me.
15:06In this world, this is a very human.
15:08Who is so good.
15:13Very good.
15:13That's a good thing.
15:17Then Asad is asking.
15:19What does your painting mean?
15:21What does your painting mean?
15:28That...
15:29Do not have interest to the art itself in the art.
15:33That's because of my concern.
15:37Abheera, you have found a desire for your painting.
15:40A desire for your painting.
15:42A desire for you.
15:42There is no limit.
15:44There is no limit.
15:45There is no limit.
15:46There is no limit.
15:46The love of the sea.
15:47The love of the birds.
15:55I would like to see you a lot more work
16:00Come to my studio
16:07I will talk to you a lot more
16:09I will talk to you a lot
16:16I will talk to you a lot
16:19I will wait
16:22Can I?
16:31Now?
16:32Do it
16:33Go
16:38What do you think?
16:40Hmm?
16:41Yes sir, I thought that the exhibition was very big
16:46Yes, it was
16:48But you were not thinking about it
16:52Mr. Abeerah, honestly, I don't agree with the point of Shana Vaz
16:58Sir, the artist has its own vision
17:01He thinks about it
17:03He thinks about it
17:05He thinks about it
17:07What a joke
17:10I think that Shana Vaz
17:14doesn't have anything good for you
17:16No
17:17No
17:20It doesn't look good for you
17:22But one thing that I think is
17:25The one thing that I think is
17:25Is that Abeerah
17:26Is that
17:27The artist
17:28Is that
17:29You are such an amazing
17:31You are such an amazing
17:32Such an amazing soul
17:33Wow
17:33What a joke
17:34Wow
17:37Thank you
17:39You are such an amazing
17:42Look at
17:42You are such an amazing
17:44Look at
17:44Look at
17:45I don't know
17:45I do
18:11Do
18:12Do
18:12Do
18:12You are such an amazing
18:22I'll get some bad news for you.
18:24We don't know.
18:26You know I'm going to get you.
18:28You're waiting for me.
18:31You're waiting for me.
18:34You're there on the week.
18:35My parents have a lot of pressure on me.
18:38I wanted to plan a wedding.
18:39I wanted to plan a wedding.
18:41We'll get you.
18:43I'll meet you with me.
18:45I'll get you.
18:48You're a beautiful girl.
18:51She's married.
18:54I'll get you.
18:57I'll get you.
18:58I'll get you.
18:59I'll get you.
19:00I'll get you.
19:03I'll get you.
19:04Holly Ali
19:06H overarching
19:16Styles
19:17The отп
19:17I'll get you.
19:20Again funny.
19:25You don't even know what to do with your account.
19:28You don't even know what to do with your account.
19:30You don't even know what to do with your account.
19:31You don't even know what to do with your account.
19:32Just keep it.
19:33It will be a work for you.
19:38I want to be financially independent of both of you,
19:41so that you don't have any attention to yourself.
19:47If you love so much,
19:50why don't you tell yourself?
19:50If you give a rating just to give a rating,
19:51Explain that.
19:54If you give a rating,
19:55a poser is wrong.
19:57For the first test,
19:59you don't have anything to do with your account.
20:01If you've got to use your account,
20:01you don't have to pay for yourself.
20:04I'll do that later.
20:09Yes.
20:12But if you get your engagement,
20:13you'll need something.
20:16Like you...
20:18You don't have to pay for yourself.
20:20I don't know if I'm going to love her with you.
20:23You don't forget to forget that you don't forget one thought.
20:30That's very good.
20:32Your love is my love.
20:38Why don't you find that woman who fell there?
20:44You should go.
20:45What do you need?
20:50Use the file.
21:12Abhira, you're super boy.
21:17Look, I said to you that this girl will do something very big.
21:23And look, she's standing up.
21:27Baby!
21:29How are you listening to her?
21:31She's saying, she's just saying.
21:34She tells her that she's asleep, right?
21:37No, she's a jailer.
21:40In that moment, we should write a letter to the government.
21:43You need to make a letter to the government.
21:47She's a city that's wrong.
21:49She's a city that's wrong.
21:49Because she doesn't have a district, but she's a jailer.
21:53Because her records are so good.
21:54There's nothing in making prisoners.
21:57Brother.
21:58It's only on our hands.
22:00On our hands, he doesn't have a word from his heart.
22:03On our hands, everyone's hands shut.
22:07Listen, after celebrating, you just told me everything.
22:12Who said what she said and what she did...
22:15Who said what she said.
22:16You have to tell me everything.
22:18I couldn't think of this award.
22:21Yeah, I'm getting a lot of celebrations.
22:23It's going to be a lot of me.
22:24What?
22:32Award for Excellence in Fine Art.
22:40Who wins this?
22:45Apeera, this is yours.
22:49Yes, sir.
22:51Thank you, brother.
22:51Sure.
22:53Keep it.
22:58But correct me if I'm wrong.
23:02You were going to study university.
23:05And then this is the trophy of art.
23:13And you?
23:14Yes, sir.
23:18Yes, sir.
23:44Tell me.
23:47Tell me, brother.
23:48Yes, brother.
23:48I've called you a mistake.
23:54And a mistake is a mistake.
23:57And you both know it.
23:59That I can't do anything wrong.
24:05Never.
24:07No, sir.
24:17You're already right.
24:26You're already right.
24:29There's nothing wrong.
24:33I'll be right back.
24:35I've said, go.
24:36Let's go.
24:41What kind of method is to talk to your family like this?
24:44This is the right method.
24:50You know what I can do with everything I can do.
24:58When you tell a person that doesn't do anything wrong,
25:02It's the right path, but it's the right path, but it's also the right path.
25:06Besides that, there's no path.
25:11Pupo!
25:12That's it!
25:16You didn't have a little joy from that child.
25:20What do you think about it?
25:22What is it?
25:23It's a horrible feeling.
25:26Okay, you're the big ones.
25:28You want to make decisions.
25:30But it's not the right path.
25:32You said that Abheera was a university, Pupo.
25:36And now...
25:37In my words, Abheera will be a great university.
25:42The race is the last semester.
25:47Peta, go and see.
25:50No, she will be the whole night.
26:09I'm sure of the rest.
26:11I'm not sure of the rest.
26:13Now...
26:23It's a very long history,
26:25in my arms.
26:26That's true.
26:38I don't have to sleep in the camera.
26:42I didn't work in the studio today.
26:45I saw you here and I came.
26:50Did you leave smoking?
26:51Did you leave something?
26:55Maybe.
26:57Can I say it?
26:59Maybe.
27:01Just like myself.
27:06My dear wife.
27:08It's a dream, right?
27:10It's a dream.
27:12It's a dream, right?
27:14It's not a dream.
27:17Like this.
27:20It's a dream, right?
27:21I don't have hope.
27:24I don't have hope.
27:26I don't have hope.
27:31I don't want to live long.
27:33I don't want to live much more.
27:48I don't have hope.
27:51I don't have hope.
27:52I'm thinking about it.
27:58Yes.
28:00That's it.
28:02I want you to do it.
28:04You need to do it.
28:06And for our baby.
28:08Leave me to the house.
28:09Leave me to the house.
28:09No.
28:10I don't have hope.
28:13Don't worry about it.
28:15If I had married from you,
28:17I wouldn't have known you.
28:18So,
28:18you're so caring.
28:21I'm actually truly blessed.
28:26Who is blessed with us,
28:28can we decide?
28:31No.
28:40Actually,
28:41I am blessed.
28:45Because in my life,
28:47someone is going to come.
28:48I am blessed.
29:07Hello,
29:08What do you do with money?
29:13This is a small money.
29:16What money?
29:17How much money?
29:19She's a friend.
29:21She's a friend.
29:22She's a success party.
29:25A friend?
29:27I would think that
29:28for me,
29:29there is no friend of mine.
29:31I don't have a friend.
29:34Did she come out?
29:36Yes.
29:37We will give her.
29:38I will give her.
29:45Joining letter.
29:50Joining letter.
29:51It's my job.
29:56I will give her.
30:01I will give her.
30:12I will give her.
30:15I will give her.
30:23I will give her.
30:25I will give her.
30:31I will give her.
30:59I will give her.
31:02If she were to,
31:03It's very difficult to live with love and love.
31:09If you know all the things that we are doing, I don't have anything about it.
31:14Why are you sitting here?
31:16You don't have to tell her.
31:21Go.
31:29It's very difficult to live with love and love.
31:30Yes.
32:02It's very difficult to live with love and love and love.
32:13Where are you from?
32:16The university is prepared.
32:18Why are you crying?
32:20After the rest of the night, they don't want to be in front of you.
32:23What a problem, brother.
32:37It's gone.
32:39Our child is gone from love.
32:43Let's pass the butter.
32:51Why are you crying?
32:52What a problem, brother.
32:55What a problem!
33:10Why are you crying?
33:11Hey, Nick, sit down.
33:19What's the truth? Did you not even get angry?
33:30Okay.
33:37So this means that Ameera Madam is still not aroused.
33:43Look, my dear, this is a very serious place.
34:08No, no, I don't want any explanation. But you know that from university, from home, from home, from university.
34:26And believe me, it's a beautiful place. It's a beautiful place.
34:33It's a beautiful place, a beautiful place.
34:36When it goes away from the cows, it's a beautiful place.
34:40Do you understand my story?
34:41Do you understand?
34:44Yes.
34:47Come on, Nashili.
34:49Then I'll show you everything.
34:52Come on.
35:29Here she comes. The artist, the fine artist, Abeera Ali.
35:49Now I'll show you a trophy that Abeera Ali has given me.
35:55It's a trophy with a bag.
35:57It's a trophy.
36:02These big artists are right.
36:04These small and big trophies will have given you a bag.
36:07You will have to keep a house in an inventory.
36:09But I have all the pictures of that event
36:14I will show you the first two of them
36:17Lighter
36:24See
36:39A
36:40A
36:40A
36:41A
36:42A
36:49A
36:50A
36:51A
