- 2 days ago
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00:00:00The End
00:00:37The End
00:01:04The End
00:01:42The End
00:01:45Jones and Barry are doing a show
00:01:47Jones and Barry are doing a show
00:01:50Jones and Barry are doing a show
00:01:55Testing, testing
00:01:56Jones and Barry are doing a show
00:01:58You're telling me?
00:02:00Well, of course I'm not a lawyer
00:02:04I'm in the kitty car business
00:02:05I don't know much about contracts
00:02:08But
00:02:10It looks good to me
00:02:13It's the biggest contract I ever signed
00:02:16Thanks to you, Mr. Dillon
00:02:18Oh, you could have your choice of a dozen shows
00:02:22A pretty girl like you
00:02:24Not with this depression
00:02:26Say, if it hadn't been for you and your little kitty cars
00:02:29Oh, now, Miss Brock
00:02:31Dorothy, I mean
00:02:33You don't mind my calling you Dorothy, do you?
00:02:37Why, of course not
00:02:38Well, Dorothy
00:02:40I'd like to do something for you
00:02:42You've done entirely too much for me already
00:02:44And I just can't tell you how much I appreciate it
00:02:48No, no, no
00:02:48I mean
00:02:49I mean, I'd like to do something for you
00:02:54If you'd do something for me
00:02:59Why, Mr. Dillon
00:03:01Of course I'd be very glad to
00:03:03But what could I possibly do for a big man like you?
00:03:07Call me Abner
00:03:18Abner
00:03:23When we got Dorothy Brock, we got a great break
00:03:26Abner Dillon guarantees to finance anything she does
00:03:30Say these days, stars like Dorothy Brock are a dime a dozen
00:03:33That's what we got you for, Julian
00:03:35Julian Marsh, the greatest musical comedy director in America today
00:03:40What do you mean, today?
00:03:42All right, tomorrow, too
00:03:44Say, with your reputation
00:03:46Yeah, did you ever try to cash a reputation at a bank?
00:03:49I'm in this for one reason only
00:03:51Money
00:03:53Money, you?
00:03:54Say, with all the hits you've had, you ought to be worth plenty
00:03:57Yeah, I ought to be, but I'm not
00:03:59Did you ever hear of Wall Street?
00:04:03Excuse me, Mr. Marsh, there's a phone call for you
00:04:05A Dr. Chadwick
00:04:07Tell him I'll call him back
00:04:08But he says it's urgent
00:04:09About your examination
00:04:13Use our private phone, Julian
00:04:19What is it, Doc?
00:04:23You have?
00:04:24Good Lord, man, you're not a machine
00:04:26That body of yours will stand just so much
00:04:29I know, but there's no other way
00:04:32You're not just headed for another nervous breakdown
00:04:35And the undue strain on your part might easily prove fatal
00:04:38Sorry, Doc, but I've got to risk it
00:04:41Anything wrong, Julian?
00:04:42You're not going to have another breakdown
00:04:44Because if that's what it is
00:04:45Contract sign, is it?
00:04:46It doesn't matter
00:04:47That's all right, it holds
00:04:51You'll get your pretty lady
00:04:54You haven't got anything to worry about
00:04:56I'm not going to let you down
00:04:59Because I can't afford to
00:05:01I've given everything I've had to that gulch down there
00:05:04And it's taken all I had to offer
00:05:05Oh, it paid me, sure
00:05:06And money I couldn't hang on to
00:05:08Fair-weather friends
00:05:09Women, headlines
00:05:11Why, even the cops and the newsboys recognize me on sight
00:05:14Marsh the Magnificent
00:05:15Marsh the Slave Driver
00:05:17Actors tell you how Marsh drove them
00:05:19And bullied them
00:05:20And even tore it out of them
00:05:21And maybe there's a few that'll tell you how Marsh really made them
00:05:24And they all got something to show for it
00:05:25Except Marsh
00:05:27Well, this is my last shot
00:05:28I'll make a few more actors
00:05:29But this time I'm going to sock my money away so hard
00:05:32That they'll have to blast to find enough to buy a newspaper
00:05:35That's why I'm going ahead with Pretty Lady
00:05:38And Pretty Lady's got to be a hit
00:05:39It's my last show and it's got to be my best
00:05:42You're counting on me
00:05:43Well, I'm counting on Pretty Lady
00:05:45Because it's got to support me for a long time to come
00:05:47But Julian, wait a minute
00:05:49Remember, my contract makes me boss with a capital B
00:05:51And what I say goes
00:05:53Make the chorus call for 10 o'clock tomorrow
00:05:58He'll drive us crazy before we get this show on
00:06:01Yeah, but suppose that guy should pass out on us
00:06:05New York will see its first triple funeral
00:06:24Good morning, Mr. Marsh
00:06:26I'll be in here in just a few moments
00:06:27Quiet now, quiet, please
00:06:28Quiet, please
00:06:29Quiet, everybody, quiet
00:06:30Hello, Jerry, how are you?
00:06:32Hello, Andy
00:06:33Well, it's too good to be true
00:06:35How's the turnout, Mac?
00:06:36About 50-50
00:06:37Half are dumb and the other half are dumber
00:06:39Oh, Andy
00:06:41Hello
00:06:42Hello
00:06:47He's so busy
00:06:50Little Lorraine has been hitting the bottle again
00:06:52Yeah, the peroxide bottle
00:06:54What do you know, get me canned?
00:06:55Now listen, you're set, you're in, I'll scram, will you?
00:06:57Oh, darling, you're just too sweet the way you keep spoiling me
00:07:02I beg your pardon
00:07:03It's okay, lady, this is a two-way street
00:07:06I beg your pardon
00:07:07But are you by any chance the, the, what is the word?
00:07:11The stage manager
00:07:13Hey, Ann, come out from under that accent, I see you
00:07:17Lolly
00:07:17Hey, darling
00:07:20You remember Aunt Loa
00:07:22Not any time, Annie
00:07:24Say, who could forget her?
00:07:25She only said no once
00:07:26And then she didn't hear the question
00:07:28Gee, you been abroad?
00:07:34Andy
00:07:36Where's Andy Lee?
00:07:37Yes, Mr. Marsh, coming right up
00:07:41Good morning, Mr. Marsh
00:07:42Good morning
00:07:43Line them up, Andy
00:07:44Yes, sir
00:07:44Okay, girls, line up
00:07:46Come on
00:07:47Quiet now, quiet
00:07:48All right, come on, now, quiet, girls
00:07:51I want all the dancing to line up and double line out front
00:07:55Showgirls and double line are back at them
00:07:57And the boys are back at them
00:08:00Don't scramble
00:08:02Come on, girls, hurry up
00:08:04I really had a charming summer in Doeville, dear
00:08:07Yes, but don't you find, sir, George, impossible at Thames
00:08:11Oh, well, get a lot of men in the mountain near
00:08:15Must have been tough on your mother not having any children
00:08:18That's telling them
00:08:24Oh, dear
00:08:33You, uh, looking for somebody
00:08:35Or, uh, just shopping around
00:08:37Oh, uh, could you tell me where I'll find the gentleman in charge
00:08:40First door to your left, dearie
00:08:42I know, but shh
00:08:45Don't knock, he's expecting you
00:08:46But that's the
00:08:52Hard mistake, the other door
00:08:57Oh, hey, wait a minute
00:09:00Hey, what's the idea?
00:09:02Oh, uh, they said, uh, uh, weren't you expecting me?
00:09:06Well, not exactly, but, uh, I'm afraid you'll do
00:09:09Well, uh, I don't understand
00:09:12Say, I don't either
00:09:13What do you want?
00:09:14What are you looking for?
00:09:15Well, isn't this the, uh
00:09:16No, no, when I get my clothes on, I'll show you where it is
00:09:19Oh, it isn't a knit, it's a he
00:09:22Maybe I'm wrong about the whole thing
00:09:24Let's start all over again
00:09:25I'm Billy Lawler
00:09:26One of Broadway's better juveniles
00:09:28Oh, I thought you were important
00:09:30Say, that's the way a lot of people feel about juveniles
00:09:33Only most of them aren't so frank about it
00:09:38You're new to show business, aren't you?
00:09:40Oh, I've had experience
00:09:42How many shows?
00:09:43Oh, why, any number of, uh
00:09:45Come on now, come on
00:09:46Well, uh, to tell you the truth
00:09:48I want the truth
00:09:49This'll be my first if they take me
00:09:51If they take you?
00:09:53Say, you can't miss
00:09:54I'll take you in myself
00:09:56I'll steer you right up to the stage, director
00:09:58Come on, let's go
00:10:02A short order of hand coming out
00:10:05Not good, but loud
00:10:07Honey, take a good look at them now, will you?
00:10:09Because after they make that back line
00:10:10You'll never see them again
00:10:11Well, but it's to the Lord Bungaloy in the village Maine
00:10:15Maine in New York have all places
00:10:17Just a minute
00:10:17Where are you headed for, sister?
00:10:19She wants to see Marsh
00:10:20That'll just about make Marsh's day perfect
00:10:23Come on, girls, inside
00:10:24There's the boss right over there, honey
00:10:25See him? His name is Julian Marsh
00:10:27He's a fellow with a light gray felt hat
00:10:29Go and talk to her
00:10:30Go ahead
00:10:39Quit shoving
00:10:47Left the skirts up, a little higher
00:10:49Come on, come on
00:10:51Afraid I gotta run
00:10:52First door to your left
00:10:54Oh, my stocking
00:10:57First offense, kid?
00:10:58Yes, but I don't think maybe I ought to tell them that
00:11:01No, of course not
00:11:02And they'll never guess
00:11:04Do you think I'll do?
00:11:06Well, I only know what I read in the papers
00:11:08But you look all right to me
00:11:10Andy
00:11:10Yes, sir, Mr. Marsh
00:11:11First eight girls
00:11:12Yes, sir
00:11:13All right, and the first eight girls line up here
00:11:14Come on, Ruth
00:11:15First eight girls line up down in front
00:11:16Come on
00:11:17Come on, girls
00:11:20Now lift your dresses up
00:11:23Come on, higher, higher
00:11:24I want to see the legs
00:11:27Yeah
00:11:28They got pretty faces, too
00:11:31Turn around
00:11:31Come on, turn around
00:11:35Come on, please
00:11:35Oh, dear
00:11:35Not a calf in a carload
00:11:38Oh
00:11:38That's right
00:11:39Get the next eight, will you?
00:11:40All right, next eight
00:11:40Come on down
00:11:42Stick with us, kid
00:11:42You'll come in on the tide
00:11:43Come on, girls
00:11:44Hurry up
00:11:45Hurry up
00:11:45Hurry up, girls
00:11:47Hurry up, girls
00:11:48Come on
00:11:49Hurry up, girls
00:11:49Come on
00:11:49Lift your dresses up
00:11:50Do you mind holding Fifi for me?
00:11:52Turn around now, please
00:11:55All right, back
00:12:01Uh, okay, though, straight on the left, Mr. Marsh
00:12:04If I were you, I'd keep him
00:12:06I suppose if I don't, you'll have to
00:12:10Ah, Lorraine again, huh?
00:12:12Andy, you're a panic
00:12:14All right, have it your way
00:12:15Mac
00:12:16Okay, by special request of the copyright owner
00:12:19All right, next eight, come on
00:12:20Hurry up, girls
00:12:21Come on
00:12:23What's yours?
00:12:25Dionne Lormore, 333, Park Avenue
00:12:28And is her homework tough?
00:12:32Next
00:12:34Adnan, Arnold, Cantway
00:12:38Amy, what's the matter?
00:12:41Well, what is it?
00:12:43What is it?
00:12:43What's the matter now?
00:12:44Must have been a slip-up someplace, Mr. Marsh
00:12:46It's where a girl's short
00:12:48Well, that's great
00:12:50Just great
00:12:51Now all we need is a girl and a dance director
00:12:54Who can count up to 40 without a pad and pencil
00:12:55Well, Mr. Marsh
00:12:56Well, do something
00:12:56Get another girl
00:12:58You don't expect to stand there
00:12:59And shake a blonde under your pants leg, do you?
00:13:01Yeah, but Mr. Marsh
00:13:01Hey, Mr. Marsh, I don't want to buddy in
00:13:03Oh, a lot of people are like that
00:13:04Sorry, Mr. Marsh, but I can have one up here
00:13:06The first thing in the morning
00:13:06Yeah, that's just ducky
00:13:07I can hardly wait
00:13:08Hey, Mr. Marsh, that's what I'm trying to tell you
00:13:10You don't have to wait
00:13:11And she's a swell dancer, too
00:13:12And you picked her once
00:13:13But she got eliminated the third time through
00:13:18Say you, come out from behind there
00:13:19Hey, you, with the legs
00:13:20Come out, come out
00:13:22Quiet, quiet, please
00:13:23Quiet, please
00:13:24Quiet, please
00:13:25Quiet, please
00:13:28Well, I'm up
00:13:30Hey, kid
00:13:31Hey, you
00:13:32Hey, come on, get up
00:13:37The boss wants to see you again
00:13:38Who, me?
00:13:40Come on, come on
00:13:46All right, she'll do
00:13:47They're all yours, Andy
00:13:48All right
00:13:50All right, get in line
00:13:55All right, now, everybody
00:13:57Quiet, listen to me
00:13:59Tomorrow morning
00:14:00We're going to start a show
00:14:02We're going to rehearse for five weeks
00:14:04And we're going to open on scheduled time
00:14:05And I mean scheduled time
00:14:08You're going to work and sweat and work tomorrow
00:14:11You're going to work days
00:14:12And you're going to work nights
00:14:13And you're going to work between time
00:14:14When I think you need it
00:14:16You're going to dance until your feet fall off
00:14:18And you're not able to stand up any longer
00:14:19But five weeks from now
00:14:22We're going to have a show
00:14:25Now, some of you people have been with me before
00:14:27You know it's going to be a tough grind
00:14:28It's going to be the toughest five weeks
00:14:30That you ever lived through
00:14:31Do you all get that?
00:14:34Now, anybody who doesn't think he's going to like it
00:14:36Had better quit right now
00:14:38What do I hear?
00:14:41Nobody?
00:14:42Good
00:14:42Then that's settled
00:14:44We start tomorrow morning
00:14:48All right, kids
00:14:49At the clock tomorrow morning
00:14:51We start with the lyrics
00:14:52In practice clothes
00:14:53Oh, I don't deny her
00:15:00December or November
00:15:03April, August or December
00:15:08It must, it must, it must, it must, it must be new
00:15:25what did i tell him this is what i told him no i won't run your stage for that money
00:15:30well he cried
00:15:31he cried one way i went home for him you see that's great you beat jerry to the finish by
00:15:34two
00:15:35lengths all right kids take your positions we're going to try those routines
00:15:42quiet what do you think you are home i get back to new york when i get this wire
00:15:58all right dorothy that's your cue things can never be the same now i beg your pardon miss brock but
00:16:04would you mind saying things can never be the same now well that's what i said you did not you
00:16:09said
00:16:10things can never be the same now i did not you did now wait a minute who's directing this show
00:16:14she's
00:16:15reading my lines wrong i am not what did you say i said things can never be the same now
00:16:20that's
00:16:21right things can never be the same now the scene ends with you two on the steps and you go
00:16:26into the
00:16:26number all right dorothy now that's where you take his hand now the scene ends with you two on the
00:16:31steps
00:16:31and we go right into the duet number's over hello hi you're doing fine for a beginner well thanks i'm
00:16:43trying say i was so scared that first day i walked around the block four times before i had courage
00:16:49enough to even come and apply for this job i know it's tough but you'll get along well i wouldn't
00:16:54mind
00:16:54if i could only get that routine set listen sister i'll show you those taps come on with me taps
00:16:59say
00:17:00i can do a tap dance on my ear what bothers me is that routine then i'm just what the
00:17:06doctor ordered come
00:17:11along now look crossover you kids are gluttons for punishment well mr mr well this boy's showing
00:17:23me i was just trying to make her trying to make her is right we'll just let that pass i'll
00:17:31try it
00:18:00again
00:18:01When you are true, you'll tell one who is true to you.
00:18:11I always said, yes, she was a nice girl, and she's so good to her mother.
00:18:15She sure is. Do you know that she makes $45 a week and sends her mother a hundred of it?
00:18:19When I love you, it must, it must be you.
00:18:30Not September or November, April, August.
00:18:36Get some feeling into it, will you?
00:18:38What do you want me to do, bite my nails?
00:18:41It must, it must, it must, it must, it must.
00:18:50You've got the busiest hands.
00:18:59June, June, June, June.
00:19:08Wait a minute, wait a minute.
00:19:11It's out.
00:19:13That'll be about enough of that, it smells.
00:19:15You mean you don't like this number?
00:19:17Sure, I like it.
00:19:18I've liked it since 1905.
00:19:20What do you think we're putting on, a revival?
00:19:21It's out, the whole number.
00:19:23Why, Mr. Marsh, this number will be a riot.
00:19:25That's exactly what I'm afraid of.
00:19:27Dismiss, Andy, an hour for lunch.
00:19:28All right, everybody, one hour for lunch.
00:19:30One hour for lunch.
00:19:31Go for lunch.
00:19:33Here, we are, we're ready.
00:19:35Here we go.
00:19:41And you are ready.
00:19:42All right.
00:19:51Here we go.
00:19:55Here we go.
00:20:03I don't know what to do.
00:20:03Are you waiting long, darling?
00:20:04Well, long enough.
00:20:06Well, I could wear vouchy, aren't I?
00:20:09Oh, no, not that, but...
00:20:11What?
00:20:11Well, dear, it's just that I'm getting tired of this hiding in doorways
00:20:14and sneaking in and out of places,
00:20:16always keeping under cover while I'm beginning to feel like a criminal.
00:20:22There. There's nothing criminal in that, is there?
00:20:24No, there's nothing criminal in that.
00:20:33Listen, Julian, I thought we'd better come over and tell you.
00:20:36Looks like we're in trouble.
00:20:37That word has a familiar sound.
00:20:39Are you married, too?
00:20:41This is serious, Julian.
00:20:43Serious?
00:20:44Did you ever leave your wife sitting alone in a nightclub holding the check?
00:20:49Now, you know, of course, that Admiral Dillon's putting up the bankroll for our show.
00:20:52I knew he wasn't hanging around because you liked his face.
00:20:55I don't like his face or any part of him.
00:20:57He looks like a Bulgarian ball weevil mourning its firstborn.
00:21:02Well, his interest in our show is Dorothy Brock.
00:21:05His interest is our principal.
00:21:07Very good.
00:21:09Very, very good.
00:21:10Even I was able to gather that much.
00:21:12Yes?
00:21:13Well, we stand a first-rate chance of having him withdraw his financial support right now.
00:21:18Now, did you gather that?
00:21:19But why?
00:21:20Because dear little Miss Brock is two-timing Abner right under his very nose.
00:21:24Now, that's why.
00:21:25Who with?
00:21:26With a fellow who used to be her partner for years when she was in vaudeville.
00:21:29Now she's come up in the business while he just hangs around.
00:21:31He's been out of town somewhere and just got back last week.
00:21:33If Dylan finds this out, and if he doesn't, he's dumber than I thought even he could be.
00:21:37Oh, now wait.
00:21:38Nobody can be as dumb as all that.
00:21:41Well, he'll just walk out on us and we'll be sunk.
00:21:44That's what, if we don't do something quick.
00:21:46Try applying a little dough to the problem.
00:21:48Give the Romeo a hundred bucks.
00:21:50Get him out of the town.
00:21:50Get him out of the way.
00:21:51We might try using a little flip.
00:21:54Say, you don't know this guy Denning.
00:21:57That's his name, Pat Denning.
00:21:58He's not the kind of a guy that gets sent places just like that.
00:22:00No, no.
00:22:01He gets train sick.
00:22:03Ah, I see.
00:22:04Hard boiled, huh?
00:22:05Mmm.
00:22:06Well, it's going to be just too bad.
00:22:09But no vaudeville chump is gonna ruin my show.
00:22:12Why, what are you gonna do?
00:22:13I'm gonna talk about it with Murphy, a friend of mine from downtown.
00:22:15He never did like vaudeville.
00:22:16Slim Murphy?
00:22:17Yes.
00:22:18Why, Murphy will kill him.
00:22:19Well, that'll teach him a good lesson.
00:22:21Now listen, I don't want to be mixed up with Murphy or any other gangsters.
00:22:24No?
00:22:25Well, what's one man's meat is another man's Murphy.
00:22:27I told you what this show means to me.
00:22:29Well, this is what it does mean.
00:22:31Hello.
00:22:31Hello, Murphy.
00:22:32This is Julian Marsh.
00:22:34Yeah, I'm okay.
00:22:34Thanks.
00:22:35Say, listen to me.
00:22:36You gotta do me a favor.
00:22:37Did you ever hear of Dorothy Brock?
00:22:40Good.
00:22:41That makes it so much easier.
00:22:43Well, listen to me and get this.
00:22:45It seems there's a certain guy by the name of Denning.
00:22:49D-E-N.
00:22:52N-I-N-G.
00:22:55Hey.
00:22:55I got you, Mr. Marsh.
00:22:57Sure.
00:22:59Hey, pipe down.
00:23:00What do you think I got on?
00:23:01Earphones?
00:23:04It's as good as done.
00:23:06And say, you ain't gonna forget me on ducats for the new show, are you?
00:23:10That a boy.
00:23:11Okay.
00:23:21Here.
00:23:21Not another nickel, honey.
00:23:23No.
00:23:23Just can't be done anymore, that's all.
00:23:25Oh, Pat.
00:23:26Don't be silly.
00:23:27We've always shared and shared alike, haven't we?
00:23:30Mm-hmm.
00:23:30Oh, what's come over you?
00:23:32Oh, getting a sudden attack of manhood, possibly.
00:23:35Oh, Dot, let's quit kidding ourselves.
00:23:37Well, I'm getting to be a regular anchor around your neck.
00:23:39You're not.
00:23:39Yes, I am.
00:23:40And besides, this business of never being able to see you, except when nobody is looking,
00:23:44is beginning to get me down.
00:23:45But, darling, I owe everything I am to you.
00:23:49It was you and that little act of ours that started me in all this.
00:23:52Why, you trained me and coached me and taught me all I know.
00:23:56I was pretty dumb, too.
00:23:58I haven't forgotten.
00:23:59The act?
00:24:00Oh, it was grand, Pat.
00:24:01Really grand.
00:24:02It was terrible.
00:24:03Well, you didn't think so then.
00:24:04You mean I didn't say so then?
00:24:06Oh, Dot, you've gone ahead.
00:24:08You've earned it.
00:24:09I've stayed behind where I belong, I guess.
00:24:12You've deliberately kept yourself behind.
00:24:14Nothing of the sort.
00:24:14Well, they wanted you.
00:24:16They never wanted me.
00:24:20Besides, Dot, I've been getting myself some education.
00:24:22And I've discovered they have a name for a man who doesn't work,
00:24:25who accepts money from a woman.
00:24:29It isn't a very nice name, Dot.
00:24:30Oh, darling, you're talking like a child.
00:24:33No, I'm not.
00:24:34There isn't any other reason, is there?
00:24:36No.
00:24:37Sure.
00:24:37Well, sure, I'm sure.
00:24:39Now it's getting late.
00:24:40I'd better take you home.
00:24:41Yeah, keep the change.
00:24:42Thank you, sir.
00:24:44I wish you didn't feel the way you do.
00:24:45So do I.
00:24:46But I do.
00:24:57Watch that temple, watch it, will you?
00:25:00Come on, get the feet off of the floor.
00:25:01Get them up.
00:25:06Faster.
00:25:07Faster.
00:25:08Come on.
00:25:09Faster, faster.
00:25:12Stop it, stop it, stop it.
00:25:14It's brutal.
00:25:16Oh.
00:25:18May I remind you that Pretty Lady's out-of-town opening is not far away?
00:25:23It's been advertised as a musical comedy with dancing.
00:25:28If it isn't asking too much, will you please show me a little?
00:25:32All right, now, once again, give it something.
00:25:34Come on, ready, Jerry?
00:25:36Get into it now.
00:25:37Come on.
00:25:37Come on.
00:25:58Having fun?
00:26:00After three weeks of this, a leg ain't nothing to me but something to stand on.
00:26:05All right.
00:26:06Let me hear your number, Dorothy.
00:26:08Come on, Jerry.
00:26:08The habit, habit number.
00:26:13Jerry, put it up a half a tone, will you?
00:26:16Every kiss, every hug, seems to act just like a drug.
00:26:20You're getting to be a habit with me.
00:26:24Doesn't she sing gorgeous?
00:26:26Seventy thousand bucks.
00:26:29You're getting to be a habit with me.
00:26:34I used to think your love was something that I could take or leave alone.
00:26:42But now I couldn't do without my supply.
00:26:46I need you for my own.
00:26:50Watch this, honey. I may want you to understand.
00:26:52The way I must have you every day.
00:26:55As regularly as coffee or tea.
00:26:59You've got me in your clutches and I can't get free.
00:27:03You're getting to be a habit with me.
00:27:07Can't break it.
00:27:09You're getting to be a habit with me.
00:27:12You're getting to be a habit with me.
00:27:16All right. Okay.
00:27:17Come on now, folks.
00:27:18Get ready for the duet number.
00:27:19Come on.
00:27:19Stab it up.
00:27:22No way, Jerry.
00:27:23Let's go.
00:27:27Come on.
00:27:28Come on.
00:27:49Come on.
00:27:49Faster, Jerry, faster.
00:27:52What's the matter with you?
00:27:55All right, come on.
00:27:56You all right, kid?
00:27:57Uh, I guess so.
00:27:59Come on, faster.
00:28:00All right, faster.
00:28:05Piggy!
00:28:07Get back, everybody.
00:28:08Get back in the line.
00:28:10All right, come on, now, places, everybody.
00:28:12This is a rehearsal, not a rescue.
00:28:13Back, take her outside.
00:28:15Hurry up, come on, everybody, Jerry.
00:28:16All right, come on, get back, Jerry.
00:28:19Hurry up.
00:28:20Go!
00:28:24Come on, pick him up.
00:28:28Get aside.
00:28:30Come on.
00:28:35Hold your places, everybody.
00:28:36All right, Lola, inside.
00:28:37The girl's OK.
00:28:38You feel better, honey, huh?
00:28:46Oh, I guess I fainted.
00:28:54Yeah, that's a good guess.
00:28:56I guess I'm all right now.
00:29:01Oh, bad guess.
00:29:03Better sit down again.
00:29:05Now, listen, you let me play now.
00:29:06What would you suggest, doctor?
00:29:09Well, a little fresh air and conversation.
00:29:11But what about Mr. Marsh?
00:29:13Oh, never mind, Mr. Marsh.
00:29:15Let's sit this dance out, huh?
00:29:17And if I lose my job?
00:29:18If you do, there just won't be any show.
00:29:21Hmm.
00:29:21Anyway, it's a nice idea.
00:29:23Say, listen, I got a lot of nice ideas.
00:29:26What I need are ears to spill them in.
00:29:28Well, won't mine do?
00:29:30Yes, you know, I think they do very, very nicely.
00:29:34One of your ears available.
00:29:35Oh, at all sorts of odd odds.
00:29:38You must look them up sometime.
00:29:40Oh, remind me to tell you, I think you're swell.
00:29:43That's all for that.
00:29:44All right, dismissed, girls.
00:29:45Somebody dismissed!
00:29:52Well, thanks, doctor.
00:29:53Your prescription was great.
00:29:55Mm-hmm.
00:29:56Now for the workshop.
00:29:59Oh, wait a minute.
00:30:00You know, you've got to take it daily to really do any good.
00:30:02It'll have to be absent treatment, I'm afraid.
00:30:05At least for the time being.
00:30:07Bye.
00:30:08Bye.
00:30:12Good night, Jimmy.
00:30:13Good night, little Rock.
00:30:14Oh, well, coming out soon.
00:30:15Good night, Abner.
00:30:19Dorothy, where will we eat?
00:30:22Oh, you know, Abner, I'm not a bit hungry.
00:30:24Oh, but look, I'm all dressed for dinner.
00:30:26Oh, yes, sir, you are.
00:30:27I'll get the car.
00:30:31Dorothy, the car is here.
00:30:34Yes, Abner.
00:30:56Why, doctor, you must like it here.
00:30:58I'm beginning to, but you know, I'm not the doctor anymore.
00:31:01You are.
00:31:01I've become the patient.
00:31:03And believe me, I'd like a little advice.
00:31:05Very well, but you might tell the doctor your name.
00:31:07Oh, I couldn't do that.
00:31:09But my initials are Pat Denning.
00:31:11What do you advise for a man who's both hungry and lonesome
00:31:14and who hates to eat alone?
00:31:15Company.
00:31:16Excellent.
00:31:17Did you have anyone in mind in particular?
00:31:18Did you?
00:31:19Will you?
00:31:20I'm very much afraid I will.
00:31:23Good.
00:31:25Well, good night, Pat.
00:31:27It's been a wonderful evening.
00:31:28Will I see you again?
00:31:29I hope so.
00:31:30Good.
00:31:30Good night.
00:31:31Night.
00:31:33Hey, got a match?
00:31:35Yep.
00:31:36Guess so.
00:31:37Yeah.
00:31:37Don't happen to know a guy named Pat Denning, do you?
00:31:40Why, yes.
00:31:41We've got a message for him.
00:31:42This guy Denning's a pretty wise mug, but he ain't wise enough.
00:31:46And if he don't lay off that Dorothy Brock dame,
00:31:48it's going to be just too bad for Denning.
00:31:50Get me?
00:31:51All right, I'll tell him.
00:31:52Yeah, I will.
00:31:53Oh!
00:31:54That's so you don't forget.
00:31:55Pat!
00:31:56Pat!
00:31:59Pat!
00:32:00Who were they?
00:32:01Oh, friends with good advice.
00:32:03Are you heard?
00:32:04Don't want to watch it.
00:32:07But, Pat, tell me what happened.
00:32:10Better let it drop.
00:32:12Besides, it's hardly a bedtime story for a nice little girl like you.
00:32:16What kind of a house do you think this is?
00:32:18Get that man right out of here.
00:32:19But, Mrs. Hull.
00:32:21But nothing.
00:32:21I have eyes.
00:32:23Just because there's a depression on some folks thinks that a landlady can stand for anything.
00:32:27Oh, but you don't know.
00:32:28After running a rooming house for 19 years, there's nothing that I don't know.
00:32:32Now you get out, and no more talk.
00:32:35Then if he goes, I go too.
00:32:37Huh!
00:32:38Probably I'll be able to bear up under that blow too.
00:32:44Well, where do we go from here?
00:32:47Hotel.
00:32:48I suppose so.
00:32:49But it'll have to be an inexpensive one, as I only have about a dollar and a half.
00:32:53Well, I don't know what's going on here.
00:32:57What about my place?
00:32:58Broke?
00:32:59Not exactly.
00:33:00Not exactly flush, either.
00:33:02Then I guess it's your place, or a park bench.
00:33:29And I guess it's your place.
00:33:30That's better.
00:33:31Here.
00:33:32Have your coat.
00:33:45Make yourself comfortable.
00:33:48Will you excuse me a minute?
00:33:50Yes, sir.
00:34:19Just a couple of rose-colored glasses.
00:34:21Let's try them and see how the world looks.
00:34:22Okay, Doctor.
00:34:24Here you go.
00:34:31Things beginning to look any better?
00:34:33A little bit.
00:34:36Tired, aren't you?
00:34:37Dead tired.
00:34:49The first time on the plane.
00:34:49And I feel like my first time.
00:34:51You jump, jump, and jump as many miles as I have today, and you'd be tired too.
00:35:16Pat! Pat, what are you doing?
00:35:18Please, put me down. Please, Pat.
00:35:21Please, put me down.
00:35:22Come on.
00:35:26Now, you go right to sleep, youngster.
00:35:28What you need is a good night's rest.
00:35:32Good night.
00:35:33Good night.
00:35:38Oh, Pat.
00:35:39Yes?
00:35:40Will you hand me my bag, please?
00:35:43Oh, which one?
00:35:45That one.
00:35:50There you are.
00:35:53Good night.
00:35:53Good night.
00:35:55Good night.
00:36:15What are you doing when you have a couple of left feet like mine?
00:36:21Just pick them up and lay them down.
00:36:23I'm doing the best I can, honey.
00:36:28Get a load of the juvenile.
00:36:31Didn't know we had elephants in the show.
00:36:36Hold it! Hold it! Hold it!
00:36:39Hold it!
00:36:39Hold it, Jerry!
00:36:40Hold it!
00:36:43Lawler.
00:36:44Someday, some director's gonna jail you for taking money under false pretenses.
00:36:48You're supposed to be a dancer.
00:36:49All you need is a couple of license plates and you'll look like a Model T Ford.
00:36:52Listen, Mr. Marsh, they've been going all night long.
00:36:54I'll keep them here till they get it if it takes a week.
00:36:57All right, now, get out.
00:36:58Take the last eight bars.
00:37:00All right, pick it up, Jerry.
00:37:01Pick it up, Jerry.
00:37:17All right.
00:37:20Hello, honey.
00:37:21Oh, Don, how are you?
00:37:23Oh, tea for two.
00:37:26Yeah, a friend of mine dropped in.
00:37:30Love me?
00:37:31Mm-hmm.
00:37:33I wonder.
00:37:35Oh, now, you're not going to go and get serious on me, are you?
00:37:42You leaving town?
00:37:43Yeah.
00:37:44Stock job in...
00:37:46in Philadelphia.
00:37:48Oh, Pat, without telling me?
00:37:50Well, dear, I thought it was the best way.
00:37:55Maybe you're right.
00:37:58Sit down, dear.
00:37:59I want to talk to you.
00:38:00Mm-hmm.
00:38:06I've done a lot of thinking since the other night.
00:38:09Pat, do you know what's wrong with me or rather with us?
00:38:13We've grown too necessary to one another.
00:38:16You've been content to rest in the shadows while I've basked in the spotlight
00:38:19simply because it's held us together.
00:38:22My success has been your failure.
00:38:24Well, dear, my failure, as you put it, has been my happiness.
00:38:27But, darling, you're capable of such great things.
00:38:32You're not a quitter.
00:38:34I've only wanted to help you, but I've been hurting you instead.
00:38:37I realize that now.
00:38:39That's why I came here this morning.
00:38:43Pat, we're not going to see each other for a long time.
00:38:46No more doorways.
00:38:48No more secret meetings.
00:38:50You're going out on your own and make a success.
00:38:53Yes.
00:38:55You're right, Doc.
00:38:57But you know, somehow, I can't imagine going on without you.
00:39:02Nor I without you.
00:39:04But it's got to be.
00:39:06Yes, Doc.
00:39:08It's got to be.
00:39:10And maybe...
00:39:13someday...
00:39:15someplace...
00:39:16Maybe.
00:39:19Bye, Pat.
00:39:24Oh, Doc.
00:39:31I love you.
00:39:33Me too.
00:39:56I love you.
00:40:00Up.
00:40:02Up.
00:40:06Hiya, Bluebeard.
00:40:07Okay.
00:40:08Just a little touch of scarlet fever.
00:40:10Oh, that's fine.
00:40:11Maybe it'll develop to something serious.
00:40:21The curtain's just come down.
00:40:23It's the end.
00:40:25And is this what you call a finale?
00:40:30What is this, amateur night?
00:40:34Have we been rehearsing for five weeks?
00:40:37Or did I dream it?
00:40:39The show's ragged.
00:40:41What do you mean, the show's ragged?
00:40:42The numbers are ragged.
00:40:44May I remind all you shining lights that this is the company that opens tomorrow night?
00:40:52I am in the right theater, am I not?
00:40:55This... this is the Pretty Lady Company, isn't it?
00:40:58The all-star show that opens in Philadelphia tomorrow night?
00:41:04Philadelphia?
00:41:05Quiet!
00:41:07Quiet!
00:41:10Philadelphia, PA.
00:41:11Yeah, and on Sundays, it's PU.
00:41:15Quiet!
00:41:16Quiet!
00:41:17Julian, you mean Atlantic City, don't you?
00:41:20I mean Philadelphia.
00:41:22Train leaves at 1 p.m., Penn Station.
00:41:25Full dress rehearsal, 4 o'clock, Art Street Theater.
00:41:27But I... I don't want to go to Philadelphia.
00:41:31Who does?
00:41:32We couldn't get the house at Atlantic City.
00:41:34But why Philadelphia?
00:41:36Well, when you become stage director, we'll open in your apartment, if you say so.
00:41:41But right now, it's Philadelphia.
00:41:43You've got the call, read him the call.
00:41:44Of all the cities in the United States, he would pick Philadelphia.
00:41:48All right, now listen to me.
00:41:51We open the Art Street Theater for Philadelphia tomorrow night.
00:41:58So this is Philadelphia.
00:42:05Come on, boys, get it over.
00:42:07Quiet!
00:42:09Why don't you stop that?
00:42:13Sir, are you getting a kick out of it?
00:42:14Of course, aren't you?
00:42:15Oh, I don't know.
00:42:17You suppose anybody will even know I'm in the show?
00:42:19I will.
00:42:20Gosh, does it make any difference to you?
00:42:23Gee, Billy, I've always been for you, ever since that first day.
00:42:26Laces, everybody!
00:42:27I'll be seeing you, huh?
00:42:30You won't forget the modulation on the last eight bars, will you?
00:42:33Okay.
00:42:33You forgot your handkerchief.
00:42:35All right, go ahead.
00:42:35Okay, Bill, try it out.
00:42:37Oh, no, Simon, it's cold.
00:42:42I don't know exactly how it started, but it started in fun.
00:42:49I just wanted someone to be gay with, just to play with someone.
00:42:56But now I realize that I could never let him go.
00:43:00And I'm going to tell him so.
00:43:05Every kiss, every hug seems to act just like a drug.
00:43:10You're getting to be a habit with me.
00:43:13Let me stay in your arms.
00:43:16I'm addicted to your charms.
00:43:18You're getting to be a habit with me.
00:43:22I used to think your love was something that I could take or leave alone.
00:43:30But now I couldn't do without my supply.
00:43:34I need you for my own.
00:43:38Oh, I can't break away.
00:43:40I must have you every day.
00:43:42As regularly as coffee or tea.
00:43:46You've got me in your clutches and I can't get free.
00:43:51You're getting to be a habit with me.
00:43:54I can't break you.
00:43:55You're getting to be a habit with me.
00:44:11I can't, you're getting to be.
00:44:12Sozial by, you're getting to be a habit with me.
00:44:14Put in my stupid historia.
00:44:14You're getting to be a habit though with me,
00:44:14Mom?
00:44:14Should we be getting to the house if something was?
00:44:14You and I don't recall?
00:44:22Take my time when I'm dressed as a house?
00:44:24Everything will look great?
00:44:24You're getting me.
00:44:24Look at me.
00:44:31If you're nice to the right people, you're going to get along.
00:44:33You know, in that young and healthy number when you walk down stage?
00:44:36Well, give it a little life, you know, sort of.
00:44:38Not a prep, sort of.
00:44:39Quiet, please!
00:44:58You're getting to be a habit with me.
00:45:00You can't break it.
00:45:03You're getting to be a habit with me.
00:45:08You're getting to be a habit with me.
00:45:29Well, it's not good and it's not bad.
00:45:34That's all for tonight.
00:45:37Wait a minute.
00:45:38Hold it!
00:45:38Come back here, girls.
00:45:40I want you all to take your minds off the show.
00:45:43Get out and relax.
00:45:45And forget it till 10 o'clock tomorrow morning.
00:45:50I don't know.
00:45:50I think it'll do.
00:45:52But I want you to come back tomorrow to give the best performance.
00:45:56that you ever gave in your lives.
00:45:59All right, company dismissed.
00:46:01Dismissed, girls.
00:46:01All right, company dismissed.
00:46:03All right, come on now, kiss.
00:46:04Have a good time.
00:46:05You really was elegant, Miss Pratt.
00:46:10Pansy, did anyone telephone me?
00:46:12Who?
00:46:13No, ma'am.
00:46:14Nobody at all.
00:46:16You're sure?
00:46:17I certainly is.
00:46:18Yes, ma'am, Miss Pratt.
00:46:22I just thought maybe, maybe you'd like to have a little supper with me, huh?
00:46:25Oh, I would have.
00:46:26But I'm afraid you thought it was too late, Billy.
00:46:28Gosh, I've been thinking of it all day long.
00:46:30Well, I'm not a mind reader.
00:46:32I've got a date.
00:46:33Oh.
00:46:34Billy.
00:46:35Huh?
00:46:35I'm not doing anything tomorrow night.
00:46:37All right, then that's a date, huh?
00:46:39Okay.
00:46:39Don't forget now.
00:46:40No.
00:46:42Oh, listen, kid.
00:46:43I've got to rush ahead and get the stuff for the party.
00:46:44Do you mind?
00:46:45I'll see you at the hotel, room 1061.
00:46:47Make it snappy.
00:46:50Oh, she says for you to wait.
00:46:52She'll be out in just a minute.
00:46:54Oh.
00:46:59Good night, Mr. Marsh.
00:47:04What is that?
00:47:04I said to the guy, I just, I said, what do you think it is, Doc?
00:47:08Oh, Andy, you're terrible.
00:47:10You know any more?
00:47:11Oh, I've got a lot of mime started.
00:47:12I said, wait a long time.
00:47:13Andy?
00:47:14Yes, sir?
00:47:15Go on, yes, man.
00:47:16You'll pop a few lip up.
00:47:18Shut up.
00:47:18This may be very important.
00:47:20Oh, it can't be, darling.
00:47:22He's calling you.
00:47:25Oh.
00:47:50Sit down, Andy.
00:47:59Anything wrong, chief?
00:48:04Everything's wrong, Andy.
00:48:06No, you're a great director, Mr. Marsh.
00:48:15Maybe I was, but right now I'm a sick man.
00:48:20They told me I was sick when I started, but I started anyway.
00:48:25Andy, I'm going to finish, and I'm going to have a show.
00:48:29Oh, I know what they'll say.
00:48:30They'll like it.
00:48:31They've got to.
00:48:33They say Marsh is a wizard.
00:48:35He turns them out like clockwork.
00:48:36The guy isn't human, he's a machine.
00:48:40Well, I'm not a machine, Andy.
00:48:42And for the first time, I'm counting on someone else.
00:48:45I've got to.
00:48:46I'm counting on you.
00:48:48And tomorrow night, we're going to give them a show.
00:48:52The greatest show Julian Marsh ever put on.
00:48:56What are you doing?
00:48:56Got a date tonight?
00:48:58No.
00:49:03Come on home with me, will you?
00:49:04I'm lonesome.
00:49:05Sure.
00:49:10Taxi.
00:49:11Why, Pat, what are you doing in Philadelphia?
00:49:14Just got my passport and thought I'd drop over.
00:49:16Business or pleasure?
00:49:17Well, I don't know yet, but it's a job.
00:49:19Say, what about one of those nice, cozy little midnight suppers one reads about?
00:49:24You know, I've been hanging about here hoping you'd come out.
00:49:26Oh, dear, I have a date.
00:49:28Well, break it.
00:49:29Well, I'd like to, but I can't.
00:49:31Well, you can try.
00:49:32Well, you see, it's with the company, and we open tomorrow night, and I really should be on hand.
00:49:37Oh, I understand.
00:49:38Well, in that case, suppose you let me drive you to the main event.
00:49:40All right.
00:49:41Taxi.
00:49:48Congress Hotel.
00:49:50Get something, Dorothy.
00:49:55Oh, no.
00:50:00Congress Hotel.
00:50:03Oh, Amber, isn't this car big enough for two?
00:50:06Move over.
00:50:07You ain't going to have another one of your spells, are you?
00:50:09I'm tired.
00:50:10The best rehearsal is no picnic.
00:50:12A little party will do you good.
00:50:14Yes.
00:50:15Don't just be in with me cheer you up.
00:50:18Oh, tremendously.
00:50:20I'm practically hysterical right now.
00:50:28Oh, don't be afraid of me.
00:50:29I got strength.
00:50:31I used to be the intercollegiate champion hop, skip, and jumper of our tower.
00:50:35Come on, now.
00:50:35You better beacus.
00:50:36Here I come.
00:50:36Let it go.
00:50:40Give the little boy a big hand.
00:50:43Right across your big mouth.
00:50:45Oh, please.
00:50:56Why, honey, I tell you, I don't even know my own strength.
00:50:59Wait a minute.
00:51:00Just look at me.
00:51:01Oh, you're too, too devoid.
00:51:06Well, tomorrow, you've got to give a performance, not an exhibition.
00:51:11Well, you'd never know it from the manuscript.
00:51:14I beg your pardon.
00:51:16She's right.
00:51:18Come on, Dorothy.
00:51:19Let's dance.
00:51:20I don't want to dance.
00:51:21Oh, come on.
00:51:22Let's dance.
00:51:22I want to dance.
00:51:23Let me alone.
00:51:25You're not funny to me tonight.
00:51:26I've got half of mine.
00:51:28Oh, you're telling me.
00:51:29What's the matter with you?
00:51:30Do you want to grab your act?
00:51:31In a star, it's temperament.
00:51:32But in a chorus, girl, it's just bad taste.
00:51:36What is this, target practice?
00:51:37Why can't you let me alone?
00:51:40Wisecracks.
00:51:40I'm sick of them.
00:51:41I'm tired of you.
00:51:43Tired of all of you.
00:51:44Do you hear?
00:51:50You know, you better hop on your kiddie car and go back to Cleveland.
00:51:55Excuse me.
00:51:56It's the tight shoes.
00:51:57Shut up.
00:51:59Where are you going?
00:52:00Maybe little Dorothy needs me.
00:52:02Are you going to be a sucker for that?
00:52:03Sucker?
00:52:04Now, you listen to me, Barry.
00:52:06$70,000 is a lot of money to pay for a pack of insults.
00:52:10So that's what you've been calling me behind my back.
00:52:12Sucker, eh?
00:52:13Well, I ain't a sucker for anybody, see?
00:52:16Dorothy Brock don't mean that to me.
00:52:18If it hadn't have been for me, she wouldn't have had the show to star in.
00:52:21She better not try to give me the air now.
00:52:25Now.
00:52:27So that's it, is it, you small-town big shot?
00:52:31Now, don't stop, Dorothy.
00:52:32So I better not give you the air, eh?
00:52:34Well, that's exactly what I'm giving you right now.
00:52:37Now, get out of my rooms, you sucker.
00:52:40Get out!
00:52:41Try and make me.
00:52:41Don't do that again!
00:52:44Don't do that again!
00:52:45Don't do that again!
00:52:45Don't do that again!
00:52:46Wait a minute!
00:52:46I'm a fixin' door!
00:52:49Don't do that again!
00:52:51Don't waste anybody whose insurance ain't paid up!
00:52:53You can't wait for me!
00:52:55And the next time you come to a lady's apartment, act like a lady.
00:52:59Please!
00:53:00Please!
00:53:11Hello?
00:53:12We've located Mr. Denning for you, Miss Brock.
00:53:15Get him for me, will you?
00:53:17I'm a big company.
00:53:22Oh, now what?
00:53:25Hello.
00:53:28Hello, Dorothy.
00:53:31Hello, Pat.
00:53:33Pat, I can't stand it any longer.
00:53:37I've got to see you.
00:53:39Oh, yes, but...
00:53:40Please don't ask me why. Just come quickly, please.
00:53:44Well, all right, dear. I'll be right over.
00:54:12Come in.
00:54:15Sorry, Julian. More trouble.
00:54:19What's up?
00:54:20Dorothy's out of the show.
00:54:22Definitely, once and for all, she's out.
00:54:28Well, let me have it. What happened?
00:54:30She threw me out of her room. That's what.
00:54:34And now you want to throw her out.
00:54:36Say, what is this, a game? You can't do it.
00:54:38Oh, no.
00:54:39No. Brock's in my show to stay, and that's final.
00:54:42If Dorothy stays in, this show don't open tomorrow night.
00:54:48That's final.
00:54:49Why, you pot-bellied sap.
00:54:52I resent that.
00:54:53You've got $70,000 sucking this show already.
00:54:55Are you going to toss that away just because of a dame? Any dame?
00:54:58That's my funeral, ain't it?
00:55:00Yes, and the funeral of 200 other people besides.
00:55:02Chorus girls, boys, electricians.
00:55:05You wouldn't be that mean, would you?
00:55:07Well, I think she ought to apologize.
00:55:10Why, of course she'll apologize.
00:55:12Brock isn't like that.
00:55:13She'll be sorry by morning.
00:55:16I wish you wouldn't take it like this, Mr. Dillon.
00:55:18Why, do you know that back in New York, they're calling you the Angel of Broadway?
00:55:23No.
00:55:24Sure.
00:55:25Are they?
00:55:26Well, I guess maybe I can overlook it, if she'll apologize.
00:55:37But, it must be tonight.
00:55:41That's final.
00:55:50What's the matter, baby?
00:55:52You don't seem to be warming up at Zillow.
00:55:54Oh, don't, Terry.
00:55:56Please.
00:55:57Oh, come on.
00:55:58This is no way to act.
00:55:59Oh, you've got me wrong, Terry.
00:56:01I'm not acting.
00:56:02I just don't like to be poor.
00:56:04That's a fool.
00:56:05Oh, come here, honey.
00:56:07Why you don't know me?
00:56:08Must have been a fuse.
00:56:09Yeah, a fuse named Charlie.
00:56:16Hey, Harry!
00:56:21Hey, Harry.
00:56:22Hey, Harry.
00:56:22Hey, Harry.
00:56:23Hey, Harry.
00:56:25Come on, let's have another drink.
00:56:27Come on, let's have another drink.
00:56:27I'll burst, sir.
00:56:28Let's get out.
00:56:33Going down?
00:56:34No, sir.
00:56:34Up.
00:56:41There we go.
00:57:03Pat.
00:57:09that guy thinks he's going to crab our show now we fixed a month before and we
00:57:12can do it again let's get Marsh
00:57:36what do you want I want to see mr. Denning is he here you know he's here what do you
00:57:41want mr. Denning
00:57:42you can't leave him alone for five minutes can you oh please miss Brock this is important
00:57:48what's the matter Dorothy oh Pat Pat there's going to be trouble I saw oh so it's that to him
00:57:54but it's mr. Denning to me you bet there's going to be trouble in that Dorothy let's find out what
00:58:00it's all about I know what it's all about she's been spying on this spying I wasn't spying you
00:58:06were you were spitting through the kick hole now don't tell me you were because I saw you
00:58:11she's jealous you want to be yourself don't you well you're not going to get a minute wait for
00:58:16what more spying and more double crossing let me go don't move miss Brock Dorothy you pushed me
00:58:27didn't you Dorothy what's the matter oh oh Pat my ankle what's the matter my ankle get the house
00:58:39doctor right away oh hello hello please send the house doctor to miss Brock's apartment immediately
00:58:48yes yes thank you get her shoes off quick
00:59:02oh Pat it's swelling
00:59:07better answer the door that may be the doctor all right
00:59:14you send for me yes doctor right in there
00:59:22no doctor it's her ankle which one
00:59:25oh yeah glass of water please yes doctor
00:59:38your name Denning yeah I want to talk to you
00:59:41wait a minute where's Dorothy in there she's had an accident she's what she fell and twisted her ankle
00:59:46it may be a break what are you talking about
00:59:52how bad is it doc can't tell definitely maybe it's only a sprain
00:59:56looks like a fracture can't tell the x-rays are made
01:00:00you mean she might not be able to go on tomorrow
01:00:02go on the show she's got to play tomorrow night
01:00:04not a chance she's got to you've got to do something doctor
01:00:07the only thing anyone can do is to get her a pair of crutches
01:00:12don't stand there gaping do something
01:00:14oh get out get out
01:00:16I still don't know what you're doing here
01:00:18well if I thought it was any of your business I'd tell you
01:00:22a broken ankle huh
01:00:27it's too bad it wasn't her neck
01:00:32may I have your attention a minute please
01:00:33quiet quiet quiet quiet please
01:00:37there'll be no performance tonight
01:00:39wait wait a minute wait
01:00:41our star miss Brock has had an accident
01:00:44she's broken her ankle
01:00:47now you're not to leave the theater until you're officially dismissed
01:00:50you get that Andy
01:00:50you're gonna hold the company here for further instructions
01:00:52all right all right stick around everybody
01:00:54don't anybody leave the theater
01:00:58Marsha got to think of something
01:00:59you got to think of someone
01:01:00there must be some way out of this
01:01:02listen Dylan just folded
01:01:04he's got everything fixed
01:01:05up to and including Brock's ankle I suppose
01:01:07no don't you understand he's going through with it
01:01:10he's going through with what
01:01:11I tell you he has found someone to take Brock's place
01:01:14and he's on his way over here with her now
01:01:16where is she
01:01:16I don't know
01:01:17come on Marsha
01:01:19no such luck
01:01:26now there's a kitty car I could really go for
01:01:31anytime Andy
01:01:33well lay me low
01:01:35you're a new leading lady folks
01:01:37I guess I saved the day all right this time
01:01:39well we better go in and talk it over with Marsh
01:01:46you've got a big investment in this show already
01:01:48you're telling him
01:01:49while I appreciate your trying to help
01:01:51I'm afraid this young lady won't do
01:01:52sure she will
01:01:53she didn't want to do it at first
01:01:55but I convinced her
01:01:55she's all set
01:01:56she'll be sensational
01:01:58how about letting me talk huh
01:01:59all right darling
01:02:00let's quit kidding Mr. Marsh
01:02:02Abby all those things sounded swell
01:02:04at breakfast
01:02:06but I haven't got a chance of carrying this show
01:02:08I know that as well as you do
01:02:09maybe better
01:02:10well I appreciate your honesty
01:02:11that's swell
01:02:12cause listen
01:02:13you've got somebody in this outfit
01:02:14who can carry your show
01:02:15a great little trooper
01:02:16honest Mr. Marsh
01:02:17don't you think I'm capable
01:02:18of selecting my own cast
01:02:19sure but you'd never pick this one
01:02:20and I'm telling you
01:02:21she can swing it
01:02:22how can you lose
01:02:23all you gotta do is try her
01:02:24who is she
01:02:26Sawyer
01:02:26Sawyer
01:02:28yes Peggy Sawyer
01:02:29her voice may not panic
01:02:31but she can dance rings around Brock
01:02:32and your show's half dancing anyway
01:02:34she'd kill him
01:02:35I mean it
01:02:35Sawyer
01:02:35nobody ever heard of her
01:02:36she's just a raw kid out of the chorus
01:02:38listen Mr. Marsh
01:02:39I've been waiting years
01:02:41for a chance like this
01:02:42and if I give it up
01:02:42for somebody else
01:02:43believe me
01:02:44she's gotta be good
01:02:47send her in
01:02:49do you mean it
01:02:50yes send her in
01:02:53Mac
01:02:54hello Mac
01:02:55Andy
01:02:56yes sir
01:02:57get Sawyer
01:02:58yes sir
01:03:02come on
01:03:02the boss wants to see him
01:03:03who me
01:03:04not your brother
01:03:05come on
01:03:06will you
01:03:06well Lorraine
01:03:07sure go ahead
01:03:08come on
01:03:13well here she is
01:03:21experience
01:03:22just the show
01:03:24Mr. Marsh
01:03:24you know the songs
01:03:26the dance routines
01:03:26you think you can play
01:03:27the lead tonight
01:03:28the lead
01:03:31sure you can honey
01:03:32don't let him scare you
01:03:40all right
01:03:41I'll give you a chance
01:03:41because I've got to
01:03:43Andy
01:03:43send Jerry in
01:03:44yes sir
01:03:45I'll either have a live
01:03:45leading lady or a dead chorus
01:03:47girl
01:03:47now get out of here
01:03:48all of you
01:03:48and I don't want anybody in
01:03:49for the next five hours
01:03:50good luck
01:03:51come on
01:03:52come on you
01:03:54pick it up
01:03:54pick it up
01:03:55right after the number
01:03:55come on
01:03:56there's your cue
01:03:58Jim
01:03:58they didn't tell me
01:03:59you were here
01:04:00it was grand of you
01:04:01to come
01:04:02no it's impossible
01:04:04impossible
01:04:06you're greeting
01:04:06the man you love
01:04:07it's your entrance speech
01:04:09make it mean something
01:04:10put some feeling into it
01:04:11listen like this
01:04:13Jim
01:04:14they didn't tell me
01:04:15you were here
01:04:15it was grand of you
01:04:17to come
01:04:17now let me hear it
01:04:19Jim
01:04:19they didn't tell me
01:04:20you were here
01:04:21it was grand of you
01:04:22to come
01:04:23no it won't do
01:04:24look
01:04:25have you ever been in love
01:04:27did you ever have a man
01:04:28hold you in his arms
01:04:29and kiss you
01:04:36now
01:04:37now you're in the spirit
01:04:38of the thing
01:04:39you love this man
01:04:40now give it all you've got
01:04:41let me hear it
01:04:43Jim
01:04:44they didn't tell me
01:04:45you were here
01:04:46it was grand of you
01:04:48to come
01:04:49that's better
01:04:51that's better
01:04:51now let me hear it
01:04:52from the beginning
01:04:53go over there
01:04:53and make your entrance
01:04:54again
01:04:55all right
01:04:56Jim
01:04:57they didn't tell me
01:04:58you were here
01:04:59it was grand of you
01:05:01to come
01:05:03come and meet
01:05:04those dancing feet
01:05:07on the avenue
01:05:08I'm taking you to
01:05:0942nd street
01:05:11hear the beat
01:05:13of dancing feet
01:05:15it's the song
01:05:16I love
01:05:17the melody
01:05:17of 42nd street
01:05:19I can't
01:05:21I can't
01:05:22I can't
01:05:22look here
01:05:24you can't
01:05:25but you will
01:05:26please
01:05:28Mr. Moore
01:05:29you want this
01:05:29chancer don't you
01:05:31all right
01:05:32let's try it again
01:05:33all right
01:05:35come and meet
01:05:37those dancing feet
01:05:39on the avenue
01:05:40I'm taking you to
01:05:4242nd street
01:05:58all right
01:05:59all right
01:05:59it's fair
01:05:59only fair
01:06:01come in
01:06:03only got an hour
01:06:04before the curtain
01:06:05boss
01:06:05okay Jerry
01:06:06that's all
01:06:14you let me down
01:06:15Sawyer and I'll
01:06:18come on
01:06:18lie down
01:06:18relax
01:06:21I'll call in plenty of time
01:06:22the wardrobe boomer will have to come in to fit your costumes
01:06:24and rest all you can
01:06:25because you're definitely going on tonight
01:06:33Julian
01:06:34well how about it
01:06:35all right the show goes on
01:06:36wardrobe everybody
01:06:37everybody
01:06:40everybody
01:06:41everybody
01:06:45oh
01:06:45Billy
01:06:46hello
01:06:47say I brought you some coffee
01:06:48I guess you can use a little huh
01:06:50oh Billy I'm so excited
01:06:52I think maybe I'm dreaming
01:06:54oh no
01:06:54you're awake all right
01:06:56don't worry about that
01:06:57Billy
01:06:58what's going to happen to me
01:07:00honey you're going to be a terrific kid
01:07:02you're going to be the biggest thing you'll ever hit Broadway
01:07:03oh I hope so
01:07:05say I know so
01:07:07and I'm for you too
01:07:07you know that
01:07:09even if
01:07:11even if what
01:07:12oh honey
01:07:14I've been for you ever since the day you walked in on me in my BVDs
01:07:18and I wanted to tell you
01:07:19ever since I first saw you how I feel about you
01:07:21but
01:07:23oh
01:07:24I'll say it
01:07:26but you know what I mean
01:07:27don't you
01:07:29I guess it does sound kind of funny at that
01:07:31the way I say it
01:07:33but the lines are new for me
01:07:35at least off stage
01:07:37well I guess maybe I can read between the lines Billy
01:07:41but I want to hear you say some more
01:07:54Billy it was grand of you to come
01:08:04they told me I'd find you here
01:08:06come on Miss Brock
01:08:07you can't talk to her
01:08:08nobody can it's Marsha's orders
01:08:10I want to see you alone Billy
01:08:12I know
01:08:15it's all right Billy
01:08:36so you're going to take my place
01:08:38I'm sorry Miss Brock
01:08:40you're nervous aren't you
01:08:45well don't be
01:08:46the customers out there want to like you
01:08:49always remember that kid
01:08:51I've learned it from experience
01:08:53and you've got so much to give them
01:08:55youth and beauty and freshness
01:09:00do you know your lines
01:09:01and your songs
01:09:02and your dance routine
01:09:05well
01:09:06you're a cinch
01:09:12but
01:09:13but it's tough on you Miss Brock
01:09:18come here
01:09:20Peggy isn't it
01:09:22you know Peggy
01:09:23when I started for the theater tonight
01:09:25I wanted to tear your hair out
01:09:28and then I started thinking
01:09:31well after all I've had my chance
01:09:32and now it's your turn
01:09:35I've had enough
01:09:37for five years
01:09:38it's kept me away from the only thing I ever wanted
01:09:42and a funny thing
01:09:43a broken ankle
01:09:45was the thing that made me find it out
01:09:48you know Peggy
01:09:50most anyone can have success
01:09:52for the proper breaks
01:09:53as for me
01:09:55I'll take Pat
01:09:56and Voterville
01:09:58or whatever goes with him
01:10:02we're being married tomorrow
01:10:04oh
01:10:04I'm so glad
01:10:07come in
01:10:09you've got to hurry Miss
01:10:11come right in boys
01:10:12right over here
01:10:42I think it looks pretty nice now
01:10:43I think it looks pretty nice now
01:10:44do you think I look alright
01:10:46you look adorable
01:10:49now go out there
01:10:50and be so swell
01:10:52that you'll make me hate you
01:10:55remember girls
01:10:56I want a straight line
01:10:57all the way through
01:10:57understand
01:10:59Mark will reach you the first one
01:11:00now give me a great big smile
01:11:01come on
01:11:01now get ready
01:11:02alright curtain
01:11:20come on
01:11:21come on alright
01:11:32now get Sawyer
01:11:32break up
01:11:33break up
01:11:33break up
01:11:37I saw you
01:11:38you listen to me
01:11:39and you listen hard
01:11:41200 people
01:11:41200 jobs
01:11:43200,000 dollars
01:11:43five weeks of grind
01:11:44and blood and sweat
01:11:45depend upon you
01:11:46it's the lives of all these people
01:11:47who've worked with you
01:11:48you've got to go on
01:11:49and you've got to give
01:11:50and give and give
01:11:51they've got to like you
01:11:52got to
01:11:52do you understand
01:11:53you can't fall down
01:11:54you can't
01:11:55because your future's in it
01:11:57my future
01:11:57and everything
01:11:57all of us have
01:11:58is staked on you
01:11:59alright now I'm through
01:12:00but you keep your feet
01:12:01on the ground
01:12:02and your head on those
01:12:03shoulders of yours
01:12:03and go out and Sawyer
01:12:04you're going out a youngster
01:12:06but you've got to come back
01:12:08a star
01:12:10oh there she is now
01:12:11there's your cue
01:12:12good luck honey
01:12:17well honey
01:12:18we couldn't lose him
01:12:19and least of all
01:12:20Jimmy
01:12:20why Jim
01:12:22they didn't tell me
01:12:23you were here
01:12:24it was grand of you
01:12:25to come
01:12:26all aboard
01:12:27the Niagara Limited
01:12:28come on let's go
01:12:29all right
01:12:32that's your light change
01:12:32alright girls
01:12:33come on snap into it
01:12:34hurry up
01:12:34come on Jim
01:12:35get going
01:12:36alright take it away
01:12:44now that we have had
01:12:45the rice and flowers
01:12:46the knot is tied
01:12:49I can visualize
01:12:51that you have the hours
01:12:52right by your side
01:12:55the honeymooning store
01:12:56is one that you'll adore
01:12:58I'm going to take you
01:12:59for a ride
01:13:01I'll go home and pack my panties
01:13:03you go home and get your scanties
01:13:05and away we'll go
01:13:08off we're going to shuffle
01:13:09we'll shuffle off to Buffalo
01:13:13to Niagara in a sleeper
01:13:16there's no honeymoon
01:13:16that's cheaper
01:13:17and the train goes slow
01:13:20off we're going to shuffle
01:13:22shuffle off to Buffalo
01:13:25some day I hope we'll be elected
01:13:28to buy a lot of baby clothes
01:13:31we don't know when to expect it
01:13:35but it's a cinch
01:13:36wind shall knows
01:13:38for a little silver quarter
01:13:40we can have the Pullman Porter
01:13:42turn the lights down loud
01:13:45off we're going to shuffle
01:13:46shuffle off to Buffalo
01:13:51shuffle off
01:13:52shuffle off
01:13:54shuffle off
01:13:54shuffle off
01:13:55shuffle off
01:13:55shuffle off
01:13:55shuffle off
01:13:55shuffle off
01:13:56shuffle off
01:13:56shuffle off
01:13:56shuffle off
01:13:57shuffle off
01:13:57shuffle off
01:13:57shuffle off
01:13:58shuffle off
01:13:59shuffle off
01:13:59shuffle off
01:14:01shuffle off
01:14:01shuffle off
01:14:05shuffle off
01:14:10shuffle off
01:14:17Ho, ho, ho, ho!
01:14:22Ho, ho, ho, ho!
01:14:47Ho, ho, ho, ho!
01:14:50Ho, ho, ho, ho!
01:14:51Ho, ho, ho!
01:14:53Ho, ho, ho!
01:14:55Ho, ho, ho!
01:14:56Ho, ho, ho!
01:14:56Ho, ho, ho!
01:14:59Ho, ho, ho!
01:15:04Matrimony is baloney
01:15:06She'll be wanting alimony in a year or so
01:15:10Still they go and shuffle
01:15:11Shuffle off to Buffalo
01:15:15When she knows as much as we know
01:15:17She'll be on her way to Reno while he still has dough
01:15:22She'll give him the shuffle
01:15:23When they're back from Buffalo
01:15:27I'll bet that she's the farmer's daughter
01:15:30And he's that well-known traveling man
01:15:33He once stopped down at the farmhouse
01:15:37That's how the horse fell again
01:15:39He did right by little Nelly
01:15:42With a shotgun at his belly
01:15:43Tommy, how could he say no?
01:15:46He just had to shuffle
01:15:48Shuffle off to Buffalo
01:15:52You go home and pack your panties
01:15:54I'll go home and get the scanties
01:15:55And away we'll go
01:15:57Ho, ho, ho, ho!
01:15:59Off we're gonna shuffle
01:16:00Shuffle off to Buffalo
01:16:02Shuffle off to Buffalo
01:16:04To Niagara in a sleeper
01:16:06There's no honeymoon
01:16:07It's cheaper and the train goes slow
01:16:09Ho, ho, ho!
01:16:10Off we're gonna shuffle
01:16:12Shuffle off to Buffalo
01:16:14Shuffle off to Buffalo
01:16:14Oh, Buffalo
01:16:15Some day I hope we'll be elected
01:16:19To buy a lot of baby clothes
01:16:21We don't know when to expect it
01:16:25But it's a cinch that Winchell knows
01:16:27For a little silver quarter
01:16:30We can have the phone before
01:16:31To turn the lights down low
01:16:33Oh, ho, ho!
01:16:35Off we're gonna shuffle
01:16:36Shuffle off to Buffalo
01:16:40Shuffle off
01:16:41Shuffle off
01:16:42Shuffle off
01:16:43Shuffle off
01:16:44Shuffle off to Buffalo
01:16:45To Buffalo
01:16:47O.o.o.o.o.o.o
01:17:26Come on, break this up.
01:17:27Come here.
01:17:28Come on.
01:17:28Good girl, you got by.
01:17:29You got by, but you're not through yet.
01:17:31The toughest part's coming.
01:17:32You can't be a flash in the pan.
01:17:33There isn't an actor on this stage who doesn't know what you're going through or who isn't
01:17:36pulling for you.
01:17:37Oh, that's fine.
01:17:38Now you gotta rest.
01:17:38Rest and relax.
01:17:39And save it, because you're gonna need it.
01:17:46You know, honey, I've been watching you for a couple of weeks.
01:17:48And if you're nice to the right people, you're gonna get along.
01:17:51You know these routines?
01:17:53Quiet, please.
01:18:02Say I know a bundle of humanity.
01:18:05She's about so high.
01:18:06And I'm nearly driven to insanity when she passes by.
01:18:12She's a snooty little cutie.
01:18:14She's been so hard to kiss.
01:18:16I'll try to overcome a vanity.
01:18:19And then I'll tell her this.
01:18:26I'm young and healthy, and you've got charms.
01:18:31It'd really be a sin not to have you in my arms.
01:18:36I'm young and healthy, and so are you.
01:18:40When the moon is in the sky, tell me what am I to do?
01:18:44You say, and if I could hate ya', I'd keep away.
01:18:49But that ain't my nature, I'm full of vitamin A.
01:18:53Say, I'm young and healthy, so let's be bold.
01:18:59In year, two, three, maybe we will be too old.
01:19:03I'm young and healthy, and you've got charms
01:19:07It'd really be a sin not to have you in my arms
01:19:12I'm young and healthy, and so are you
01:19:16When the moon is in the sky, tell me what am I to do
01:19:21If I could hate you, I'd keep away
01:19:25But that ain't my nature, I'm full of vitamin A, say
01:19:29I'm young and healthy, so let's be bold
01:19:34In a year, two or three, maybe we will be too old
01:19:39I'm young and healthy, and you've got charms
01:19:43It'd really be a sin not to have you in my arms
01:19:47I'm young and healthy, and so are you
01:19:52When the moon is in the sky, tell me what am I to do
01:19:56If I could hate you, honey, I'd keep away
01:20:00But that ain't my nature, I'm full of vitamin A
01:20:04Oh, I'm young and healthy, and so let's be bold
01:20:09In a year, two or three, maybe we will be too old
01:20:24I'm young and healthy, and so let's be bold
01:20:28I'm young and healthy, and so let's be bold
01:20:56I'm young and healthy, and so let's be bold
01:21:39I'm young and healthy, and so let's be bold
01:21:43I'm young and healthy, and so let's be bold
01:21:43I'm young and healthy, and so let's be bold
01:21:51I'm young and healthy, and so let's be bold
01:22:13Huh?
01:22:15Huh?
01:22:15Huh?
01:22:16Oh, no, I didn't
01:22:17Well
01:22:18But I'll take her right out
01:22:19Come on, Phoebe
01:22:21Well, hurry!
01:22:27In the heart of little old New York
01:22:29You'll find a thoroughfare
01:22:31It's the part of little old New York
01:22:34That runs into Times Square
01:22:36A crazy quilt that Wall Street Jack built
01:22:41If you've got a little time to spare
01:22:43I'd like to take you there
01:22:45Come and meet those dancing feets
01:22:50On the avenue, I'm taking you to 42nd Street
01:22:54Hear the beat of dancing feets
01:22:59It's the song I love, the melody of 42nd Street
01:23:04Little nifties from the fifties, innocent and sweet
01:23:08Sexy ladies from the eighties, who are indiscreet
01:23:13Oh, they're side by side, they're glorified
01:23:18Where the underworld can meet the elite
01:23:2142nd Street
01:23:22Oh, they're side by side, they're side by side, they're side by side, they're side by side, they're side by
01:23:32side, they're side by side, they're side by side, they're side by side, they're side by side, they're side by
01:23:40side, they're side by side, they're side by side, they're side by side, they're side by side, they're side by
01:23:41side, they're side by side, they're side by side, they're side by side, they're side by side, they're side by
01:23:42side, they're side by side, they're side by side, they're side by side, they're side by side, they're side by
01:23:43side, they're side by side by side, they're side by side, they're side by side by side, they're side by
01:23:45side by side, they're side by side by side, they're side by side by side, they're side by side by
01:23:47side, they're side by side by side, they're side by side by side
01:24:07Little nifties from the fifties, innocent and sweet, sexy ladies from the eighties who are indiscreet, they're side by side,
01:24:18they're glorified.
01:24:20Where the underworld can immediately, naughty gaudy, baudy, sporty, baudy, jack and free.
01:25:06He has a rollerblade, he has a rollerblade, he has a rollerblade!
01:25:36Oh, my God.
01:25:54Oh, my God.
01:26:11The parade goes on for years
01:26:14It's a rhapsody of laughter and tears
01:26:19Gnarly, barry, gawry, spoorry
01:26:23For he shall come speak
01:26:27The parade goes on for years
01:27:26The parade goes on for years
01:27:28On the avenue I'm taking you to
01:27:3142nd Street
01:27:33And the beat of dancing queens
01:27:38It's a song I love, the melody of
01:27:4242nd Street
01:27:51The parade goes on for years
01:27:56It's a rhapsody of laughter and tears
01:27:59Gnarly, barry, gawry, spoorry
01:28:02For he shall come speak
01:28:09The parade goes on for years
01:28:11The parade goes on for years
01:28:11Gnarly, barry, gawry, spoorry
01:28:13Young and Elf
01:28:13Choked on the front
01:28:14One, two, three, four
01:28:16One, three, four
01:28:17Seven, three, a half
01:28:20Call 17
01:28:2217
01:28:2317
01:28:24All these directors make me sick
01:28:25Take Mars
01:28:26Puts his name all over the program
01:28:27Gets all the credit
01:28:28But if the kids liked Sawyer
01:28:30He wouldn't have a show
01:28:31Sawyer's aware
01:28:32She'll have Broadway in the pocket
01:28:33A week
01:28:33Yeah, right
01:28:34Yeah, Marshal probably said
01:28:35He discovered her
01:28:36Some guy's got all the breaks
01:28:37Some guy's got all the breaks
01:28:41Hold that young and
01:28:42Help me
01:28:44Help me
01:28:44Help me
01:28:45Let's fight up
01:29:01Let's fight up
01:29:04Let's fight up
01:29:06Let's fight up
01:29:10Let's fight up
01:29:12Let's fight up
01:29:13Let's fight up
01:29:16Let's fight up
01:29:17Let's fight up
01:29:17Let's fight up
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